Quotes about note
page 7

William Makepeace Thackeray photo
Max Brod photo
Peter Greenaway photo
Thomas Gray photo

“Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.”

Thomas Gray (1716–1771) English poet, historian

St. 10
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)

Patrick Stump photo
Frank Bunker Gilbreth, Sr. photo

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

“At first the relevance of chattel slavery to libertarian ideals was noted only in individual passages of isolated pamphlets.”

Source: The Ideological Origins of the American Revolution (1967), Chapter VI, THE CONTAGION OF LIBERTY, p. 237.

Bouck White photo
George William Foote photo
Piet Mondrian photo

“Now the only problem is to destroy these lines also through mutual opposition... [note under his letter]: I think that the destructive element is too much neglected in art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in his letter to Sweeney, 24 May 1943; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's

Charles Manson photo

“I wanna say this to every man that has a mind, to all the intelligent life forms that exist on this planet Earth. I wish the British would say this to the Scottish Rites and the Masons and all the people with minds who have degrees of knowledge, and who are aware of courts, laws, United Nations, governments.
In the 40s, we had a war, and all of our economies went towards this war effort. The war ended on one level, but we wouldn't let it end on the other levels. We kept buying and selling this war. I'm not locked in the penitentiary for crimes, I'm locked in the Second World War. I'm locked in the Second World War with this decision to bring to the World Court - there must be a One World Court, or we're all gonna be devoured by crime.
Crime, and the definition of crime comes from Nuremberg, when the judges decided that they wanted to call Second World War a crime. Honor and war is not a crime. Crime is bad. When you go to war and you're a soldier, and you fight for your God and your country, that's not criminal. That's honorable. That's what you must do to be a man. If you don't fight for your God and your country, you're not worth anything. If you have no honor, then you're not worth petty's pigs.
Truth is, we've got to overturn this decision that you made in the Second World War, or the Second World War will never end. Degrees of the war was written in Switzerland, in Geneva, at conferences that were made by the men at the tables, clearly stated that anyone in uniform would be given the respect of their rank and their uniforms. Then when the United States and got all the Germans in handcuffs, they started breaking their own rules. And they've been breaking their own rules ever since. War is not a crime, but if you judge war as a crime in a court room, then turn around: If 2 + 3 = 5, and 3 + 2 = 5; if you say war is a crime, then crime becomes your war. I am, by all standards, a prisoner of war.
I've been a prisoner of war since 1944 in Juvenile Hall, for setting a school building on fire in Indianapolis, Indiana. I've been locked up 45 years trying to figure out why I got to be a criminal. It matters not whether I want to be; you've got to keep criminals going to keep the war going because that's your economy, your whole economy is based on the war. You've got to get your dollar bills off the war, you've got your silver market sterling off of the war, you've got to take your gold and your diamonds off of the war - You've got to overturn that decision, that hung 6000 men by the neck.
You killed 6000 soldiers for obeying orders. It's wrong. And the world has got to accept that's wrong. When you accept you're wrong, and you say you're sorry for all the things you've done, then that will be a note on that court, and we'll have some harmony going on this planet Earth, now.”

Charles Manson (1934–2017) American criminal and musician

Interview with Bill Murphy (1994) http://www.youtube.com/watch?v=XAjh_wOByoY

Sören Kierkegaard photo
Fali Sam Nariman photo
Michael Szenberg photo
Paulo Coelho photo

“Note that I hold the single-author record for total CERT advisories, proving that in my copious youth I knew how to sling code but not how to manage risk.”

Paul Vixie (1963) American internet pioneer

NANOG mailing list http://www.merit.edu/mail.archives/nanog/2002-02/msg00482.html (2002)
Notes: talking about software security bugs.

Richard Cobden photo
Vanna Bonta photo

“It’s of note that the word 'cosmetic' has its roots in the word 'cosmos.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Otto Neurath photo

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

“Note the situation is different when the player is permitted to vary his stakes. In this case there exist advantageous strategies, and the game depends on the strategy.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter VIII, Unlimited Sequences Of Bernoulli Trials, p. 200

Richard Strauss photo

“Very fine, but why do you put so many wrong notes in? Basically, it is all built on simple triads.”

Richard Strauss (1864–1949) German composer and orchestra director

Other sources

Eric Clapton photo

“Did you plan your leads, or, for that matter, do you plan them now?
No. The only planning I do is about a minute before I play. I desperately try to think of something that will be effective, but I never sit down and work it out note for note.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

Fred Stuckey, "Eric Clapton Interview," Guitar Player 4 (June 1970) p. 47. guitarplayer.com http://www.guitarplayer.com/miscellaneous/1139/gp-flashback-eric-clapton-june-1970/12798

Roger Ebert photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

William Blake photo
Steve King photo
Paul Simon photo
Amir Taheri photo

“The promised “Pure Mohammadan Islam” is based on three rejections… The first rejection is of traditional Islamic tolerance for Christians and Jews — who, labeled “People of the Book,” could live in a caliphate by paying protection money (jizyeh). The idea is that the “protection” offered by Mohammad belonged to the early phase of Islam when the “Last Prophet” wasn’t strong enough. Once Mohammad had established his rule, the Daeshites note, he ordered the massacre of Jews and the expulsion of Christians from the Arabian Peninsula… The second rejection is aimed against “Infidel ideologies,” especially democracy — government of men by men rather than by Allah… Daesh’s third rejection is aimed against what is labeled “diluted” (iltiqati) forms of Islam — for example, insisting that Islam is a religion of peace. In Daesh’s view, Islam will be a religion of peace only after it has seized control of the entire world. Until then, the world will be divided between the House of Islam (Dar al-Islam) and the House of War (Dar al-Harb). There can never be peace between Islam and whatever that is not Islam. At best, Muslims can make truce (solh) with non-Muslims while continuing to prepare for the next war. Daesh also rejects the “aping of Infidel institutions” such as a presidential system, a parliament and the use of such terms as “republic.””

Amir Taheri (1942) Iranian journalist

The only form of government in “Pure Mohammadan Islam” is the caliphate; the only law is sharia.
"The ugly attractions of ISIS’ ideology" http://nypost.com/2014/11/02/the-ugly-attractions-of-isis-ideology/, New York Post (November 2, 2014).
New York Post

Margaret Thatcher photo
Hariprasad Chaurasia photo
Georges Bernanos photo
Sinclair Lewis photo
Bruce Springsteen photo

“There ain't a note that I play on stage that can’t be traced back directly to my mother and father.”

Bruce Springsteen (1949) American singer and songwriter

Bruce Springsteen Talking

Dmitry Medvedev photo
Charles Stross photo
Chris Cornell photo
William Augustus Muhlenberg photo

“That heavenly music! what is it I hear?
The notes of the harpers ring sweet in mine ear.
And, see, soft unfolding those portals of gold,
The King all arrayed in his beauty behold!”

William Augustus Muhlenberg (1796–1877) United States Anglican Episcopal clergyman

I would not live alway (published 1826), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Jayachamarajendra Wadiyar photo
John Zerzan photo
Nora Ephron photo
Jack McDevitt photo

“One could not always put safety up front as the prime goal. Do that, and who would ever achieve anything of note?”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Chindi (2002), Chapter 14 (p. 191)

Joanna MacGregor photo
Camille Pissarro photo
Richard Salter Storrs photo
Rick Warren photo

“Larry King: So you did ask your people who worship with you to vote that way?
Rick Warren: Yeah, I just never campa— I never campaigned for it. I never — I'm not an anti-gay activist — never have been. Never participated in a single event. I just simply made a note in a newsletter, and of course, everything I write, it's the road.”

Rick Warren (1954) Christian religious leader

Interview on Larry King Live on CNN (6 April 2009), as quoted in "Rick Warren says he's not an anti-gay-marriage activist" by John Amato at Crooks and Liars (1 August 2011) http://crooksandliars.com/john-amato/rick-warren-says-hes-not-against-gay-ma, Larry King Live: Pastor Rick Warren - Part 1 --- April 6, 2009 at YouTube http://www.youtube.com/watch?v=pHPIhI5WDM8

Jayachamarajendra Wadiyar photo
Henry Hazlitt photo
Gloria Estefan photo

“My mother, my dad and I left Cuba when I was two [January, 1959]. Castro had taken control by then, and life for many ordinary people had become very difficult. My dad had worked [as a personal bodyguard for the wife of Cuban president Batista], so he was a marked man. We moved to Miami, which is about as close to Cuba as you can get without being there. It's a Cuba-centric society. I think a lot of Cubans moved to the US thinking everything would be perfect. Personally, I have to say that those early years were not particularly happy. A lot of people didn't want us around, and I can remember seeing signs that said: "No children. No pets. No Cubans." Things were not made easier by the fact that Dad had begun working for the US government. At the time he couldn't really tell us what he was doing, because it was some sort of top-secret operation. He just said he wanted to fight against what was happening back at home. [Estefan's father was one of the many Cuban exiles taking part in the ill-fated, anti-Castro Bay of Pigs invasion to overthrow dictator Fidel Castro. ] One night, Dad disappered. I think he was so worried about telling my mother he was going that he just left her a note. There were rumours something was happening back home, but we didn't really know where Dad had gone. It was a scary time for many Cubans. A lot of men were involved -- lots of families were left without sons and fathers. By the time we found out what my dad had been doing, the attempted coup had taken place, on April 17, 1961. Intitially he'd been training in Central America, but after the coup attempt he was captured and spent the next wo years as a political prisoner in Cuba. That was probably the worst time for my mother and me. Not knowing what was going to happen to Dad. I was only a kid, but I had worked out where my dad was. My mother was trying to keep it a secret, so she used to tell me Dad was on a farm. Of course, I thought that she didn't know what had really happened to him, so I used to keep up the pretence that Dad really was working on a farm. We used to do this whole pretending thing every day, trying to protect each other. Those two years had a terrible effect on my mother. She was very nervous, just going from church to church. Always carrying her rosary beads, praying her little heart out. She had her religion, and I had my music. Music was in our family. My mother was a singer, and on my father's side there was a violinist and a pianist. My grandmother was a poet.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The [London] Sunday Times (November 17, 2006)
2007, 2008

Joan Didion photo
John Green photo
George Carlin photo

“Birth control pills are still on prescription. You still need a note to get laid.”

George Carlin (1937–2008) American stand-up comedian

FM & AM (1972)

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

Sonia Sotomayor photo
Arnold Schwarzenegger photo
El Lissitsky photo

“At present [1941], not taking my serious illness into account, I still hope to make something for the 25th anniversary of the October Revolution. - El Lissitzky, June 1941, Moscow Notes.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1926 - 1941, Autobiography of the artist' (1941)

Aaron Copland photo
Lennox Lewis photo
Oliver Sacks photo
Norman Mailer photo
John Bright photo
Thomas Jefferson photo

“There's a famous seaside place called Blackpool,
That's noted for fresh air and fun.”

Marriott Edgar (1880–1951) British poet

"The Lion and Albert", line 1.
Albert, 'Arold and Others (1938)

Maimónides photo
Bhakti Tirtha Swami photo
Leon Fleisher photo
Thomas Browne photo
Tina Fey photo
Robert M. Pirsig photo

“Finally we should note the basic assumption of the classical laboratory-namely, that nature is neither capricious nor secretive. If nature were capricious, she would tell one observer one thing and another observer a quite different thing… Also nature is not secretive, in the sense that she will not forever hide certain aspects of her being…”

C. West Churchman (1913–2004) American philosopher and systems scientist

Source: 1960s - 1970s, The Systems Approach and Its Enemies (1979), p. 57; as cited in: Carolyn Merchant (1982) "Isis' Consciousness Raised", in: Isis, Vol. 73, No. 3. (1982), pp. 398-409

Simon Stevin photo
Artur Schnabel photo
Andrew Dickson White photo
Ignatius of Antioch photo
Ben Folds photo

“Notes don't make music until you learn to insert silence between them.”

Ben Folds (1966) American musician

Studio http://www.benfolds.com/studio
Song lyrics, BenFolds.com

Geoffrey West photo

“Every fundamental law has exceptions. But you still need the law or else all you have is observations that don’t make sense. And that’s not science. That’s just taking notes.”

Geoffrey West (1940) British physicist

2010s
Source: Robert Krulwich. " Nature Has A Formula That Tells Us When It's Time To Die http://www.npr.org/blogs/krulwich/2013/01/22/169976655/nature-has-a-formula-that-tells-us-when-its-time-to-die," at npr.org, Jan. 22, 2013.

J.B. Priestley photo
Dan Balz photo
Anton Chekhov photo
Jean-Baptiste-Camille Corot photo
Carson Cistulli photo
Ron Paul photo

“Those who don't commit sodomy, who don't get a blood transfusion, and who don't swap needles, are virtually assured of not getting AIDS unless they are deliberately infected by a malicious gay, as was Kimberly Bergalis. Note: more and more patients ask if their physician and dentist are married and have children.”

Ron Paul (1935) American politician and physician

1994
September
Avoiding AIDS
Ron Paul Survival Report
2
http://www.tnr.com/sites/default/files/September1994.pdf, quoted in * 2011-12-23
TNR Exclusive: A Collection of Ron Paul's Most Incendiary Newsletters
New Republic
http://www.tnr.com/article/politics/98883/ron-paul-incendiary-newsletters-exclusive
Disputed, Newsletters, Ron Paul Survival Report

Pete Seeger photo

“The easiest way to avoid wrong notes is to never open your mouth and sing. What a mistake that would be.”

Pete Seeger (1919–2014) American folk singer

Source: How Can I Keep from Singing: Pete Seeger (1981), p. 95