Quotes about melody

A collection of quotes on the topic of melody, music, likeness, song.

Quotes about melody

“What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work… Listen to that, that's at home. Janet, Randy, Me… Janet and I are going "Whoo, Whoo… Whoo, Whoo…" I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

On listening to an early version of Billie Jean on an iPhone
Ebony interview (2007)

Way, Home, Idea, Time

“Melody is the essence of music. I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone and remember the old Italian proverb: Chi sa più, meno sa—Who knows most, knows least.”

Wolfgang Amadeus Mozart (1756–1791) Austrian Romantic composer

As spoken to Michael Kelly, from Reminiscences of Michael Kelly, of the King's Theatre, and Theatre Royal Drury Lane, including a period of nearly half a century; with Original Anecdotes of many distinguished Personnages, Political, Literary, and Musical (London, Henry Colburn, 1826; digitized 2006), 2nd ed., vol. I (p. 225) http://books.google.com/books?vid=OCLC00439352&id=ph3XEMzGt5YC&pg=RA2-PA225&lpg=RA2-PA225&dq=%22Melody+is+the+essence+of+music%22&hl=en

Music, Horse

“If melodiously piping flutes sprang from the olive, would you doubt that a knowledge of flute-playing resided in the olive? And what if plane trees bore harps which gave forth rhythmical sounds? Clearly you would think in the same way that the art of music was possessed by plane trees. Why, then, seeing that the universe gives birth to beings that are animate and wise, should it not be considered animate and wise itself?”

Zeno of Citium (-334–-263 BC) ancient Greek philosopher

As quoted in De Natura Deorum by Cicero, ii. 8.

Art, Music, Way, Birth

“Once positioned on their(children's) lips,
even the scariest of words
come out as a melodious lisp.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

Children http://www.occupypoetry.net/children_1/ From Poetry

Children

“Yoga is like music: the rhythm of the body, the melody of the mind, and the harmony of the soul create the symphony of life/”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60

Life, Music, Soul

“It is as a composer that his name will live longest. He was the last of the colourful Russian masters of the late 19th cent[ury], with their characteristic gift for long and broad melodies imbued with a resigned melancholy which is never long absent.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Michael Kennedy The Concise Oxford Dictionary of Music, 3rd edn. (London: Oxford University Press, 1980) p. 516.
Criticism

“I wish that every young man when he begins to write music would not concern himself with being a melodist, a harmonist, a realist, an idealist or a futurist or any other such devilish pedantic things. Melody and harmony should be simply tools in the hands of the artist, with which he creates music; and if a day comes when people stop talking about the German school, the Italian school, the past, the future, etc., etc., then art will perhaps come into its own.”

Giuseppe Verdi (1813–1901) Italian composer

Io…vorrei che il giovane quando si mette a scrivere, non pensasse mai ad essere né melodista, né realista, né idealista, né avvenirista, né tutti i diavoli che si portino queste pedanterie. La melodia e l’armonia non devono essere che mezzi nella mano dell'artista per fare della Musica, e se verrà un giorno in cui non si parlerà più né di melodia né di armonia né di scuole tedesche, italiane, né di passato né di avvenire ecc. ecc. ecc. allora forse comincierà il regno dell'arte.
Letter to Opprandino Arrivabene, July 14, 1875, cited from Julian Budden Le opere di Verdi (Torino: E.D.T., 1986) vol. 2, p. 60; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston: Northeastern University Press, 1997) p. 126

People, School, Art, Music

“l'd been getting bored with the stereotyped changes that were being used all the time at the time, and I kept thinking there's bound to be something else. I could hear it sometimes but I couldn't play it. … I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.”

Charlie Parker (1920–1955) American jazz saxophonist and composer

On his personal stylistic breakthrough, quoted in Hear Me Talkin' to Ya (1955) edited by Nat Hentoff and Nat Shapiro, . p 354

Thinking, Change, Time

“The caressing, melodious tones of humility and flattery never sang in the ears of the clerk Senhor José, these have never had a place in the chromatic scale of feelings normally shown to him.”

José Saramago book All the Names

Source: All the Names (1997), p. 8

Feeling

“Is your voice “silence”?
When you are not singing a song then I hear your song’s melody clearly!
Your voice is silence. Is your face “darkness”?
When I shut my eyes then I see your face clearly!
Your face is darkness.Is your shadow “light”?
Your shadow is cast on the dark window after the moon has gone down!
Your shadow is light.”

Han Yong-un (1879–1944) Korean writer

"Inverse Proportion", translated by Sammy Solberg

Light, Silence, Singing

“Science is never finished because the human mind only uses a small portion of its capacity, and man's exploration of his world is also limited. If we look at this tree outside whose roots search beneath the pavement for water, or a flower which sends its sweet smell to the pollinating bees, or even our own selves and the inner forces that drive us to act, we can see that we all dance to a mysterious tune, and the piper who plays this melody from an inscrutable distance—whatever name we give him—Creative Force, or God—escapes all book knowledge.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 14

God, Books, World, Search

“It's as if they avoid melodies, for fear of having perhaps stolen them from someone else.”

Richard Wagner (1813–1883) German composer, conductor

21 June 1880
Cosima Wagner's Diaries (1978)
Context: Music has taken a bad turn; these young people have no idea how to write a melody, they just give us shavings, which they dress up to look like a lion's mane and shake at us... It's as if they avoid melodies, for fear of having perhaps stolen them from someone else.

Fear

“I Know, I Alone

I know, I alone
How much it hurts, this heart
With no faith nor law
Nor melody nor thought.

Only I, only I
And none of this can I say
Because feeling is like the sky -
Seen, nothing in it to see.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Faith, Law, Feeling, Heart

“I like beautiful melodies telling me terrible things.”

Tom Waits (1949) American singer-songwriter and actor

Beauty

“Heard melodies are sweet, but those unheard, are sweeter”

John Keats Ode on a Grecian Urn

Stanza 2
Poems (1820), Ode on a Grecian Urn
Variant: Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on.
Source: Ode on a Grecian Urn and Other Poems
Context: Heard melodies are sweet, but those unheard
Are sweeter: therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
Context: Heard melodies are sweet, but those unheard
Are sweeter: therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal — yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Romantic

“If, while at the piano, you attempt to form little melodies, that is very well; but if they come into your mind of themselves, when you are not practising, you may be still more pleased; for the internal organ of music is then roused in you. The fingers must do what the head desires; not the contrary.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Music

“It's going to be painful."
"It's a fun tradition."
"So was witch-burning," Melody said. "Unless you were the witch.”

Brandon Sanderson (1975) American fantasy writer

Source: The Rithmatist

Pain

“Why are there trees I never walk under but large and melodious thoughts descend upon me?”

Walt Whitman (1819–1892) American poet, essayist and journalist

Tree

“Fairy Song
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Weep no more! oh, weep no more!
Young buds sleep in the root’s white core.
Dry your eyes! oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,—
Shed no tear.

Overhead! look overhead!
‘Mong the blossoms white and red—
Look up, look up! I flutter now
On this fresh pomegranate bough.
See me! ’tis this silvery bill
Ever cures the good man’s ill.
Shed no tear! oh, shed no tear!
The flower will bloom another year.
Adieu, adieu—I fly—adieu!
I vanish in the heaven’s blue,—
Adieu, adieu!”

John Keats (1795–1821) English Romantic poet

Flowers, Tear, Sleep, Flying

“Without the meed of some melodious tear.”

John Milton Lycidas

Source: Lycidas (1637), Line 14

Tear

“It’s just sex and violence, melody and silence.”

Richard Ashcroft (1971) English singer-songwriter

Bitter Sweet Symphony
Urban Hymns (1997)

Sex, Silence

“Did you know that Bertrand Russell dropped all belief in God because he wasn't able to voice his doubts in the company of believers? -Appalachian Melody.”

Mark Heard (1951–1992) American musician and record producer

Liner Notes

God

“By and large the present day Indian film music lacks soulful melody, sublime spirit and compelling charm of its lyrical intensity and has nothing Hindustani in it.”

Ram Narayan (1927) classical sarangi player from India

[Sharma, S. D., Sarangi maestro calls present music soulless drudgery, The Tribune, 28 February 2008, http://www.webcitation.org/5pb5rvJkI]

Music, Soul

“Simple melody and variety in rhythm.”

Gioachino Rossini (1792–1868) Italian composer

Melodia semplice e varietà nel ritmo.
His motto for Italian music, formulated in a letter to Filippo Filippi, August 26, 1868; Luca Somigli Legitimizing the Artist (2003) p. 103.
Often misquoted as "Simple melody – clear rhythm!"

“My solos are speech-influenced rhythmically; and harmonically, they're either pentatonic, or poly-scale oriented. And there's the mixolydian mode that I also use a lot…But I'm more interested in melodic things I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

As quoted in The Guitar Handbook (2002) by Ralph Denyer, p. 102

Thinking

“We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.”

Art Garfunkel (1941) American singer, poet, and actor

http://www.artgarfunkel.info/more.html

Feeling

“Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.”

Stefan Zweig (1881–1942) Austrian writer

Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D (1927)

Pain, People, Youth, Beauty

“In India, the measure of a singer's freedom is in his own creative personality. He can sing the composer's song as his own, if he has the power creatively to assert himself in his interpretation of the general law of the melody which he is given to interpret.”

Rabindranath Tagore (1861–1941) Bengali polymath

Interview with Einstein (1930)

Law, Freedom, Singing, Personality

“If I could dwell
Where Israfel
Hath dwelt, and he where I,
He might not sing so wildly well
A mortal melody,
While a bolder note than this might swell
From my lyre within the sky.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

"Israfel", st. 8 (1831).

Singing

“I miss the lack of melody [in current music] as well. I mean, a lot of people think I'm crazy for liking Creed and I like them purely because they sing! I mean, the singer of Creed sings like the guy from Pearl Jam, very close kind of voice. But I like the fact that Creed sing. I don't care if they're a Bible band, Satan band…”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

MTV.com, 2002

People, Music, Guy, Thinking

“Ah, were men's voices like the wood-birds' melody— Each happy note distinct, but all in harmony!”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

Men, Bird, Happiness

““These accomplishments are what make a home comfortable.”
Melody said, “I thought that a home was made comfortable by those who live in it and their regard for one another.”
“This is true, Miss Melody, but if one presumes the affection which should be in all homes, then those homes which are most comfortable are also those which possess an understanding and appreciation for the arts.””

Mary Robinette Kowal (1969) American writer and puppeteer

Source: Shades of Milk and Honey (2010), Chapter 4 (p. 54)

Art, Home, Understanding

“When old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.”

Rabindranath Tagore (1861–1941) Bengali polymath

37 Gitanjali http://www.spiritualbee.com/gitanjali-poems-of-tagore/ (1912)

Heart, Country

“Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.”

Rabindranath Tagore (1861–1941) Bengali polymath

Interview with Einstein (1930)

Beauty, Color

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Love, Music, Feeling, Star

“Music has taken a bad turn; these young people have no idea how to write a melody, they just give us shavings”

Richard Wagner (1813–1883) German composer, conductor

People, Music, Idea

“Love is the most melodious of all harmonies and the sentiment of love is innate.”

Honoré de Balzac book Physiology of Marriage

Part I, Meditation V: Of the Predestined http://en.wikisource.org/wiki/The_Physiology_of_Marriage/Part_1/Med_5. Physiology of Marriage (1829) Context: Love is the most melodious of all harmonies and the sentiment of love is innate. Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it.

Love

“The melody faded like a rainbow after a storm, or like winds calming down at last; and what was left was calm, and possibility, and relief.”

Gregory Maguire book Wicked: The Life and Times of the Wicked Witch of the West

Source: Wicked: The Life and Times of the Wicked Witch of the West

“It's like picking up an unfamiliar piece of sheet music & starting to stumble through it, only to realize it is a melody you'd once learned by heart, one you can play without even trying.”

Jodi Picoult My Sister's Keeper

Source: My Sister's Keeper

Music, Learning, Heart

“If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.”

Nicholas Sparks book The Choice

Travis Parker, Chapter 13, p. 166
Variant: conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.
Source: 2000s, The Choice (2007)
Context: Finding a woman with a sense of humor had been the one piece of advice his father had given him when he'd first begun to get serious about dating, and he finally understood why his dad had considered it important. If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.

Relationship, Music, Laughter, Time

“Not every end is the goal. The end of a melody is not its goal, and yet if a melody has not reached its end, it has not reached its goal.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Variant: The end of a melody is not its goal: but nonetheless, had the melody not reached its end it would not have reached its goal either. A parable.

“The song is over. But the melody lingers on.”

Haruki Murakami book A Wild Sheep Chase

Source: A Wild Sheep Chase: A Novel (1982)

“What? You don't think he's cute?"
"I didn't really notice."
"How can you not notice when a guy is cute?" Melody stared at her in disbelief.”

Nicholas Sparks book Safe Haven

Source: Safe Haven

Guy, Thinking

“Music is the melody whose text is the world.”

Arthur Schopenhauer (1788–1860) German philosopher

World, Music

“Gratitude isn't a tool to manipulate the universe or God. It's a way to acknowledge our faith that everything happens for a reason even if we don't know what that reason is. ~Melody Beattie, 52 Weeks of Conscious Contact, pg. 34.”

Melody Beattie (1948) American writer

Source: 52 Weeks of Conscious Contact

God, Faith, Way, Universe

“It seemed to travel with her, to sweep her aloft in the power of song, so that she was moving in glory among the stars, and for a moment she, too, felt that the words Darkness and Light had no meaning, and only this melody was real.”

Madeleine L'Engle book A Wrinkle in Time

Source: A Wrinkle in Time

Travel, Star, Light

“He kissed her, and their souls melted into each other in a melody older than time.”

Melissa de la Cruz Blue Bloods

Source: Blue Bloods

Soul, Kiss, Time

“If his voice hasn't been the melody of my life, it's been the bass line, so subtle you don't notice it until it's missing.”

Jodi Picoult (1966) Author

Source: Vanishing Acts

Life

“Bring me all of your dreams,
You dreamer,
Bring me all your
Heart melodies
That I may wrap them
In a blue cloud-cloth
Away from the too-rough fingers
Of the world.”

Langston Hughes (1902–1967) American writer and social activist

Source: The Dream Keeper and Other Poems

World, Dreams, Heart, Clothes

“Every heart has its own melody," he said. "You know mine.”

Cassandra Clare book Clockwork Princess

Variant: Every heart has its own melody.
Source: Clockwork Princess

Heart

“True religion should be able to respond to the dark melodies, the faulty and hideous sounds that echo from the heart of men.”

Shūsaku Endō (1923–1996) author from Japan

Source: Scandal

Men, Religion, Heart

“we're all freaks sometimes, Melody," he replied. "You're just… well, better at it than most.”

Brandon Sanderson (1975) American fantasy writer

Source: The Rithmatist

“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds. His auditors are as men entranced by the melody of an unseen musician.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Men, Solitude, Singing

“Life is like a beautiful melody, only the lyrics are messed up.”

Hans Christian Andersen (1805–1875) Danish author, fairy tale writer, and poet

Life, Beauty

“God sings, we hum along, and there are many melodies, but it's all one song - one same, wonderful, human song.”

Mitch Albom (1958) American author

Source: Have a Little Faith: a True Story

God, Singing

“Grow strong, my comrade … that you may stand
Unshaken when I fall; that I may know
The shattered fragments of my song will come
At last to finer melody in you;
That I may tell my heart that you begin
Where passing I leave off, and fathom more.”

Will Durant (1885–1981) American historian, philosopher and writer

Source: The Story of Philosophy: The Lives and Opinions of the World's Greatest Philosophers

Strong, Heart

“I have heard people say that reason leads to agnosticism, but I don't think that is necessarily the case. It was the other way around for me - it led to faith. -Appalachian Melody.”

Mark Heard (1951–1992) American musician and record producer

Liner Notes

People, Faith, Way, Thinking

“I'll very often just start humming my way through a scene. Say, OK the tempo should be about like this, it should pause here, it should pick up here. And very often I'll make up a little melody just to do that. About half of the little melodies in the score for Jonah are those little melodies that I made up just to use to kind of pace a scene and then we got kind of attached to them.”

Phil Vischer (1966) American puppeter

From Disc Two; The Music: The Score (00:00:17-00:00:38)
Jonah: A VeggieTales Movie DVD (2002)

Way

“It has long seemed obvious — and is, in fact, the characteristic tone of European science — that “science” means breaking up complexes into their component elements. Isolate the elements, discover their laws, then reassemble them, and the problem is solved. All wholes are reduced to pieces and piecewise relations between pieces.
The fundamental “formula” of Gestalt theory might be expressed in this way. There are wholes, the behaviour of which is not determined by that of their individual elements, but where the part-processes are themselves determined by the intrinsic nature of the whole. It is the hope of Gestalt theory to determine the nature of such wholes…
We hear a melody and then, upon hearing it again, memory enables us to recognize it. But what is it that enables us to recognize the melody when it is played in a new key? The sum of the elements is different, yet the melody is the same; indeed, one is often not even aware that a transposition has been made… Is it really true that when I hear a melody I have a sum of individual tones (pieces) which constitute the primary foundation of my experience? Is not perhaps the reverse of this true? What I really have, what I hear of each individual note, what I experience at each place in the melody is apart which is itself determined by the character of the whole,”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

As quoted in: George Klir (2013), Facets of Systems Science, p. 25
"Gestalt Theory," 1924

Law, Hope, Way, Nature

“Each jazz musician when he takes a horn in his hand — trumpet, bass, saxophone, drums — whatever instrument he plays — each soloist, that is, when he begins to ad lib on a given composition with a title and improvise a new creative melody, this man is taking the place of a composer.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)

“I shall detain you no longer in the demonstration of what we should not do, but straight conduct ye to a hillside, where I will point ye out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side that the harp of Orpheus was not more charming.”

John Milton (1608–1674) English epic poet

Tractate of Education (1644)

Education

“It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the "secret tone."”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Secret, Music, Quotes, Nature

“And now it was your purpose to weep Vesuvius' flames in pious melody and spend your tears on the losses of your native place, what time the Father took the mountain from earth and lifted it to the stars only to plunge it down upon the hapless cities far and wide.”
Jamque et flere pio Vesuvina incendia cantu mens erat et gemitum patriis impendere damnis, cum pater exemptum terris ad sidera montem sustulit et late miseras deiecit in urbes.

Statius Silvae

iii, line 205
Silvae, Book V

Mountain, Star, Tear, Loss

“Paul McCartney may be the closest thing our generation has produced to Franz Schubert -- a master of melody, writing tunes anyone can sing, songs that seem to have been there all along. Most people don't realize that "Ave Maria" and "Serenade" were written by Schubert (or that his "Moment Musical in F" so resembles "Martha My Dear"). McCartney writes with similar universality. His "Yesterday" has been recorded by more musicians than any other song in history. Its stepwise melody is deceptively complex, drawing from outside the diatonic scale so smoothly that anyone can sing it, yet few theorists can agree on exactly what it is that McCartney has done.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

People, Music, History, Universe

“Locked in a struggle for the right combination
Of words in a melody line,
I took a walk along the riverbank of my imagination.
Golden clouds were shuffling the sunshine.”

Paul Simon (1941) American musician, songwriter and producer

Everything About It Is a Love Song
Song lyrics, Surprise (2006)

Imagination

“There is very little dispute about the principal constituent elements of music, though experts will differ on the precise definitions of each aspect. Most central are 'pitch' (or melody) and 'rhythm'… next in importance only to pitch and rhythm is 'timbre', the characteristic qualities of tone.”

Howard Gardner (1943) American developmental psychologist

Source: Frames of Mind: The Theory of Multiple Intelligences., 1983, p.104

Music

“In what time does man live? The thinkers have always known that he does not live in any time at all. The immortality of thoughts and deeds banishes him to a timeless realm at whose heart an inscrutable death lies in wait. … Devoured by the countless demands of the moment, time slipped away from him; the medium in which the pure melody of his youth would swell was destroyed. The fulfilled tranquility in which his late maturity would ripen was stolen from him. It was purloined by everyday reality, which, with its events, chance occurrences, and obligations, disrupted the myriad opportunities of youthful time, immortal time. … From day to day, second to second, the self preserves itself, clinging to that instrument: time, the instrument that it was supposed to play.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

"The Metaphysics of Youth," in Walter Benjamin: Selected Writings, Vol. 1 (1996), pp. 10-11

Death, Youth, Reality, Chance

“Pure and undimmed, thy angel smile
Is mirrored on my dreams,
Like evening's sunset-girded isle
Upon her shadowed streams:
And o'er my thoughts thy vision floats,
Like melody of spring-bird, notes;
When the blue halcyon gently laves
His plumage in the flashing waves.”

Park Benjamin, Sr. (1809–1864) American journalist

To a young girl.

Smile, Dreams, Angels, Spring

“If we would We must self forgo if God we would attain, his grace must in us grow and ease us from all pain God discern,
The world we must despise,
His love and hate must learn,
See all things with His eyes.
And we must self forgo
If God we would attain,
His grace must in us grow
And ease us from all pain.
So shall we sing His praise
And be at one with Him,
In peace our voices raise
In the celestial hymn,
That with quadruple harmony
And all mellifluous melody,
In Heaven resounds eternally.”

John Ruysbroeck (1293–1381) Flemish mystic

Source: The Seven Steps of the Ladder of Spiritual Love, p. 124-5

Love, God, Pain, Hate

“With Moondance, I wrote the melody first. I played the melody on a soprano sax and I knew I had a song so I wrote lyrics to go with the melody. That's the way I wrote that one. I don't really have any words to particularly describe the song, sophisticated is probably the word I'm looking for. For me, Moondance is a sophisticated song. Frank Sinatra wouldn't be out of place singing that.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

As quoted in Celtic Crossroads: The Art of Van Morrison (1997) by Brian Hinton, p. 106

Way, Singing

“A man bringing himself, melody and mathematics into perfect and enviable proportions. / only more so, much more so.”

Peter Greenaway (1942) British film director

"The Eisenstein Song"
M is for Man, Music, and Mozart

Mathematics, Perfection

“Her every tone is music's own,
Like those of morning birds,
And something more than melody
Dwells ever in her words.”

Edward Coote Pinkney (1802–1828) American poet, lawyer, sailor, professor, and editor

A Health, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Music, Bird

“p>Come live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dales and fields,
Or woods or steepy mountain yields.And we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.And I will make thee beds of roses
And a thousand fragrant posies.”

Christopher Marlowe The Passionate Shepherd to His Love

The Passionate Shepherd to His Love (unknown date), stanzas 1 and 2. Compare: "To shallow rivers, to whose falls / Melodious birds sings madrigals; / There will we make our peds of roses, / And a thousand fragrant posies", William Shakespeare, Merry Wives of Windsor, act iii. scene i. (Sung by Evans.)

Love, Pleasure, Mountain, Bird

“A lot of times I wonder what Adam would have written songs about. -Appalachian Melody.”

Mark Heard (1951–1992) American musician and record producer

Liner Notes

Time

“I think I only needed something to hold on to. It has never been about depravity. It's always been about melody. But melody and I met in many depraved situations. Meeting melody is the victory of the empty spiralling nightmare.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

Extract from Prison Diaries, published in The Guardian, 2006
Music and politics

Thinking, Victory

“One day I said to myself that it would be better to get rid of all that—melody, rhythm, harmony, etc. This was not a negative thought and did not mean that it was necessary to avoid them, but rather that, while doing something else, they would appear spontaneously. We had to liberate ourselves from the direct and peremptory consequence of intention and effect, because the intention would always be our own and would be circumscribed, when so many other forces are evidently in action in the final effect.”

Christian Wolff (1934) American composer

quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812

Appearance

“Chopin's mazurkas stand apart from the rest of the considerable production inspired by folk music which reaches into all forms of Romantic music; they cannot conveniently be classified with any of the other manifestations. They are not arrangements of popular folk tunes, … He uses only fragments of melody, Polish formulas, typical national rhythms, and he combines them in his own way with great originality. From early on, Chopin's mazurkas are much more elaborate than the few modest pieces employing mazurka rhythms by Chopin's Polish predecessors, and they soon became the occasion for some of the most complex and pretentious of Chopin's forms.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Music, Way

“On the harp of the road what true melodies are being sounded! and its notes pierce the heart:
There the Eternal Fountain is playing its endless life-streams of birth and death.”

Kabir (1440–1518) Indian mystic poet

Songs of Kabîr (1915)

Life, Death, Birth, Heart

“T were vain to tell thee all I feel,
Or say for thee I'd die.
Ah, well-a-day, the sweetest melody
Could never, never say, one half my love for thee.”

J. Augustine Wade (1796–1845) Irish composer

T were vain to tell, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Love, Feeling

“In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.”

Wallace Stevens (1879–1955) American poet

Peter Quince at the Clavier (1915)

Imagination, Search, Spring, Water

“Beatles' "aryan" music removed any trace of black music from rock and roll: it replaced syncopated african rhythm with linear western melody, and lusty negro attitudes with cute white-kid smiles.”

Piero Scaruffi (1955) Italian writer

Beatles The History of Rock Music http://www.scaruffi.com/vol1/beatles.html

Smile, Music

“At last the god cometh!
The air runs over with splendor;
The fire leaps high on the altar;
Melodious thunders shake the ground.
Hark to the Delphic responses!
Hark! it is the god!”

Edmund Clarence Stedman (1833–1908) American poet, critic, and essayist

"Apollo".

God

“A sonnet is a wave of melody
From heaving waters of the impassion'd soul.”

Theodore Watts-Dunton (1832–1914) English literary critic and poet

from The Sonnets Voice (A Meterical Lesson by the Seashore).

Soul, Water

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“The very sound of his own steps disturbed him; and he flung himself on a couch, to enjoy without interruption the exquisite melody. The intense perfume of the flowers intoxicated him like wine. He felt as if lulled in a delicious trance, in which one image became more and more distinct — the pale but lovely face of his hostess. His heart was filling with love for those radiant eyes. A softer fragrance breathed around him — it was her breath. He looked, and she was again bending over him; he saw himself mirrored in the moonlight of her eyes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Love, Flowers, Wine, Heart

“In the hexameter rises the fountain's silvery column;
In the pentameter aye falling in melody back.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"The Ovidian Elegiac Metre" (translated from Schiller) (1799)

“[About Mozart] In relation to God he is like a child who brings everything to his father: the stones from the street and peculiar sticks and little plants and even once a ladybug; and with him all of these things are melodies, melodies that he brings to God, melodies that he suddenly knows when he is inside of prayer. And when he has finished praying, and he is no longer on his knees and no longer has his hands folded, then he sits there at the piano, or he sings with an incredible childlikeness, and in doing so he no longer has any idea whether he is playing something for God or whether it is God who is using him to play something at once for himself and for Mozart. There is a great conversation between Mozart and God that is the purest prayer, and this entire conversation is nothing but music.”

Adrienne von Speyr (1902–1967) Swiss doctor and mystic

Book of All Saints (1966)

God, Music, Idea, Singing

“Come, gentle harp, and let me hold
Communion with thy melody,
And be my tale of sorrow told
To thee, my harp, and only thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(27th September 1823) Extracts from my Pocket Book. Song
The London Literary Gazette, 1823

“Yes, truly, it is a great thing for a Nation that it get an articulate voice; that it produce a man who will speak forth melodiously what the heart of it means!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Heart

“When I first heard the songs of Mario Ruiz Armengol I responded in awe at the totality of their musical expression. Mario's harmonic sense was one that I had never encountered in most Latin music; melodies which in themselves were distinctive and lingered in your mind after only one hearing; profound emotional content without being hyper-romantic in conception. Some of them seemed almost brooding in character, filled with a feeling of melancholia and reflecting the depth of his personality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From the liner notes for Cal Tjader Plays the Contemporary Music of Mexico and Brazil (September 1962)

Music, Feeling, Sense, Personality

“Made still a blund'ring kind of melody;
Spurred boldly on, and dashed through thick and thin,
Through sense and nonsense, never out nor in.
Free from all meaning, whether good or bad,
And in one word, heroically mad.”

John Dryden Absalom and Achitophel

Pt. II, line 413.
Absalom and Achitophel (1681)

Sense, Madness

“But the words of lovers are a language apart; their melody is a fairy song departing with the one haunted hour; to repeat it is to make it commonplace—cold, yet we can all remember it.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Lovers

“There are two types of composers. Like Stravinsky, some always are aware of the instrument that will be playing a given melody. However, other composers do work out the orchestration only after they have finished composing. I'm like Stravinsky. I always write music with specific instruments in mind.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Music