Quotes about melody
page 2

Josiah Gilbert Holland photo
Patrick Stump photo
Gerald of Wales photo

“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.

Gerald of Wales (1146) Medieval clergyman and historian

Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.

Billy Joel photo

“Sing us a song you're the piano man
Sing us a song tonight.
Well we're all in the mood for a melody
And you've got us feeling alright.”

Billy Joel (1949) American singer-songwriter and pianist

Piano Man.
Song lyrics, Piano Man (1973)

Roger Manganelli photo
Thomas Carlyle photo
Phil Ochs photo

“I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.”

Phil Ochs (1940–1976) American protest singer and songwriter

Testimony http://www.law.umkc.edu/faculty/projects/ftrials/Chicago7/ochs.html at the Chicago Seven trial (11 December 1969)

Mark Heard photo
Daniel Levitin photo

“The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Letitia Elizabeth Landon photo
Mark Heard photo
Philip Schaff photo

“In the progress of the work he founded a Collegium Biblieum, or Bible club, consisting of his colleagues Melanchthon, Bugenhagen (Pommer), Cruciger, Justus Jonas, and Aurogallus. They met once a week in his house, several hours before supper. Deacon Georg Rörer (Rorarius), the first clergyman ordained by Luther, and his proof-reader, was also present; occasionally foreign scholars were admitted; and Jewish rabbis were freely consulted. Each member of the company contributed to the work from his special knowledge and preparation. Melanchthon brought with him the Greek Bible, Cruciger the Hebrew and Chaldee, Bugenhagen the Vulgate, others the old commentators; Luther had always with him the Latin and the German versions besides the Hebrew. Sometimes they scarcely mastered three lines of the Book of Job in four days, and hunted two, three, and four weeks for a single word. No record exists of the discussions of this remarkable company, but Mathesius says that "wonderfully beautiful and instructive speeches were made."
At last the whole Bible, including the Apocrypha as "books not equal to the Holy Scriptures, yet useful and good to read," was completed in 1534, and printed with numerous woodcuts.
In the mean time the New Testament had appeared in sixteen or seventeen editions, and in over fifty reprints.
Luther complained of the many errors in these irresponsible editions.
He never ceased to amend his translation. Besides correcting errors, he improved the uncouth and confused orthography, fixed the inflections, purged the vocabulary of obscure and ignoble words, and made the whole more symmetrical and melodious.
He prepared five original editions, or recensions, of his whole Bible, the last in 1545, a year before his death.
The edition of 1546 was prepared by his friend Rörer, and contains a large number of alterations, which he traced to Luther himself. Some of them are real improvements, e. g., Die Liebe höret nimmer auf, for, Die Liebe wird nicht müde (1 Cor. 13:8). The charge that he made the changes in the interest of Philippism (Melanchthonianism), seems to be unfounded.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

Kuruvilla Pandikattu photo
Jack Johnson (musician) photo
Natacha Rambova photo

“A sensitive personality is like a great organ. Press the keys of discord and harshness comes forth. Play the keys of beauty and melody delight are given.”

Natacha Rambova (1897–1966) American film personality and fashion designer

On personality, p. 118
Photoplay: "Wedded and Parted" (December 1922)

John Dryden photo
Eleanor Farjeon photo

“From the blood of Medusa
Pegasus sprang.
His hoof of heaven
Like melody rang.”

Eleanor Farjeon (1881–1965) English children's writer

Pegasus, St. 1, p. 181
The New Book of Days (1961)

Jean Paul Sartre photo
Smokey Robinson photo
Philip Schaff photo

“Luther's Qualifications. Luther had a rare combination of gifts for a Bible translator: familiarity with the original languages, perfect mastery over the vernacular, faith in the revealed word of God, enthusiasm for the gospel, unction of the Holy Spirit. A good translation must be both true and free, faithful and idiomatic, so as to read like an original work. This is the case with Luther's version. Besides, he had already acquired such fame and authority that his version at once commanded universal attention.
His knowledge of Greek and Hebrew was only moderate, but sufficient to enable him to form an independent judgment. What he lacked in scholarship was supplied by his intuitive genius and the help of Melanchthon. In the German tongue he had no rival. He created, as it were, or gave shape and form to the modern High German. He combined the official language of the government with that of the common people. He listened, as he says, to the speech of the mother at home, the children in the street, the men and women in the market, the butcher and various tradesmen in their shops, and, "looked them on the mouth," in pursuit of the most intelligible terms. His genius for poetry and music enabled him to reproduce the rhythm and melody, the parallelism and symmetry, of Hebrew poetry and prose. His crowning qualification was his intuitive insight and spiritual sympathy with the contents of the Bible.
A good translation, he says, requires "a truly devout, faithful, diligent, Christian, learned, experienced, and practiced heart."”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's competence as a Bible translator

Akira Ifukube photo
Robert Seymour Bridges photo

“Good melody is never out of fashion”

Robert Seymour Bridges (1844–1930) British writer

A Practical Discourse on some Priciples of Hymn-singing Collected Essays no 22.
Essays

Richard Strauss photo

“I am not one to compose long melodies as did Mozart. I can’t get beyond short themes. But what I can do, is utilize such a theme, paraphrase it and extract everything that is in it, and I don’t think there’s anybody today who can match me in that.”

Richard Strauss (1864–1949) German composer and orchestra director

Quotes from Stefan Zweigs's posthumous memoire, The World of Yesterday. Zweig worked with Strauss closely on the opera The Silent Woman in the period 1931-1934 and got to know him well.
Other sources

Gloria Estefan photo
Conor Oberst photo

“But where was it when I first heard that sweet sound of humility?
It came to my ears in the goddamn loveliest melody!
How grateful I was, then, to be part of the mystery,
To love, and to be loved!
Let’s just hope that is enough.”

Conor Oberst (1980) American musician

Let's Not Shit Ourselves (To Love and to Be Loved)
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Pete Doherty photo
Lee Ritenour photo
Nathaniel Hawthorne photo

“In heaven, all ordinary thought is higher and more melodious than Milton's song. Then, would he add another verse to any strain that he had left unfinished here?”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Richard Strauss photo

“Melody as revealed in the greatest works of our classics is one of the most noble gifts which an invisible deity has bestowed on mankind.”

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Robert Smith (musician) photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Mark Heard photo
Roger Manganelli photo
Oliver Wendell Holmes photo

“You think they are crusaders sent
From some infernal clime,
To pluck the eyes of sentiment
And dock the tail of Rhyme,
To crack the voice of Melody
And break the legs of Time.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Music Grinders; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William Wordsworth photo

“Sweetest melodies
Are those that are by distance made more sweet.”

William Wordsworth (1770–1850) English Romantic poet

Personal Talk, Stanza 2.
Bartlett's Familiar Quotations, 10th ed. (1919)

Nastassja Kinski photo
Brandon Boyd photo
Edward Elgar photo
Anthony Burgess photo

“We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive.”

Anthony Burgess (1917–1993) English writer

"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)

Joe Satriani photo
Thomas Carlyle photo
Bradley Joseph photo

“Music allows a person to express their deepest thoughts, thoughts that cannot be expressed with just words. I am often asked how I begin a song or develop a melody from nothing. That is the spiritual aspect of creating. Finding something deep within yourself that can only be created by you.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Interview with Bradley Joseph, The Spiritual Significance Of Music, World Edition http://www.xtrememusic.org/world/joseph_bradley.pdf http://www.xtrememusic.org/new.html (from extrememusic.org) http://xtrememusic.org/world.html

Richard Strauss photo
Rāmabhadrācārya photo

“The Bhṛṅgadūtam should be read, melodiously sung and contemplated upon day in and day out by the devotees of Lord Rāma.”

Rāmabhadrācārya (1950) Hindu religious leader

citation needed
Paṭhyatāṃ bhṛṅgadūtaṃ ca bhṛṅgadūtaṃ pragīyatām ।
cintyatāṃ bhṛṅgadūtaṃ ca rāmabhaktairdivāniśam ॥

Samuel Taylor Coleridge photo
Paulo Coelho photo
Edmund Sears photo

“Calm on the listening ear of night
Come Heaven’s melodious strains,
Where wild Judea stretches far
Her silver-mantled plains.”

Edmund Sears (1810–1876) American minister

Christmas Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Mark Heard photo
Paul Simon photo
Robert Burns photo

“Oh, my Luve is like a red, red rose,
That's newly sprung in June.
O, my Luve is like the melodie,
That's sweetly played in tune.”

Robert Burns (1759–1796) Scottish poet and lyricist

A Red, Red Rose, st. 1
Johnson's The Scots Musical Museum (1787-1796)

Sammy Cahn photo

“It seems to me I've heard that song before.
It's from an old familiar score.
I know it well, that melody.”

Sammy Cahn (1913–1993) American lyricist, songwriter, musician

I've Heard that Song Before (1942)
Song lyrics

Julian of Norwich photo
Andrew Sega photo

“If anything I probably gravitate to things with great melodies/harmonies, and interesting/syncopated beats.”

Andrew Sega (1975) musician from America

Connexion Bizarre interview with Iris, 2009

Mark Heard photo
Thomas Carlyle photo
Mark Heard photo

“I'm not one for walking the beaches humming a melody … I love the discipline of sitting in the studio, writing and listening. That is my domain.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)

John Aubrey photo
Joseph Strutt photo

“My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html

Pablo Casals photo
Letitia Elizabeth Landon photo
George Eliot photo
Robert Schumann photo

“Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Early Letters of Robert Schumann (1888), p. 82

Robert Smith (musician) photo
Johnny Marr photo
Yurii Andrukhovych photo

“By the way, our nightingale language ranks second in the world in its melodiousness.”

The Moscoviad
Source: The Moscoviad. Yuri Andrukhovych. Spuyten Duyvil, New York City. ISBN1933132523, p. 83

Salvador Dalí photo

“the 29th/Because of a very long fart, really a very long, and let us be frank, melodious fart, that I produced when I woke up, I was reminded of Michel de Montaigne.”

Salvador Dalí (1904–1989) Spanish artist

DG p. 60
Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964)

Aldous Huxley photo
Mark Heard photo
Eddie Vedder photo

“May 21, 1994, Melody Maker.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

“I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't care about stylish notation, that makes melodies that have pitch and rhythm, that doesn't know anything about zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.”

Beth Anderson (1950) American neo-romantic composer

Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14

Yehudi Menuhin photo

“Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Jamesh A. Leit, George Whalley Symboles Dans la Vie Et Dans L'art http://books.google.co.in/books?id=pRZEKhofl_gC&pg=PA29, McGill-Queen's Press - MQUP, 1987, p. 29

Daniel Levitin photo
Nicomachus photo
Gangubai Hangal photo
Percy Bysshe Shelley photo
Mark Heard photo
Robert Seymour Bridges photo
John Woolman photo
Henry Suso photo
Bradley Joseph photo

“Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Harry Chapin photo
William Motherwell photo

“Examining the musical language of Prokofiev in a more detailed way, we must acknowledge that for him melody was always the most important element of music, one that determined the quality of the composition”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Richard Lovelace photo

“Oh, could you view the melody
Of every grace
And music of her face,
You'd drop a tear;
Seeing more harmony
In her bright eye
Than now you hear.”

Richard Lovelace (1617–1658) English writer and poet

Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)