
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 26.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 26.
When asked "Are you very hands on when it comes to production or do you focus more on the larger vision of the song/album - the vibe/etc? "
AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08
“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.
Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.
1850s, Latter-Day Pamphlets (1850), Downing Street (April 1, 1850)
Testimony http://www.law.umkc.edu/faculty/projects/ftrials/Chicago7/ochs.html at the Chicago Seven trial (11 December 1969)
You interview (2006)
“The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex.”
This is Your Brain on Music (2006)
Source: Argonautica (3rd century BC), Book I. Preparation and Departure, Lines 512–515; of Orpheus.
Inaudible Melodies.
Song lyrics, Brushfire Fairytales (2001)
On personality, p. 118
Photoplay: "Wedded and Parted" (December 1922)
“And oft with holy hymns he charm'd their ears, And music more melodious than the spheres.”
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 948–972
“From the blood of Medusa
Pegasus sprang.
His hoof of heaven
Like melody rang.”
Pegasus, St. 1, p. 181
The New Book of Days (1961)
I'll Try Something New (1962)
Song lyrics, With The Miracles
That is why I agreed to work on GODZILLA VS. GHIDRAH.
As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)
“Good melody is never out of fashion”
A Practical Discourse on some Priciples of Hymn-singing Collected Essays no 22.
Essays
Quotes from Stefan Zweigs's posthumous memoire, The World of Yesterday. Zweig worked with Strauss closely on the opera The Silent Woman in the period 1931-1934 and got to know him well.
Other sources
www.huffingtonpost.com (September 7, 2007)
2007, 2008
Let's Not Shit Ourselves (To Love and to Be Loved)
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)
[Denyer, Ralph, The Guitar Handbook, 2002, 114, 0-679-74275-1]
"The Artist of the Beautiful" (1844)
Source: Mathematical Lectures (1734), p. 27-30
The Music Grinders; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Sweetest melodies
Are those that are by distance made more sweet.”
Personal Talk, Stanza 2.
Bartlett's Familiar Quotations, 10th ed. (1919)
As quoted in Denise Worrell (1989), Icons: Intimate Portraits.
More on why his favorite singers are mostly women
George Bernard Shaw, in Music and Letters, January 1920.
Criticism
Unsourced, In A Soldiers' Hospital II: Gramophone Tunes
"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
Interview with Bradley Joseph, The Spiritual Significance Of Music, World Edition http://www.xtrememusic.org/world/joseph_bradley.pdf http://www.xtrememusic.org/new.html (from extrememusic.org) http://xtrememusic.org/world.html
citation needed
Paṭhyatāṃ bhṛṅgadūtaṃ ca bhṛṅgadūtaṃ pragīyatām ।
cintyatāṃ bhṛṅgadūtaṃ ca rāmabhaktairdivāniśam ॥
Christmas Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: The Band That Played On (Thomas Nelson, 2011), p. 10
"Songwriting" in Making Music (1983) edited by George Martin, p. 70
A Red, Red Rose, st. 1
Johnson's The Scots Musical Museum (1787-1796)
I've Heard that Song Before (1942)
Song lyrics
Source: The Romantic Generation (1995), Ch. 1 : Music and Sound
Source Three Lawsuits and a Funeral http://web.archive.org/web/20031217142538/www.mp3newswire.net/stories/2001/funeral.html - 11/30/2001
Quotes from the MP3 Newswire
[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]
1840s, Heroes and Hero-Worship (1840), The Hero as Divinity
The Telegraph interview (2005)
pg. 22
The Sports and Pastimes of the People of England (1801), Collective nouns
Alan Hovhaness, Hovhaness.com biography http://www.hovhaness.com/hovhaness-biography.html
"Forty Years" Slow Trains Vol.7, Issue 3 (2008)
2000-09
The Middle Temple Gardens
The Vow of the Peacock (1835)
Early Letters of Robert Schumann (1888), p. 82
“By the way, our nightingale language ranks second in the world in its melodiousness.”
The Moscoviad
Source: The Moscoviad. Yuri Andrukhovych. Spuyten Duyvil, New York City. ISBN1933132523, p. 83
DG p. 60
Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964)
Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14
Source: Jamesh A. Leit, George Whalley Symboles Dans la Vie Et Dans L'art http://books.google.co.in/books?id=pRZEKhofl_gC&pg=PA29, McGill-Queen's Press - MQUP, 1987, p. 29
Book I, Chapter V
Nicomachus of Gerasa: Introduction to Arithmetic (1926)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 290.
On her actual technique of training, in "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".
Interview with Underworld: Blood Wars Composer, Michael Wandmacher http://www.thesoundarchitect.co.uk/interview-underworld-blood-wars-composer-michael-wandmacher/ (February 15, 2018)
Source: The Romantic Generation (1995), Ch. 1 : Music and Sound
(Staley, 2001: 64-5).
The Book of Margery Kempe
Book I, lines 83-87.
The Testament of Beauty (1929-1930)
I soon remembered that I once was John Woolman, and being assured that I was alive in the body, I greatly wondered what that heavenly voice could mean.
Source: The Journal of John Woolman (1774), p. 164 ( online http://books.google.nl/books?id=qPspAAAAYAAJ&pg=PA164)
Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm
In a Market Dimly Lit.
Brother, Sister (2006)
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language
Orpheus to Beasts. Compare: "There is music in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument; for there is music wherever there is harmony, order, or proportion; and thus far we may maintain the music of the spheres", Thomas Browne, Religio Medici, Part ii, Section ix; "The mind, the music breathing from her face", Lord Byron, Bride of Abydos (1813), canto i, stanza 6.
Lucasta (1649)