Quotes about magic
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Helena Petrovna Blavatsky photo

“Evidently Proclus does not advocate here simply a superstition, but science; for notwithstanding that it is occult, and unknown to our scholars, who deny its possibilities, magic is still a science. It is firmly and solely based on the mysterious affinities existing between organic and inorganic bodies, the visible productions of the four kingdoms, and the invisible powers of the universe. That which science calls gravitation, the ancients and the mediaeval hermetists called magnetism, attraction, affinity. It is the universal law, which is understood by Plato and explained in Timaeus as the attraction of lesser bodies to larger ones, and of similar bodies to similar, the latter exhibiting a magnetic power rather than following the law of gravitation. The anti-Aristotelean formula that gravity causes all bodies to descend with equal rapidity, without reference to their weight, the difference being caused by some other unknown agency, would seem to point a great deal more forcibly to magnetism than to gravitation, the former attracting rather in virtue of the substance than of the weight. A thorough familiarity with the occult faculties of everything existing in nature, visible as well as invisible; their mutual relations, attractions, and repulsions; the cause of these, traced to the spiritual principle which pervades and animates all things; the ability to furnish the best conditions for this principle to manifest itself, in other words a profound and exhaustive knowledge of natural law — this was and is the basis of magic.”

Source: Isis Unveiled (1877), Volume I, Chapter VII

Derren Brown photo
Mircea Eliade photo
C. Wright Mills photo
Thomas Campbell photo

“Who hath not owned, with rapture-smitten frame,
The power of grace, the magic of a name?”

Thomas Campbell (1777–1844) British writer

Part II, line 5
Pleasures of Hope (1799)

“Your honoured letter regarding suppression of the Jats has arrived. Allah is merciful, and it is hoped that he will crush the enemy. You should rest assured… You should forge unity with Musa Khan and other Muslim groups, and put to use this friendship and unity for facing the enemies. I hope for sure that on account of this unity among Muslims and their nobility, victory will be achieved.
The reason for the rise of enemies and the fall of Muslims is nothing except that, led by their lower nature, Muslims have shared their (Muslims’) concerns with Hindus. It is obvious that Hindus will not tolerate the suppression of non-Muslims. Being farsighted and practising patience are praiseworthy things, but not to the extent that non-Muslims take possession of Muslim cities, and go on occupying one (such) city every day… This is no time for farsightedness and patience. This is the time for putting trust in Allah, for manifesting the might of the sword, and for arousing the Muslim sense of honour. If you will do that, it is possible that winds of favour will start blowing. Whatever this recluse knows is this that war with the Jats is a magic spell which appears fearful at first but which, if you depend fully on the power of Allah and draw His attention towards this (war), will turn out to be no more than a mere show. Let me hope that you will keep me informed of developments and the faring of your arms…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Taj Muhammad Khan Baluch Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 150-51.
From his letters

William Grey Walter photo
Phil Collins photo
Walt Disney photo
Subhash Kak photo
William Wordsworth photo
Charlie Sheen photo

“I expose people to magic, I expose them to something they're never otherwise going to see in their boring normal lives.”

Charlie Sheen (1965) American film and television actor

On Good Morning America February 28, 2011

John Keats photo
Richard Leakey photo
Alfred Brendel photo
Joan Slonczewski photo

““Magic is nonsense.”
“Magic is anything you don’t understand.””

Part 3, Chapter 3 (p. 128)
A Door into Ocean (1986)

Charles Dickens photo
Max Beckmann photo
Klaus Kinski photo
Howard Stern photo
Norman Mailer photo
Philip Rosedale photo

“I think the magic of Silicon Valley is not in fostering risk-taking, but instead in making it safe to work on risky things.”

Philip Rosedale (1968) American businessman, founder of Second Life

Interview published in SingularityHub.com http://singularityhub.com/2015/06/15/are-people-in-silicon-valley-just-smarter/. June 15, 2015.

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Kunti photo
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Arundhati Roy photo

“It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.”

page 229.
The God of Small Things (1997)
Variant: It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.

Thomas Wolfe photo
John Wilmot, 2nd Earl of Rochester photo
Jim Morrison photo

“Resident mockery
give us an hour for magic”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)

Allen Ginsberg photo

“The war is language,
language abused
for Advertisement,
language used
like magic for power on the planet.”

Allen Ginsberg (1926–1997) American poet

From Wichita Vortex Sutra (1966)

Robert Seymour Bridges photo

“Poetry's magic lies in the imagery which satifies even without interpretation.. it is accepted as easily as it was created.”

Robert Seymour Bridges (1844–1930) British writer

The Necessity of Poetry Tredegar 1917 (from Collected Essays).
Essays

Halldór Laxness photo
L. Frank Baum photo
Mike Oldfield photo
Dave Matthews photo

“That's the magic of this band: shooting from the hip. The lights have to follow our cues, because we're not going to follow their cues. We're not going to stick to a song the way it's supposed to be. Everything is up to us. That's music to me. That's American music. We're an American band.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Dave Matthews, Rolling Stone interview "The Boys of Summer" (June 16, 2005). Eliscu, Jenny (2005). "The Boys of Summer" http://www.rollingstone.com/artists/davematthewsband/articles/story/7371942/the_boys_of_summer Rolling Stone (accessed June 19. 2006)

Stephenie Meyer photo
Dejan Stojanovic photo

“When magic through nerves and reason passes, imagination, force, and passion will thunder. The portrait of the world is changed.”

”Alexander the Great,” p. 55
Circling: 1978-1987 (1993), Sequence: “A Warden with No Keys”

Peter Greenaway photo
Vincent Van Gogh photo
Francis Bacon photo
Piero Manzoni photo
Clive Staples Lewis photo
Thomas Browne photo
Paul Davies photo

“To a physicist like me, life looks to be little short of magic: all those dumb molecules conspiring to achieve such clever things!”

Paul Davies (1946) British physicist

Source: The Eerie Silence: Renewing Our Search for Alien Intelligence (2010), Ch. 2: 'Life: Freak Side-Show or Cosmic Imperative?', p. 31

Amit Chaudhuri photo
Robert A. Dahl photo

“In a magic show, mystification is a good thing, but it is hardly to be commended in an economic program.”

Robert A. Dahl (1915–2014) American political scientist

After the Revolution? (1970; 1990), Ch. 4 : From Principles to Problems

W.E.B. Du Bois photo

“The world is shrinking together; it is finding itself neighbor to itself in strange, almost magic degree.”

W.E.B. Du Bois (1868–1963) American sociologist, historian, activist and writer

Source: The Wisdom of W.E.B. Du Bois (2003), p. 11

Christopher Hitchens photo
Ernest Barnes photo
Noel Gallagher photo
Letitia Elizabeth Landon photo

“During slumber's magic reign
Other times shall live again;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Fairy Queen Sleeping. By Stothart
The Troubadour (1825)

Zia Haider Rahman photo
Marianne Moore photo
Karel Zeman photo

“With the vast sweep of his imagination Jules Verne created a whole world of magical things imbued with a delightful naiveté, which just charm us…”

Karel Zeman (1910–1989) Czech film director, artist and animator

Veliká fantazie Julesa Vernea vytvořila svět, kouzelný svět plný rozkošné naivity, která je tolik půvabná...
Quoted on the website of the Karel Zeman Museum in Prague (in English http://www.muzeumkarlazemana.cz/en/karel-zeman/quotes and Czech http://www.muzeumkarlazemana.cz/cz/karel-zeman/citaty).

Camille Paglia photo
Paulo Coelho photo
John Romilly, 1st Baron Romilly photo

“There is no magic in words.”

John Romilly, 1st Baron Romilly (1802–1874) English Whig politician and judge

Lord v. Jeffkins (1865), 35 Beav. 16.

“In the end nobody knows how it's done — how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.”

David Hockney (1937) British artist

Interview with Martin Gayford, "Hockney and the secrets of the Old Masters" http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2001/09/22/bagay22.xml The Telegraph(22 September 2001)
2000s

Roger Ebert photo

“They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll or the desert intestine from Star wars.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

To see the snowman is to dislike the snowman. It doesn't look like a snowman, anyway.
Review http://www.rogerebert.com/reviews/jack-frost-1998 of Jack Frost (11 December 1998)
Reviews, One-star reviews

Cotton Mather photo

“Your Knowledge has Qualified You to make those Reflections on the following Relations, which few can Think, and tis not fit that all should See. How far the Platonic Notions of Demons which were, it may be, much more espoused by those primitive Christians and Scholars that we call The Fathers, than they see countenanced in the ensuing Narratives, are to be allowed by a serious man, your Scriptural Divinity, join'd with Your most Rational Philosphy, will help You to Judge at an uncommon rate. Had I on the Occasion before me handled the Doctrin of Demons, or launced forth into Speculations about magical Mysteries, I might have made some Ostentation, that I have read something and thought a little in my time; but it would neither have been Convenient for me, nor Profitable for those plain Folkes, whose Edification I have all along aimed at. I have therefore here but briefly touch't every thing with an American Pen; a Pen which your Desert likewise has further Entitled You to the utmost Expressions of Respect and Honor from. Though I have no Commission, yet I am sure I shall meet with no Crimination, if I here publickly wish You all manner of Happiness, in the Name of the great Multitudes whom you have laid under everlasting Obligations. Wherefore in the name of the many hundred Sick people, whom your charitable and skilful Hands have most freely dispens'd your no less generous than secret Medicines to; and in the name of Your whole Countrey, which hath long had cause to believe that you will succeed Your Honourable Father and Grandfather in successful Endeavours for our Welfare; I say, In their Name, I now do wish you all the Prosperity of them that love Jerusalem. And whereas it hath been sometimes observed, That the Genius of an Author is commonly Discovered in the Dedicatory Epistle, I shall be content if this Dedicatory Epistle of mine, have now discovered me to be,
(Sir) Your sincere and very humble Servant,
C. Mather.”

Cotton Mather (1663–1728) American religious minister and scientific writer
Alison Lohman photo
Iain Banks photo
Florbela Espanca photo

“If you came to see me in the evening,
That time of mild and magic weariness,
When nighttime softly covers everything,
And took me in your arms with tenderness.
[…]
And my lips are like a flower in the sun…
When my eyes are tightly closed with strong desire…
And I hold out my arms to bring you near…”

Florbela Espanca (1894–1930) Portuguese poet

Se tu viesses ver-me hoje à tardinha,
A essa hora dos mágicos cansaços,
Quando a noite de manso se avizinha,
E me prendesses toda nos teus barcos...
[...]
E é como um cravo ao sol a minha boca...
Quando os olhos se me cerram de desejo...
E os meus braços se estendem para ti...
Citações e Pensamentos de Florbela Espanca (2012), p. 108
Translated by John D. Godinho
The Flowering Heath (1931), "Se tu viesses ver-me hoje à tardinha"

Dylan Moran photo
Arthur Waley photo
Peter Greenaway photo
Peter Greenaway photo
Russell Brand photo
Gregory Colbert photo

“I have invented nothing. I have simply documented a magical alchemy that I want to share.”

Gregory Colbert (1960) Canadian photographer

As quoted in "Dances With Whales" by Alan Riding in The New York Times (22 April 2002) http://www.nytimes.com/2002/04/22/arts/dances-with-whales.html

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Susan Cooper photo
Gene Roddenberry photo
Richard Dawkins photo
Elizabeth Bisland Whetmore photo
Anna Akhmatova photo
Thomas Wolfe photo
Richard Feynman photo
Ted Nugent photo

“The magic's in my hands
When in doubt I whip it out
I got me a rock 'n' roll band
It's a free-for-all”

Ted Nugent (1948) American rock musician

"Free-for-All" on Free-for-All (1976)
Lyrics

Ian McCulloch photo
Bill Hicks photo

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Joseph Lewis photo
Luis Barragán photo
Jim Butcher photo
Max Scheler photo

“"This law of the release of tension through illusory valuation gains new significance, full of infinite consequences, for the ressentiment attitude. To its very core, the mind of ressentiment man is filled with envy, the impulse to detract, malice, and secret vindictiveness. These affects have become fixed attitudes, detached from all determinate objects. Independently of his will, this man's attention will be instinctively drawn by all events which can set these affects in motion. The ressentiment attitude even plays a role in the formation of perceptions, expectations, and memories. It automatically selects those aspects of experience which can justify the factual application of this pattern of feeling. Therefore such phenomena as joy, splendor, power, happiness, fortune, and strength magically attract the man of ressentiment. He cannot pass by, he has to look at them, whether he “wants” to or not. But at the same time he wants to avert his eyes, for he is tormented by the craving to possess them and knows that his desire is vain. The first result of this inner process is a characteristic falsification of the world view. Regardless of what he observes, his world has a peculiar structure of emotional stress. The more the impulse to turn away from those positive values prevails, the more he turns without transition to their negative opposites, on which he concentrates increasingly. He has an urge to scold, to depreciate, to belittle whatever he can. Thus he involuntarily “slanders” life and the world in order to justify his inner pattern of value experience.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

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Norbert Wiener photo
Philippe Kahn photo
Stanley Baldwin photo