Quotes about magic
page 5

Paulo Coelho photo
Gillian Flynn photo
Malcolm Gladwell photo

“In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours.”

Malcolm Gladwell (1963) journalist and science writer

Source: Outliers: The Story of Success

Rick Riordan photo
Neal Shusterman photo

“They all think medicine should be magic, and they become mad at me when it's not.”

Neal Shusterman (1962) American novelist

Source: Challenger Deep

Jane Yolen photo

“Touch magic. Pass it on.”

Jane Yolen (1939) American speculative fiction and children's writer

Source: Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood

Raymond Chandler photo
Rick Riordan photo
Cornelia Funke photo

“As Mo had said: writing stories is a kind of magic, too.”

Variant: Writing stories is a kind of magic, too.
Source: Inkheart

Robert A. Heinlein photo
Rick Riordan photo

“Syphilis. Lots and lots of magically delicious Syphilis.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Bleeds

Cornelia Funke photo
Jeanette Winterson photo
Kate DiCamillo photo
Cassandra Clare photo
Cassandra Clare photo
Joel Salatin photo
Herman Melville photo
Rick Riordan photo
Eoin Colfer photo
Rick Riordan photo
Shannon Hale photo

“It was karma, it was kismet, it was magic. It doesn't matter how it happened, just that it did.”

Shannon Hale (1974) American fantasy novelist

Source: The Actor and the Housewife

Anne Sexton photo
Stephen Chbosky photo
Lev Grossman photo
Martha Graham photo
Jeanette Winterson photo
Chris Bohjalian photo
Kim Harrison photo

“Tears could not be equal, if I wept diamonds from the skies.
Jenks (Black Magic Sanction)”

Kim Harrison (1966) Pseudonym

Source: Black Magic Sanction

Nikki Sixx photo

“Just let it happen and, I promise you, all that is magic will appear.”

Nikki Sixx (1958) American musician

Source: This Is Gonna Hurt: Music, Photography, And Life Through The Distorted Lens Of Nikki Sixx

Francesca Lia Block photo
Charlaine Harris photo
Anaïs Nin photo
Jorge Luis Borges photo
Cassandra Clare photo
Janet Evanovich photo
Jim Butcher photo
Rick Riordan photo
Ilana Mercer photo
Stanley A. McChrystal photo
Jack Kerouac photo
Starhawk photo

“I know that I disagree with many other UML experts, but there is no magic about UML. If you can generate code from a model, then it is programming language. And UML is not a well-designed programming language.
The most important reason is that it lacks a well-defined point of view, partly by intent and partly because of the tyranny of the OMG standardization process that tries to provide everything to everybody. It doesn't have a well-defined underlying set of assumptions about memory, storage, concurrency, or almost anything else. How can you program in such a language?
The fact is that UML and other modelling language are not meant to be executable. The point of models is that they are imprecise and ambiguous. This drove many theoreticians crazy so they tried to make UML "precise", but models are imprecise for a reason: we leave out things that have a small effect so we can concentrate on the things that have big or global effects. That's how it works in physics models: you model the big effect (such as the gravitation from the sun) and then you treat the smaller effects as perturbation to the basic model (such as the effects of the planets on each other). If you tried to solve the entire set of equations directly in full detail, you couldn't do anything.”

James Rumbaugh (1947) Computer scientist, software engineer

James Rumbaugh in Federico Biancuzzi and Shane Warden eds. (2009) Masterminds of Programming. p. 339; cited in " Quote by James Rumbaugh http://www.ptidej.net/course/cse3009/winter13/resources/james" on ptidej.net. Last updated 2013-04-09 by guehene; Rumbaugh is responding to the question: "What do you think of using UML to generate implementation code?"

“I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Clinging to the Wreckage : A Part of Life (1982), p. 183

Jack Vance photo

“Mischief moves somewhere near and I must blast it with my magic!”

Source: Dying Earth (1950-1984), The Dying Earth (1950), Chapter 1, "Turjan of Miir"

Ralph Ellison photo
Charlie Brooker photo
Tom Hanks photo
Marianne Moore photo

“Poetry is a magic of pauses … not a thing of tunes, but of heightened consciousness.”

Marianne Moore (1887–1972) American poet and writer

Poetry and Criticism - American Peoples Encyclopedia , Groller , New York 1965

Brandon Boyd photo
Gottfried Helnwein photo

“You can't take a dying project, sprinkle it with the magic pixie dust of "open source," and have everything magically work out.”

Jamie Zawinski (1968) American programmer

" resignation and postmortem http://www.jwz.org/gruntle/nomo.html" (essay)

“Your solemn letter has reached (me)…
At the ‘hidden level’ (occult word), the downfall of the Marhatahs and the Jats has been decided. Now, therefore, it is only a matter of time. As soon as the servants of Allah gird up their loins and come out with courage, the magic fortress of falsehood will be shattered…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Najibuddaulah, the Ruhela Ally of Abdali in India. Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, p. 103.
From his letters

Phil Brooks photo
Peter Cook photo

“And the magic word: Julie Andrews!”

Peter Cook (1937–1995) British architect

Bedazzled (1967)

Auguste Rodin photo
Nicholas Sparks photo
Alan Moore photo
Noel Gallagher photo
Richard Rodríguez photo
Oliver Wendell Holmes photo

“A few can touch the magic string,
And noisy Fame is proud to win them;
Alas for those that never sing,
But die with all their music in them!”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Voiceless; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Peter Blake photo

“People say, "Why do you paint?" and I say, to make magic.”

Peter Blake (1932) British artist

Serena Davies, "In the studio:Peter Blake, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/12/13/bastudio13.xml The Daily Telegraph, 2005-12-13
Art

Ted Nugent photo
Yury Dombrovsky photo
Michael Swanwick photo
Charlie Sheen photo

“I got magic and I got poetry in my fingertips.”

Charlie Sheen (1965) American film and television actor

On The Alex Jones Show February 24 2011

Peter Kruse photo

“The new magic formula is pull by resonance.”

Peter Kruse (1955–2015) German psychologist

Peter Kruse, Google's Think Quarterly, "Soft Values, Hard Facts" (March 2011).
Think Quarterly http://www.thinkwithgoogle.co.uk/quarterly/data/peter-kruse-next-practice.html

Rob Enderle photo
Benjamin Peirce photo
James Thurber photo
Hakim Bey photo
Anna Akhmatova photo

“I go forth to seek —
To seek and claim the lovely magic garden
Where grasses softly sigh and Muses speak.”

Anna Akhmatova (1889–1966) Russian modernist poet

Translated by Irina Zheleznova

Bill Evans photo
Ravi Shankar photo

“The magic happens only when the artist serves with love and the listener receives with the same spirit.”

Ravi Shankar (1920–2012) Indian musician and sitar player

Quotations by 60 Greatest Indians, 27 November 2013, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

Dave Attell photo
Glenn Jacobs photo
Naum Gabo photo
Algis Budrys photo
Glen Cook photo
Colin Wilson photo
Boris Johnson photo

“Some readers will no doubt say that a devil is inside me; and though my faith is a bit like Magic FM in the Chilterns, in that the signal comes and goes, I can only hope that isn't so.”

Boris Johnson (1964) British politician, historian and journalist

"What's so funny about the Passion?", Daily Telegraph, 4 March 2004, p. 24.
2000s, 2004

Tad Williams photo

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

Giorgio de Chirico photo