Quotes about magic
page 7

Eugène Fromentin photo

“.. Africa: it's a magic word that lends itselfs to suppositions and sets amateur explorers to dreaming. I want to try to be 'at home' on this bit of foreign [Arab] soil.”

Eugène Fromentin (1820–1876) French painter

as quoted by Sarah Anderson, in Between Sea and Sahara: An Orientalist Adventure, Eugène Fromentin, (1859) - in 'Preface'; transl. Blake Robinson; publisher I.B. Tauris 2004, p. 4

W. S. Gilbert photo

“Oh! my name is John Wellington Wells,
I'm a dealer in magic and spells,
In blessings and curses
And ever-filled purses,
In prophecies, witches, and knells.

If you want a proud foe to "make tracks"—
If you'd melt a rich uncle in wax—
You've but to look in
On our resident Djinn,
Number seventy, Simmery Axe!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

Mr Wells' song, Act I.
"Simmery Axe" is the traditional pronunciation of "St. Mary Axe", a road in the City of London.
In Gilbert's day, the last building was number 68, though number 70 was built later.
The Sorcerer (1877)

Tom Petty photo

“There was no use in pretending,
No magic left to hear.
All the music gave me
Was a craving for light beer.”

Tom Petty (1950–2017) American musician

Money Becomes King
Lyrics, The Last DJ (2002)

William Morris photo

“Pliny tells us that Demokritos was instructed in magic by Ostanes the Mede.”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

Francis Preston Venable, A Short History of Chemistry (1894) p. 9. https://books.google.com/books?id=fN9YAAAAYAAJ&pg=PA9

Stephen Fry photo
Asger Jorn photo

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Tim O'Brien photo
Umberto Eco photo
Fritz Leiber photo

“I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“A Bit of the Dark World” (pp. 261-262); originally published in Fantastic, February 1962
Short Fiction, Night's Black Agents (1947)

Sri Aurobindo photo

“It is not by these means [modern humanism and humanitarianism, idealism, etc. ] that humanity can get that radical change of its ways of life which is yet becoming imperative, but only by reaching the bed-rock of Reality behind,… not through mere ideas and mental formations, but by a change of the consciousness, an inner and spiritual conversion. But that is a truth for which it would be difficult to get a hearing in the present noise of all kinds of many-voiced clamour and confusion and catastrophe…. Science has missed something essential; it has seen and scrutinised what has happened and in a way how it has happened, but it has shut its eyes to something that made this impossible possible, something it is there to express. There is no fundamental significance in things if you miss the Divine Reality; for you remain embedded in a huge surface crust of manageable and utilisable appearance. It is the magic of the Magician you are trying to analyse, but only when you enter into the consciousness of the Magician himself can you begin to experience the true origination, significance and circles of the Lila…. Another danger may then arise [once materialism begins to give way]… not of a final denial of the Truth, but the repetition in old or new forms of a past mistake, on one side some revival of blind fanatical obscurantist sectarian religionism, on the other a stumbling into the pits and quagmires of the vitalistic occult and the pseudo-spiritual'mistakes that made the whole real strength of the materialistic attack on the past and its credos. But these are phantasms that meet us always on the border line or in the intervening country between the material darkness and the perfect Splendour. In spite of all, the victory of the supreme Light even in the darkened earth-consciousness stands as the one ultimate certitude….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

Neil Gaiman photo
Starhawk photo
George Holmes Howison photo
Garth Nix photo
Philippe Starck photo
Larry Wall photo

“tt>str-> str_pok |= SP_FBM; /* deep magic */s = (unsigned char*)(str-> str_ptr); /* deeper magic */</tt”

Larry Wall (1954) American computer programmer and author, creator of Perl

Source code, <code>util.c</code>

Nicholas Lore photo
Gregory Benford photo
William Grey Walter photo
H. G. Wells photo
Stuart Kauffman photo

“Life does not depend on the magic of Watson-Crick base pairing or any other specific template-replicating machinery. Life lies … in the property of catalytic closure among a collection of molecular species”

Stuart Kauffman (1939) American biophysicist

Source: At Home in the Universe: The Search for the Laws of Self-Organization and Complexity (1996), p.50 as cited in: Gert Korthof (1998)

Alberto Manguel photo
Aron Ra photo
Alex Kozinski photo

“Appellate review is not a magic wand and we undermine public confidence in the judicial process when we make it look like it is.”

Alex Kozinski (1950) American judge

Concluding words of dissent from a denial of rehearing en banc in United States v. Ziegler http://scholar.google.com/scholar_case?case=995042337184945695, 2007.

Don DeLillo photo

“I want to immerse myself in American magic and dread.”

Source: White Noise (1984), Ch. 5

Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Steven M. Greer photo

“They may be a quarter million years more advanced than we are technologically. Their technology will look like magic to us. I don't think that we should be running around thinking these are gods in flying saucers that we should worship. We need to take this in a very rational way.”

Steven M. Greer (1955) American ufologist

Source: Quoted in: Researcher's Close Encounters Convince Him Of Extraterrestrials The Virginian-Pilot, Roy A. Bahls, http://nl.newsbank.com/nl-search/we/Archives?p_product=VP&p_theme=vp&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAFF84CB5EACDC1&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM (22 March 1995)

Bill Pearl photo
Marshall McLuhan photo

“The “natural magic” of the camera obscura anticipated Hollywood in turning the spectacle of the external world into a consumer commodity or package.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 146

W. Clement Stone photo

“Give hope (the magic ingredient for success) — you will have hope and be made hopeful.”

W. Clement Stone (1902–2002) American New Thought author

Be Generous!

Colin Wilson photo
Nikos Kazantzakis photo
Marshall McLuhan photo

“The interiorization of the technology of the phonetic alphabet translates man from the magical world of the ear to the neutral visual world.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 21

Larry Niven photo

“5) Psi and/or magical powers, if real, are nearly useless.”

Larry Niven (1938) American writer

Niven's Laws

“All men believed they had their own magics in bed.”

Source: Grass (1989), Chapter 7 (p. 120)

Hermann Hesse photo
Elaine Paige photo

“I loved it. We would rehearse in this dark theatre, unaware of the sunny day outside, and be immersed in the magic of creating something from our imaginations.”

Elaine Paige (1948) English singer and actress

Regarding The Roar Of The Greasepaint - The Smell Of The Crowd
Rock and pop (2006)

David Berg photo
Mao Zedong photo
Tad Williams photo

“Simple answers to life’s questioning. That would be a magic beyond any I have ever been seeing.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, Stone of Farewell (1990), Chapter 8, “On Sikkihoq’s Back” (p. 188).

“I have always had a fascination with traveling to magical places. Many of my own stories take place in other places, other dimensions. I guess I'm the ultimate escapist.”

Robert D. San Souci (1946–2014) Children's writer

Robert D. San Souci – Penguin Books USA http://www.penguin.com/author/robert-d-san-souci/26813

Zooey Deschanel photo
Rod Serling photo

“The first sale, that's the one that comes with magic.”

Rod Serling (1924–1975) American screenwriter

Rod Serling: American Masters.
Other

Alfred de Zayas photo
L. E. J. Brouwer photo
Halldór Laxness photo
George Eliot photo

“The pain is legit. But Trump is a stupid vote. Because Trump won't solve any of those things, he'll make them all worse. You're voting against your pain. You're voting to create more. You're going for a kind of witch doctor of politics who is promising things based on magic.”

Mike Murphy (political consultant) (1962) American political consultant

As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard
2010s

Marshall McLuhan photo

“The magic of the cave image lies in its being, not in its being seen. The symbolic does not refer. It is.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 350

Charlie Brooker photo
N. K. Jemisin photo

“There’s not such thing as magic that does no harm.”

Source: The Broken Kingdoms (2011), Chapter 4 “Frustration” (watercolor) (p. 93)

Susan Cooper photo

“Nearly every tale that men tell of magic and witches and such is born out of foolishness and ignorance and sickness of mind—or is a way of explaining things they do not understand.”

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), The Dark Is Rising (1973), Chapter 6 “The Book of Gramarye” (p. 101)

Roberto Mangabeira Unger photo
Pearl S.  Buck photo
Leo Buscaglia photo
E. T. A. Hoffmann photo

“The magic of music is so strong, getting stronger, it should break any shackle of another art.”

E. T. A. Hoffmann (1776–1822) German Romantic author

Beethovens Instrumentalmusik

Antonin Artaud photo
Stephen King photo
V. V. S. Laxman photo

“You have to see VVS Laxman bat to understand his magic.”

V. V. S. Laxman (1974) former Indian cricketer

Ian Bishop http://www.scrolldroll.com/quotes-about-vvs-laxman-that-show-he-is-truly-very-very-special/

Nick Drake photo
John Gray photo
Jim Butcher photo
Rush Limbaugh photo
Frank Lloyd Wright photo
William Empson photo

“All those large dreams by which men long live well
Are magic-lanterned on the smoke of hell.”

William Empson (1906–1984) English literary critic and poet

Source: This Last Pain' (1930), Line 21.

David Blaine photo

“Magic is not about having a puzzle to solve. It's about creating a moment of awe and astonishment. And that can be a beautiful thing”

David Blaine (1973) American illusionist and endurance artist

Interview with Brett Martin for Time Out New York (April 1-8, 1999, on-line). http://www.hwwilson.com/_home/bios/1997004856.htm

Dafydd ap Gwilym photo

“Blue, round, miserable moon, full of magic, picture that draws like a magnet, pale-coloured, charmed jewel, made by sorcerers; swiftest of dreams, cold traitor, brother to the ice, most evil and unkind of servants, let hell consume the hateful, thin, bent-lipped mirror!”

Dafydd ap Gwilym (1320–1380) Welsh poet

Lleuad las gron gwmpas graen,
Llawn o hud, llun ehedfaen;
Hadlyd liw, hudol o dlws,
Hudolion a'i hadeilws;
Breuddwyd o'r modd ebrwydda',
Bradwr oer a brawd i'r ia.
Ffalstaf, gwir ddifwynaf gwas,
Fflam fo'r drych mingam meingas!
"Y Drych" (The Mirror), line 25; translation from Carl Lofmark Bards and Heroes (Felinfach: Llanerch, 1989) p. 96.

Prem Rawat photo
David Copperfield photo

“I want to tell you why I did this. My mother was the first one to tell me about the Statue of Liberty. She saw at first from the deck of the ship that brought her to America: she was an immigrant. She impressed upon me how precious our liberty is and how easily it can be lost. And then one day it occurred to me that I could show with magic how we take our freedom for granted. Sometimes we don't realize how important something is until it's gone. So I asked our government for permission to let me make the Statue of Liberty disappear… just for a few minutes. I thought that if we faced emptiness where, for as long as we can remember, that great lady is, lifted up our land, why then… we might imagine what the world would be like without liberty and we realize how precious our freedom really is. And then I will make the Statue of Liberty reappear, by remembering the world that made it appear in the first place. The world is freedom. Freedom is the true magic. It's beyond the power of any magician. But wherever one human being guarantees another the same rights he or she enjoys, we find freedom. [The curtain between the live audience and the Statue of Liberty used to hide the secret of its disappearance is raised] How long can we stay free? But just as long as we keep thinking, and speaking, and acting as free human beings. Our ancestors just couldn’t. We can. And I will show you the way. Nooooow!”

David Copperfield (1956) American illusionist

The curtain is lowered and the Statue of Liberty reappears
From "The Magic of David Copperfield V: The Statue of Liberty Disappears" (April 8th, 1983)

Roger Waters photo
Bryan Caplan photo
Eliezer Yudkowsky photo
Neil Gaiman photo
Victor Villaseñor photo
Edward Bellamy photo

“On no other stage are the scenes shifted with a swiftness so like magic as on the great stage of history when once the hour strikes.”

Edward Bellamy (1850–1898) American author and socialist

Author's postscript.
Looking Backward, 2000-1887 http://www.gutenberg.org/dirs/etext96/lkbak10.txt (1888)

“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

Octavia E. Butler photo
Albert Pike photo
Stella Adler photo

“What an extraordinary combination was Stella Adler - a goddess of full of magic and mystery, a child full of innocence and vulnerability.”

Stella Adler (1901–1992) American actress and teaching coach

Elaine Stritch, attributed without citation in Robert Barton, Acting: Onstage and Off (2009), p. 158
About

William Godwin photo
Brian Clevinger photo
Richard D. Ryder photo
Derren Brown photo

“Dull magic is a collection of tricks: great magic should sting.”

Derren Brown (1971) British illusionist

Books, Harry Houdini on Deception (foreword) (2009)

Robert Bloomfield photo
Philip José Farmer photo
Phil Hartman photo

“Judge: Did you hear that, Mr. Cirroc?
Unfrozen Caveman Lawyer: (on cellphone) I'm sorry your honor, I was listening to the magic voices coming out of your modern invention.”

Phil Hartman (1948–1998) Canadian American actor, comedian, screenwriter, and graphic artist

On Saturday Night Live, More Unfrozen Caveman Lawyer

Arthur James Balfour photo
Kathleen Hanna photo
Alan Moore photo

“I was talking earlier — about anarchy and fascism being the two poles of politics. On one hand you’ve got fascism, with the bound bundle of twigs, the idea that in unity and uniformity there is strength; on the other you have anarchy, which is completely determined by the individual, and where the individual determines his or her own life. Now if you move that into the spiritual domain, then in religion, I find very much the spiritual equivalent of fascism. The word “religion” comes from the root word ligare, which is the same root word as ligature, and ligament, and basically means “bound together in one belief.” It’s basically the same as the idea behind fascism; there’s not even necessarily a spiritual component it. Everything from the Republican Party to the Girl Guides could be seen as a religion, in that they are bound together in one belief. So to me, like I said, religion becomes very much the spiritual equivalent of fascism. And by the same token, magic becomes the spiritual equivalent of anarchy, in that it is purely about self-determination, with the magician simply a human being writ large, and in more dramatic terms, standing at the center of his or her own universe. Which I think is a kind of a spiritual statement of the basic anarchist position. I find an awful lot in common between anarchist politics and the pursuit of magic, that there’s a great sympathy there.”

Alan Moore (1953) English writer primarily known for his work in comic books

Alan Moore on Anarchism (2009)

Bill Hybels photo
Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

Samuel R. Delany photo