Quotes about lyrics

A collection of quotes on the topic of lyrics, likeness, song, music.

Quotes about lyrics

“As a poet I am an emotional accident; a lyrical tourist.”

José Baroja (1983) Chilean author and editor

Source: Klairet Levy, R. Interview to José Baroja. http://letras.mysite.com/jbar050923.html

“Words are more powerful than some noises. Noises won't last long. Lyrics are so important, and people don't realise that.”

Billie Eilish (2001) American singer-songwriter

People

“What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

From an article in Sovetskoye Iskusstvo, November 5, 1934; translation from Laurel Fay Shostakovich: A Life (2000) p. 77.

Sadness, Music, Laughter, Fight

“Music comes first; lyrics are secondary. Most of my lyrics are contradictions. I'll write a few sincere lines, and then I'll have to make fun of [them]. I don't like to make it too obvious, because if it is too obvious, it gets really stale. You shouldn't be in people's faces 100% all the time. We don't mean to be really cryptic or mysterious, but I just think that lyrics that are different and weird and spacey paint a nice picture. It's just the way I like art.”

Kurt Cobain (1967–1994) American musician and artist

Date unknown, but appears on Live! Tonight! Sold Out!!.
Interviews (1989-1994), Video

People, Art, Music, Way

“Everybody feels these moments of sadness and moments of loss and sometimes I think everybody can relate to sitting alone and feeling like crap and a friend of yours comes up and starts like, you know, 'Come on, feel happy,' and you don't want that. Sometimes its alright to let yourself be upset about something and so that you can show yourself that regardless of how low you feel, you can always rise out of it, but not at the moment. And so the song ends with the lyric, 'I believe we all fall down' but I don't say 'but we we get back up'. It's just, sometimes you fall down and sometimes you fell low, and that's okay.”

Andrew Biersack (1990) American singer-songwriter

Loss, Thinking, Relation ships, Sadness

“Poetry is a lyrical insinuation. Often, its melodic subtlety kisses the subconscious mind.”

Masiela Lusha (1985) Albanian actress, writer, author

LaGuardia, Gina (October 2004). "Masiela's Musings". College Bound Teen (USA): p. 2.

Kiss

“Lyrically I'm untouchable, uncrushable. Getting mad blunted in the S-500.”

The Notorious B.I.G. (1972–1997) American rapper

"Think BIG"
Song lyrics

Madness

“Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Beauty, Peaceful, Fate, Nature

“Last year, a girl was raped by two wastes of sperm and eggs while they sang the lyrics to our song "Polly". I have a hard time carrying on knowing there are plankton like that in our audience.”

Kurt Cobain (1967–1994) American musician and artist

Incesticide liner notes (1992)

Girl, Time

“[about Nothing Else Matters] James always wanted to be perceived as this guy who is very confident and strong. And for him to write lyrics like that - showing a sensitive side - took a lot of balls.”

Kirk Hammett (1962) American musician

Playboy (April 2001)

Guy, Confidence, Strong

“I want to shape the TV screen canvas
as precisely as Leonardo,
as freely as Picasso,
as colorfully as Renoir,
as profoundly as Mondrian,
as violently as Pollock
and as lyrically as Jasper Johns.”

Nam June Paik (1932–2006) American video art pioneer

Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s

“There is not any kind of meaning in the lyrics, in fact it was an attempt at completely deconstructing reality.”

Viktor Tsoi (1962–1990) Soviet rock musician (1962-1990)

In an 1987 interview, "Aluminum Cucumbers" http://russiantumble.com/tag/viktortsoi/ (7 November 2012)

Reality

“Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

Music, Water, Singing

“We think we understand a song's lyrics but what makes us believe in them, or not, is the music”

Carlos Ruiz Zafón book The Angel's Game

Source: The Angel's Game

Music, Understanding, Thinking

“I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.”

Jonathan Davis (1971) Heavy metal singer, frontman for Korn

Books, Reading

“By and large the present day Indian film music lacks soulful melody, sublime spirit and compelling charm of its lyrical intensity and has nothing Hindustani in it.”

Ram Narayan (1927) classical sarangi player from India

[Sharma, S. D., Sarangi maestro calls present music soulless drudgery, The Tribune, 28 February 2008, http://www.webcitation.org/5pb5rvJkI]

Music, Soul

“We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.”

Art Garfunkel (1941) American singer, poet, and actor

http://www.artgarfunkel.info/more.html

Feeling

“Why in the hell do journalists insist on coming up with a second rate Freudian evaluation on my lyrics when 90% of the time they've transcribed the lyrics incorrectly?”

Kurt Cobain book Journals

Source: Journals (2002), p. 190

Hell, Time

“While some mothers sing lullabies to their children, my mother read me poetry. And to this day, I associate my strongest and most insistent feelings with words lyrically organized on a page.”

Masiela Lusha (1985) Albanian actress, writer, author

On her creative inspiration http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/

Children, Feeling, Singing, Reading

“I am probably the least sensuous of all living beings; being almost exclusively visual and quasi-abstract in imagination, and tending to view and enjoy all things as a passive, detached, and sometimes remote spectator. Those arts which appeal most to the ideational imagination—the sense of drama, pageantry, historic flux, collective organisation, or escape from the natural limitations of time, space, and natural law—are undoubtedly those which appeal chiefly to me. Even my strong love of architectural and decorative beauty is probably largely dependent upon the historical bearings of the forms and motifs in which I delight. I am not wholly insensible to abstract form, but seem to relish the associative element in art more instantly and acutely than the lyrical or mathematical element... I don't really revel in anything unless it reminds me of something else either real or visionary—unless it opens up visual avenues of linked pseudo-recollections leading to sensations of ego-expansion and liberation... usually bringing in the element of time, somehow based on the past, and harbouring hints of an elusive, intangible kind of adventurous expectancy.”

H.P. Lovecraft (1890–1937) American author

Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters

Love, Law, Beauty, Art

“Compared to the refined culture of sclerotic forms and frames, which mask everything, the lyrical mode is utterly barbarian in its expression. Its value resides precisely in its savage quality: it is only blood, sincerity, and fire.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

On the Heights of Despair (1934)

Sincerity

“[On the lyrics of his songs] They meant a lot to my generation. And it's nice to know you've written songs that mean something to someone rather than some trivial pop dirge. I'm not thriving off a career slagging off the Queen. I think I have something valid to say. My words are my bullets. I like to brag that somehow I got it right.”

John Lydon (1956) English singer, songwriter, and musician

Interview: Seven Magazine in the London Telegraph (6 January 2008)

Thinking

“Dancing is very like poetry. It's like poetic lyricism, sometimes, it's like the rawness of dramatic poetry, it's like the terror — or it can be like a terrible revelation of meaning. Because when you light on a word it strikes you to your heart.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)

Light, Heart, Dance

“O lyric Love, half angel and half bird
And all a wonder and a wild desire”

Robert Browning The Ring and the Book

Book I : The Ring and the Book .
The Ring and the Book (1868-69)
Context: O lyric Love, half angel and half bird
And all a wonder and a wild desire, —
Boldest of hearts that ever braved the sun,
Took sanctuary within the holier blue,
And sang a kindred soul out to his face, —
Yet human at the red-ripe of the heart—
When the first summons from the darkling earth
Reached thee amid thy chambers, blanched their blue,
And bared them of the glory — to drop down,
To toil for man, to suffer or to die, —
This is the same voice: can thy soul know change?
Hail then, and hearken from the realms of help!

Love, Angels, Bird

“I'm really very happy if people can connect at all to anything I do. I don't really mind if people mishear lyrics or misunderstand what the story is. I think that's what you have to let go of when you send it out in the world.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Source: As quoted in "Kate Bush Speaks" by Owen Myers in Fader (23 November 2016)
Context: I'm really very happy if people can connect at all to anything I do. I don't really mind if people mishear lyrics or misunderstand what the story is. I think that's what you have to let go of when you send it out in the world. I'm sure with a lot of paintings, people don't understand what the painter originally meant, and I don't really think that matters. I just think if you feel something, that's really the ideal goal. If that happens, then I'm really happy.

People, World, Thinking, Happiness

“I love the stuff and material of writing: words. The games you can play with them. The rhythm and lyricism in a good passage of writing. The power of a simple sentence. I also love the paradoxical bind of writing as both freedom and constraint. You start creating characters and scenes out of thin air. But if you do it well enough, that freedom constricts, because your characters are no longer inside you. They become their own people, agents on the page who need to act and think and feel in ways true to who they are…”

Randa Abdel-Fattah (1979) contemporary Australian writer of novels for young adults

On writing as a kind of spiritual act in “Both Freedom and Constraint: An Interview with Randa Abdel-Fattah” https://www.wordswithoutborders.org/article/both-freedom-and-constraint-an-interview-with in Words Without Borders (May 2015)

Freedom, Game, People, Thinking

“Listen to the words people say in their lyrics, and tell me, if that's some real shit, if that's real to you, you know what I mean. Listen to what they sayin', don't just bob your head to the beat, peep the game, and listen to what Im saying. Hold us accountable for it.”

Tupac Shakur (1971–1996) rapper and actor

1990s, Prison interviews and interrogations (1995)

Game, People

“I am convinced that God is love, this thought has for me a primitive lyrical validity. When it is present to me, I am unspeakably blissful, when it is absent, I long for it more vehemently than does the lover for his object.”

Sören Kierkegaard book Fear and Trembling

Source: Fear and Trembling

Love, God, Lovers

“You stand for nothing. You respect nobody. The music you dance to is devoid of beauty, its lyrics empty of humor or cleverness.”

David Klass book You Don't Know Me

Source: You Don't Know Me

Beauty, Music, Dance

“Death left its old tragic heaven and became the lyrical core of man: his invisible truth, his visible secret.”

Michel Foucault (1926–1984) French philosopher

Source: The Birth of the Clinic: An Archaeology of Medical Perception

Death, Truth, Secret

“If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.”

Nicholas Sparks book The Choice

Travis Parker, Chapter 13, p. 166
Variant: conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.
Source: 2000s, The Choice (2007)
Context: Finding a woman with a sense of humor had been the one piece of advice his father had given him when he'd first begun to get serious about dating, and he finally understood why his dad had considered it important. If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.

Relationship, Music, Laughter, Time

“Imagination is the key to my lyrics. The rest is painted with a little science fiction.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

Imagination, Science, Painting

“You're beautiful just as you are, Lyric.”

Maya Banks (1964) Author

Sweet Possession

Beauty

“Shay sometimes talked in a mysterious way, like she was quoting the lyrics of some band no one else listened to.”

Scott Westerfeld book Uglies

Source: Uglies

Way, Quotes

“Whether we write lyrics or craft legislation, sell homes or teach classes, design spaces or open franchises, prayer is a critical part of the creative process. Don’t just brainstorm; praystorm.”

Mark Batterson (1969) American pastor and writer

Source: Draw the Circle: The 40 Day Prayer Challenge

Home, Parting

“It was such a sweet, sad song with such sweet, sad lyrics. Old-fashioned a little, but also timeless.”

Gabrielle Zevin book Memoirs of a Teenage Amnesiac

Source: Memoirs of a Teenage Amnesiac

Sadness, Fashion

“You're mine, Lyric.”

Maya Banks (1964) Author

Sweet Possession

“Phillip is a repository of random snatches of film dialogue and song lyrics. To make room for all of it in his brain, he apparently cleared out all the areas where things like reason and common sense are stored.”

Jonathan Tropper (1970) American writer

Source: This is Where I Leave You

Sense

“Life is like a beautiful melody, only the lyrics are messed up.”

Hans Christian Andersen (1805–1875) Danish author, fairy tale writer, and poet

Life, Beauty

“There are beautiful sounds in rock. Very lazy, dreamlike noises. You can forget about the lyrics in most songs. Just dig the noise, and you've got your sound… We're musical primitives.”

Andy Warhol (1928–1987) American artist

Beauty, Music, Forgetting

“But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science, instantly fades away.”

Milan Kundera book The Unbearable Lightness of Being

Source: The Unbearable Lightness of Being

Love, Age, Soul, Science

“Jean Prouvaire was timid only in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric.”

Victor Hugo book Les Misérables

Source: Les Misérables

“I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.”

David Levithan (1972) American author and editor

Source: Nick & Norah's Infinite Playlist

Thinking, Night

“One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.”

Stephen Sondheim (1930) American composer and lyricist

Music

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

Randall Jarrell book Five Young American Poets

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Age, Dreams, Sense, Parting

“From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.”

Frederick Buechner (1926) Poet, novelist, short story writer, theologian

Whistling in the Dark: A Doubter's Dictionary (1988)

World, Boy, Literature, Learning

“Yeah, especially this postmortem trip when people die and then everybody writes about what they felt that person is going through. It's really surprising to me that anyone can think that they have those kinds of insights or spend that much time really worrying about somebody else. I think they should spend more time trying to figure out who they are. That's my whole trip. I can't imagine anybody knowing me through my lyrics, because I don't particularly feel like I know myself. And I have more than the benefit of just lyrics to go on.”

Chris Cornell (1964–2017) American singer-songwriter, musician

On people thinking that they have a connection with a band or a person through their lyrics ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, Soundgarden Era

People, Feeling, Imagination, Thinking

“We were recording a song called "I Don't Ever Want To Be Without You." The same Christian record company radio guy called me and asked me if we could change the song's title and lyrics. when I asked why, he said, "Because there are two negative words in the title-don't and without … I'd like some positive ones; can you call the song, 'I Always Want To Be With You?"'”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Guy, Change

“The circle of day and night is the law of the classical world: the most restricted but most demanding of the necessities of the world, the most inevitable but the simplest of the legislations of nature.
This was a law that excluded all dialectics and all reconciliation, consequently laying the foundations for the smooth unity of knowledge as well as the uncompromising division of tragic existence. It reigns on a world without darkness, which knows neither effusiveness nor the gentle charms of lyricism. All is waking or dreams, truth or error, the light of being or the nothingness of shadow.”

Michel Foucault (1926–1984) French philosopher

Part Two: 2. The Transcendence of Delirium
History of Madness (1961)

Truth, World, Law, Dreams

“"There's nothing to beat these old English country houses." said Charlie, becoming lyrical. "All those parks and gardens and terraces and stuff. Makes you think of bygone ages and knights in armour and all like that. I saw one of these joints in a movie in Cicero once with Fred Astaire in it, and I remember thinking those guys have it pretty soft."”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

From P.G. Wodehouse's Do Butlers Burgle Banks? (1968).

Age, Guy, Thinking, Housing

“I've tried to make my writing itself therapeutic—that by your act of reading it your Life Energy may be enhanced. One of the ways I have sought to achieve this is to make it singable, as best I can do. Not singable like song lyrics, rather more chantable. Encouraging you to sing along, moving with its flow, its pulse, its pulsations.”

John Diamond (doctor) (1934) Australian doctor

Source: Facets of a Diamond: Reflections of a Healer (2002), p. 286

Life, Way, Singing, Reading

“Before I start, like to make sure I'm smart. Gather my composure, rather my swagger
and my couture. Pivot my fitted, then begin to rivet, with a change of lyric. In other
words, I reposition how I sit it. Then make you feel it, like I mispronounced “filet.””

Lupe Fiasco (1982) rapper

"The Pen and the Needlez"
Mixtapes, Fahrenheit 1/15 Part I: The Truth Is Among Us (2006)

Feeling, Change

“He explained to me that he wanted a simple boy-meets-girl story with lyrics. This I felt was quite beyond my capabilities. I did not know any boys who met girls.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 27

Girl, Boy

“Wodeyar's musical output numbers close to 100 kritis [Compositions]. The nature of this output, whether it is in the choice of ragas like Bhanu Chandrika, Hamsanatini and Bhoopala Panchama, or in the lyrics which carry deep meanings drawn form the Upanishads and Srividya worship, show a keen and intelligent mind at work. Fascinating as the life was of this multi-faceted personality, it also had a poignancy for the trials and tribulations he faced.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In Jayachamaraja Wodeyar http://www.radioweb.in/programs/jayachamaraja-wodeyar

Life, Music, Intelligence, Nature

“Lyric poetry is a kind of poetry that's literally musical.”

Jan Zwicky (1955) Canadian philosopher

The Details interview with Jay Ruzesky (Winter 2008)

Music

“It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics. I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package.”

John Mayer (1977) guitarist and singer/songwriter

On the effects of having a critical cardiac arrhythmia at age 17 Hiatt, Brian (2006-09-21), "My Big Mouth Strikes Again" http://www.rollingstone.com/news/story/11515443/john_mayer_speaks_listen_to_his_hilarious_takes_on_paris_hilton_brad__angelina_living_in_ny. Rolling Stone. (1009): 66-70

Home, Time, Heart, Personality

“On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

quote from 'Guerra sola igiene del mundo', in Edizione Futuriste di Poesia', Milan 1915; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 21
1910's

Death, Health, Youth, Art

“With Moondance, I wrote the melody first. I played the melody on a soprano sax and I knew I had a song so I wrote lyrics to go with the melody. That's the way I wrote that one. I don't really have any words to particularly describe the song, sophisticated is probably the word I'm looking for. For me, Moondance is a sophisticated song. Frank Sinatra wouldn't be out of place singing that.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

As quoted in Celtic Crossroads: The Art of Van Morrison (1997) by Brian Hinton, p. 106

Way, Singing

“Nature gets credit which should in truth be reserved for ourselves: the rose for its scent, the nightingale for its song, and the sun for its radiance. The poets are entirely mistaken. They should address their lyrics to themselves and should turn them into odes of self-congratulation on the excellence of the human mind.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

as cited in History, Humanity and Evolution (1989), p. 383.
1920s, Science and the Modern World (1925)

Truth, Nature, Sun

“Painting is aesthetic enjoyment; I want to be a 'poet'. As an artist I must conform to my nature. My nature has a lyrical as well as a dramatic disposition. Not one day is the same. One day I feel wonderful to work and I feel an expression, which shows in the work. Only with a very clear mind on a clear day I can paint without interruptions and without food because my disposition is like that. My work should reflect my moods and the greatest enjoyment I had when I did the work…”

Hans Hofmann (1880–1966) American artist

Quote from 'Artists' Session at Studio 35', (1950); as cited in Abstract Expressionism Creators and Critics (1990), ed. Clifford Ross, p. 225 
1950s

Food, Feeling, Mood, Nature

“He has no equal in medieval German lyric poetry and perhaps not even in European lyric poetry of the Middle Ages.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Ingeborg Glier, in Boris Ford (ed.) Medieval Literature: The European Inheritance (Harmondsworth: Penguin, 1983) p. 184.
Praise

Age

“Lyrically speaking, I know that there were a lot of things going on in and around the world and there were some very specific people in my mind coming dangerously close to having megolomaniacal tendancies and so I did my best to write those thoughts down.”

Brandon Boyd (1976) American rock singer, writer and visual artist

On the song Megalomaniac

People, World

“Logic, like lyrical poetry, is no employment for the middle-aged”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), F. P. Ramsey, p. 296
Originally published in The Economic Journal, March 1930. and The New Statesman and Nation, October 3, 1931

Age

“My mother was a popular folk singer. I grew up listening to her songs and know the lyrics and tunes by heart. Although she wanted me to become a singer, I chose a career in the aviation industry. I have come back after more than 10 years to fulfil her dream.”

Navneet Aditya Waiba Nepali folk singer

https://web.archive.org/web/20170202035251/https://www.telegraphindia.com/1170126/jsp/siliguri/story_132419.jsp

Dreams, Heart

“You're Still You (lyrics by Linda Thompson)”

Josh Groban (1981) American musician and actor

“When you write your own lyrics, you tend to be over-analytical. One second everything you do is brilliant, and the next, everything is garbage, and I want to be able to express personal things without being made to feel stupid. One of the first times I remember writing something personal was on tour. I was feeling really freaky and down, and I looked in the mirror and I was wearing a red T-shirt and some baggy tennis shorts. I remember thinking that as bummed as I felt, I looked like some beach kid. And then I came up with that line—’I’m looking California / And feeling Minnesota,’ from the song ‘Outshined’—and as soon as I wrote it down, I thought it was the dumbest thing. But after the record came out and we went on tour, everybody would be screaming along with that particular line when it came up in the song. The was a shock. How could anyone know that that was one of the most personally specific things I had ever written? It was just a tiny line. But somehow, maybe because it was personal, it just pushed that button.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Details Magazine, December 1996 https://pitchfork.com/features/article/10081-chris-cornell-searching-for-solitude/, Soundgarden Era

Stupidity, Feeling, Thinking, Time

“All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing in literature the apparently indissoluble fusion of the two concepts of Woman and Beauty. This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out, c of which we would like to disencumber literature and art in general.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 89

Beauty, Art, Literature, Understanding

“As far as inspiration lyrically, umm…that's what I try to do, I try to delve into my own psyche, and how it reflects across the world. I have a lot of feelings of, I think like most people, of uh guilt and depression and anxiety and happiness, umm, all extreme emotions. That I think personally all bands from, or are spawned from I should say, love, which is the most important emotion there is. The most important power and feeling there is. You have to have something that you can count on, something that'll make you understand that eventually everything will be okay, and eventually you will fulfill yourself. Umm, but it is a process and an adventure. I think that the adventure is meant to be appreciated and, and adored. I think you have to adore even the worst moments of your life.”

Nathan Leone (1981) American musician

Madina Lake-Webisode 1</li></ul>

Love, Life, People, World

“Oh, I have a special way of writing the lyrics when it is dictated to me. No matter what the language of the song, even if it is Bengali, I write it in Hindi. I have certain notations and markings to indicate the way it should be pronounced. I feel the Devanagari script is the closest to the phonetics of the language. English alphabets are not very good for that purpose. Moreover, I listen carefully and try to grasp as much as possible when the lyrics are read to me.”

Shreya Ghoshal (1984) Indian playback singer

Getting it right (Singing) http://www.thehindu.com/features/metroplus/queen-of-the-charts/article390455.ece

Way, Feeling, Reading

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life, Music, Sense, Light

“"I’m not a huge practicing Christian myself, but it just staggers me that people who claim to be can stand up and spout – like your president George Bush – can stand up and spout this bullshit about God supporting one side over another in war, which is why I wrote the lyrics of the song "What God Wants": “God wants crusade/God wants Jihad.” Well it may well be that God doesn’t want either of those things. They’re manifestations of the insecurities of the Muslim and Christian communities. I hate when someone uses religion to bolster war in the world: it's extremely disgusting and offensive for me, and for all christians, because that was not what Christ was trying to teach."”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"Roger Waters talks about What God Wants", a 1993 interview
Philosophy

God, Hate, War, People

“I began … to watch with peculiar alarm lest what I called my philosophic estimate of the human lot in general, should be a mere prose lyric expressing my own pain and consequent bad temper.”

George Eliot book Impressions of Theophrastus Such

Part 1
Impressions of Theophrastus Such (1879)

Pain

“Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa…the beauty will be lost.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Beauty, Music, Change

“John Dayal is welcomed to Congressional committees in Washington DC as a crown witness to canards such as how Hindus are raping Catholic nuns in India, an allegation long refuted in a report by the Congress state government of Madhya Pradesh. Arundhati Roy goes lyrical about the torture of a Muslim politician's two daughters by Hindus during the Gujarat riots of 2002, even when the man had only one daughter, who came forward to clarify that she happened to be in the US at the time of the 'facts.”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya, the Finale (2003)

Time, Daughters

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“A new type of poem has been evolved and popularized by the demands of the anthology-reading public. It is called 'the perfect modern lyric.' Like the best-seller novel, it is usually achieved in the dark; but certain critical regulations can be made for it. It must be fairly regular in form and easily memorized, it must be a new combination of absolutely warn-out material, it must have a certain unhealthy vigour or languor, and it must start off engagingly with a simple sentimental statement. Somewhere a daring pseudo-poetical image must be included…”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Robert Graves from A Pamphlet Against Anthologies (London: Doubleday, 1928)

Reading, Perfection

“Verse no longer stands at the centre of communicative discourse. It is no longer, as it was from Homer to Milton, the natural repository of knowledge and traditional sentiment. It no longer gives to society its main record of past grandeur or its natural setting for prophecy, as it did in Virgil and Dante. Verse has grown private. It is a special language which the individual poet insinuates, by force of personal genius, into the awareness of his contemporaries, persuading to learn and perhaps hand on his own uses of words. Poetry has become essentially lyric — that is to say, it is the poetry of private vision rather than of public or of national occasion.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. IX (p. 309).

Communication, Nature, Knowledge, Learning

“… this refined language of Indian modernity – an Indian language that was actually first used as a first language by a home-grown cosmopolitan elite – enough to say, with or without humour, ‘Ami tomake bhalobashi’ (‘I love you’) or ‘Apni kothai thhaken?’ (‘Where do you live?). These stray statements performed an incantatory ‘open sesame’ – into the bounded, charmed, small-scale world of ‘Bengaliness’. The ‘honorary’ Bengali might be myopic; might be an aficionado of art-house cinema; might be politically left wing; might have taste for lyric poetry; a tendency towards the autobiographical; an appetite for fish; or display none of these traits.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

citation needed
On Modernity

Love, World, Art, Home

“Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry.
Rolling Stone: So it wasn't an especially dark time?
Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Rolling Stone, 2014 https://www.rollingstone.com/music/features/soundgardens-chris-cornell-on-superunknown-depression-w483113, On depression and suicide

Music, Way, Feeling, Idea

“Maybe Kurt [Cobain] meant it [to mention suicide in his lyrics]; maybe he didn't. We're never going to know. When Andy Wood died, there were tons of lyrics that he wrote that sort of alluded to, well, it's possible that it's going to happen. It's not likely I'm going to kill myself, but those lyrics are still there.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, On depression and suicide

Suicide

“Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics… and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what— there's a shortage, and… it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother… right about now… yeah… it's the, it's the funk soul brother… check it out. It's, er, well… it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the… well… it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited—maybe he was bringing cake, or something, they didn't say—but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.”

Dylan Moran (1971) Irish actor and comedian

On The Rockafeller Skank by Fatboy Slim
Monster (2004)

War, School, Soul, Forgetting

“The Athanasian Creed is the most splendid ecclesiastical lyric ever poured forth by the genius of man.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Books, Coningsby (1844), Endymion (1880), Ch. 52.

“I am delighted at Des's support in these elections. And thank him for his rewrite of the lyrics of Send in the Clowns which we are planning to sing at our South East conference.”

Nigel Farage (1964) British politician and former commodity broker

In response to Des Lynam's recent support and vote on UKIP, during the May 2013 local elections - Des Lynam reveals he voted UKIP, 10 May 2013. http://www.telegraph.co.uk/news/politics/ukip/10049891/Des-Lynam-reveals-he-voted-Ukip.html 2013

Support, Singing

“You could try and read my lyrics off of this paper before I lay them. But, you won't take the sting out of these words before I say them.”

Eminem (1972) American rapper and actor

"Not Afraid"
2010s, Recovery (2010)

Reading

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475 1920s and later

Life, Sense, Painting

“The language of the game is interesting. You can think of the pauses as caesuras, breaks between the lines. As a poem the game is composed of a number of short lines representing the pitches. The number of lines per batter form a stanza. Then there is a space. Sometimes the stanzas become breathless, rushing full paragraphs that build rapidly on each other until the poem-inning explodes. The poem lives for this sudden blossoming out of prosodic regularity. Should someone make a computer analysis of baseball prosody, I believe that they would come up with something close to the prosody of some great American lyrical epic, Whitman’s Leaves of Grass, let’s say, or Doc Williams’s Patterson…. The game is definitely an epic … formed of many lyrical moments dependent on silences for their effectiveness. An unfolding story punctuated by brief emotional swellings.”

Andrei Codrescu (1946) American writer

“A Kind of Love,” The Muse Is Always Half-Dressed (1993).

Game, Thinking, Silence, Grass

“A short poem is often called a lyric, which originally meant a poem short enough to be set to music and sung for a moment's pleasure.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Pleasure, Music

“He was an extraordinary bloke. First of all he was very funny. He was straight but very camp. [He] came in and Visconte said, ‘Right, what are we doing?’. He said: ‘Well I haven’t got any material, I’ve just got one guitar riff’. So he played us this guitar riff. It sounded a bit like Chuck Berry to me but I didn’t say anything. He went out with the band and after two hours he said, ‘Right, got a song’. So we recorded it and took a few takes. He then said, ‘Right I’ve got a bit of a tune, just give me half an hour’. In 10 minutes he came back and said, ‘Right I’ve got the lyrics and got the tune’. So he’d written Get It On in 10 minutes basically. He went out there, sang it and in four or five takes we’d got it. There it was. The guy was absolutely astonishing.”

Martin Rushent (1948–2011) English record producer

[Serck, Linda, Legendary producer Martin Rushent, 2009, http://www.getreading.co.uk/entertainment/music/s/2061462_legendary_producer_martin_rushent, Get Reading, 6 June 2011]

Guy

“You can be a permanent fixture in my lyrical mixture.”

Eminem (1972) American rapper and actor

"Bagpipes from Baghdad".
2000s, Relapse (2009)

“Per Te (lyrics by Josh Groban)”

Josh Groban (1981) American musician and actor

English translation:

“Language is a gift that puts lyrics to the music of our lives. Without spoken language we wouldn’t be able to say, ‘I love you’. We’d have to say ‘uuurrrgghh’ or hold up a sign. And whether it’s one person’s gentle English or another’s muddy, arrogant French, it’s our language that makes us unapproachable and difficult to understand.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

Love, Music, Understanding, Personality

“Dear Sister, You dream like mad, you love like tinder, you aspire like a star-struck moth - for what? That you may hive little lyrics, and sell to a publisher for thirty pieces of silver.”

Richard Le Gallienne (1866–1947) British writer

Opening Lines from Epistle Dedicatory, to his sister, Sissie Le Gallienne English Poems Copland & Day 1895 kindle ebook.

Love, Dreams, Star, Sister

“Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more”

Colin Meloy (1974) American musician

On his songwriting technique. Interview with Colin Meloy, 2004-06 http://www.believermag.com/issues/200406/?read=interview_meloy,

People, Feeling, Nature, Thinking

“This little Collection differs, it is believed, from others in the attempt made to include in it all the best original lyrical pieces and songs in our language, by writers not living, and none besides the best. The Editor will regard as his fittest readers those who love poetry so well, that he can offer them nothing not already known and valued.”

Francis Turner Palgrave (1824–1897) English poet and critic

Golden Treasury of English Songs and Lyrics (1861) Preface.

Love

“Roger: New bands.. old bands - whatever. It's kind of weird. I guess I stay out of the loop on new bands, younger bands an who's getting signed or how many records this band is making. Persoanlly I don't care about things like that. I like melodies and lyrics and songs and energy. Isn't that what's it all about?”

Roger Manganelli (1973) American musician

“The musical comedies of the month are She’s a Good Fellow and The Lady in Red, both of which owe their book and lyrics to Anne Caldwell—evidently a native of New York, judged by the casualness with which she rhymes “teacher” and “reach a.””

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p. 82

Books, Music, Teachers