“Wodeyar's musical output numbers close to 100 kritis [Compositions]. The nature of this output, whether it is in the choice of ragas like Bhanu Chandrika, Hamsanatini and Bhoopala Panchama, or in the lyrics which carry deep meanings drawn form the Upanishads and Srividya worship, show a keen and intelligent mind at work. Fascinating as the life was of this multi-faceted personality, it also had a poignancy for the trials and tribulations he faced.”

In Jayachamaraja Wodeyar http://www.radioweb.in/programs/jayachamaraja-wodeyar

Adopted from Wikiquote. Last update June 3, 2021. History

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Jayachamarajendra Wadiyar29

Indian writer 1919–1974

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Ernest Hemingway" (1977), p. 240
The Good Word & Other Words (1978)

“Sweet and gentle and sensitive man
With an obsessive nature and deep fascination
For numbers
And a complete infatuation with the calculation
Of π.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

“Music comes first; lyrics are secondary. Most of my lyrics are contradictions. I'll write a few sincere lines, and then I'll have to make fun of [them]. I don't like to make it too obvious, because if it is too obvious, it gets really stale. You shouldn't be in people's faces 100% all the time. We don't mean to be really cryptic or mysterious, but I just think that lyrics that are different and weird and spacey paint a nice picture. It's just the way I like art.”

Kurt Cobain (1967–1994) American musician and artist

Date unknown, but appears on Live! Tonight! Sold Out!!.
Interviews (1989-1994), Video

“I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2 Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories. I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central. But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

“The development of the Watt governor for steam engines, which adapted the power output of the engine automatically to the load by means of feedback, consolidated the first Industrial Revolution.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Source: Management Science (1968), Chapter 6, The Viable Governor, p. 142.

“The nature of creative thinking runs counter to the nature of dealing w/its output. Ability & system to do both is freedom. GTD.”

David Allen (1945) American productivity consultant and author

2 July 2010 https://twitter.com/gtdguy/status/17537630593 Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5 1960's

“Mister Teatime had a truly brilliant mind, but it was brilliant like a fractured mirror, all marvellous facets and rainbows but, ultimately, also something that was broken.”

Terry Pratchett book Hogfather

Source: Hogfather

“Just as there are inputs which are supplied by the owner of a business, and whose value therefore is a "virtual," not an actual, expense, so there can be outputs which are consumed by the owner of a business, and whose value therefore forms.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1940s, Economic Analysis, 1941, p. 380

“Learn by heart the forms to be found in nature, so that you can use them like the notes in a musical composition. That is what these forms are for. Nature is a marvelous chaos, and it is our job and our duty to bring order into that chaos and – to perfect it.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s

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