Quotes about lot
page 37

W. S. Gilbert photo

“Ah, take one consideration with another
A policeman's lot is not a happy one!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Policeman's Lot (from The Pirates of Penzance).
Bartlett's Familiar Quotations, 10th ed. (1919)

Ricky Hatton photo

“I've got a lot to prove because of the criticism over my weight and moving back down a division.”

Ricky Hatton (1978) English former professional boxer

Ricky Hatton on the criticism which hes been receiving http://news2.thdo.bbc.co.uk/sport1/hi/boxing/6272581.stm

Hugo Chávez photo

“You messed up with me, birdie. No? You don't know much about history. You don't know much about anything, you know? A great ignorance is what you've got. You are ignorant, Mr. Danger. You are an ignorant. You are a donkey, Mr. Danger … By that I mean, you know, to say it with all its letters, to Mr. George W. Bush. You are a donkey, Mr. Bush. I'm going to tell you something, Mr. Danger. You are a coward, you know? You are a coward. Why don't you go to Iraq and command your army? It's so easy to command an army from afar. If you ever come up with the crazy idea of invading Venezuela, I'll be waiting for you in this savanna, Mr. Danger. Come on here, Mr. Danger. Come on here. Come on here, Mr. Danger. Coward, assassin, genocidal… Genocidal, you are a genocidal. You are an alcoholic, a drunk.. A drunk, Mr. Danger. You are immoral, Mr. Danger… You are the worst ever, Mr. Danger … The worst of this planet, the very worst is called George W. Bush. God save the world from this menace. Because he is an assassin. A sick man, a psychologically ill man, I know it. Personally, he is a coward. But he has a lot of power. He has a lot of power. And look at what's happening in Iraq. Yesterday the world marched against the war… 70%, according to the surveys I've seen, of your own people, Mr. Danger, are against you, against the war. You are a liar, Mr. Danger. You are killing children, Mr. Danger, who aren't responsible for your illnesses, of your complexes. Your soldiers in Iraq are bombing cities. Just yesterday we were watching images of five children who were murdered by you soldiers. They're not the murderers. You are the murderer, coward!”

Hugo Chávez (1954–2013) 48th President of Venezuela

Message to George W. Bush, in a nationally televised speech http://www.youtube.com/watch?feature=player_embedded&v=2_lJbIyzT64 in March 2006.
2006

Nigel Farage photo

“You have the charisma of a damp rag, and the appearance of a low-grade bank clerk. And the question that I want to ask, […] that we're all going to ask, is "Who are you?" I'd never heard of you. Nobody in Europe had ever heard of you. I would like to ask you, President, who voted for you, and what mechanism … oh, I know democracy's not popular with you lot, and what mechanism do the people of Europe have to remove you? Is this European democracy? Well, I sense, I sense though that you are competent and capable and dangerous, and I have no doubt in your intention, to be the quiet assassin of European democracy, and of the European nation states. You appear to have a loathing for the very concept of the existence of nation states - perhaps that's because you come from Belgium, which of course is pretty much a non-country. But since you took over, we've seen Greece reduced to nothing more than a protectorate. Sir, you have no legitimacy in this job at all, and I can say with confidence that I speak on behalf of the majority of British people in saying: We don't know you, we don't want you, and the sooner you're put out to grass, the better.”

Nigel Farage (1964) British politician and former commodity broker

Speech in the European Parliament, 24 February 2010 - Ukip's Nigel Farage tells Van Rompuy: You have the charisma of a damp rag http://www.guardian.co.uk/world/2010/feb/25/nigel-farage-herman-van-rompuy-damp-rag, The Guardian, 24 February 2010.
2010

Sten Nadolny photo

“If there had been no war, perhaps I would have already discovered a lot by now.”

p, 125
The Discovery of Slowness (1983, 1987)

Johannes Warnardus Bilders photo

“Nothing has happened since two or three days.... nothing special, only the Ladies van Loon have visited me this morning, I have shown them a few of my studies, and talked a lot about [Huis] 't Velde and {[w|nl:Vorden|Vorden}}. Now I could tell you further, how little I still feel at home, how a certain nostalgia or quiet sorrow plunges me down, and how an indefinite hurry for an even more uncertain future dominates my whole [being? ]; but why should I bother You by telling You my inner life..”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands): Er is sedert de twee of drie dagen.. ..niets bijzonders voorgevallen, alleen de freules van Loon zijn heden morgen bij mij geweest, ik heb paar mijn studies laten zien, en verder veel over 't Velde en Vorden met hen gesproken; nu zou ik UE nog verder kunnen zeggen, hoe weinig ik mij nog te huis gevoel, hoe een zeker heimwee, of stil verdriet mij ter nederdrukt, en, hoe een onbestemd jagen, naar een nog onbestemder toekomst mijn gehele [aanschijn[?] beheerst; maar waar om zou ik UE vermoeijen; door UE mijn innerlijk leven mede te delen..
J.W. Bilders, in his letter [including a pencil-sketch of trees along a water] to Georgina van Dijk van 't Velde, from Castle Voorst in Warnsveld, 22 Oct. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751208 in the RKD-Archive, The Hague
In 1868 Bilders traveled to the North of The Netherlands, to make sketches
1860's + 1870's

John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)

David Lynch photo

“Speaking in front of a large crowd is not pleasant. Once it gets rolling, it's okay. But beforehand, it's murder. I'm getting a lot better. The first interview I ever did was in 1972, I believe, and I couldn't speak. I couldn't speak one word. I only said, "I painted it black."”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

That was my one sentence. And so I have improved.
GreenCine interview (16 November 2005) http://www.greencine.com/article?action=view&articleID=254

Chuck Palahniuk photo
George W. Bush photo

“I faced a lot of criticism as president. I didn't like hearing people claim I had lied about Iraq's weapons of mass destruction or cut taxes to benefit the rich. But the suggestion that I was a racist because of the response to Katrina represented an all-time low. I told Laura at the time that it was the worst moment of my presidency. I feel the same way today.”

pp. 325, Chapter 10: Katrina https://books.google.com/books?id=iUJTvsUGWOcC&printsec=frontcover&dq=decision+points&hl=en&sa=X&ved=0CBwQ6AEwAGoVChMImu6s8_WEyAIVjNkeCh1oFgyY#v=onepage&q=kanye&f=false
2010s, 2010, Decision Points (November 2010)

Hope Solo photo

“It’s been a crazy year, as always — the story of my life — but it’s been a great year. Right now, I’m the happiest I’ve ever been in my personal life. I’m happily married. Yeah, there’s lots of ups and downs, but that’s what makes us strong is getting through them all.”

Hope Solo (1981) American association football player

As quoted in "Hope Solo: 'I'm the happiest I’ve ever been in my personal life. I'm happily married'" http://www.seattletimes.com/sports/sounders/hope-solo-im-the-happiest-ive-ever-been-in-my-personal-life-im-happily-married/, Seattle Times (January 24, 2013)
2010s

Anthony Bourdain photo

“Meals make the society, hold the fabric together in lots of ways that were charming and interesting and intoxicating to me. The perfect meal, or the best meals, occur in a context that frequently has very little to do with the food itself.”

Anthony Bourdain (1956–2018) Chef and food writer

Alden Mudge, "On tour with a guerrilla gourmet" http://www.bookpage.com/0112bp/anthony_bourdain.html, interview, BookPage.com, accessed June 17, 2007.

Jorge Luis Borges photo

“We all think that fate has dealt us a wretched sort of lot in life, and that others must be better. […] I presume that in the heaven of the Blessèd there are those who believe that the advantages of that locale are much exaggerated by theologists, who have never been there themselves.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"The Duel", in Brodie's Report (1970); tr. Andrew Hurley, Collected Fictions (1998)

Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Chiaki Kuriyama photo

“I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories.”

Chiaki Kuriyama (1984) Japanese actress and singer

Complex Magazine (February/March 2004) On her role as Go Go Yubari in Kill Bill: Vol. 1

Mike Huckabee photo

“I think there were a lot of Christian people who simply stayed home for reasons that I can't figure out. But I think every time we lose major elections or major issues like the same-sex marriage issue or the marijuana issue, it's because Christians just didn't show up and vote.I lay the blame though at the feet of those who sit faithfully in church each Sunday; they probably heard their pastor talk about the importance of this election and how so much was on the line, and yet maybe because they just didn't want to bother with having to stand in line at an election polling place, they just didn't go vote. And we're going to pay dearly for that.If I were Cardinal Dolan or any of the Catholic bishops or priests, I would certainly be very frustrated and discouraged and wonder why aren't they understanding that if they join a church and belong to it, why would they not respect its teachings as having validity. It's one thing to say "well, I can't agree with everything" although I'm not sure why you'd join a church if you dismiss it. But to be openly contemptuous of its teaching and doctrine, it's something I can't understand.”

Mike Huckabee (1955) Arkansas politician

Focus on the Family radio program http://www.focusonthefamily.com/radio.aspx?ID={D560C7FD-E01C-4B76-845E-9B5C2FCD3A34}, , quoted in [2012-11-08, Huckabee: Any Time We Lose 'It's Because Christians Just Didn't Show Up and Vote', Kyle, Mantyla, Right Wing Watch, http://www.rightwingwatch.org/content/huckabee-any-time-we-lose-its-because-christians-just-didnt-show-and-vote, 2012-11-09]

Megan Mullally photo
Rachel Whiteread photo
Hillary Clinton photo
Werner Erhard photo
Neal Stephenson photo
Ian Hislop photo
Tawakkol Karman photo
Jeet Thayil photo

“Like concepts such as national energy policy or war on drugs, competitiveness covers a lot of territory”

Allen B. Rosenstein (1920–2018) American systems engineers

Allen B. Rosenstein and Phillip Burgess (1988) "U.S. Competitiveness." Bureaucrat. Vol. 17-18. p. 21.

Ben Gibbard photo

“I feel like there's a lot of beauty in the darkness of Narrow Stairs, but that's not really a place I'm ready to go to for a while. I'm interested in taking a different approach and having the next record be different in tone — I'm just not interested in making another dark, dark album.”

Ben Gibbard (1976) American singer, songwriter and guitarist

Death Cab's Ben Gibbard: "The Next Record Will Be Softer" in SPIN magazine (8 October 2008) http://www.spin.com/articles/death-cabs-ben-gibbard-next-record-will-be-softer

Noam Chomsky photo
John McCain photo

“Americans are very frustrated, and they have every right to be. We’ve wasted a lot of our most precious treasure, which is American lives.”

John McCain (1936–2018) politician from the United States

Discussing the Iraq War on the Late Show with David Letterman (28 February 2007)
[Associated Press, McCain to formally announce bid in April, http://www.msnbc.msn.com/id/17389011/, MSNBC.com, 2007-03-01, 2007-03-01]
2000s, 2007

Edward Condon photo
Andreas Schelfhout photo

“Here are 3 drawings that I have made for You. It will be satisfactory, if it will meet your expectation and what it is for [to make a painting]. The two landscapes are thoughts, but the one that suggests the moonlight is the castle at Doorenwaart in Gelderland. I also painted a painting of that subject which I enjoyed a lot in Amsterdam [because, purchased there by A. B. Roothaan there] (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) Hierbij 3 teekeningen die ik voor UE. Vervaardigd hebt, het zal mij genoegelijk zijn, indien dezelve aan uwe verwachting en aan het [doel], waar voor zie dienen moeten [voor het maken van een schilderij], zullen beantwoorden. De 2 landschapjes zijn gedachten, maar het gene dat het maanlicht voorsteld, is het kasteel te Doorenwaart in Gelderland. Ik heb ook van dat zelve onderwerp een schilderij geschilderd waar van ik veel genoege gehad heb te Amsterdam [aangekocht door A. B. Roothaan aldaar]
Quote of Schelfhout in his letter to , 2 Dec. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 49

Shashi Tharoor photo
Vincent Van Gogh photo

“For myself I can only say at the moment that I think we all need rest - I feel done for. So much for me: I feel that this is the lot which I accept and which will not alter.... And the prospect grows darker, I see no happy future at all.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo from Auvers, July 1890; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 648), p. 26
1890s

Josh Groban photo
Ann Coulter photo
Gene Simmons photo

“People say, "I want to get laid a lot and make lots of money."”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

That's not the right order.
What I've Learned (July 2002)

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Tom Robbins photo
Mani Madhava Chakyar photo
Hillary Clinton photo
Donald J. Trump photo

“As far as my tax returns, you don't learn that much from tax returns. That I can tell you. You learn a lot from financial disclosure. And you should go down and take a look at that.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, September, First presidential debate (September 26, 2016)

András Petőcz photo
Pete Doherty photo
Nathaniel Hawthorne photo
Pauline Kael photo
Spike Milligan photo

“A lot of learning can
be a little thing.”

Spike Milligan (1918–2002) British-Irish comedian, writer, musician, poet, playwright, soldier and actor

England Home and Beauty for Sale, Small Dreams of a Scorpion: Poems (1972)

Aldo Leopold photo
Peter Schweizer photo
Kathy Griffin photo
Rupert Boneham photo
Margaret Atwood photo
Larry David photo

“A lot of sexual harassment stuff in the news, and I couldn't help but notice a very disturbing pattern emerging, which is that many of the predators, not all, but many of them are Jews”

Larry David (1947) American comedian, writer, actor, and television producer

November 2017 https://www.hollywoodreporter.com/live-feed/larry-david-criticized-snl-monologue-jewish-sexual-predators-holocaust-1054900
2010s

Richard Stallman photo
Donnie Dunagan photo
Kent Hovind photo

“I think what happened: the mammoths were up there chopping on their tropical flowers. It was a beautiful day, and it began to snow super cold snow. They had never seen snow before. One of the mammoths looked at his buddy and said, "Herman, this is peculiar weather we're having here. What is this white stuff falling out of the sky?" "I don't know, but let's get out of here." They started running around trying to find a place to hide and the snow got deeper and deeper and deeper and they got stuck in the snow standing up, and they couldn't even fall down. How many of you have ever been in a snow drift so deep you couldn't even fall over? Ever been in one of those? I think that's what happened to the mammoths. People say, "Well the mammoths have long hair. They're designed for cold weather." No, mammoths are not designed for cold weather. A lot of animals in the jungle have long hair. It is hot there. If the temperature is seventy degrees, long hair is just simply a decoration. There's a lot of things about the mammoth that shows that they were not designed for cold weather. There's a whole section just in this book about mammoths showing that they were not designed for cold weather. You can read all about that. For the mammoths, some of them ended frozen standing up. It was in super cold ice, perhaps 300 degrees below zero!”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Daniel Ellsberg photo
Elyse Knox photo
Carrie Fisher photo
Allie (wrestler) photo
Jayne Mansfield photo

“We eat a lot of lean meat and fresh vegetables…. You are what you eat, you know. When I'm 100, I'll still be doing pin-ups.”

Jayne Mansfield (1933–1967) American actress, singer, model

Source: On Being Blonde (2004), p. 78

Jeet Thayil photo
Joni Madraiwiwi photo

“We need to try and focus less on ethnicity in this country and concentrate on trying to improve the lot of the marginalized whoever they are.”

Joni Madraiwiwi (1957–2016) Fijian politician

Speech to the Lautoka Rotary Club (Centenary Dinner), 12 March 2005 http://www.fiji.gov.fj/publish/printer_4326.shtml.

Margaret Atwood photo

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Jonathan Safran Foer photo
Bradley Joseph photo

“A lot of musicians don’t learn the business. You just have to be well-rounded in both areas. You have to understand publishing. You have to understand how you make money, what’s in demand, what helps you make the most out of your talent.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Showcase article: [Polta, Anne, Continuing Journey: Bradley Joseph sustains music career with songwriting, recording, West Central Tribune, 2007-02-08, http://www.newspaperprints.com/index.cfm?page=search_results&paper=West%20Central%20Tribune&selectedDate=2007-02-08&start=16&perpage=5, 2007-02-18]

John Zerzan photo
Bram Cohen photo
Taylor Swift photo
Donald J. Trump photo
John Leguizamo photo

“He made the characters a lot more three-dimensional. It's still a 'B' movie and it's still kinda campy. Now it's these really well-developed characters, really three-dimensional.”

John Leguizamo (1964) Colombian and American actor, film producer, voice artist, and comedian

John Leguizamo Talks About "Assault on Precinct 13", January 16, 2005.

Heidi Klum photo
Sandra Fluke photo

“[President Obama] encouraged me and supported me and thanked me for speaking out about the concerns of American women. And what was really personal for me was that he said to tell my parents that they should be proud, and that meant a lot because Rush Limbaugh questioned whether or not my family would be proud of me. So I just appreciated that very much.”

Sandra Fluke (1981) American women's rights activist and lawyer

Andrea Mitchell interview with Sandra Fluke. Andrea Mitchell Reports. March 2, 2012. — cited in [Andrea Mitchell interviews Georgetown Law student Sandra Fluke moments after speaking with President Obama, MSNBC, http://info.msnbc.msn.com/_news/2012/03/02/10563035-andrea-mitchell-interviews-georgetown-law-student-sandra-fluke-moments-after-speaking-with-president-obama, March 2, 2012, March 8, 2012, NBCUniversal, Weesie, Vieira]
Media interviews

Tessa Virtue photo

“Our partnership is so much more than that, and in a lot of ways it’s so much better.”

Tessa Virtue (1989) Canadian ice dancer

Tessa Virtue, quoted in "Scott & Tessa Say Their Relationship Is “So Much Better” than People Imagine" http://www.flare.com/celebrity/scott-tessa-say-their-relationship-is-so-much-better-than-people-imagine/ (26 February 2018)
Partnership with Scott Moir, Tessa Virtue about Moir

Douglas Adams photo
Margrethe II of Denmark photo
Jack Osbourne photo
Tucker Max photo

“The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie…I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't…too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.”

Tucker Max (1975) Internet personality; blogger; author

http://www.youtube.com/watch?v=ZC6zdVKoNr8 (March 2010).

Joanna Newsom photo
Gillian Anderson photo
Paul Newman photo
Scott Jurek photo
Ray Nagin photo

“You know, I'm sure I could have done a lot of things much better, but I will tell you this, Tim: I was there.”

Ray Nagin (1956) politician, businessman

Transcript for September 11, Ray Nagin, Arlen Specter, John Barry & Ivor van Heerden
2005

Mikhail Bulgakov photo
Richard Feynman photo

“Suppose two politicians are running for president, and one goes through the farm section and is asked, "What are you going to do about the farm question?" And he knows right away - bang, bang, bang. Now he goes to the next campaigner who comes through. "What are you going to do on the farm problem?" "Well, I don't know. I used to be a general, and I don't know anything about farming. But it seems to me it must be a very difficult problem, because for twelve, fifteen, twenty years people have been struggling with it, and people say that they know how to solve the farm problem. And it must be a hard problem. So the way I intend to solve the farm problem is to gather around me a lot of people who know something about it, to look at all the experience that we have had with this problem before, to take a certain amount of time at it, and then to come to some conclusion in a reasonable way about it. Now, I can't tell you ahead of time what solution, but I can give you some of the principles I'll try to use - not to make things difficult for individual farmers, if there are any special problems we will have to have some way to take care of them," etc., etc., etc.
Now such a man would never get anywhere in this country, I think. It's never been tried, anyway. This is in the attitude of mind of the populace, that they have to have an answer and that a man who gives an answer is better than a man who gives no answer, when the real fact of the matter is, in most cases, it is the other way around. And the result of this of course is that the politician must give an answer. And the result of this is that political promises can never be kept. It is a mechanical fact; it is impossible. The result of that is that nobody believes campaign promises. And the result of that is a general disparaging of politics, a general lack of respect for the people who are trying to solve problems, and so forth. It's all generated from the very beginning (maybe - this is a simple analysis). It's all generated, maybe, by the fact that the attitude of the populace is to try to find the answer instead of trying to find a man who has a way of getting at the answer.”

lecture III: "This Unscientific Age"
The Meaning of It All (1999)

Letitia Elizabeth Landon photo
Bon Scott photo

“I'm 33…before AC/DC I've played in a lot of bands in Australia. You're never too old to rock and roll.”

Bon Scott (1946–1980) Rock musician

From Best, December 1979.

Sonny Bill Williams photo

“I feel like I am on the right path now. It has helped me with my confidence on the sporting field and with my self-belief, but outside of sport my life is a lot smoother too. Like everyone, I have my faults and I veer off the path sometimes, but my faith helps me get back on it and to stay being a good person. I am a lot happier now in my own skin.”

Sonny Bill Williams (1985) New Zealand rugby player and heavyweight boxer

Williams on his Muslim faith. Sonny Bill Williams, the contender http://www.theaustralian.com.au/news/features/the-contender/story-e6frg8h6-1226586019500, by Greg Bearup, The Australian, dated 2 March 2013.

Bill Clinton photo
Arnold Schwarzenegger photo
Rani Mukerji photo
Albert Kesselring photo

“War is possible only if you have a lot of enemies. If all the enemies get together and form one front - if you cut down the number of enemies - there would be no war.”

Albert Kesselring (1885–1960) German Luftwaffe Generalfeldmarschall during World War II

To Leon Goldensohn, February 4, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004.

John McCain photo

“I'm going to be honest: I know a lot less about economics than I do about military and foreign policy issues. I still need to be educated.”

John McCain (1936–2018) politician from the United States

As quoted in Wall Street Journal http://www.opinionjournal.com/editorial/feature.html?id=110007600 (26 November 2005), by Stephen Moore
2000s, 2005

John Romero photo