Quotes about look
page 42

Carl Sandburg photo
Thomas Carlyle photo

“Germany is rebuked for its past. But look at the new holocaust!”

Jack T. Chick (1924–2016) Christian comics writer

Chick tracts, " Who Murdered Clarice? http://www.chick.com/reading/tracts/1009/1009_01.asp" (2000)

Donald J. Trump photo
Margaret Sanger photo
Andy Warhol photo
Richard Feynman photo
Jackson Browne photo
Mark Satin photo

“The radical middle movement is phenomenally diverse. But if you look at what everyone who might be called radical middle is saying and doing, you'll discover we share four goals. I like to call them our Four Key Values:”

Mark Satin (1946) American political theorist, author, and newsletter publisher

1. maximize choices for every American (and for the U.S. as a whole) as much as possible;
2. guarantee a fair start in life for every American;
3. maximize every American's human potential as much as possible;
4. be of genuine help to everyone in the developing world.
Source: Radical Middle (2004), Chapter 1, "A Creative and Practical Politics," p. 6.

Donald Barthelme photo
Eugène Delacroix photo
Alicia Witt photo
H.L. Mencken photo
Salma Hayek photo

“I'd hear, "Because they paid the man, there's no money for the woman." How many times do you think I heard this? Over and over. Then I became a sex symbol. Now, how the hell did that happen? I don't exactly know the moment when it happened, but all of a sudden I'm a bombshell. The way I discovered this was I did Desperado. I had a very hard time with the love scene. I cried throughout the love scene. That's why you never see long pieces of the love scene — it's little pieces cut together. I'm crying most of the time so they have to take little pieces. It took eight hours instead of an hour. I nearly got fired. … Because I didn't want to be naked in front of a camera. The whole time, I'm thinking of my father and my brother… And then when the movie comes out, I read the first review. What do they say about me. "Salma Hayek is a bombshell." I had heard that when a movie does badly here, they say it bombs. So I'm crying. Thinking they're saying, "That terrible actress! It's a bomb! Salma Hayek is the worst part of the movie!" I called my friend and said, "The critics are destroying me!" She says, "No, they're saying you're very sexy." And then I look at all the reviews, and everybody said I was very sexy. So I'm very confused. I said, "I wonder if that's good or bad." I hear, "Yes, that's good." Then I do Fools Rush In, and I'm a pregnant woman. And they say I'm sexy again! I go, "But I'm pregnant!"”

Salma Hayek (1966) Mexican-American actress and producer

I'm not even naked in this movie, and they still say I'm sexy. And then it became very depressing — I thought, I guess I'm reduced to that now. That's all I am in the perception of these people.
O interview (2003)

Colin Wilson photo
Bruce Palmer Jr. photo
Bob Dylan photo
David Allen photo

“Keys to getting things done: know what "done" means & what "doing" looks like.”

David Allen (1945) American productivity consultant and author

14 January 2012 https://twitter.com/gtdguy/status/158292486358446081
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Lal Bahadur Shastri photo
Blake Schwarzenbach photo
Olivier Giroud photo

“I had a look at the keeper and I was thinking that he was a bit too much forward from his line. I tried instinctively to shoot and to hit the target. I was a bit lucky but that's what I wanted to do.”

Olivier Giroud (1986) French footballer

About his spectacular goal in the 2014 Community Shield http://www.arsenal.com/news/news-archive/20140810/giroud-on-his-community-shield-goal

Murasaki Shikibu photo
Thomas C. Schelling photo
William James photo

“No particular results then, so far, but only an attitude of orientation, is what the pragmatic method means. The attitude of looking away from first things, principles, 'categories,' supposed necessities; and of looking towards last things, fruits, consequences, facts.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture II, What Pragmatism Means
1900s, Pragmatism: A New Name for Some Old Ways of Thinking (1907)

Jimmy Buffett photo
Ernst Gombrich photo
Fakhruddin Ali Ahmed photo
Edgar Degas photo
Chris Cornell photo
Sally Ride photo

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

Ossip Zadkine photo

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
Euro Trash Cinema magazine interview (March 1996)

Gregory Benford photo

“Trouble comes looking for you if you’re a fool.”

Gregory Benford (1941) Science fiction author and astrophysicist

To the Storming Gulf, p. 126 (Originally published in Fantasy & Science Fiction, April 1985)
In Alien Flesh (1986)

Jefferson Davis photo
Han-shan photo
Stanley Baldwin photo

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

“I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So, I made boxes..”

Adolph Gottlieb (1903–1974) American artist

Variant: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Daniel Kahneman photo

“Teaching people to draw is teaching people to look.”

David Hockney (1937) British artist

Interview with Jasper Gerard, "Taking the fight to the dreary people," The Sunday Times (London) (2 October 2005)
2000s

John Muir photo

“That memorable day died in purple and gold, and just as the last traces of the sunset faded in the west and the star-lilies filled the sky, the full moon looked down over the rim of the valley, and the great rocks, catching the silvery glow, came forth out of the dusky shadows like very spirits.”

John Muir (1838–1914) Scottish-born American naturalist and author

" A Rival of the Yosemite: The Cañon of the South Fork of King's River, California http://books.google.com/books?id=fWoiAQAAIAAJ&pg=PA77" The Century Magazine, volume XLIII, number 1 (November 1891) pages 77-97 (at page 86)
1890s

Emil Nolde photo
Emma Lazarus photo

“I seem to have always one little window looking but into life.”

Emma Lazarus (1849–1887) American poet

From her obituary in Century Magazine

David Chalmers photo
Marcus Orelias photo
Henry Hazlitt photo

“Suppose a clothing manufacturer learns of a machine that will make men’s and women's overcoats for half as much labor as previously. He installs the machines and drops half his labor force.This looks at first glance like a clear loss of employment. But the machine itself required labor to make it; so here, as one offset, are jobs that would not otherwise have existed. The manufacturer, how ever, would have adopted the machine only if it had either made better suits for half as much labor, or had made the same kind of suits at a smaller cost. If we assume the latter, we cannot assume that the amount of labor to make the machines was as great in terms of pay rolls as the amount of labor that the clothing manufacturer hopes to save in the long run by adopting the machine; otherwise there would have been no economy, and he would not have adopted it.So there is still a net loss of employment to be accounted for. But we should at least keep in mind the real possibility that even the first effect of the introduction of labor-saving machinery may be to increase employment on net balance; because it is usually only in the long run that the clothing manufacturer expects to save money by adopting the machine: it may take several years for the machine to "pay for itself."After the machine has produced economies sufficient to offset its cost, the clothing manufacturer has more profits than before. (We shall assume that he merely sells his coats for the same price as his competitors, and makes no effort to undersell them.) At this point, it may seem, labor has suffered a net loss of employment, while it is only the manufacturer, the capitalist, who has gained. But it is precisely out of these extra profits that the subsequent social gains must come. The manufacturer must use these extra profits in at least one of three ways, and possibly he will use part of them in all three: (1) he will use the extra profits to expand his operations by buying more machines to make more coats; or (2) he will invest the extra profits in some other industry; or (3) he will spend the extra profits on increasing his own consumption. Whichever of these three courses he takes, he will increase employment.”

Economics in One Lesson (1946), The Curse of Machinery (ch. 7)

Friedrich Dürrenmatt photo

“A major power can afford a military debacle only when it looks like a political victory.”

Friedrich Dürrenmatt (1921–1990) Swiss author and dramatist

Portrait of a Planet (1971)

Letitia Elizabeth Landon photo
Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Ron Paul photo

“Neil Cavuto: Yeah but, you can't, Congressman, we've got a pretty good economy going here, right? We've got productivity soaring. We've got retail sales that are strong. We've got corporate earnings that for, what, the 19th quarter, are up double digit? We've got a market chasing highs, I mean, this isn't happening in a vacuum, right?
Ron Paul: Yeah, that's nice, but when you have to borrow, you know… My personal finances would be very good if I borrowed a million dollars every month. But, someday, the bills will become due. And the bills will come due in this country, and then we'll have to pay for it. We can't afford this war, and we can't afford the entitlement system.
Neil Cavuto: Look, Congressman, did you say this 10 years ago, when the numbers were similarly strong…
Ron Paul: Go back and check.
Neil Cavuto: …and we were still borrowing a good deal then.
Ron Paul: That's right, that means the dollar bubble is much bigger than ever.
Neil Cavuto: So what's gonna happen?
Ron Paul: We've had the NASDAQ bubble collapse already. We have the housing bubble in the middle of a collapse, so the dollar bubble will collapse as well. We have to live within our means. You can't print money out of the blue, and think you can print your money into prosperity.”

Ron Paul (1935) American politician and physician

Your World with Neil Cavuto, FOX News, May 15, 2007 http://www.newshounds.us/2007/05/16/rep_ron_paul_tells_fox_newsrepublicans_the_truth_they_dont_like_hearing_it.php http://www.youtube.com/watch?v=MU2RK0TNbXk
2000s, 2006-2009

Johann Wolfgang von Goethe photo
John R. Bolton photo
John Derbyshire photo
Isaac Leib Peretz photo

“Don't look up to heaven, for what will you see in the sky, except stars, luminous but cold, wholly insensitive to pity?”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Drei Matones, 1904–15. S. Liptzin. Peretz. Yivo, 1947, p. 187.

Emily Brontë photo
Fridtjof Nansen photo

“Let me tell you the secret of such so-called successes as there have been in my life, and here I believe I give you really good advice. It was to burn my boats and demolish my bridges behind me. Then one loses no time in looking behind, when one should have quite enough to do in looking ahead…”

Fridtjof Nansen (1861–1930) Norwegian polar explorer and Nobel Peace Prize laureate

Rectorial address delivered at St. Andrews University, 3 November 1926. Translated in [Nansen, Fridtjof, Adventure, and other papers, https://books.google.com/books?id=G6snAQAAMAAJ, 1927, Books for Libraries Press, 27]

“To achieve the structure it takes a damn long time, so my paintings are always in work for a very long time—sometimes a year. Not that I work on them every day. I will have them, and then come back to them after a year, and also return intermittently. It’s not easily done. I am not able to do “one, two, a painting.” I try to do it very quickly, but it doesn’t work with me. I simply can’t do it. Very often people look and say, 'Ah, fantastic! That’s a beautiful painting.'”

Per Kirkeby (1938–2018) Danish artist

But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later

“Life's too short, babe, time's a-flying. I'm looking for baggage that goes with mine.”

Jonathan Larson (1960–1996) American composer and playwright

Rent (1996)

Terry Winograd photo
Jacques Lipchitz photo
Amitabh Bachchan photo
Roberto Clemente photo
David Lee Roth photo

“Maybe I'm like acts of Congress or your favorite chinese restaurant -- you don't really want to know what's going on behind the door. I'm a real study in contrast, I expect, looking from without. But it adds up to what you get on stage.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

Nicole Keiper (June 7, 2006) "David Lee Roth covers himself on bluegrass tribute ", The Tennessean, p. 1D.

Conrad Aiken photo
Warren Farrell photo
François de La Rochefoucauld photo

“Neither the sun nor death can be looked at steadily.”

Le soleil ni la mort ne se peuvent regarder fixement.
Maxim 26. Sometimes incorrectly translated as "with a steady eye".
Reflections; or Sentences and Moral Maxims (1665–1678)

Julie Newmar photo
Richard Cobden photo
Paul Krugman photo

“To fight this recession the Fed needs more than a snapback; it needs soaring household spending to offset moribund business investment. And to do that, as Paul McCulley of Pimco put it, Alan Greenspan needs to create a housing bubble to replace the Nasdaq bubble. Judging by Mr. Greenspan's remarkably cheerful recent testimony, he still thinks he can pull that off. But the Fed chairman's crystal ball has been cloudy lately; remember how he urged Congress to cut taxes to head off the risk of excessive budget surpluses? And a sober look at recent data is not encouraging.”

Paul Krugman (1953) American economist

"Dubya's Double Dip?" http://www.nytimes.com/2002/08/02/opinion/dubya-s-double-dip.html, The New York Times, 2 August 2002
:It should be noted that Krugman was being sarcastic http://www.cepr.net/index.php/blogs/beat-the-press/when-someone-says-paul-krugman-called-for-greenspan-to-create-a-housing-bubble-back-in-2002-they-are-trying-to-say-that-they-are-either-a-fool-or-a-liar; two weeks later, he wrote an article http://www.nytimes.com/2002/08/16/opinion/mind-the-gap.html warning about the dangers of a housing bubble.
The New York Times Columns

Samuel Pepys photo

“But Lord! to see the absurd nature of Englishmen, that cannot forbear laughing and jeering at every thing that looks strange.”

Samuel Pepys (1633–1703) English naval administrator and member of parliament

November 27, 1662
Diary

Tony Snow photo

“One of the problems with NPR is that there is so much political correctness that if you've got a name that looks like it was made up by Rudyard Kipling, you've got a better chance of getting hired. I'm a white guy named Tony Snow, for heaven's sake. That's as white as it goes.”

Tony Snow (1955–2008) American White House Press Secretary

Quoted in Al Kamen, "You Can Quote Them on That, Maybe," http://www.washingtonpost.com/wp-dyn/content/article/2006/07/06/AR2006070601551.html washingtonpost.com (2006-07-06).

David Icke photo

“Have you ever wondered what your subconscious mind looks like? Well today, I can show you.”

David Icke (1952) English writer and public speaker

Source: You want to change your life? Then change the way you think! in Bridge of love magazine

Bret Easton Ellis photo
Sarah Palin photo

“He's, I guess you could say, with all due respect, the flavor of the week because Herb Cain [sic] is the one up there who doesn’t look like he's part of that permanent political class. Herb Cain — he came from a working-class family. He's had to make it on his own all these years. We respect that.”

Sarah Palin (1964) American politician

Herman ‘Herb’ Cain — the GOP’s Miss Congeniality
The Washington Post
2011-09-28
Alexandra
Petri
http://www.washingtonpost.com/blogs/compost/post/herman-herb-cain--the-gops-miss-congeniality/2011/09/28/gIQAcAor4K_blog.html
2011-10-07
regarding Herman Cain.
2011

Ann Coulter photo
James Allen photo
Tracey Ullman photo
Salvador Dalí photo
Roberto Clemente photo
Miyamoto Musashi photo
Robert Crumb photo
Michael Elmore-Meegan photo

“God is at home and is content, it is we who are looking and are not at one in ourselves.”

Michael Elmore-Meegan (1959) British humanitarian

All Will be Well (2004)

Gottfried Helnwein photo
Rufus Wainwright photo
Algis Budrys photo
Basshunter photo
Robert Erskine Childers photo

“I do not know how I stand this parting from Molly, save that by a paradox we are so absoultely one that in the sense we never part, but talk to one another and watch one another and commune night and day, and grip fast the same ideals. The North Star is our only meeting place, in this manner. We both look at it every night.”

Robert Erskine Childers (1870–1922) Irish nationalist and author

A 1915 letter written to his aunt in regards to his wife Molly Childers. Cited in " Erskine Childers " by Jim Ring, Faber and Faber, London , (1996), pg. 432.
Literary Years and War (1900-1918)

Hunter S. Thompson photo
James Russell Lowell photo

“T was kin' o' kingdom-come to look
On sech a blessed cretur.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Courtin' .
The Biglow Papers (1848–1866), Series II (1866)

Hal David photo