“When I look at a work of Art I ask myself: does it inspire me, does it touch and move me, do I learn something from it, does it startle or amaze me - do I get excited, upset? That is the test any artwork has to pass: can it create an emotional impact on a human being even when he has no education or any information about art? I’ve always had a problem with art that you can only understand if you have a degree in art history, and I have a problem with theories. Most of them are bullshit anyway. Most critics and theorists have little respect for artists, and I think the importance of theory in art is totally overrated. Real art is self-evident. Real art is intense, enchanting, exciting and unsettling; it has a quality and magic that you cannot explain. Art is not logic, and if you want to experience it, your mind and rational thinking will be of little help. Art is something spiritual that you can only experience with your senses, your heart, your soul.”

Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "When I look at a work of Art I ask myself: does it inspire me, does it touch and move me, do I learn something from it,…" by Gottfried Helnwein?

Gottfried Helnwein14

Austrian photographer and painter 1948

Related quotes

“"High" and "low" are completely arbitrary and artificial distinctions that some bloated assholes invented to make life more complicated. Comics are considered "low", but when Roy Lichtensein comes and picks out one panel of a comic, projects and paints it on a canvas then it's suddenly "high" art? Give me a break. The only thing that I care about in art is quality, intensity. Is a work of art capable of touching and moving me? Does it cause an emotional impact on me? Does it startle, surprise, upset, excite me? Does it make me think? Does it inspire me? Does it stimulate my imagination? Does it change the way I view the world to some degree?”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Michal Szyksznian http://www.gottfried-helnwein-interviews.com/interviews/celebritarian.html, celebritarian.pl, 2009

“Chess is all about getting the king into check, you see. It's about killing the father. I would say that chess has more to do with the art of murder than it does with the art of war.”

Arturo Pérez-Reverte book The Flanders Panel

Source: The Flanders Panel

“I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.... I chose my own label and called my paintings 'Pictographs'..”

Adolph Gottlieb (1903–1974) American artist

Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s

“TW: I must ask you, what right does the fact that you are a popular and successful popstar give you to comment on political and…
M: Well, I feel that, if popular singers don’t say these things, who does? We can’t have any faith in playwrights any more, we can’t have any faith in filmstars, young people don’t care about those things, they’re dying arts. And if you say, what ‘right’ do you have, the implication there to me is that popular music is quite a low art, it should be hidden, it can be there but let’s not say anything terribly important, let’s just make disco records or whatever. So I really feel that we do have an obligation and I know that people respect it and they want it and it’s working to great effect.”

Morrissey (1959) English singer

from "Granada Reports", interview by Tony Wilson, Granada TV February 1985
In interviews etc., About politics and society

“At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. I think art is anonymous. It's not competitive with men. It's a complementary contribution. I've said that and I do believe it, that one does contribute to art and that's nothing to do with being male or female... I don't think a good work of art can just be said to be feminine or masculine.... art's either good or isn't.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), pp. 15-16

“It has become apparent that art can have a startling impact without really being or saying anything startling — or new. The character itself of being startling, spectacular, or upsetting has become conventionalized, part of safe good taste.”

Clement Greenberg (1909–1994) American writer and artist

"Avant Garde Attitudes" http://www.sharecom.ca/greenberg/avantgarde.html, The John Power Lecture in Contemporary Art, University of Sydney, (17 May 1968); printed by The Power Institute of Fine Arts, University of Sydney (1969) <br class="br">1960s

“As I have said many times, for me an artist is a person who says he's an artist, and an artwork is what an artist says is an artwork. Although for myself, I am not interested in ideas as the burden of art.... the important thing about art is how it stimulates us. I think the more you are stimulated by more different kinds of art, the more demanding you're going to become on the level of your stimulation. The key to art is experience of it and proximity to it.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 14