Quotes about lighting
page 16

Felicia Hemans photo
James Joseph Sylvester photo

“Most, if not all, of the great ideas of modern mathematics have had their origin in observation. Take, for instance, the arithmetical theory of forms, of which the foundation was laid in the diophantine theorems of Fermat, left without proof by their author, which resisted all efforts of the myriad-minded Euler to reduce to demonstration, and only yielded up their cause of being when turned over in the blow-pipe flame of Gauss’s transcendent genius; or the doctrine of double periodicity, which resulted from the observation of Jacobi of a purely analytical fact of transformation; or Legendre’s law of reciprocity; or Sturm’s theorem about the roots of equations, which, as he informed me with his own lips, stared him in the face in the midst of some mechanical investigations connected (if my memory serves me right) with the motion of compound pendulums; or Huyghen’s method of continued fractions, characterized by Lagrange as one of the principal discoveries of that great mathematician, and to which he appears to have been led by the construction of his Planetary Automaton; or the new algebra, speaking of which one of my predecessors (Mr. Spottiswoode) has said, not without just reason and authority, from this chair, “that it reaches out and indissolubly connects itself each year with fresh branches of mathematics, that the theory of equations has become almost new through it, algebraic 31 geometry transfigured in its light, that the calculus of variations, molecular physics, and mechanics” (he might, if speaking at the present moment, go on to add the theory of elasticity and the development of the integral calculus) “have all felt its influence.”

James Joseph Sylvester (1814–1897) English mathematician

James Joseph Sylvester. "A Plea for the Mathematician, Nature," Vol. 1, p. 238; Collected Mathematical Papers, Vol. 2 (1908), pp. 655, 656.

Pu Songling photo

“How foolish men are, to see nothing but beauty in what is clearly evil! […] Heaven's Way has its inexorable justice, but some mortals remain foolish and never see the light!”

Pu Songling (1640–1715) Chinese writer

"The Painted Skin" from Strange Stories from a Chinese Studio (1740), as translated by John Minford in Strange tales from a Chinese studio (2006), p. 521

Ibrahim of Ghazna photo
Pierre-Jean de Béranger photo
Thomas Gray photo

“Rich windows that exclude the light,
And passages that lead to nothing.”

Thomas Gray (1716–1771) English poet, historian

A Long Story; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Barbara Hepworth photo

“He [Giovanni Ardini, Italian master-carver] opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.”

Barbara Hepworth (1903–1975) English sculptor

Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946

Theodore Gray photo
George Peacock photo
Aristarchus of Samos photo
Thomas Henry Huxley photo
Ted Hughes photo
Eugene Stoner photo

“There is the advantage that a small or light bullet has over a heavy one when it comes to wound ballistics. … What it amounts to is the fact that bullets are stabilized to fly through the air, and not through water, or a body, which is approximately the same density as the water. And they are stable as long as they are in the air. When they hit something, they immediately go unstable. … If you are talking about.30-caliber, this might remain stable through a human body. … While a little bullet, being it has a low mass, it senses an instability situation faster and reacts much faster. … this is what makes a little bullet pay off so much in wound ballistics.”

Eugene Stoner (1922–1997) American firearms designer

Congressional testimony ([Why the AR-15 Is So Lethal, w:James Fallows, James, Fallows, November 7, 2017, September 2, 2018, The Atlantic, https://www.theatlantic.com/politics/archive/2017/11/why-the-ar-15-is-so-lethal/545162/]; [M-16: A Bureaucratic Horror Story, June 1981, September 2, 2018, w:James Fallows, James, Fallows, The Atlantic, https://www.theatlantic.com/magazine/archive/1981/06/m-16-a-bureaucratic-horror-story/545153/]; [If Porn Could Be Banned, Why Not AR-15s?, w:James Hamblin, James, Hamblin, February 15, 2018, October 25, 2018, The Atlantic, https://www.theatlantic.com/health/archive/2018/02/on-banning-porn-vs-guns/553433/]).

Marianne von Werefkin photo
Wassily Kandinsky photo

“Paris [1933 - 1944] with its wonderful (intense soft) light had relaxed my palette — there were other colors, other entirely new forms, and some that I had used years earlier. Naturally I did all this unconsciously.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from his letter to Alfred Barr, Jr., 16 July, 1944; as cited in Vivian Endicott Barnett, et al., 'Kandinsky', exh. cat. [New York: Solomon R. Guggenheim Museum, 2009], p. 70
1930 - 1944

Phillip Guston photo
John McCain photo
Alfred Russel Wallace photo

“I thought of the long ages of the past, during which the successive generations of this little creature had run their course — year by year being born, and living and dying amid these dark and gloomy woods, with no intelligent eye to gaze upon their loveliness; to all appearance such a wanton waste of beauty. Such ideas excite a feeling of melancholy. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions, doomed for ages yet to come to hopeless barbarism; while, on the other hand, should civilized man ever reach these distant lands, and bring moral, intellectual, and physical light into the recesses of these virgin forests, we may be sure that he will so disturb the nicely-balanced relations of organic and inorganic nature as to cause the disappearance, and finally the extinction, of these very beings whose wonderful structure and beauty he alone is fitted to appreciate and enjoy. This consideration must surely tell us that all living things were not made for man. Many of them have no relation to him. The cycle of their existence has gone on independently of his, and is disturbed or broken by every advance in man’s intellectual development; and their happiness and enjoyments, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone, limited only by the equal well-being and perpetuation of the numberless other organisms with which each is more or less intimately connected.”

The Malay Archipelago (1869)

Alfred Horsley Hinton photo

“… to put it into slightly different form, it is not the facts in nature that the good picture aims at portraying, but the effects of light and shade accompanied by a pleasing arrangement.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 34

George MacDonald photo
Colin Moulding photo
Jopie Huisman photo

“I feel responsible, because so many people are leaning against me. Of course I can not take that pole away from them, they will fall over. I can see that those people need it! An ongoing struggle, an ordeal - because, if I say something I have to make it happen. In this way, painting is a religious matter. My paintings create a consciousness that offers comfort... It must appear in the light. Somebody of eighty years old who never ever would think about visiting a museum. Recognition!”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Ik voel me verantwoordelijk, omdat er zoveel mensen tegen me aan leunen. Ik kan die paal natuurlijk niet voor ze wegzagen, dan vallen ze om. Ik zie toch dat die mensen er behoefte aan hebben! Een voortdurend gevecht, een beproeving, want als ik iets zeg moet ik het waarmaken. Schilderen is op deze manier een religieuze aangelegenheid. Door mijn werken ontstaat een bewustzijn, dat troost biedt.. .Het moet voor 't licht komen. Zo'n mens van tachtig dat er nog nooit ook maar één seconde aan heeft gedacht een museum binnen te wandelen. Herkenning.
Mens & Gevoelens: Jopie Huisman', 1993

Charles Fenno Hoffman photo
Noam Chomsky photo

“In Somalia, we know exactly what they had to gain because they told us. The chairman of the Joint Chiefs, Colin Powell, described this as the best public relations operation of the Pentagon that he could imagine. His picture, which I think is plausible, is that there was a problem about raising the Pentagon budget, and they needed something that would be, look like a kind of a cakewalk, which would give a lot of prestige to the Pentagon. Somalia looked easy. Let's look back at the background. For years, the United States had supported a really brutal dictator, who had just devastated the country, and was finally kicked out. After he's kicked out, it was 1990, the country sank into total chaos and disaster, with starvation and warfare and all kind of horrible misery. The United States refused to, certainly to pay reparations, but even to look. By the middle of 1992, it was beginning to ease. The fighting was dying down, food supplies were beginning to get in, the Red Cross was getting in, roughly 80% of their supplies they said. There was a harvest on the way. It looked like it was finally sort of settling down. At that point, all of a sudden, George Bush announced that he had been watching these heartbreaking pictures on television, on Thanksgiving, and we had to do something, we had to send in humanitarian aid. The Marines landed, in a landing which was so comical, that even the media couldn't keep a straight face. Take a look at the reports of the landing of the Marines, it must've been the first week of December 1992. They had planned a night, there was nothing that was going on, but they planned a night landing, so you could show off all the fancy new night vision equipment and so on. Of course they had called the television stations, because what's the point of a PR operation for the Pentagon if there's no one to look for it. So the television stations were all there, with their bright lights and that sort of thing, and as the Marines were coming ashore they were blinded by the television light. So they had to send people out to get the cameramen to turn off the lights, so they could land with their fancy new equipment. As I say, even the media could not keep a straight face on this one, and they reported it pretty accurately. Also reported the PR aspect. Well the idea was, you could get some nice shots of Marine colonels handing out peanut butter sandwiches to starving refugees, and that'd all look great. And so it looked for a couple of weeks, until things started to get unpleasant. As things started to get unpleasant, the United States responded with what's called the Powell Doctrine. The United States has an unusual military doctrine, it's one of the reasons why the U. S. is generally disqualified from peace keeping operations that involve civilians, again, this has to do with sovereignty. U. S. military doctrine is that U. S. soldiers are not permitted to come under any threat. That's not true for other countries. So countries like, say, Canada, the Fiji Islands, Pakistan, Norway, their soldiers are coming under threat all the time. The peace keepers in southern Lebanon for example, are being attacked by Israeli soldiers all the time, and have suffered plenty of casualties, and they don't like it. But U. S. soldiers are not permitted to come under any threat, so when Somali teenagers started shaking fists at them, and more, they came back with massive fire power, and that led to a massacre. According to the U. S., I don't know the actual numbers, but according to U. S. government, about 7 to 10 thousand Somali civilians were killed before this was over. There's a close analysis of all of this by Alex de Waal, who's one of the world's leading specialists on African famine and relief, altogether academic specialist. His estimate is that the number of people saved by the intervention and the number killed by the intervention was approximately in the same ballpark. That's Somalia. That's what's given as a stellar example of the humanitarian intervention.”

Noam Chomsky (1928) american linguist, philosopher and activist

Responding to the question, "what did the United States have to gain by intervening in Somalia?", regarding Operation Provide Relief/Operation Restore Hope/Battle of Mogadishu.
Quotes 1990s, 1995-1999, Sovereignty and World Order, 1999

Letitia Elizabeth Landon photo
Jeanette Winterson photo

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically … But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”

Rudolf Carnap (1891–1970) German philosopher

Rudolf Carnap, as quoted in The Philosophy of Rudolf Carnap (1963) by Paul Arthur Schilpp, p. 25, and in Ludwig Wittgenstein : The Duty of Genius (1991) by Ray Monk, p. 244

N. K. Jemisin photo

“So, there was a girl.
What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage.
“I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.”
You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be.
So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands.
She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will.
Or so I imagine.
The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing.”

Source: The Broken Kingdoms (2011), Chapter 11 “Possession” (watercolor) (pp. 202-203)

Vivian Stanshall photo

“You got a light, mac? No…but I've got a dark brown overcoat.”

Vivian Stanshall (1943–1995) English musician, artist and author

Big Shot
Others

Joanna Newsom photo

“But inasmuch as that light is loaned,
insofar as we’ve borrowed bones,
must every debt now be repaid
in star-spotted, sickle-winged night raids”

Joanna Newsom (1982) American musician

Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Geert Wilders photo

“If the Jews are denied the right to live in freedom and peace, soon we will all be denied this right. If the light of Israel is extinguished, we will all face darkness. If Israel falls, the West falls.”

Geert Wilders (1963) Dutch politician

Speech delivered in Tel Aviv in December of 2010, quoted in The Blaze: "‘Marked for Death’: Beck Interviews Anti-Islamist Dutch MP Geert Wilders" (2 May 2012) http://www.theblaze.com/stories/2012/05/02/beck-hosts-anti-islamist-dutch-mp-geert-wilders/
2010s

James Burke (science historian) photo
Archilochus photo

“You wear a thin disguise,
O, Light within my Brother's eyes!”

Every Thought a Thought of You.
It's All Crazy! It's All False! It's All A Dream! It's Alright (2009)

Karel Appel photo

“That is what he used to do, what he is doing now for the last hears. He is the only painter who paints like that.... like the wind, like the ocean, like the light, like the sunlight, like the moonlight, far away from everything, without any image..”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

quotes from Appel's poem '..and now I want to talk about Willem de Kooning, February 1990 http://beeldgedicht.info/Reprocitaat/appel-kooning.htm

Hermann Hesse photo
Vincent Van Gogh photo
Joseph von Fraunhofer photo
Nyanaponika Thera photo
Marianne Moore photo
Georg Christoph Lichtenberg photo

“The fly that doesn't want to be swatted is most secure when it lights on the fly-swatter.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

J 70
Variant translation: The fly that does not want to be swatted is safest if it sits on the fly-swat.
Aphorisms (1765-1799), Notebook J (1789)

David Foster Wallace photo
Edvard Munch photo

“Philosophy establishes itself as a discourse by opposition to the authority of received opinion, especially the opinions sedimented as cult and as law. Philosophy puts into question the authority of what has been handed down. It is not just that there is a critique of philosophic authorities; rather, philosophy appears to be characterized by rejection of intellectual authority as such. How is philosophy to distinguish, then, a permissible authority from those many impermissible authorities which it must reject if it is to survive?
Perhaps it would be better to avoid the quandary altogether by dismissing authority in order to consider only the "content" of the claims under consideration, regardless of their pretensions. The dismissal fails for at least two reasons. The first is that there are no claims in philosophic texts that are wholly free at least from the implicit constructions of authority. If criticism takes only the content, then it ends up with something other than the texts that have constituted the discourse of philosophy. There is no Platonic "theory of Forms" dissociable from the Platonic pedagogy, that is, from the teaching authority of the Platonic Socrates. The second reason for not being able to dismiss authority altogether is that the very criticism that wants to look only at contents will impose itself as an authority in its choice of procedure. One will still have authority, but an authority that refuses to raise any question about authority.
Perhaps the question about legitimate authority could be avoided, again, by replying that the obvious criterion for claims in philosophy is the truth. The assumption here is that access to the truth is had entirely apart from the authority of philosophical traditions. Yet it is a biographical fact that one is brought into philosophy by education. First principles are learned most often not by simple observation or by the natural light of reason, but under the tutelage of some authoritative tradition.”

Authority and persuasion in philosophy (1985)

Poul Anderson photo
Théodore Rousseau photo

“Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867

Carl Sagan photo
John Keats photo
Lou Reed photo

“There are problems in these times, but none of them are mine
I'm beginning to see the light”

Lou Reed (1942–2013) American musician

"Beginning to See the Light"
Lyrics

Robert Oppenheimer photo
John C. Baez photo
James Jeans photo
Nicolas Malebranche photo

“I am not my own light unto myself.”

Nicolas Malebranche (1638–1715) philosopher

Dialogues on Metaphysics (1688) Dialogue III
Variant translation: I am not a light unto myself.

Zoroaster photo
Frank Wilczek photo
Tom Price (U.S. politician) photo
Christopher Hitchens photo
Helen Maria Williams photo

“Pale moon! thy mild benignant light
May glad some other's captive sight
Where are the years with pleasure gay
How bright their course! How short their stay!”

Helen Maria Williams (1759–1827) British writer

from (I) & (II) 'Quenn Mary's Complaint', Poems 1786, kindle ebook ASIN B00849523Q

Joaquin Miller photo
Michael Elmore-Meegan photo

“The outward efforts will never be insignificant if the inner light is great.”

Michael Elmore-Meegan (1959) British humanitarian

All Will be Well (2004)

Elton John photo

“And reach out for her healing hands,
Reach out for her healing hands.
There's a light, where the darkness ends.
Touch me now and let me see again,
Rock me now in your gentle healing hands.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Healing Hands
Song lyrics, Sleeping with the Past (1989)

Arthur Symons photo
Louis Agassiz photo

“The eye of the trilobite tells us that the sun shone on the old beach where he lived; for there is nothing in nature without a purpose, and when so complicated an organ was made to receive light, there must have been light to enter it.”

Louis Agassiz (1807–1873) Swiss naturalist

Geological Sketches (1870), ch. 2, pp. 31–32 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=49

“We do not know the truth. But sometimes we get a glimpse of the shadow of the truth. And where there is a shadow, somewhere there must be light.”

Eric Mervyn Lindsay (1907–1974) Irish astronomer

Quoted in [The Irish Astronomical Journal, Volume 12, Irish Astronomical Society, 1975, 150]

Kathy Freston photo
Sara Teasdale photo

“With the man I love who loves me not
I walked in the street-lamps' flare —
But oh, the girls who can ask for love
In the lights of Union Square.”

Sara Teasdale (1884–1933) American writer and poet

"Union Square"
Helen of Troy and Other Poems (1911)

David Icke photo
Stéphane Mallarmé photo
Newton Lee photo

“The Sony saga has brought to light a hidden sinister: Cyber terrorism has reached a whole new level by combining cyber attacks and threats of physical terrorism.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Nisargadatta Maharaj photo
F. Scott Fitzgerald photo
Robert Hunter photo

“The storyteller makes no choice, soon you will not hear his voice, his job is to shed light, and not to master”

Robert Hunter (1941–2019) American musician

"Lady With a Fan"
Song lyrics, (1977)

Thomas Gray photo
Benito Mussolini photo
George Horne photo
Harvey Milk photo
Adrian Slywotzky photo
Friedrich Wilhelm Joseph Schelling photo
John Ruysbroeck photo
Thomas Campbell photo
Mike Oldfield photo
Isidore Isou photo
Neil deGrasse Tyson photo
Simon Singh photo

“We are 13.7 billion light-years from the edge of the observable universe; that's a good estimate with well-defined error bars and with the available information, I predict that I will always be with you.”

Simon Singh (1964) British author

Nine Million Bicycles, alternative lyrics. http://www.guardian.co.uk/g2/story/0,3604,1581445,00.html http://www.youtube.com/watch?v=21iUUe-W8L4

Báb photo

“The acts of Him Whom God shall make manifest are like unto the sun, while the works of men, provided they conform to the good-pleasure of God, resemble the stars or the moon… Thus, should the followers of the Bayán observe the precepts of Him Whom God shall make manifest at the time of His appearance, and regard themselves and their own works as stars exposed to the light of the sun, then they will have gathered the fruits of their existence; otherwise the title of ‘starship’ will not apply to them. Rather it will apply to such as truly believe in Him, to those who pale into insignificance in the day-time and gleam forth with light in the night season.
Such indeed is the fruit of this precept, should anyone observe it on the Day of Resurrection. This is the essence of all learning and of all righteous deeds, should anyone but attain unto it. Had the peoples of the world fixed their gaze upon this principle, no Exponent of divine Revelation would ever have, at the inception of any Dispensation, regarded them as things of naught. However, the fact is that during the night season everyone perceiveth the light which he himself, according to his own capacity, giveth out, oblivious that at the break of day this light shall fade away and be reduced to utter nothingness before the dazzling splendour of the sun.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

VIII, 1
The Persian Bayán

Thomas Carlyle photo
Bruce Cockburn photo

“Catching the light and falling into dark
And the world fades out like an overheard remark…
In the falling dark”

Bruce Cockburn (1945) Canadian folk/rock guitarist and singer-songwriter

Title track, In The Falling Dark (See also: John Milton, Paradise Lost, Book I, lines 62-63) Just Listen.. http://www.youtube.com//watch?v=lYAFzVTLIQs
In the Falling Dark (1976)

Joseph Stella photo
Martin Luther King, Jr. photo

“And I say to you this morning in conclusion that I'm not going to put my ultimate faith in things. I'm not going to put my ultimate faith in gadgets and contrivances. As a young man with most of my life ahead of me, I decided early to give my life to something eternal and absolute. Not to these little gods that are here today and gone tomorrow, but to God who is the same yesterday, today, and forever. Not in the little gods that can be with us in a few moments of prosperity, but in the God who walks with us through the valley of the shadow of death, and causes us to fear no evil. That's the God. Not in the god that can give us a few Cadillac cars and Buick convertibles, as nice as they are, that are in style today and out of style three years from now, but the God who threw up the stars to bedeck the heavens like swinging lanterns of eternity. Not in the god that can throw up a few skyscraping buildings, but the God who threw up the gigantic mountains, kissing the sky, as if to bathe their peaks in the lofty blues. Not in the god that can give us a few televisions and radios, but the God who threw up that great cosmic light that gets up early in the morning in the eastern horizon, (who paints its technicolor across the blue—something that man could never make. I'm not going to put my ultimate faith in the little gods that can be destroyed in an atomic age, but the God who has been our help in ages past, and our hope for years to come, and our shelter in the time of storm, and our eternal home. That's the God that I'm putting my ultimate faith in.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

Robert Menzies photo

“There have been, in the course of recorded history, some men of power who have cast shadows across the world. Winston Churchill, on the contrary, was a fountain of light and of hope…his body will be carried on the Thames, a river full of history. With one heart we all feel, with one mind we all acknowledge, that it will never have borne a more precious burden, or been enriched by more splendid memories.”

Robert Menzies (1894–1978) Australian politician, 12th Prime Minister of Australia

Eulogy for Winston Churchill, delivered from the crypt of St Paul's Cathedral, during the latter's funeral, January 30, 1965
Second Term as Prime Minister (1949-1966)
Source: http://australianpolitics.com/1965/01/30/robert-menzies-eulogy-for-winston-churchill.html

William Wordsworth photo

“A remnant of uneasy light.”

William Wordsworth (1770–1850) English Romantic poet

The Matron of Jedborough.
Bartlett's Familiar Quotations, 10th ed. (1919)

Jean-Baptiste-Camille Corot photo

“I am staying on in Geneva, this charming city. With each step I discover delightful motives. How pleasant it is to work here. And the light is just the way I like it, full of delicate nuances.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote in a letter to his friend, the painter Paul Tavernier, Geneva, July 1842; ; as quoted in 'Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 136
1820 - 1850