Quotes about laugh
page 15

George W. Bush photo
Abbie Hoffman photo
Tanith Lee photo
Robert G. Ingersoll photo
Mahatma Gandhi photo

“First they ignore you, then they laugh at you, then they fight you, then you win.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Describing the stages of a winning strategy of nonviolent activism. There is no record of Gandhi saying this. A close variant of the quotation first appears in a 1918 US trade union address by Nicholas Klein:
:* And, my friends, in this story you have a history of this entire movement. First they ignore you. Then they ridicule you. And then they attack you and want to burn you. And then they build monuments to you. And that, is what is going to happen to the Amalgamated Clothing Workers of America.
::* Proceedings of the Third Biennial Convention of the Amalgamated Clothing Workers of America (1918), p. 53 http://books.google.com/books?id=QrcpAAAAYAAJ&pg=PA53&dq=%22First+they+ignore+you%22
In Freedom's Battle (1922), Gandhi wrote this:
:* Unfortunately for His Excellency the movement is likely to grow with ridicule as it is certain to flourish on repression. No vital movement can be killed except by the impatience, ignorance or laziness of its authors. A movement cannot be 'insane' that is conducted by men of action as I claim the members of the Non-co-operation Committee are. … Ridicule is like repression. Both give place to respect when they fail to produce the intended effect. … It will be admitted that non-co-operation has passed the stage [of] ridicule. Whether it will now be met by repression or respect remains to be seen. … But the testing time has now arrived. In a civilized country when ridicule fails to kill a movement it begins to command respect.
::* Source: The Project Gutenberg EBook of Freedom's Battle, 2nd edition, by Mahatma Gandhi, 1922 http://www.gutenberg.net/1/0/3/6/10366/10366-h/10366-h.htm
Misattributed

Berthe Morisot photo

“He [ Manet ] begged me to go straight up and see his painting [ 'Le Balcon'] - Berthe was model for this painting], as he was rooted to the spot. I've never seen anyone in such a state, one minute he was laughing, the next insisting his picture was dreadful; in the next breath, sure it would be a huge success.”

Berthe Morisot (1841–1895) painter from France

quote from Berthe Morisot to her sister Edma Morisot, after visiting the Salon of Paris in 1869; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart with Adler and Garb; Camden Press London 1984, pp. 33-34
1860 - 1870

Robert Burns photo

“The landlord's laugh was ready chorus.”

Source: Tam o' Shanter (1790), Line 50

Ron Reagan photo
Neil Peart photo
Percy Bysshe Shelley photo

“A Nursery Magician took
All little children by the hand:
And led them laughing through the book
Where Alice walks in Wonderland.”

Henry Savile Clarke (1841–1893)

Quoted in A Selection from the Letters of Lewis Carroll to his Child-Friends (1933) edited by Evelyn M. Hatch, p. 188

Oriana Fallaci photo

“I am not speaking, obviously, to the laughing hyenas who enjoy seeing images of the wreckage and snicker good–it–serves–the–Americans–right. I am speaking to those who, though not stupid or evil, are wallowing in prudence and doubt. And to them I say: "Wake up, people. Wake up!!" Intimidated as you are by your fear of going against the current—that is, appearing racist (a word which is entirely inapt as we are speaking not about a race but about a religion)—you don’t understand or don’t want to understand that a reverse–Crusade is in progress. Accustomed as you are to the double–cross, blinded as you are by myopia, you don’t understand or don’t want to understand that a war of religion is in progress. Desired and declared by a fringe of that religion, perhaps, but a war of religion nonetheless. A war which they call Jihad. Holy War. A war that might not seek to conquer our territory, but that certainly seeks to conquer our souls. That seeks the disappearance of our freedom and our civilization. That seeks to annihilate our way of living and dying, our way of praying or not praying, our way of eating and drinking and dressing and entertaining and informing ourselves. You don’t understand or don’t want to understand that if we don’t oppose them, if we don’t defend ourselves, if we don’t fight, the Jihad will win. And it will destroy the world that for better or worse we’ve managed to build, to change, to improve, to render a little more intelligent, that is to say, less bigoted—or even not bigoted at all. And with that it will destroy our culture, our art, our science, our morals, our values, our pleasures… Christ! Don’t you realize that the Osama Bin Ladens feel authorized to kill you and your children because you drink wine or beer, because you don’t wear your beard long or a chador, because you go to the theater or the movies, because you listen to music and sing pop songs, because you dance in discos or at home, because you watch TV, wear miniskirts or short–shorts, because you go naked or half naked to the beach or the pool, because you *** when you want and where you want and who you want? Don’t you even care about that, you fools? I am an atheist, thank God. And I have no intention of letting myself be killed for it.”

"Rage and the Pride">Oriana Fallaci - The Rage and the Pride http://www.amazon.co.uk/Rage-Pride-Oriana-Fallaci/dp/084782599X - Universe Publishing; Intl edition, 2002, ISBN 9780847825998

Samuel Adams photo
Brandon Boyd photo

“When we get there,
We're going to fly so far away
Making sure to laugh while we experience
Anti-gravity.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, S.C.I.E.N.C.E. (1997)

Thomas Shadwell photo
Frederick Winslow Taylor photo

“You gentlemen may laugh, but that is true, all right; it sounds ridiculous, I know, but it is fact. Now if the problem were put up to any of you man to develop science of shoveling as it was put up to us, that is, to a group of men who had deliberately set out to develop the science of all kinds of all laboring work, where do you think you would begin? When you started to study the science of shoveling I make the assertion that you would be within two days – just as we were in two days –well on the way toward development of the science of shoveling. At least you would outlined in your minds those elements which required careful, scientific study in order to understand science of shoveling. I do not want to go into all of the details of shoveling, but I will give you some of the elements, one or two of the most important elements of the science of shoveling; that is, the elements that reach further and have more serious consequences than any other. Probably the most important element in the science of shoveling is this: There must be some shovel load at which a first-class shoveler will do his biggest day’s work. What is that load? To illustrate: when we went to the Bethlehem Steel Works and observed the shoveler in the yard of that company, we found that each of the good shovelers in that yard owned his own shovel; they preferred to buy their own shovels rather than to have the company furnish them. There was a larger tonnage of ore shoveled in that woks than of any other material and rice coal came next in tonnage. We would see a first-class shoveler go from shoveling rice coal with a load of 3.5 ponds to the shovel to handling ore from the Massaba Range, with 38 pounds to the shove Now, is 3.5 pounds the proper shovel load or is the 38 pounds the proper load? They cannot both be right. Under scientific management the answer to this question is not a matter of anyone’s opinion; it is a question for accurate, careful, scientific investigation.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

Source: Testimony of Frederick W. Taylor... 1912, p. 111.

Roscoe Arbuckle photo

“No price is too high to pay for a good laugh.”

Roscoe Arbuckle (1887–1933) American silent film actor, comedian, director, and screenwriter

The Cost of a Laugh, Motion Picture Magazine, March 1918. http://archive.org/stream/motionpicturemag152moti#page/n75/mode/2up

Thom Yorke photo

“And you can laugh
A spineless laugh
We hope your rules and wisdom choke you
And now we are one
In everlasting peace
We hope that you choke, that you choke”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"Exit Music (For a Film)"
Lyrics, OK Computer (1997)

Robert E. Howard photo
John Fante photo
Nora Perry photo

“They sat and combed their beautiful hair,
Their long, bright tresses, one by one,
As they laughed and talked in the chamber there,
After the revel was done.”

Nora Perry (1831–1896) American writer

After the Ball, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Thomas Browne photo

“That some have never dreamed is as improbable as that some have never laughed.”

Thomas Browne (1605–1682) English polymath

On Dreams

Jane Austen photo
Charlotte Brontë photo
Tom Baker photo
Oliver Wendell Holmes photo
Jack Vance photo
Guillaume de Machaut photo

“And Music is an art which likes people to laugh and sing and dance. It cares nothing for melancholy, nor for a man who sorrows over what is of no importance, but ignores, instead, such folk. It brings joy everywhere it's present; it comforts the disconsolate, and just hearing it makes people rejoice.”

Guillaume de Machaut (1300–1377) French poet and composer

Et musique est une science
Qui veut qu'on rie et chante et dance.
Cure n'a de merencolie,
Ne d'homme qui merencolie
A chose qui ne puet valoir,
Eins met tels gens en nonchaloir.
Partout ou elle est joie y porte;
Les desconfortez reconforte,
Et nes seulement de l'oir
Fait elle les gens resjoir.
"Le Prologue", line 85; translation from Ross W. Duffin (ed.) A Performer's Guide to Medieval Music (Bloomington: Indiana University Press, 2000) p. 190.

Marie Bilders-van Bosse photo

“I am glad I have that artistic life in me... [I'm] a nobody in my field of art... I don't overestimate myself at all, and that's why I can't get that comfort from my work [landscape painting], which the Great [artists] have in their field of art. What else to say! 50 years after my death!! I laughed about it. Do you think they will remember me after only one year? [after her death] Dear heaven! No, that is really my least concern.”

Marie Bilders-van Bosse (1837–1900) painter from the Netherlands

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat uit een brief van Marie Bilders-van Bosse, in het Nederlands:) Ik ben blij dat ik dat artistieke leven in mij heb.. ..[ik ben] een prul op mijn gebied.. ..Ik overschat mijzelven niemendal, en daarom kan ik uit mijn werk [landschap-schilderen] niet dien troost putten die de Grooten op een gebied daaruit halen. En verder! 50 jaar na mijn dood!! Ik heb er om gelachen. Denk je dat ze één jaar daarna nog aan mij zullen denken? Lieve hemel! Nee, dat is mijn minste zorg.
Quote from Marie Bilders-van Bosse in her letter from The Hague, 29 March 1896, to her friend Cornelia M. Beaujon-van Foreest; as cited in Marie Bilders-van Bosse 1837-1900 – Een Leven voor Kunst en Vriendschap, Ingelies Vermeulen & Ton Pelkmans; Kontrast ( ISBN 978-90-78215-54-7), 2008, p. 29
Marie wrote her letter shortly after a quarrel with her friend Cornelia

William Watson (poet) photo

“April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!”

William Watson (poet) (1858–1935) English poet, born 1858

April http://www.recmusic.org/lieder/get_text.html?TextId=22188 (1897).

Koenraad Elst photo
Rufus Wainwright photo
Arthur Sullivan photo

“Goss and Bennett…trained him to make Europe yawn; and he took advantage of their training to make London and New York laugh and whistle.”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

George Bernard Shaw, in The Scots Observer, September 6, 1890; cited from Dan H. Laurence (ed.) Shaw's Music (London: The Bodley Head, 1989) vol. 2, p. 174.
Criticism

Thomas Gainsborough photo

“Whilst a Face painter is harassed to death a drapery painter sits & earns 5 or 6 hundered a year & laughs all the while.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

Ayelet Waldman photo
Baruch Spinoza photo

“All laws which can be broken without any injury to another, are counted but a laughing-stock, and are so far from bridling the desires and lusts of men, that on the contrary they stimulate them.”

Baruch Spinoza (1632–1677) Dutch philosopher

Source: Political Treatise (1677), Ch. 10, Of Aristocracy, Conclusion

Variant translation : Laws which can be broken without any wrong to one's neighbor are but a laughing-stoke ; and, so far from such laws restraining the appetites and lusts of mankind, they rather heighten them.

Variant: All laws which can be violated without doing any one any injury are laughed at. Nay, so far are they from doing anything to control the desires and passions of men, that, on the contrary, they direct and incite men's thoughts the more toward those very objects, for we always strive toward what is forbidden and desire the things we are not allowed to have. And men of leisure are never deficient in the ingenuity needed to enable them to outwit laws framed to regulate things which cannot be entirely forbidden... He who tries to determine everything by law will foment crime rather than lessen it.

Philip José Farmer photo
Boris Johnson photo
John Dryden photo

“A very merry, dancing, drinking,
Laughing, quaffing, and unthinkable time.”

Source: Fables, Ancient and Modern (1700), The Secular Masque (1700), Lines 38–39.

Piper Laurie photo

“It was the most fun I ever had. I would just laugh between takes. It was fun to be so mean.”

Piper Laurie (1932) actress

About acting in Carrie. Theodore P. Mahne, "Actress Piper Laurie charms audience, interviewer at Tennessee Williams Festival" (25 March 2012), Times-Picayune at nola.com (New OrleansNet) http://www.nola.com/arts/index.ssf/2012/03/actress_piper_laurie_charms_au.html

Henry Wadsworth Longfellow photo
Michael Moore photo

“No, Mr. Bush, you just stay the course. It's not your fault that 30 percent of New Orleans lives in poverty or that tens of thousands had no transportation to get out of town. C'mon, they're black! I mean, it's not like this happened to Kennebunkport. Can you imagine leaving white people on their roofs for five days? Don't make me laugh! Race has nothing — NOTHING — to do with this!”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

[Vacation is Over... an open letter from Michael Moore to George W. Bush, MichaelMoore.com, 2 September 2005, http://www.michaelmoore.com/words/mikes-letter/vacation-is-over-an-open-letter-from-michael-moore-to-george-w-bush]
2005

Siobhan Fahey photo

“Music bypasses the intellect, it makes you laugh, makes you cry, makes you want to dance, makes you want to have sex.”

Siobhan Fahey (1958) singer and songwriter in Banarama and Shakespears Sister

G3 interview (2002)

“The fear of being laughed at makes cowards of us all.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Hermann Rauschning photo

“Anybody with a good sense of humor is one-up on their competition. We respond to somebody who has the ability to make us laugh. It's a bonding influence.”

Robert Orben (1928) American magician and writer

Kevin Merida (February 15, 1988) "A Funny Thing Happened On the Way to The White House - The one-laugh-one-vote theory has candidates cracking wise", The Dallas Morning News, p. 1C.

Laurence Sterne photo

“As we jogg on, either laugh with me, or at me, or in short do any thing—only keep your temper.”

Book I, Ch. 6 http://books.google.com/books?id=COoNAAAAQAAJ&q=%22as+we+jogg+on+either+laugh+with+me+or+at+me+or+in+short+do+any+thing+only+keep+your+temper%22&pg=PA19#v=onepage.
The Life and Opinions of Tristram Shandy, Gentleman (1760-1767)

Smokey Robinson photo

“People say I'm the life of the party
'Cause I tell a joke or two.
Although I might be laughing loud and hearty,
Deep inside I'm blue.

So take a
good look at my face.
You know my smile looks out of place.
If you look closer, it's easy to trace
The tracks of my tears.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

The Tracks of My Tears, written by Smokey Robinson, Marvin Tarlin, and Pete Moore (1965)
Song lyrics, With The Miracles

Simon Soloveychik photo
Jim Belushi photo

“People are always coming up to me and saying, 'I love you, love your work.' And then the next sentence is, 'I loved your brother.' John made people laugh, and laughter is a powerful thing”

Jim Belushi (1954) American actor, comedian, singer, and musician

Source: Rick Kogan. " Belushis: Funny is in their bones: Jim, son Robert and stand-up Kyle Lane team up to create intimate Comedy Bar on Ontario Street http://articles.chicagotribune.com/2012-10-26/entertainment/ct-ae-1028-kogan-sidewalks-20121026_1_stand-up-comedy-improv-funny-guyThe," in: The Chicago Tribune, October 26, 2012.

Jimmy Carr photo
William Makepeace Thackeray photo
John Fante photo

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Orson Scott Card photo
Agatha Christie photo
Jean de La Bruyère photo

“To laugh at men of sense is the privilege of fools.”

Rire des gens d'esprit, c'est le privilège des sots.
56
Les Caractères (1688), De la société et de la conversation

William Gibson photo
Lin Yutang photo
Anna Akhmatova photo
Amir Taheri photo
Dorothy Wordsworth photo
Henry Adams photo
Comte de Lautréamont photo

“I hail you, old ocean! Old ocean, you are the symbol of identity: always equal unto yourself. In essence, you never change, and if somewhere your waves are enraged, farther off in some other zone they are in the most complete calm. You are not like man — who stops in the street to see two bulldogs seize each other by the scruff of the neck, but does not stop when a funeral passes. Man who in the morning is affable and in the evening ill-humoured. Who laughs today and weeps tomorrow. I hail you, old ocean!”

Vieil océan, tu es le symbole de l'identité: toujours égal à toi-même. Tu ne varies pas d'une manière essentielle, et, si tes vagues sont quelque part en furie, plus loin, dans quelque autre zone, elles sont dans le calme le plus complet. Tu n'es pas comme l'homme, qui s'arrête dans la rue, pour voir deux boule-dogues s'empoigner au cou, mais, qui ne s'arrête pas, quand un enterrement passe; qui est ce matin accessible et ce soir de mauvaise humeur; qui rit aujourd'hui et pleure demain. Je te salue, vieil océan!
Les Chants de Maldoror (1972 ed.), p. 13.

“Be a sincere effort never so misguided, to laugh at it is a breach of faith with decency.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 82

George H. W. Bush photo
Ben Croshaw photo
Kate Chopin photo
William Blake photo
Emil M. Cioran photo
John Dryden photo

“Fool, not to know that love endures no tie,
And Jove but laughs at lovers' perjury.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Palamon and Arcite, book ii, line 758.
Bartlett's Familiar Quotations, 10th ed. (1919)

Ken Dodd photo

“Did you know that a laugh is something that comes out of a hole in your face? Anywhere else and you're in dead trouble!”

Ken Dodd (1927–2018) English comedian, singer-songwriter and actor

Quoted in Manchester Evening News, http://www.manchestereveningnews.co.uk/entertainment/comedy/s/234/234894_dodds_bolton_bonus.htmlDodd's Bolton bonus, Natalie Anglesey. (2008-04-28)

Willem de Kooning photo

“For really, when you think of all the life and death problems in the art of the Renaissance, who cares if a Chevalier is laughing or that a young girl has a red blouse on.”

Willem de Kooning (1904–1997) Dutch painter

The Renaissance and Order (1950) Trans/formation, vol. 1, no.2, 1951, pp. 85-87.
1950's

Jack White photo

“I'm not saying I came up with anything [laughs]. It's like people thinking we would be more real if we went onstage in jeans and T-shirts. How ignorant is that, to think that because they don't wear a suit onstage that someone is giving you the real deal? People do come and see us and think, "Look at all these gimmicks."”

Jack White (1975) American musician and record producer

Go ahead, man. Go ahead and think that.
From the article White on White from Rolling Stone Magazine
In response to a question about his relationship with Meg being false
On 'gimmicks

Nicolas Chamfort photo

“The most completely wasted of all days is that in which we have not laughed.”

Nicolas Chamfort (1741–1794) French writer

La plus perdue de toutes les journées est celle où l'on n'a pas ri.
Maximes et pensées (1805)
Variant translations:
The days most wasted are those during which we have not laughed.
A day without laughter is a day wasted.
While many such expressions have become widely attributed to Charlie Chaplin and a few others, research done for "A Day Without Laughter is a Day Wasted" at Quote Investigator http://quoteinvestigator.com/2011/07/16/laughter-day/ indicate that such expressions date back to that of Chamfort, published in "Historique, Politique et Litteraire, Maximes détachées extraites des manuscrits de Champfort" Mercure Français (18 July 1795), p. 351 http://books.google.com/books?id=N3tBAAAAcAAJ&q=%22pas+ri%22#v=snippet&q=%22pas%20ri%22&f=false Translations of this into English have been found as early as one in "Laughing" in Flowers of Literature (1803) by F. Prevost and F. Blagdon:
: I admire the man who exclaimed, “I have lost a day!” because he had neglected to do any good in the course of it; but another has observed that “the most lost of all days, is that in which we have not laughed;” and, I must confess, that I feel myself greatly of his opinion.

John Buchan photo
Gordon R. Dickson photo
Mary Pickford photo

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

Bill O'Neill photo
Henry Fielding photo
Richard Strauss photo

“As for the Rosenkavalier waltzes…how could I have done those without a thought of the laughing genius of Vienna?”

Richard Strauss (1864–1949) German composer and orchestra director

On Johann Strauss, page 77. Originally written in 1925.
Recollections and Reflections

George Villiers, 2nd Duke of Buckingham photo

“Methinks, I see the wanton houres flee,
And as they passe, turne back and laugh at me.”

George Villiers, 2nd Duke of Buckingham (1628–1687) English statesman and poet

As quoted in The Encyclopædia Britannica (1910)

Jim Henson photo

“When you trick people into laughing at themselves, that's wit. If you don't laugh at yourself, everything becomes heavy.”

Jim Henson (1936–1990) American puppeteer

Interview with The Boston Globe (1989)

Christopher Titus photo

“Laugh at what you hold sacred, and still hold it sacred.”

Abraham Maslow (1908–1970) American psychologist

As quoted in Relax — You May Have Only a Few Minutes Left : Using the Power of Humor to Overcome Stress in Your Life and Work (1998) by Loretta LaRoche, p. xvii.
1970s and later

Robert Lynn Asprin photo