Quotes about image
page 6

“Rejuvenate the Youth Congress. Make it more effective. People-oriented. I will supervise how the Youth Congress is performing and suggest ways and means to improve the way it works. It has to have a positive, dynamic image.”

Sunil Dutt (1929–2005) Hindi film actor

Above two in Violence is not the hallmark of the Congress, 6 December 2013, Rediff.com http://www.rediff.com/news/2001/feb/20inter.htm, We all are one, whichever religion we belong to

People, Youth, Way

“In the intimacy of the One,
Those souls are pure and inwardly naked,
without images, without figures,
As if liberated from time, uncreated,
Freed from their limits in silent latitude”

Hadewijch (1200–1260) 13th-century Dutch poet and mystic

Mengeldichten 17, in A History of Women in the West: Silences of the Middle Ages, p. 478.
The Mengeldichten (Poems in Couplets) 17-24

Soul, Time

“I am dying, but without expectation of a speedy release. Is it not strange that very recently by-gone images, and scenes of early life, have stolen into my mind, like breezes blown from the spice-islands of Youth and Hope — those twin realities of this phantom world! I do not add Love, — for what is Love but Youth and Hope embracing, and so seen as one? I say realities; for reality is a thing of degrees, from the Iliad to a dream.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

10 July 1834
Table Talk (1821–1834)

Love, Life, Youth, World

“Celebrities are people who spend more time in the plastic surgery clinic than they do outside trying to maintain an image of youth, glamour, and relevance, all while calling President Trump a narcissist.”

Bill Whittle (1959) author, director, screenwriter, editor

"Hot Mic - Hollywood Hypocrites" https://www.youtube.com/watch?v=XuxIdfyKzho (11 July 2017) 2010s

People, Youth, Time

“[T]he doctrine of a plurality of Gods is as prominent in the Bible as any other doctrine…. The head God organized the heavens and the earth. I defy all the world to refute me. In the beginning the heads of the Gods organized the heavens and the earth. Now the learned priests and the people rage, and the heathen imagine a vain thing. If we pursue the Hebrew text further, it reads, 'The head one of the Gods said, Let us make a man in our own image.' I once asked a learned Jew, 'If the Hebrew language compels us to render all words ending in heim in the plural, why not render the first Eloheim plural?' He replied, 'That is the rule with few exceptions; but in this case it would ruin the Bible.' He acknowledged I was right…. In the very beginning the Bible shows there is a plurality of Gods beyond the power of refutation. It is a great subject I am dwelling on. The word Eloheim ought to be in the plural all the way through—'Gods'. The heads of the Gods appointed one God for us; and when you take [that] view of the subject, its sets one free to see all the beauty, holiness and perfection of the Gods. All I want is to get the simple, naked truth, and the whole truth.”

Joseph Smith, Jr. book History of the Church

History of the Church, 6:474-76 (7 April 1844)
1840s, King Follett discourse (1844)

God, People, Truth, World

“There is no good or evil in the world. Only images.”

Neamat Imam book The Black Coat

The Black Coat (2013)

World, Evil

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

Tobe Hooper (1943–2017) American film director, screenwriter and producer

Tobe Hooper Interview http://www.interviewmagazine.com/film/tobe-hooper/#_ (July 14, 2014)

Music, Travel, Feeling, Thinking

“He now attacked the fort of Bhim, where was a temple of the Hindus. He was victorious, and obtained much wealth, including about a hundred idols of gold and silver. One of the golden images, which weighed a million mishkals, the Sultan appropriated to the decoration of the Mosque of Ghazni, so that the ornaments of the doors were of gold instead of iron.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Nagarkot Kangra (Himachal Pradesh) . Hamdu’llah bin ‘Abu Bakr bin Hamd bin Nasr Mustaufi : Tarikh-i-Guzida, in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 65
Quotes from The History of India as told by its own Historians

Victory, Wealth

“I'm living up to my extortion image, I be stalking Lenox, catching more bodies than abortion clinics”

Big L (rapper) (1974–1999) American rapper

“Sex, drugs, and image is just enough to get you by in the real world”

Daniel Johns (1979) Australian musician

Dearest Helpless
Song lyrics, Neon Ballroom (1999)

World, Sex

“I was just an enthusiastic mountaineer of modest abilities who was willing to work quite hard and had the necessary imagination and determination. I was just an average bloke; it was the media that transformed me into a heroic figure. And try as I did, there was no way to destroy my heroic image. But as I learned through the years, as long as you didn’t believe all that rubbish about yourself, you wouldn’t come to much harm.”

Edmund Hillary (1919–2008) New Zealand mountaineer

Sir Edmund Hillary : King Of The World

Way, Imagination, Mountain, Learning

“These same interior, enlightened persons Have the love of God before them in their inward vision Whenever they want, as drawing or calling in towards unity. For they see and feel that the Father with the Son by means of the Holy Spirit stand embraced with all the elect and are brought back with eternal love into the unity of their nature. This unity is constantly drawing or calling in all that has been born out of it naturally or by grace. And therefore these enlightened people are lifted up with free mind above reason to a bare vision devoid of images (The imageless place of spirit vision). There lives the eternal invitation of God’s unity, and with imageless naked understanding they go beyond all works and all practices and all things to the summit of their spirit. There their naked understanding is penetrated with eternal clarity as the air is penetrated by the light of the sun. The bare elevated will is transformed and penetrated with fathomless love just as iron is penetrated by the fire. And the bare elevated memory finds itself caught and established In a fathomless absence of images. Thus the created image is united threefold wise above reason to its eternal image, Which is the source of its being and of its life.”

John Ruysbroeck (1293–1381) Flemish mystic

The Little Book of Enlightenment (c. 1364)

Love, Life, God, People

“No healthy man, in his secret heart, is content with his destiny. He is tortured by dreams and images as a child is tortured by the thought of a state of existence in which it would live in a candy store and have two stomachs.”

H.L. Mencken (1880–1956) American journalist and writer

The Art Eternal, New York Evening Mail (1918)
1910s

Secret, Dreams, Heart

“It would be very convincing to say that there’s no hope for movies — that audiences have been so corrupted by television and have become so jaded that all they want are noisy thrills and dumb jokes and images that move along in an undemanding way, so they can sit and react at the simplest motor level. And there’s plenty of evidence, such as the success of Alien. This was a haunted-house-with-gorilla picture set in outer space. It reached out, grabbed you, and squeezed your stomach; it was more gripping than entertaining, but a lot of people didn’t mind. They thought it was terrific, because at least they’d felt something: they’d been brutalized. It was like an entertainment contrived in Aldous Huxley’s Brave New World by the Professor of Feelies in the College of Emotional Engineering.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

People, World, Hope, Way

“Two normal observers viewing the same object from the same place under the same physical circumstances do not necessarily have identical visual experiences, even though the images on their respective retinas may be virtually identical.”

Alan Chalmers book What Is This Thing Called Science?

Source: What Is This Thing Called Science? (Third Edition; 1999), Chapter 1, Science as knowledge derived form the facts of experience, p. 5.

“Of the range of images in Upper Paleolithic art, the most arresting are the therianthropes. There are not many… but they seize the imagination. The most famous is the so-called sorcerer… In a manner unusual for Upper Paleolithic images, the sorcerer is staring directly out of the wall, a full-face stare that transfixes the spectator.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art, Imagination

“I think animals need all the help they can get, because they have none. They have no rights. They have no protection. And so I think animals need help. And I think animals look to humans for protection, and of course humans lead them into slaughterhouses, which to me is just like an image of leading children into a slaughterhouse. There’s no difference. That level of trust and… But it’s a very cruel world.”

Morrissey (1959) English singer

From a Norwegian TV interview (2002)
In interviews etc., About vegetarianism and animals

Children, World, Thinking, Help

“In the degree that the images of concrete irrationality approach phenomenal reality, the corresponding means of expression approach those of the great realist painters - Velasquez and Vermeer of Delft - to paint realistically according to irrational thought, according to the unknown imagination.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 12-13

Imagination, Reality, Painting

“A person who thinks by images becomes less and less capable of thinking by reasoning, and vice versa. The intellectual process based on images is contradictory to the intellectual process of reasoning that is related to the word. There are two different ways of dealing with an object. They involve not only different approaches, but even more important, opposing mental attitudes. This is not a matter of complementary processes, such as analysis and synthesis or logic and dialectic. These processes lack any qualitative common denominator.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 214
The Humiliation of the Word (1981)

Way, Thinking, Personality

“With wolf lay advocates it is just natural to want to promote their favorite animal and to try to counter the known negative effects of wolves and the claims fostered by people who vilify wolves, an increasing lot as wolves recover and proliferate. Thus wolf advocates eagerly seize on any study they consider favorable to wolves. The media become complicit by immediately publicizing such studies because of the controversial nature of the wolf. And all this publicity reverberates on the internet. Seldom, however, do studies contradicting the sensational early results receive similar publicity. The public is then left with a new image of the wolf that may be just as erroneous of the animal’s public image a century ago.”

L. David Mech (1937) American Biologist , Ecologist

Is science in danger of sanctifying the wolf? http://www.floridalupine.org/publications/PDF/Mech-2012-Is-Science-in-Danger-of-Sanctifying-the-Wolf.pdf Biological Conservation 150 143-149 (January, 2012).

People, Nature, Study, Wolf

“I must admit to being increasingly deranged by the kinds of bizarre myths which have grown like moss around my name in comics fan circles - I keep coming up against this idiot savant image; me reflected back at myself as a shambling, incoherent drug addict, wanking and drooling out meaningless gibberish which can only be understood by 'those lying bastards' who claim they can see 'Magic Eye' 3-d pictures and wee men reading the news on the TV.”

Grant Morrison (1960) writer

2004
https://web.archive.org/web/20041012215227/http://www.popimage.com/content/grant20042.html Popimage interview
On himself

Men, Lying, Reading

“Since geometry is co-eternal with the divine mind before the birth of things, God himself served as his own model in creating the world (for what is there in God which is not God?), and he with his own image reached down to humanity.”

Johannes Kepler book Harmonices Mundi

Book IV, Ch. 1, as quoted in "Kepler's Astrology"in Kepler, Four Hundred Years (1975) edited by Arthur and Peter Beer.
Harmonices Mundi (1618)

God, World, Birth

“It is said that in ancient days Trichila, an execrable monster with three heads, who was a brother of Rawan, with ten heads, had the sway over this country. No human being could oppose him. But as per the saying of the Prophet, ‘Islam will be elevated and cannot be subdued’, the Faith took root by the efforts of Hazarat Natthar Wali. The monster was slain and sent to the house of perdition. His image namely but-ling worshipped by the unbelievers was cut and the head was separated from the body. A portion of the body went into the ground. Over that spot is the tomb of the Wali, shedding rediance till this day.”

Nathar Shah (969–1039) Muslim missionary

About the legend surrounding the tomb of Nathar Shah at Tiruchirapalli (Tamil Nadu). Bahãr-i-Ãzam, translated in English, Madras, 1960. p. 51.

Faith, Effort, Housing, Country

““You see God as an engineer?” asked Urpastor Phelps.
“I don’t see God as anything at all.”
“An engineer, you said. An incompetent engineer.”
“Incompetent, perfect, who knows? God is whatever we agree to pretend God is. God is our image of God.””

James K. Morrow book Only Begotten Daughter

Source: Only Begotten Daughter (1990), Chapter 16 (p. 272)

God, Perfection

“Joe Levine behaved like he owned me. My husband thought it was all terrific as long as I kept bringing in the money. I started objecting to everything, but it was too late. The sex-symbol image had already started. I turned down parts and they blacklisted me. The press attacked me viciously at every opportunity. I came very close to suicide.”

Carroll Baker (1931) American actress

On her tumultuous relationship with producer Joe Levine, profile http://projects.latimes.com/hollywood/star-walk/carroll-baker/ in the Los Angeles Times by Patricia Brennan (1987)

Money, Sex, Suicide, Parting

“What is most apparent and constant in Thomas' personality, the image he most likely had of himself, is the teacher. The saint was essentially a Doctor of the Church; the man was a teacher of theology and philosophy; the mystic never entirely separated his meditations from his teaching, which drew its inspiration from them.”

Étienne Gilson (1884–1978) French historian and philosopher

Introduction
Thomism: The Philosophy of Thomas Aquinas

Teachers, Personality

“His own power and magic — overwhelmed him for a moment with a feeling of the purest, highest, and most glorious happiness that life can yield — the happiness that is at once the most selfish and the most selfless — the happiness of the artist when he sees that his work has been found good, has for itself a place of honour, glory, and proud esteem in the hearts of men, and has wrought upon their lives the spell of its enchantment. At that instant he saw, in one blaze of light, an image of unutterable conviction, the reason why the artist works and lives and has his being — the reward he seeks — the only reward he really cares about, without which there is nothing. It is to snare the spirits of mankind in nets of magic, to make his life prevail through his creation, to wreak the vision of his life, the rude and painful substance of his own experience, into the congruence of blazing and enchanted images that are themselves the core of life, the essential pattern whence all other things proceed, the kernel of eternity.”

Thomas Wolfe book Of Time and the River

Of Time and the River (1935)

Life, Men, Pain, Feeling

“it's so damn sweet when Anybody—
…makes you feel
…for once
(imag
-ine) You”

E.E. Cummings (1894–1962) American poet

7
73 poems (1963)

Feeling

“In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it’s a loss that has done a great deal of damage to modern art. Painting is a return to origins.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In an interview on the BBC arts program 'Omnibus', (1990); as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990

World, Art, Thinking, Sense

“Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

Music

“Then the white man hates him [the Native American], and hunts him down like the wild beasts of the forest, and so the red-crayon sketch is rubbed out, and the canvas is ready for a picture of manhood a little more like God's own image.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

"The Pilgrims of Plymouth" http://www.unz.org/Pub/BrainerdCephas-1901v02-00267 (Oration, December 22, 1855), in Cephas Brainerd and Eveline Warner Brainerd (eds), The New England Society Orations: Volume II. New York: The Century Co., 1901, p. 298.

God, Hate

“According to the first image of international relations, the locus of the important causes of war is found in the nature and behavior of man. Wars result from selfishness, from misdirected aggressive impulses, from stupidity.”

Kenneth N. Waltz book Man, the State, and War

Source: Man, the State, and War (1959), Chapter II, The First Image, p. 16

War, Stupidity, Behavior, Nature

“Whether looming over the land as a symbol of a ruler’s authority or providing a setting for displays of wealth and power in spectacular feasts and tournaments, castles made a visual statement about their owners. All ar chitecture has symbolic overtones, and the castle is a potent image.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 4 : The Castle as Symbol and Palace

Wealth

“They’re everything that’s wrong in this instant-coffee and microwave age. ‘I want it now.’ There used to be that romantic image of going off to Tibet and climbing the mountain to speak to the wise man. And when you got to the top, he could tell you the truths of the universe. Now people wanna take a helicopter to the top—or e-mail him!”

Malcolm Azania book The Coyote Kings of the Space-Age Bachelor Pad

Source: The Coyote Kings of the Space-Age Bachelor Pad (2004), Chapter 34 “On Good, Evil, Invisible Hands, and the Wind” (p. 193)

People, Truth, Age, Mountain

“[Art] can speak its own language only as long as the images are alive which refuse and refute the established order.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 62

Art

“One must forget many clichés in order to behold a single image. Insight is the beginning of perceptions to come rather than the extension of perceptions gone by. Conventional seeing, operating as it does with patterns and coherences, is a way of seeing the present in the past tense. Insight is an attempt to think in the present. … Insight is knowledge at first sight.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

Introduction
The Prophets (1962)

Way, Knowledge, Thinking, Past

“Moreover, nothing is so rare as to see misfortune fairly portrayed; the tendency is either to treat the unfortunate person as though catastrophe were his natural vocation, or to ignore the effects of misfortune on the soul, to assume, that is, that the soul can suffer and remain unmarked by it, can fail, in fact, to be recast in misfortune's image.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941), p. 193

Soul, Nature, Suffering, Personality

“Nations are divided into "good"and "bad"-the enemy is all bad, one's own nation is of spotless virtue. Wars are either acts of God or acts of the other nations, which always catch us completely by surprise. To a student of international systems the national image even of respectable, intellectual, and powerful people seems naive and untrue. The patriotism of the sophisticated cannot be a simple faith. There is, however, in the course of human history a powerful and probably irreversible movement toward sophistication. We can wise up, but we cannot wise down, except at enormous cost in the breakdown of civilizations, and not even a major breakdown results in much loss of knowledge.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, National images and international systems, 1959, p. 131

God, War, People, Faith

“There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 114

Color, Question, Problem, Parting

“Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Vanishing Point (pp. 9-10)
1980s, America (1986)

Travel

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Life, Men, Flowers, Lying

“Value-expressive attitudes not only give clarity to the self-image but also mold the self-image closer to the heart’s desire.”

Daniel Katz (1903–1998) American psychologist

Daniel Katz (1960). "The functional approach to the study of attitudes". In: Public opinion quarterly, 24 (1960). p. 173

Heart

“Adam Smith’s image of competition in the marketplace was intended as an adjunct to his detailed description of human motivation in The Theory of Moral Sentiments, in which the pursuit of profit is tempered at every juncture by sympathy and benevolence, and by the posture of the “impartial spectator” which is forced on us by our moral nature.”

Ted Malloch (1952) American businessman

Source: Doing Virtuous Business (Thomas Nelson, 2011), p. 108.

Motivation, Nature

“As young people, we are surrounded by expectations that may have little to do with who we really are, expectations held by people who are not trying to discern our selfhood but to fit us into slots. In families, schools, workplaces, and religious communities, we are trained away from true self toward images of acceptability; under social pressures … our original shape is deformed beyond recognition; and we ourselves, driven by fear, too often betray true self to gain the approval of others.”

Parker Palmer (1939) American theologian

Let Your Life Speak: Listening for the Voice of Vocation (1999)

People, Fear, School, Family

“The chief of Anhilwara called Bhim, fled hastily, and abandoning his city, he went to a certain fort for safety and to prepare himself for war. Yaminu-d daula again started for Somnat, and on his march he came to several forts in which were many images serving as chamberlains or heralds of Somnat, and accordingly he (Mahmud) called them Shaitan. He killed the people who were in these places, destroyed the fortifications, broke in pieces the idols and continued his march to Somnat through a desert where there was little water.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Ali ibn al-Athir: Kamilu’t-Tawarikh, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 470
Quotes from The History of India as told by its own Historians

War, People, Water

“The aim of such a religion is not merely to "glorify God"; rather, it is to glorify all souls, as all in the image of God; to glorify them by fulfilling for every one of them its vocation to repeat in a new way the life of universal love that is the life of God, and thus to attain, through the universal greatening, such a real glorification of God as other forms of religion seek after in vain.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.255

Love, Life, God, Religion

“I am to show you, too, that in the world of eternal free-agents, the Divine offices called creation and regeneration not only survive, but are transfigured; that in this transfiguration they are merged in one, so that regeneration is implicit in creation, and becomes the logical spring and aim of creation, while creation itself thus insures both generation and regeneration—the existence of the natural order within the spiritual or rational, and subject to this, and the consequent gradual transformation of the natural into the image of the spiritual: a process never to be interrupted, however devious, dark, or often retrograde, its course may be. I am to show you all this by the light of Final Cause, which is to take the place of the less rational category of Efficient Causation, since—let it be repeated — this last cannot operate to sustain moral relationship, and since moral values, measured in real freedom, are for the conscience and the new theology the measure of all reality.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.350-1

World, Spring, Nature, Reality

“The Christianity of the first centuries recognized as productions of good art, only legends, lives of saints, sermons, prayers, and hymn-singing evoking love of Christ, emotion at his life, desire to follow his example, renunciation of worldly life, humility, and the love of others; all productions transmitting feelings of personal enjoyment they considered to be bad, and therefore rejected … This was so among the Christians of the first centuries who accepted Christ teachings, if not quite in its true form, at least not yet in the perverted, paganized form in which it was accepted subsequently.
But besides this Christianity, from the time of the wholesale conversion of whole nations by order of the authorities, as in the days of Constantine, Charlemagne and Vladimir, there appeared another, a Church Christianity, which was nearer to paganism than to Christ's teaching. And this Church Christianity … did not acknowledge the fundamental and essential positions of true Christianity — the direct relationship of each individual to the Father, the consequent brotherhood and equality of all people, and the substitution of humility and love in place of every kind of violence — but, on the contrary, having founded a heavenly hierarchy similar to the pagan mythology, and having introduced the worship of Christ, of the Virgin, of angels, of apostles, of saints, and of martyrs, but not only of these divinities themselves but of their images, it made blind faith in its ordinances an essential point of its teachings.
However foreign this teaching may have been to true Christianity, however degraded, not only in comparison with true Christianity, but even with the life-conception of the Romans such as Julian and others, it was for all that, to the barbarians who accepted it, a higher doctrine than their former adoration of gods, heroes, and good and bad spirits. And therefore this teaching was a religion to them, and on the basis of that religion the art of the time was assessed. And art transmitting pious adoration of the Virgin, Jesus, the saints, and the angels, a blind faith in and submission to the Church, fear of torments and hope of blessedness in a life beyond the grave, was considered good; all art opposed to this was considered bad.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

Love, Life, God, People

“"Among the types of human activity which have always played a role in history, the soldier is least subject to ressentiment. Nietzsche is right in pointing out that the priest is most exposed to this danger, though the conclusions about religious morality which he draws from this insight are inadmissible. It is true that the very requirements of his profession, quite apart from his individual or national temperament, expose the priest more than any other human type to the creeping poison of ressentiment. In principle he is not supported by secular power; indeed he affirms the fundamental weakness of such power. Yet, as the representative of a concrete institution, he is to be sharply distinguished from the homo religiosus—he is placed in the middle of party struggle. More than any other man, he is condemned to control his emotions (revenge, wrath, hatred) at least outwardly, for he must always represent the image and principle of “peacefulness.” The typical “priestly policy” of gaining victories through suffering rather than combat, or through the counterforces which the sight of the priest's suffering produces in men who believe that he unites them with God, is inspired by ressentiment. There is no trace of ressentiment in genuine martyrdom; only the false martyrdom of priestly policy is guided by it. This danger is completely avoided only when priest and homo religiosus coincide."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Men, God, Peace, History

“The fictitious deities of all races in all worlds once more crowded themselves upon me, symbols of majesty and tenderness, of ruthless power, of blind creativity, and of all-seeing wisdom. And though these images were but the fantasies of created minds, it seemed to me that one and all did indeed embody some true feature of the Star Maker’s impact upon the creatures.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 161)

Wisdom, World, Star

“The Pink Panther is supposed to use humor to uplift. Instead, I departed this movie feeling depressed. Lifeless comedies can suck the energy out of a viewer, especially when they sully the image of an cinematic icon.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=810 of The Pink Panther (2006). One-star reviews

Feeling

“The foundations of the universal value of art are given to us now by psychology. This is the common base that enables us to sink its roots to the origins before man and to discover the primary myths of humanity. The artist must confront these myths and reduce them, by means of amorphous and confused materials, to clear images. Since these are atavistic forces that have their origins in the subconscious, the work of art takes on a magical significance.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

Art, Universe

“It was necessary that the very noble form of man, which is the image and likeness of God… should be joined to the substance of dust and darkness, the source of all defect and loss. For these reasons the Creator gave to the form of man power, rule, and dominion over the substance;—the form can subdue the substance, refuse the fulfillment of its desires, and reduce them, as far as possible, to a just and proper measure.”

Maimónides book The Guide for the Perplexed

Source: Guide for the Perplexed (c. 1190), Part III, Ch.8

God, Loss

“One of the key topics, for me, is a study of the individual in relation to crowds and to power. A film essay on crowd psychology would avoid commentary (it has become the madness of secondary discourse in many documentaries) and rely wholly on sound and image. Ideally, it would try to provide us with new concepts on the nature of society, on violence, and on the political bestiality of our times that is linked to the way the media has become a plague of words and images stripped of substance. It is a plague infecting our lives and, as a consequence, the history of nations with all that is sensational, random, and confused.”

Damian Pettigrew Canadian filmmaker

On key topics in the documentary genre, Sundance Channel Interview (July 2004)

Way, History, Nature, Study

“The image of that dying leprosy patient was burning me like a branding iron and would not give me a moment’s rest. From that moment on I was out to conquer fear…. Where there is fear there is no love. Where there is no love there is no God.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

His reaction after he had given away his wealth and legal career and had set up a work camp and started living with common people with his family when he had met a dying leper on the road, pages=6-7
Baba Amte: A Vision of New India

Love, God, Fear

“Paranoiac-critical activity is an organizing and productive force of objective chance. Paranoiac-critical activity no longer considers surrealist phenomena and images by themselves but, on the contrary, as a coherent whole of systematic and significant relations.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 16

Chance

“There is little in common between the organised parading of madness in the eighteenth century and the freedom with which madness came to the fore during the Renaissance. The earlier age had found it everywhere, an integral element of each experience, both in images and in real life dangers. During the classical period, it was also on public view, but behind bars. When it manifested itself it was at a carefully controlled distance, under the watchful eye of a reason that denied all kinship with it, and felt quite unthreatened by any hint of resemblance. Madness had become a thing to be observed, no longer the monster within, but an animal moved by strange mechanisms, more beast than man, where all humanity had long since disappeared.”

Michel Foucault (1926–1984) French philosopher

Part One: 5. The Insane
History of Madness (1961)

Life, Age, Freedom, Animals

“The building blocks of poetry itself are elements if fiction -fable, 'image', metaphor-all the material if the nonliteral.”

John Hollander (1929–2013) American poet

'Rhymes's Reason':a guide to English Verse Yale University Press, 1981

“First, a man is created in his own image, and only afterwards in the image of God.”

Menachem Mendel of Kotzk (1787–1859) Polish rabbi

As quoted in Leaping Souls : Rabbi Menachem Mendel And The Spirit Of Kotzk (1993) by Chaim Feinberg
Variant translation: Man must "guard himself and his uniqueness, and not imitate his fellow … for initially man was created in his own image, and only afterwards in the image of God.

God

“A threshold competency is a person's generic knowledge, motive, trait, self image, social role, or skill which is essential to performing a job, but is not causally related to superior job performance.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 23.

Motivation, Knowledge, Personality

“(Las Vegas) composes a night-time image of Babylon in the desert. But it is Everyman's cut-rate Babylon. Not far away there is, or was, a roadside lunch counter and over it a sign proclaiming in three words that a Roman emperor's orgy is now a democratic institution. It says: 'Topless Pizza Lunch.”

Alistair Cooke (1908–2004) British journalist and broadcaster

Source: Alistair Cooke's America (1973), p. 280

Time, Night

“So the poor instead of bread made do with a picture
of the bleeding scourged and nailed-up Christ
and prayed to that image of their helplessness”

Peter Weiss Marat/Sade

Marat, act 1, scene 13 (pp. 28-29)
Marat/Sade (1963)

Christ

“We must first awake before we can walk in the right direction. We must discover our illusions before we can even realize that we have been sleepwalking. The least and the most we can hope for is that each of us may penetrate the unknown jungle of images in which we live our daily lives. That we may discover anew where dreams end and where illusions begin. This is enough. Then we may know where we are, and each of us may decide for himself where he wants to go.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 261.

Dreams, Hope

“A new type of poem has been evolved and popularized by the demands of the anthology-reading public. It is called 'the perfect modern lyric.' Like the best-seller novel, it is usually achieved in the dark; but certain critical regulations can be made for it. It must be fairly regular in form and easily memorized, it must be a new combination of absolutely warn-out material, it must have a certain unhealthy vigour or languor, and it must start off engagingly with a simple sentimental statement. Somewhere a daring pseudo-poetical image must be included…”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Robert Graves from A Pamphlet Against Anthologies (London: Doubleday, 1928)

Reading, Perfection

“…In 631 (1233), Shamsuddin marched to Malwa and conquered the city of Bailsan and its fort and demolished its famous temple. The historians have narrated that its citizens built the temple by digging its foundation and raising its walls one hundred cubits from the ground in 300 years. All the images are fixed with lead. The temple is called Gawajit (?) (Vikramajit) Sultan of Ujjain Nagari. The history of the temple is a proof of what is said about its construction and demolition, that is, eleven hundred years. People of Hind are ignorant of history.”

Iltutmish (1210–1236) Sultan of Mamluk Sultanate

Sultan Shamsu’d-Din Iltutmish (AD 1210-1236) Vidisha (Madhya Pradesh) Zafaru’l-Walih Bi Muzaffar Wa Ãlihi Zafaru’l Walih Bi Muzaffar Wa Ãlihi, translated into English by M.F. Lokhandwala, Baroda, 1970 and 1974, Vol. II, p. 575.

People, History

“What does it mean, then, to become part of God’s work in the world? What does it mean to live a Christian life? One way to answer that question is to look back into the life of the Trinity and the original creation. God made us to ever increasingly share in his own joy and delight in the same way he has joy and delight within himself. We share his joy first as we give him glory (worshipping and serving him rather than ourselves); second, as we honor and serve the dignity of other human beings made in the image of God’s glory; and third, as we cherish his derivative glory in the world of nature, which also reflects it. We glorify and enjoy him only as we worship him, serve the human community, and care for the created environment.
Another way to look at the Christian life, however, is to see it from the perspective of the final restoration. The world and our hearts are broken. Jesus’s life, death, and resurrection was an infinitely costly rescue operation to restore justice to the oppressed and marginalized, physical wholeness to the diseased and dying, community to the isolated and lonely, and spiritual joy and connection to those alienated from God. To be a Christian today is to become part of that same operation, with the expectation of suffering and hardship and the joyful assurance of eventual success.”

Tim Keller (pastor) book The Reason for God

The Reason for God: Belief in an Age of Skepticism (2008), Ch. 14: The Dance of God

Life, Death, God, World

“If the image was sketched onto the canvas and spontaneously drawn, colour would often be restrained and unfree... The most important and the most difficult liberation process we went trough, the one that has distinguished our art, was the freeing of colour, the transition to a painterly spontaneity.”

Asger Jorn (1914–1973) Danish artist

Statement (c. 1944), on automatic drawing, quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 162
1940 - 1948, Various sources

Art

“!-- Setting forth once more, embarking upon the search once again: the narrow path that snakes among livid rocks and desolate, camel-colored hills; white houses hanging suspended from cliffs, looking as though they were about to let go and fall on the wayfarer’s head; the smell of sweating hides and cow dung; the buzz of afternoon; the screams of monkeys leaping about amid the branches of the trees or scampering along the flat rooftops or swinging from the railings of a balcony; overhead, birds circling and the bluish spirals of smoke rising from kitchen fires; the almost pink light on the stones; the taste of salt on parched lips; the sound of loose earth slithering away beneath one’s feet; the dust that clings to one’s sweat-drenched skin, makes one’s eyes red, and chokes one’s lungs; i --> Images, memories, fragmentary shapes and forms — all those sensations, visions, half-thoughts that appear and disappear in the wink of an eye, as one sets forth to meet…. The path also disappears as I think of it, as I say it.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 1

Color, Search, Bird, Thinking

““Prosthetic Morality Enforcement. The idea is that by analogy, if a part of your body is deficient or missing, you can use a prosthetic limb or artificial organ. Well, our ability to make moral judgements is hard-wired, but it’s been so far outrun by the demands of complex civilization that it can’t keep up. For example…have you ever wondered why discussions in chat rooms or instant messaging turn nasty so easily? Or wander off topic? It’s because the behavioural cues we use to trigger socially acceptable responses aren’t there in a non-face-to-face environment. If you can’t see the other primate, your ethical reasoning is impaired because you can’t build a complete mental image of them—a cognitive frame. It’s why identity theft and online fraud are such a problem: There’s no inhibition against robbery if the victim is faceless. So we need some kind of prosthetic framework to restore our ability to interact with people on the net as if they’re human beings we’re dealing with in person.”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 26, “Liz: It’s Complicated” (pp. 287-288)

People, Idea, Fraud, Problem

“The symbol is the tool which gives man his power, and it is the same tool whether the symbols are images or words, mathematical signs or mesons.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Mathematics

“Pseudo‑events do, of course, increase our illusion of grasp on the world, what some have called the American illusion of omnipotence. Perhaps, we come to think, the world’s problems can really be settled by “statements,” by “Summit” meetings, by a competition of “prestige,” by overshadowing images, and by political quiz shows.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 44.

World, Problem, Thinking

“In the artist/theorist tradition of Robert Smithson, Joseph Nechvatal is a pioneer in the field of digital image making who challenges our perceptions of nature by altering conventional notions of space and time, gender, and self… Nechvatal successfully plunged into the depths where art, technology and theory meet.”

Joe Lewis (artist) (1953) American photographer

"Joseph Nechvatal at Universal Concepts Unlimited," in: Art in America Magazine, March 2003. pp.123-124.

Art, Nature, Time

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

God, Dreams, Music, Sense

“The very sound of his own steps disturbed him; and he flung himself on a couch, to enjoy without interruption the exquisite melody. The intense perfume of the flowers intoxicated him like wine. He felt as if lulled in a delicious trance, in which one image became more and more distinct — the pale but lovely face of his hostess. His heart was filling with love for those radiant eyes. A softer fragrance breathed around him — it was her breath. He looked, and she was again bending over him; he saw himself mirrored in the moonlight of her eyes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Love, Flowers, Wine, Heart

“When we look into a mirror we think the image that confronts us is accurate. But move a millimetre and the image changes. We are actually looking at a never-ending range of reflections. But sometimes a writer has to smash the mirror — for it is on the other side of that mirror that the truth stares at us.
I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory.
If such a determination is not embodied in our political vision we have no hope of restoring what is so nearly lost to us — the dignity of man.”

Harold Pinter (1930–2008) playwright from England

Art, Truth & Politics (2005)

Truth, Hope, Thinking, Change

“Imagism was a reductio ad absurdum of one or two tendencies of romanticism, such a beautifully and finally absurd one that it is hard to believe it existed as anything but a logical construction; and what imagist found it possible to go on writing imagist poetry? A number of poets have stopped writing entirely; others, like recurring decimals, repeat the novelties they commeced with, each time less valuably than before. And there are surrealist poetry, and political poetry, and all the othe refuges of the indigent.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“A Note on Poetry”, p. 50
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Time

“The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers. […]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.”

Don DeLillo book White Noise

White Noise (1984)

Love, Women, Men, Secret

“Arranging props in a scene such as this is a joy. With gravity on my side, everything at arms length and no arduous physical conditions constricting me, I can go for hours at a clip, sculpting piles of stuff into a landscape of intersecting shape, form and color until my eye wanders endlessly among the details. In such conditions, how the image is captured has little bearing on the success of the arrangement – though the time-saving work flow enabled by digital preview, capture and post processing, certainly helps.”

Walter Wick (1953) American photographer and creator of children's books

Photo-Illusions In The Digital Age http://www.walterwick.com/blog/2015/11/16/photo-illusions-in-the-digital-age (November 16, 2015)

Color, Time, Success, Help

“Those in the Ivy League, Hollywood, the media, the leftist rich, and most schools and universities who, like Obama, consider themselves superior intellectuals earmarked by some demented destiny to implement their pagan, socialist, and anti-human ideology in the United States. They first mean to destroy the Second Amendment, and then, safe to be tyrants, though cowards all, they intend remake in their own worthless image those Americans who still work hard, who believe in and are willing to fight to defend liberty, and who have learned the Founders' key lesson, namely, that the federal government must always be seen as an enemy of freedom and therefore must be kept in check and opposed to the hilt whenever necessary. Perhaps it would be best if Obama and his Ivy-League elite studied the words of a man they hail an icon of their party and with whom they share a liking for slavery, but who actually is a man they do not in the least understand.”

Michael Scheuer (1952) American counterterrorism analyst

As quoted in "Obama and his party offer America's young … death, misery, and slavery" http://non-intervention.com/1143/obama-and-his-party-offer-america%E2%80%99s-young-%E2%80%A6-death-misery-and-slavery/ (2013), by M. Scheuer, Michael Scheuer's Non-Intervention. 2010s

School, Understanding, Study, Freedom

“They knew that many centuries ago God had left his throne and had been born a babe into this poor world—that he had suffered death for the sake of man—for the sake of saving a few. They also knew that the human heart was utterly depraved, so that man by nature was in love with wrong and hated God with all his might. At the same time they knew that God created man in his own image and was perfectly satisfied with his work.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Why I Am an Agnostic (1896)

Love, Death, God, Hate

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith, Religion, Error, Lying

“The digital revolution changed my process early on in terms of technique, but my early analog drawings and paintings had the same thematic intention as my latest digital work: the attempt to conjure, or render, a glimpse into an enigmatically layered and lively world that I sense and know to be reality, an energetic vibratory world of almost dreadful depth. In this respect, my process of making computer-robotic assisted paintings and animations have, until recently, been made up of an excessive concoction of ambiguous sexual body parts (morphed from both sexes) tied to the viral form. Philosophy has been, and is, a way of freeing myself enough to connect with this depth so as to process the phantasmagorical aspects of reality into art. This process of art making, for me, must hinge on a dynamic engagement and then wedding of image production and image resistance. The idea is to encourage subversive readings of computational media by presenting an artistic consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.”

Joseph Nechvatal (1951) American artist

" An Interview with Joseph Nechvatal http://versejunkies.com/?p=6110#," at versejunkies.com. Posted On 10 August 2013.

Truth, World, Art, Sex

“Photography has fulfilled my adventurous side: it is a real trade. I behaved like a thief in every country where I went, in China, in Africa, in America… all things considered, our trade is situated somewhere between pickpocket and tightrope walker… yes, we steal from people, we take something that belongs to them: their image, their culture.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 114

People, Country

“My self-image was not unstable. I saw myself, quite correctly, as unfit for the educational and social systems.”

Susanna Kaysen book Girl, Interrupted

Girl, Interrupted (1994)

Education

“But what an eye Monet has, the most prodigious eye since painting began! I raise my hat to him. As for Courbet, he already had the image in his eye, ready-made. Monet used to visit him, you know, in his early days... But a touch of green, believe me, is enough to give us a landscape, just as a flesh tone will translate a face for us..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'

Painting

“The sciences certainly have influenced the arts. To an Aztec, the sunset was an inexplicable event, which he could not cope with or even survive without the imagined aid of his gods. Obvious phenomena of this sort have since been explained. But the sheer unimagined vastness of the explicable has now made the inexplicable into such a monstrous thing that our heads spin, and the old images burst like bubbles. The thought of the totally inexplicable (as when we look at the starry sky), and the impossibility of reading any sense into this monstrous vastness, so affect us that we need ignorance to survive.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

God, Art, Imagination, Sense

“The human being, on the other hand, is firmly located in a temporal process. He has an image of the past which extends back far beyond the limits of his own life and experience, and he likewise has an image of the future. Closely associated with the time structure of his image is the image of the structure of relationships. Because we are aware of time, we are also aware of cause and effect, of contiguity and succession, of cycles and repetition. The image of man is also characterized by a much greater degree of self-consciousness and of self-awareness than that of the lower animals. We not only know, but we know that we know. This reflective character of the human image is unique, and is what leads to philosophy.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 25

Life, Time, Success, Past

“As man lives, and moves, and has his Being in the Divine Nature, and is supported by it, whether his Nature be good or bad; so the Wrath of Man, which was awakened in the dark Fire of his fallen Nature, may, in a certain Sense, be called the Wrath of God, as Hell itself may be said to be in God, because nothing can be out of his Immensity; yet this Hell, is not God, but the dark Habitation of the Devil. And this Wrath which may be called the Wrath of God, is not God, but the fiery Wrath of the fallen Soul.
And it was solely to quench this Wrath, awakened in the human Soul, that the Blood of the Son of God was necessary, because nothing but a Life and a Birth, derived from him into the human Soul, could change this darkened Root of a self-tormenting Fire, into an amiable Image of the holy Trinity, as it was at first created.
This was the Wrath, Vengeance, and vindictive Justice that wanted to be satisfied, in order to our Salvation; it was the Wrath and Fire of Nature and Creature kindled only in itself, by its departing from true Resignation, and Obedience to God.”

William Law (1686–1761) English cleric, nonjuror and theological writer

Christian Regeneration.
The Grounds and Reasons of Christian Regeneration (1739)

Life, God, Justice, Soul

“I think faith in each other is much harder than faith in God or faith in crystals. I very rarely have faith in God; I occasionally have little spasms of it, but they go away, if I think hard enough about it. I am incandescent with rage at the idea of horoscopes and of crystals and of the nonsense of 'New Age', or indeed even more pseudo-scientific things: self-help, and the whole culture of 'searching for answers', when for me, as someone brought up in the unashamed Western tradition of music and poetry and philosophy, all the answers are there in the work that has been done by humanity before us, in literature, in art, in science, in all the marvels that have created this moment now, instead of people looking away. The image to me... is gold does exist, and for 'gold' say 'truth', say 'the answer', say 'love', say 'justice', say anything: it does exist. But the only way in this world you can achieve gold is to be incredibly intelligent about geology, to learn what mankind has learnt, to learn where it might lie, and then break your fingers and blister your skin in digging for it, and then sweat and sweat in a forge, and smelt it. And you will have gold, but you will never have it by closing your eyes and wishing for it. No angel will lean out of the bar of heaven and drop down sheets of gold for you. And we live in a society in which people believe they will. But the real answer, that there is gold, and that all you have to do is try and understand the world enough to get down into the muck of it, and you will have it, you will have truth, you will have justice, you will have understanding, but not by wishing for it.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

From Radio 4's Bookclub http://www.bbc.co.uk/programmes/p00f8l3b 2000s

Love, God, People, Truth

“What the public wants is the image of passion, not passion itself.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist

"Le monde où l'on catche," in Mythologies (1957)

Passion

“I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

Time, Drawing

“The cross is a very powerful symbol and it symbolizes suffering, but it also is connected to a person who was loving and sharing and his message was about unconditional love. I tried to take a powerful image and use it to draw attention to a situation that needs attention. For me, we all need to be Jesus in our time. Jesus' message was to love your neighbor as yourself and these are people in need.”

Madonna (1958) American singer, songwriter, and actress

Explaining the controversial crucifixion scene in her Confessions tour http://www.chinadaily.com.cn/showbiz/2007-02/17/content_811558.htm

Love, People, Suffering, Time

“Modern physics has thus revealed that every subatomic particle not only performs an energy dance, but also is an energy dance; a pulsating process of creation and destruction. The dance of Shiva is the dancing universe, the ceaseless flow of energy going through an infinite variety of patterns that melt into one another’’. For the modern physicists, then Shiva’s dance is the dance of subatomic matter. As in Hindu mythology, it is a continual dance of creation and destruction involving the whole cosmos; the basis of all existence and of all natural phenomenon. Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our times, physicists have used the most advanced technology to portray the patterns of the cosmic dance.”

Fritjof Capra book The Tao of Physics

Source: The Tao of Physics (1975), p. 244.

Beauty, Nature, Universe, Time

“Judaism’s campaign to make divinity invisible has never fully succeeded. Images are always eluding moral control, creating the brilliant western art tradition. Idolatry is fascism of the eye. The western eye will be served, with or without the consent of conscience.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 139

Art

“The color of the prisoner’s skin, and the form of his features, are not impressed upon the spiritual immortal mind which works beneath. In spite of human pride, he is still your brother, and mine, in form and color accepted and approved by his Father, and yours, and mine, and bears equally with us the proudest inheritance of our race — the image of our Maker. Hold him then to be a Man.”

William H. Seward (1801–1872) American lawyer and politician

Argument as defense attorney during the trial of an African-American criminal defendant, Auburn, New York (July 1846), published in Works of William H. Seward, vol. I (New York: Redfield, 1853), p. 417.

Color

“Then we have computer science. It is true that software cannot exercise its powers of lightness except through the weight of hardware. But it is the software that gives the orders, acting on the outside world and on machines that exist only as functions of software and evolve so that they can work out ever more complex programs. The second industrial revolution, unlike the first, does not present us with such crushing images as rolling mills and molten steel, but with "bits" in a flow of information traveling along circuits in the form of electronic impulses. The iron machines still exist, but they obey the orders of weightless bits.”

Italo Calvino book Six Memos for the Next Millennium

Six Memos for the Next Millennium (1988) , "Lightness"
English translation: Patrick Creagh (1996).

World, Travel, Exercises, Light

“I don’t know what my image is. I went to France to publicize Marvin’s Room, and one really smart young woman journalist said to me “You know, what I told people I was going to interview Meryl Streep, they were so excited…all ze woman in my office, they love you so much. But ze men - they are afraid of you.”

Meryl Streep (1949) American actress

Source: Liz Smith (1998). "The Meryl Streep Nobody Knows." Good Housekeeping, 227(3), September 1998, pp. 94-98; Cited in: Karen Hollinger The Actress: Hollywood Acting and the Female Star http://books.google.co.in/books?id=89W0QMDjA7gC&pg=PA71&dq=Meryl+Streep&hl=en#v=onepage&q=Meryl%20Streep&f=false, Taylor & Francis, 2006, p. 71

Love, Men, People