Quotes about image
page 5

“The century of revolution in the United States after the Civil War was economic, not political, freeing households from an unremitting daily grind of painful manual labor, household drudgery, darkness, isolation, and early death. Only one hundred years later, daily life had changed beyond recognition. Manual outdoor jobs were replaced by work in air-conditioned environments, housework was increasingly performed by electric appliances, darkness was replaced by light, and isolation was replaced not just by travel, but also by color television images bringing the world into the living room. Most important, a newborn infant could expect to live not to age forty-five, but to age seventy-two. The economic revolution of 1870 to 1970 was unique in human history, unrepeatable because so many of its achievements could happen only once.”

Robert J. Gordon (1940) American economist

Source: The Rise and Fall of American Growth, 2016, p. 1 ; Lead paragraph

Life, Death, Pain, War

“Darab Khan who had been sent with a strong force to punish the Rajputs of Khandela and to demolish the great temple of the place, attacked the place on the 8th March/5th Safar, and slew the three hundred and odd men who made a bold defence, not one of them escaping alive. [16 October 1678] The temples of Khandela and Sanula and all other temples in the neighbourhood were demolished…'On Sunday, the 25th May/24th Rabi. S., Khan Jahan Bahadur came from Jodhpur, after demolishing the temples and bringing with himself some cart-loads of idols, and had audience of the Emperor, who highly praised him and ordered that the idols, which were mostly jewelled, gold en, silver y, bronze, copper or stone, should be cast in the yard (jilaukhanah) of the Court and under the steps of the Jam'a mosque, to be trodden on. They remained so for some time and at last their very names were lost' [25 May 1679]…Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana's palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers Twenty machator Rajputs who were sitting in the temple vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images…..”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: “Darab Khan was sent with a strong force to punish the Rajputs of Khandela and demolish the great temple of that place.” (M.A. 171.) “He attacked the place on 8th March 1679, and pulled down the temples of Khandela and Sanula and all other temples in the neighbourhood.”(M.A. 173.) Sarkar, Jadunath (1972). History of Aurangzib: Volume III. App. V.
Quotes from late medieval histories, 1670s

Life, Strong, Fight, Age

“The basis of insincerity is the idealized image we hold of ourselves and wish to impose on others.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

July 1932 http://books.google.com/books?id=Ps_DtS_PFb4C&q=%22The+basis+of+insincerity+is+the+idealized+image+we+hold+of+ourselves+and+wish+to+impose+on+others%22&pg=PT141#v=onepage, The Diary Of Anaïs Nin, Volume One (1931-1934) Diary entries (1914 - 1974)

“Western field-work conjures up images of struggle on horseback […]—toughing it out on one canteen a day as you labor up and down mountains. The value of a site is supposedly correlated with the difficulty of getting there. This, of course, is romantic drivel. Ease of access is no measure of importance. The famous La Brea tar pits are right in downtown Los Angeles. To reach the Clarkia lake beds, you turn off the main road at Buzzard's Roost Trophy Company and drive the remaining fifty yards right up to the site.”

Stephen Jay Gould book Dinosaur in a Haystack

"Magnolias from Moscow", p. 403
Dinosaur in a Haystack (1995)

Angels, Mountain

“This is going to be an image for the history books. If you come, I believe this may, and it may be in 100 years from now or 200 years from now, I believe this will be remembered as the moment America turned the corner. I don't know how it works out. I don't know if it even works out in my lifetime. But I believe this is the pivot point. Be there, with your children.”

Glenn Beck (1964) U.S. talk radio and television host

The Glenn Beck Program
Premiere Radio Networks
2010-06-08
Beck believes that in 100 to 200 years, his 8-28 rally "will be remembered as the moment America turned the corner"
2010-06-08
Media Matters for America
http://mediamatters.org/mmtv/201006080027
on his Restoring Honor rally on 2010-08-28
2010s, 2010

Children, Books, History

“We have a God-given commission, but it is not a commission to be self-righteous know-it-alls- quite the contrary. Our work in God's world begins with the acknowledgment that we are not God, and that our most bitter rivals are made in God's image.”

John Danforth (1936) American politician

Page 166
Faith and Politics (2006)

God, World

“I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema … I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema.”

Michael Powell (1905–1990) English film director

Midi-Minuit Fantastique, Oct. 1968

Books, Education, Music, Way

“We comprehend… that nuclear power is a real danger for mankind, that over-crowding of the planet is the greatest danger of all. We have understood that the destruction of the environment is another enormous danger. But I truly believe that the lack of adequate imagery is a danger of the same magnitude. It is as serious a defect as being without memory. What have we done to our images? What have we done to our embarrassed landscapes? I have said this before and will repeat it again as long as I am able to talk: if we do not develop adequate images we will die out like dinosaurs.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Memory

“The picture of a naked girl is the most peaceful, but also the most unveiling image you can create, so it is very powerful. … We live in a patriarchal system where the female body is totally controlled and used. Women are ashamed of their bodies, and this is a deep problem. We are slaves of men because we do not control our sexuality.”

Oksana Shachko (1987–2018) Ukrainian artist and activist with FEMEN

Interview with Luxemburger Wort (2015)

Women, Men, Peace, Girl

“Everything passes.–
Only robust art is eternal.
The bust outlives the city.
And the simple coin
Unearthed by a peasant
Reveals the image of an emperor.”

Théophile Gautier (1811–1872) French writer

Tout passe.
L'art robuste
Seul a l'éternité,
Le buste
Survit à la cité.
Et la médaille austère
Que trouve un laboureur
Sous terre
Révèle un empereur.
All passes, art alone
Enduring stays to us;
The bust outlasts the throne, —
The coin, Tiberius.
"L'Art", line 41, in Émaux et Camées (1852; Genève: Librairie Droz, 1947) pp. 131-2; Dean de la Motte and Jeannene M. Przyblyski (eds.) Making the News (Amherst: University of Massachusetts Press, 1999) p. 144; Henry Austin Dobson "Ars Victrix", line 29, in The Complete Poetical Works of Austin Dobson (Whitefish, Montana: Kessenger, 2005) p. 142.

Art

“The water we hold sacred is not some abstract image or fantasy of Water, but the real stuff that we need to drink and bathe and grow our gardens, that provides the crucial habitat for fish and plants and thousands of other creatures, that is the Earth's literal life blood.”

Starhawk (1951) American author, activist and Neopagan

Toward an Activist Spirituality (2003)

Life, Drink, Fish, Water

“There was no city, no town, no village, no wood, where the temples of the gods were unbroken. When Sureshavari, varaha and others were broken, the world trembled, but not so the mind of the wicked king. He forgot his kingly duties and took delight day and night in breaking images.”

Sikandar Butshikan

Jonraj: Rajtarangini

God, World, Night

“The investigation of the form and brightness of the rings or rays surrounding the image of a star as seen in a good telescope, when a diaphragm bounded by a rectilinear contour is placed upon the object-glass, though sometimes tedious is never difficult. The expressions which it is necessary to integrate are always sines and cosines of multiples of the independent variable, and the only trouble consists in taking properly the limits of integration. Several cases of this problem have been completely worked out, and the result, in every instance, has been entirely in accordance with observation. These experiments… have seldom been made except by those whose immediate object was to illustrate the undulatory theory of light. There is however a case of a somewhat different kind; which in practice recurs perpetually, and which in theory requires for its complete investigation the value of a more difficult integral; I mean the usual case of an object-glass with a circular aperture. The desire of submitting to mathematical investigation every optical phænomenon of frequent occurrence has induced me to procure the computation of the numerical values of the integral that presents itself in this inquiry: and I now beg leave to lay before the Society the calculated table, with a few remarks upon its application.”

George Biddell Airy (1801–1892) English mathematician and astronomer

Star, Mathematics, Problem, Light

“The misnamed "feminine" woman, so admired by her creator, man — the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more — is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.”

Elizabeth Gould Davis book The First Sex

The First Sex, ch. 22 - Woman in the Aquarian Age (1971).

Idea, Reality, Rage, Help

“I begin a painting with a series of mistakes. The painting comes out of the correction of mistakes by feeling. I begin with shapes and colors which are not related internally nor to the external world; I work without images. Ultimate unifications come about through modulations of the surface by innumerable trials and efforts. The final picture is the process arrested at the moment when what I was looking for flashes into view.”

Robert Motherwell (1915–1991) American artist

Cconversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 94
after 1970

World, Color, Feeling, Effort

“Consider how one silently reads the following sentence: ‘The forest ranger did not permit us to enter the reserve without a permit’. Note that on its ﬁrst occurrence, the word ‘permit’ was (silently) pro-nounced with the stress on the second syllable (permit), hereas on its second occurrence the stress was on the ﬁrst syllable (permit)… The syntactic and semantic analysis required to determine the appropriate meaning of the word ‘permit’ must have taken place prior to the allocation of the stress pattern; and this in turn, must have taken place prior to the phonemic image entering awareness.”

Max Velmans (1942) British psychologist

Source: Is human information processing conscious?, 1991, p. 657; Cited in: Giorgio Marchetti, "A presentation of attentional semantics." Cognitive processing 7.3 (2006): 163-194.

Reading

““So, his Slavonic Majesty hires thieves to spy for him. Spying is such a foul business that I am surprised that even a good Angevin thief would stoop to it.” He turned to Lord Peter with a sudden realization. “I’m sorry,” he said. “I didn’t mean to imply—”
”That’s all right, Your Highness,” Lord Peter said. “It’s a common reaction. Their spies are dirty, filthy scum, not fit to wipe your boots on, while our spies are noble gentlemen doing dangerous work for the love of King and Country. Would that it were so, Your Highness, but I’m afraid that sometimes the desired image is at fault—in both directions.””

Michael Kurland book Ten Little Wizards

Source: Ten Little Wizards (1988), Chapter 4 (p. 33)

Love, Business, Country

“Man is not supposed to make life. Only God can make a tree. Why should you make a living organism? You should make images of living organisms. It seems presumptuous to attempt to make a thing which breathes and pulsates right there by itself. It's unnatural. What's inhuman about it is, the human way to create, I think, the way we see, from part to part. You do this and then you do that, then you do that and that. Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where even though you naturally have to paint, after all a painting is only a painting, the painting is always saying, what do you want from me, I can only be a painting, you have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point That's some kind of a leap.... I'm describing the process of painting.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 68/69

Life, God, Way, Idea

“I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So, I made boxes..”

Adolph Gottlieb (1903–1974) American artist

Variant: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Way, Christ, Box

“Refrain at all times such Foods as cannot be procured without violence and oppression. For know, that all the inferior Creatures when hurt do cry and send forth their Complaints to their Maker or grand Fountain whence they proceeded. Be not insensible that every Creature doth bear the Image of the great Creator according to the Nature of each, and that he is the Vital Power in all things. Therefore let none take pleasure to offer violence to that Life, lest he awaken the fierce wrath, and bring danger to his own Soul.”

Thomas Tryon (1634–1703) British hat maker

Wisdom's Dictates http://tei.it.ox.ac.uk/tcp/Texts-HTML/free/A63/A63820.html, London, 1691, §§ 39–42.

Life, Pleasure, Food, Soul

“Utilitarianism had found [ in Samuel Smiles’ Self-Help] its portrait gallery of heroes, inscribed with a vigorous exhortation to all men to strive in their image; this philistine romanticism established the bourgeois hero-prototype—the penniless office-boy who works his way to economic fortune and this wins his way into the mercantile plutocracy.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 12

Men, Smile, Way, Boy

“I can no longer think what I want to think. My thoughts have been replaced by moving images.”

Georges Duhamel book Scènes de la vie future

Scènes de la vie future (1930), p. 52

Thinking

“Let us watch this de Kooning [leading Abstract-Expressionist painter in New York] with his prematurely white hair making his great sleepwalker's movements, as though he was waiting in a dream to open bays of Biscay, to explode islands like pieces of orange or Parma violets, to tear continents from a cerulean blue split by oceans of Naples yellow.... if by good or by ill fortune, in the middle of this Dionysian demiurg the image of 'The Eternal Feminine should appear.. the least that might have happened to her would be that she should emerge (from all this chaos) wearing nothing but a little make-up.”

Salvador Dalí (1904–1989) Spanish artist

Dali's comment on the 'Woman-paintings', c. 1960 [a.o. Woman-III ] of the American abstract-expressionist painter Willem de Kooning: (MPC 75); as cited in Dali and Me, Catherine Millet, (translated by Trista Selous), Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 135
Quotes of Salvador Dali, 1951 - 1960

Dreams, Tear, Appearance, Waiting

“The Lord commands us to do good unto all men without exception, though the majority are very undeserving when judged according to their own merits. But scripture here helps us out with an excellent argument when it teaches us that we must not think of man’s real value, but only of his creation in the image of God to which we owe all possible honor and love.”

John Calvin (1509–1564) French Protestant reformer

Page 37.
Golden Booklet of the True Christian Life (1551)

Love, Men, God, Thinking

“This is the archetypal suburban-conservative nightmare — anonymous hordes of leftist boat-rockers viciously assaulting the champion of the decent people, who is just a really nice guy given to tending his lawn and minding his own business. Being "nice" is a central part of the Brooks yuppie's guilt-proofing self-image rationale; so long as you're the kind of guy who lets people merge on highways, stands politely in line at Starbucks, doesn't put garish Christmas decorations on his lawn and pays his taxes, you're not really doing anything wrong. It gets a little tiring after a while, hearing people who vote for wars tell you how nice they are.”

Matt Taibbi (1970) author and journalist

"David Brooks and the DLC: Best Friends Forever?", AlterNet (3 August 2006)

War, People, Guy, Business

“It's a natural achievement,
Conquering my homework
With her image pounding in my brain.
She's an inspiration
For my graduation,
And she helps to keep the classroom sane.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Teacher I Need You
Song lyrics, Don't Shoot Me I'm Only the Piano Player (1973)

Nature, Help

“Third World elections provide an excellent testing ground for a propaganda model. Some elections are held in friendly client states to legitimize their rulers and regimes, whereas others are held in disfavored or enemy countries to legitimize their political systems. […] the United States organized what have been called “demonstration elections” in its client states, defined as those whose primary function is to convince the home population that the intervention is well intentioned, that the populace of the invaded and occupied country welcomes the intrusion, and that they are being given democratic choice. The elections in El Salvador in 1982 and 1984 were true demonstration elections, and those held in Guatemala in 1984-85 were strongly supported by the United States for image-enhancing purposes. The elections held in Nicaragua in 1984, by contrast, was intended to legitimize a government that the Reagan administration was striving to destabilize and overthrow. The U. S. government therefore went to great pains to cast the Nicaraguan election in an unfavorable light.”

Edward S. Herman book Manufacturing Consent: The Political Economy of the Mass Media

Source: Manufacturing Consent, with Noam Chomsky, 1988, pp. 87-88.

Pain, World, Home, Support

“In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves, and rise from the perusal, our mind filled with the busiest, kaleidoscopic dance of images, incapable of sleep or of continuous thought. The words, if the book be eloquent, should run thenceforward in our ears like the noise of breakers, and the story, if it be a story, repeat itself in a thousand coloured pictures to the eye.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

A Gossip on Romance http://pages.prodigy.net/rogers99/rls_gossip_on_romance.html, printed in Longman's Magazine (November 1882).

Books, Sleep, Reading, Dance

“Obviously, the intention was not to go back to images traditionally valued as worthy or holy images and shapes, but exactly the opposite; its main purpose had to be, to realise as sacred art anything which so far had been regarded as of little value and pitiful.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1988
1981 - 1990
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 38

Art, Quotes

“Man created in the divine image, the protagonist of a great drama in which his soul was at stake, was replaced by man the wealth-seeking and –consuming animal.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), p. 6.

Soul, Animals, Wealth

“On the other end of this process, there are the finished forms which I sometimes portray at night with sporadic illumination. The obscurity isolates them and the light accentuates their volumes. My focus is on creating images of the buildings which have a sense of being unreal and that have a certain autonomy. Small and big parts of the building can now stand on their own and become independent characters.”

Hélène Binet (1959) Swiss photographer

In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012

Sense, Light, Parting, Night

“One of the many problems with the American left, and indeed of the American left, has been its image and self-image as something rather too solemn, mirthless, herbivorous, dull, monochrome, righteous, and boring. How many times, in my old days at The Nation magazine, did I hear wistful and semienvious ruminations? Where was the radical Firing Line show? Who will be our Rush Limbaugh? I used privately to hope that the emphasis, if the comrades ever got around to it, would be on the first of those and not the second. But the meetings themselves were so mind-numbing and lugubrious that I thought the danger of success on either front was infinitely slight.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html
2000s, 2004

Hope, Problem, Time, Success

“Love alone was left, as a great image of a dream that was erased.”

Alphonse de Lamartine (1790–1869) French writer, poet, and politician

The Valley (1820), st. 9

Love, Dreams

“Jahangir, when a prince, at one time intended demolishing some of the Hindu temples at Banaras but desisted there from on Man Singh's intervention. In his reign conversions to Islam were encouraged, conversions back from Islam to Hinduism were punished. When he visited Kangra, he celebrated the Muslim occupation of the fort by desecrating its famous temple. At Pushkar he broke the image of Varaha and a bull was sacrificed to signify the victory of Islam over idolatry.”

Jahangir (1569–1627) 4th Mughal Emperor

Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 2

Time, Victory

“Here the reason
no less than all separate acts
Must give way,
For our powers become simple in Love;
They are silent
And In the most secret part of the understanding, the simple eye is ever open. It contemplates and gazes at the Light with a pure sight that is lit by the Light itself: eye to eye, mirror to mirror, image to image. The sight of the simple eye is a living mirror bowed down in the Presence of the Father.
And this revelation of the Father
Lifts the soul above the reason
Into the Imageless Nudity.
There the soul is simple, pure, spotless,
Empty of all things;
And it is in this state of perfect emptiness
That the Father manifests His Divine radiance.
To this radiance neither reason nor sense,
Observation nor distinction,
Can attain.
All this must stay below;
For the measureless radiance
Blinds the eyes of the reason,
They cannot bear the Incomprehensible Light.
But above the reason,
In the most secret part of the understanding,
The simple eye is ever open.
It contemplates and gazes at the Light
With a pure sight that is lit by the Light itself:
Eye to eye,
Mirror to mirror,
Image to image.
This threefold act makes us like God,
And unites us to Him;
For the sight of the simple eye is a living mirror,
Which God has made for His image,
And whereon He has impressed it.”

John Ruysbroeck (1293–1381) Flemish mystic

A Mirror of Eternal Blessedness

Love, God, Secret, Way

“I have often asked myself whether, given the choice, I would choose to have manic-depressive illness. … Strangely enough, I think I would choose to have it. It's complicated. Depression is awful beyond words or sounds or images … So why would I want anything to do with this illness? Because I honestly believe that as a result of it I have felt more things, more deeply; had more experiences, more intensely; … worn death 'as close as dungarees', appreciated it - and life - more; seen the finest and most terrible in people … But, normal or manic, I have run faster, thought faster, and loved faster than most I know. And I think much of this is related to my illness - the intensity it gives to things”

Kay Redfield Jamison (1946) American bipolar disorder researcher

An Unquiet Mind

Love, Life, Death, People

“I don't crop. Photography is like diamond cutting. If you miss you miss. There is no difference with painting. If you don't cut you have to accept the whole image. You wait until life is in the frame, then you have the permission to click. I like the adventure of waiting until the whole frame is full.”

Robert Rauschenberg (1925–2008) American artist

1980's, I don't necessarily desire a perfect photography,' 1981

Life, Waiting, Painting

“Rabbi Daniel Lapin: Here's a really blunt question: would the world be a better or a worse place if a billion Muslims became evangelical Christians tomorrow?
Penn: [long pause] Everything else being equal, I think "yes".
Rabbi Daniel Lapin: Then we agree.
Penn: The argument is made by me that the celebration of faith, the glorification of faith, and faith being defined as The Bible kind of does as belief without proof, is not something that I feel is good to celebrate. To answer the question about evil, I always find that evil takes responsibility away. I want to have—whether it’s me or whether it's a criminal—I want to have full responsibility of my mistakes. And I think when you have this image, whether it's the Disney image of devil Pluto and angel Pluto on your shoulders, pulling you one direction or another, I think that idea of evil is an idea that is anti-responsibility.”

Penn Jillette (1955) American magician

The Glenn Beck Program, April 12, 2013. Edited, including omission of some non-germane remarks. YouTube https://www.youtube.com/watch?v=xJk0XFlErTA 2010s

World, Faith, Angels, Feeling

“The term spirituality is misleading. It gives the impression that we are concerned only with the soul and its activities like prayer and contemplation. The realm of the spirit is thought of as distinct from the material realm, the realm of work, of science and economics. Underlying this dichotomy is the Greek understanding of the human person as a composite of soul and body or as a soul temporarily housed in the body. The classical example of this is Plato’s image of the human person as the charioteer in the chariot.”

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, K. (ed) (2006) Life in Abundance: Indian Christian Reflections on Spirituality. Mumbai: St Pauls
On Spirituality

Soul, Understanding, Science, Housing

“My paintings are always images of my whole psychic makeup. You cannot deny yourself. You ask, am I painting myself? I'd been a swindler if I did otherwise. I'd be denying my existence as an artist. I've been also asked, what do you want to convey? And I say, nothing but my own nature... I am nothing but an optimist.”

Hans Hofmann (1880–1966) American artist

1960s
Source: Hofmann, in Ashton, (1960's) Twetieth Century Artists on Art, 218

Nature, Painting

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Art, Way, Feeling, Idea

“A word says more than a thousand images. Exercises for the visually inclined: illustrate "appreciation", "humor", "software", "education", "inalienable rights", "elegance", "fact."”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Emacs inferior to XEmacs? http://groups.google.com/group/comp.unix.programmer/msg/716a6bf5d03226a1 (Usenet article). Usenet articles, Miscellaneous

Education, Exercises

“A small beginning has led us to a great ending. If I were to put the bit of chalk with which we started into the hot but obscure flame of burning hydrogen, it would presently shine like the sun. It seems to me that this physical metamorphosis is no false image of what has been the result of our subjecting it to a jet of fervent, though nowise brilliant, thought to-night. It has become luminous, and its clear rays, penetrating the abyss of the remote past, have brought within our ken some stages of the evolution of the earth. And in the shifting "without haste, but without rest" of the land and sea, as in the endless variation of the forms assumed by living beings, we have observed nothing but the natural product of the forces originally possessed by the substance of the universe.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

1860s, On a Piece of Chalk (1868)

Nature, Universe, Sun, Past

“Having finished his argument Stephen walked on in silence. He felt Cranly's hostility and he accused himself of having cheapened the eternal images of beauty. For the first time, too, he felt slightly awkward in his friend's company and to restore a mood of flippant familiarity he glanced up at the clock of the Ballast Office and smiled:”

James Joyce book Stephen Hero

It has not epiphanised yet, he said.
Stephen Hero (1944)

Hostility, Smile, Beauty, Mood

“Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.”

Marcel Marceau (1923–2007) French mime and actor

US News & World Report (23 February 1987)

Music, Mood

“The abstracts are the opposite to work on. That process is more like walking, step by step, without an intention, until you discover where you are going. When I paint a landscape from a photograph or an image like this one, I can see the end point before I start, although in fact it always turns out slightly different than I imagined. What I have is not facility, because this really doesn't take skill. I have an eye. I couldn't make a drawing of you sitting here right now. I would love to have that ability, in the same way that I would love to play the piano. Virtuosity is a precondition for pianists, but in addition you have to be good. These are not the same thing.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, Way, Imagination, Drawing

“Florentine was now no more than a bright patch on the platform. He managed to see her take out her compact and wipe away the few traces of her tears. He closed his eyes and, as if he were already very far away, cherished that image of Florentine and her powder puff. Then he searched the crowd one last time for her thin, small face and her burning eyes. But she had already turned her back to leave before the train was out of sight.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P.379

Search, Tear, Time, Training

“… Assad’s survival—if Saddam Hussein’s murderous rampage in 1991 is any indication—will without a shadow of a doubt translate into hundreds of thousands of Syrian dead, mostly butchered after his victory has been assured. The comparison comes to mind because the two Ba’thi regimes of Saddam Hussein and Bashar Assad bear an unmistakable resemblance—they are mirror images of one another, one might say. Both are minority dominated, single party regimes originating in the same quasi-fascist pan-Arab ideology built on the principle that any form of disagreement is an act of “betrayal” to the “revolution.””

Kanan Makiya (1949) American orientalist

"Intervention In Syria is a Moral and Human Imperative", New Republican (February 24, 2012)

Betrayal, Victory, Dead

““…Mas‘ud hunted through the country around Bahraich, and whenever he passed by the idol temple of Suraj-kund, he was wont to say that he wanted that piece of ground for a dwelling-place. This Suraj-kund was a sacred shrine of all the unbelievers of India. They had carved an image of the sun in stone on the banks of the tank there. This image they called Balarukh, and through its fame Bahraich had attained its flourishing condition. When there was an eclipse of the sun, the unbelievers would come from east and west to worship it, and every Sunday the heathen of Bahraich and its environs, male and female, used to assemble in thousands to rub their heads under that stone, and do it reverence as an object of peculiar sanctity. Mas‘ud was distressed at this idolatry, and often said that, with God’s will and assistance, he would destroy that mine of unbelief, and set up a chamber for the worship of the Nourisher of the Universe in its place, rooting out unbelief from those parts…
“Meanwhile, the Rai Sahar Deo and Har Deo, with several other chiefs, who had kept their troops in reserve, seeing that the army of Islam was reduced to nothing, unitedly attacked the body-guard of the Prince. The few forces that remained to that loved one of the Lord of the Universe were ranged round him in the garden. The unbelievers, surrounding them in dense numbers, showered arrows upon them. It was then, on Sunday, the 14th of the month Rajab, in the aforesaid year 424 (14th June, 1033) as the time of evening prayer came on, that a chance arrow pierced the main artery in the arm of the Prince of the Faithful…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Awadh (Uttar Pradesh), Mir‘at-i-Mas‘udi in Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Love, God, Faith, Universe

“To answer your first question - most significantly the [ Federal Art Project ] project was my training ground in the real sense of the word. I feel very strongly about this. We were all poor, or most of us, and to have the time and opportunity to continue working - I was then in my twenties which is the important period - the crucial period for the young painter. This was most important and figures significantly in my own development. Although I feel that my personal image as a painter did not come about until I began my easel painting with personal imagery which was about 1941. The project kept me alive and working - it was my education.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

Education, Art, Feeling, Question

“You are not your cluster of memorized ideas about yourself. Awareness of this dissolves both the cluster and the belief that others can control you. If you have a self-image of being a desirable person, others can control you by flattering it, but can they control if you have no such image?”

Vernon Howard (1918–1992) American writer

Esoteric Mind Power

Idea, Personality

“I think it was when I got to the butterflies -- in that brief, beautiful image comprising life, death and technology -- that the hair on the back of my neck began to stand on end. All at once, the pleasure I took in reading was altered irrevocably. Before then I had never noticed, somehow, that stories were made not of ideas or exciting twists of plot but of language. And not merely of pretty words and neat turns of phrase, but of systems of imagery, strategies of metaphor.”

Michael Chabon (1963) Novelist, short story writer, essayist

Close Encounters http://www.washingtonpost.com/ac2/wp-dyn/A62470-2002Apr4, Washington Post (April 7, 2002) On reading Rocket Man by Ray Bradbury

Life, Death, Pleasure, Beauty

“Our image has undergone change from David fighting Goliath to being Goliath.”

Yitzhak Shamir (1915–2012) prime minister of Israel

Daily Telegraph London, (25 January, 1989).

Change, Fight

“I find it nearly impossible free ice to write about jeep axle my work. The concept I plantatarium struggle to deal with ketchup is opposed to the logical continuity lift tab inherent in language horses and communication. My fascination with images open 24 Hrs. is based on the complex interlocking of disparate visual facts heated pool that have no respect for grammar. The form then Denver 39 is second hand to nothing. The work then has a chance to electric service become its own cliche. Luggage. This is the inevitable fate fair ground of any inanimate object Freight-ways by this, I mean anything that does not have inconsistency as a possibility built-in..”

Robert Rauschenberg (1925–2008) American artist

Quote from 'Note on Painting', Robert Rauschenberg, in Pop Art Redefined, October/November 1963, J. Rusell and Suzi Gablik, Praeger Publishers, New York, 1969
1960's

Fate, Way, Communication, Chance

“It saddens me a great deal that, you know, so many kids turn around and say, 'My dad doesn't want me doing this.' It's this terrible image that some people have got of 'My son's going to dance' and 'Oh, my God, is he gay?' No. 1, if he is gay, then still be proud of him. What's wrong with being gay in this day and age? But No. 2, don't just associate dance with being gay. It's just so wrong, you know?”

Nigel Lythgoe (1949) Executive producer and television director

God, People, Age, Dance

“[R]adical Islam is heir, above all, to Nazism. The destruction of the World Trade Center was meant not only to wreak terror. Like the smashing of the Bamiyan Buddhas, it was meant to obliterate greatness and beauty, elegance and grace. These artifacts represented civilization embodied in stone or steel. They had to be destroyed. This worship of death and destruction is a nihilism of a ferocity unlike any since the Nazis burned books, then art, then whole peoples. Goebbels would have marvelled at the recruitment tape for al Qaeda, a two-hour orgy of blood and death: image after image of brutalized Muslims shown in various poses of victimization, followed by glorious images of desecration of the infidel-mutilated American soldiers in Somalia, the destruction of the USS Cole, mangled bodies at the American embassies in Kenya and Tanzania.”

Charles Krauthammer (1950–2018) American journalist

2000s, 2001, The Enemy is not Islam. It is Nihilism (2001)

Death, People, Books, World

“The fundamental thesis of ordinary conventionalism, represented for instance by Poincare, states that there are problems which cannot be solved by appeal to experience unless one introduces a certain convention, since only such a convention, together with experimental data, makes it possible to solve the problem in question. The judgements which combine to make up such a solution are thus not forced on us by empirical data alone, but their adoption depends partly on our recognition, since the said convention which co-determines the solution of the problem can be arbitrarily changed by us so that as a result we obtain different judgements.
In the present paper it is my intention to make that thesis of ordinary conventionalism more general and more radical. Namely, we want to formulate and to prove the theorem that not only some, but all the judgements which we accept and which combine to make up our image of the world are not univocally determined by empirical data, but depend on the choice of the conceptual apparatus by means of which we make mappings of those empirical data. We can, however, choose this or that conceptual apparatus, which will change our whole image of the world.”

Kazimierz Ajdukiewicz (1890–1963) Philosopher, logician

Kazimierz Ajdukiewicz, "Das Weltbild und die Begriffsapparatur", in Erkenntnis, 1934, Vol. 4, p. 259; as cited in: Schaff (1962;81-82)

World, Question, Problem, Change

“Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

History, Literature, Idea, Learning

“I've said many times that you can't stop science… God made man in his own image. God intended for man to become one with God. We are going to become one with God. We are going to have almost as much knowledge and almost as much power as God. Cloning and the reprogramming of DNA is the first serious step in becoming one with God.”

Richard Seed (1928) American physicist and entrepreneur

National Public Radio (1998-01-07)

God, Knowledge, Science, Time

“All there is, Consciousness. And the mind is merely a reflection of that Consciousness. Mind is a collection of thoughts which arise and are not disposed of, they are collected. Mind is merely a collection of thoughts, or a collection of impressions which makes up this "me," this self image. That image is made up of various thoughts and impressions not all the thoughts and impressions, but only selected thoughts and impressions. Therefore, the "me" as a self-image is an inaccurate image."”

Ramesh Balsekar (1917–2009) Indian guru

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12 Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert) 1794 - 1840

Life, God, Children, Peace

“Yet the fact remains that there is a dream reality with a "structure," "landscape" and images that appear to be made of matter -- but matter that obeys different rules than those with which we are familiar. Dreams are not just psychological events. There is a dimension of reality (an "objective" dimension, if you prefer), in which all dream events happen. There are rules: Seth calls them root-assumptions that operate in all realities, our own included. We have to learn what root-assumptions govern dream reality.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 195

Dreams, Reality, Learning, Appearance

“Well I think it [a 'Little Image' painting] does suggest hieroglyphics of some sort. It is a preoccupation of mine from way back and every once in a while it comes into my work again. For instance in my 1968 show at the Marlborough I have a painting called 'Kufic', an ancient form of Arabic writing. Every once in a while I fall back to what I call my mysterious writings. I haven no idea what this is about but it runs through periods of my work.”

Lee Krasner (1908–1984) American artist

Source: Art Talk, Conversations with 15 woman artists 1975, p. 78.

Way, Idea, Thinking, Painting

“That is what he used to do, what he is doing now for the last hears. He is the only painter who paints like that.... like the wind, like the ocean, like the light, like the sunlight, like the moonlight, far away from everything, without any image..”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

quotes from Appel's poem '..and now I want to talk about Willem de Kooning, February 1990 http://beeldgedicht.info/Reprocitaat/appel-kooning.htm

Light, Painting

“I realized that the image I had been given by my teachers, the scientists.... by their way of looking at Nature, was just another stage setting with all the magnificence and ingenuity that the genius of any artist produces in a work of art. I realized that in my scientific journey I had been under the power of a magic spell of a work of art whose reality was just as true as the verity of the image in an artist's vision.”

Naum Gabo (1890–1977) Russian sculptor

Quote from Of divers arts, (1962), p. 21; as cited in International Handbook on Giftedness, Larisa V. Shavinina (2009), p. 862
undated

Art, Way, Nature, Reality

“He only half dies who leaves an image of himself in his sons.”

Carlo Goldoni (1707–1794) Italian playwright and librettist

Muore per metà chi lascia un' immagine di se stesso nei figli.
II. 2.
Pamela (c. 1750)

“In our Post era, a new phenomenon has emerged expressing this new associative will of the species: I mean the super-networks of communication [Internet]. On this I conceive two images, one enthusiast and another disappointed: I see Gea as a body (the Biosphere) and as a mind or spirit (the Exosphere); the human creatures would be the neurons and the electronic networks the dendrites. Okay, an autistic geopsychology, full of traumas, and other psych pathologies. But let's not say that we already lack the means to understand each other.”

Jorge Majfud (1969) Uruguayan-American writer

Critica de la pasión pura (1998)

Disappointment, Communication, Understanding

“That original intelligence, say the MAGIANS, who is the first principle of all things, discovers himself immediately to the mind and understanding alone; but has placed the sun as his image in the visible universe; and when that bright luminary diffuses its beams over the earth and the firmament, it is a faint copy of the glory which resides in the higher heavens. If you would escape the displeasure of this divine being, you must be careful never to set your bare foot upon the ground, nor spit into a fire, nor throw any water upon it, even though it were consuming a whole city. Who can express the perfections of the Almighty? say the Mahometans. Even the noblest of his works, if compared to him, are but dust and rubbish. How much more must human conception fall short of his infinite perfections? His smile and favour renders men for ever happy; and to obtain it for your children, the best method is to cut off from them, while infants, a little bit of skin, about half the breadth of a farthing. Take two bits of cloth, say the Roman catholics, about an inch or an inch and a half square, join them by the corners with two strings or pieces of tape about sixteen inches long, throw this over your head, and make one of the bits of cloth lie upon your breast, and the other upon your back, keeping them next your skin: There is not a better secret for recommending yourself to that infinite Being, who exists from eternity to eternity.”

David Hume The Natural History of Religion

Part VII - Confirmation of this doctrine
The Natural History of Religion (1757)

Men, Children, Lie, Secret

“My Kelvin decides to stay on the planet without any hope whatsoever while Tarkovsky created an image where some kind of an island appears, and on that island a hut. And when I hear about the hut and the island I'm beside myself with irritation… This is just some emotional sauce into which Tarkovsky has submerged his heroes, not to mention that he has completely amputated the scientific landscape and in its place introduced so much of the weirdness I cannot stand. […]”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Hope, Appearance

“A cross borne in simplicity, without the interference of self-love to augment it, is only half a cross. Suffering in this simplicity of love, we are not only happy in spile of the cross, but because of it; for love is pleased in suffering for the Well Beloved, and the cross which forms us into His image is a consoling bond of love.”

François Fénelon (1651–1715) Catholic bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 169.

Love, Suffering, Happiness

“I could only relate to a dead image of the person I could love. The image of my dead grandfather would be the model of him at his most striking in my mind. It seems necessary for them to have been dead in order that I could express those feelings which were the feelings I held sacred for my grandfather … it was a pseudo-sexual, infantile love which had not yet developed and matured. The sight of them [my victims] brought me a bitter sweetness and a temporary peace and fulfillment.”

Dennis Nilsen (1945–2018) British serial killer

As quoted by Brian Masters (2011), Killing for Company, Random House, p. 189, ISBN 1446428737

Love, Peace, Feeling, Personality

“Well, moving swiftly sideways into cognitive neuroscience…In the past twenty years we’ve made huge strides, using imaging tools, direct brain interfaces, and software simulations. We’ve pretty much disproved the existence of free will, at least as philosophers thought they understood it. A lot of our decision-making mechanics are subconscious; we only become aware of our choices once we’ve begun to act on them. And a whole lot of other things that were once thought to correlate with free will turn out also to be mechanical. If we use transcranial magnetic stimulation to disrupt the right temporoparietal junction, we can suppress subjects’ ability to make moral judgements; we can induce mystical religious experiences: We can suppress voluntary movements, and the patients will report that they didn’t move because they didn’t want to move. The TMPJ finding is deeply significant in the philosophy of law, by the way: It strongly supports the theory that we are not actually free moral agents who make decisions—such as whether or not to break the law—of our own free will.
“In a nutshell, then, what I’m getting at is that the project of law, ever since the Code of Hammurabi—the entire idea that we can maintain social order by obtaining voluntary adherence to a code of permissible behaviour, under threat of retribution—is fundamentally misguided.” His eyes are alight; you can see him in the Cartesian lecture-theatre of your mind, pacing door-to-door as he addresses his audience. “If people don’t have free will or criminal intent in any meaningful sense, then how can they be held responsible for their actions? And if the requirements of managing a complex society mean the number of laws have exploded until nobody can keep track of them without an expert system, how can people be expected to comply with them?”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 26, “Liz: It’s Complicated” (pp. 286-287)

People, Law, Way, Idea

“After a long time the great and awful Name was forgotten and the people, men, women and children, only recognized an image of wood or stone and the temple of wood or stone which they had been brought up from infancy to serve by bowing down.”

Maimónides book Mishneh Torah

“Idolatry,” H. Russell, trans. (1983), p. 72
Mishneh Torah (c. 1180)

Women, Men, Children, People

“The images of mankind have become the most basic thing about them. And they're all software, and disembodied.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 346

“Prehistoric images speak to us more evocatively than any other element of the archeological record: colorful, vibrant paintings of horses, of bison, of a panoply of animals and humans that often seem alive and in motion. And yet there is a dimension of unreality about them… The images seem plucked from life… often arranged chaotically to our eye, frequently superimposed… sometimes apparently incomplete. …There is an enigma in these images, a profound challenge to our understanding of the past.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Life, Color, Understanding, Past

“The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.... to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from his 'Memoirs', 1967; as cited in 'Torso of the Destroyed City' http://www.zadkine.paris.fr/en/oeuvre/torso-destroyed-city, Musée Zadkine Zadkine recounts the violence of the impressions which he felt then; the first draft for a monument to the 'Destroyed City', was broken in transport. A new version of a 'projected monument for a bombed city' was produced in 1947 1960 - 1968

Soul

“[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 22 as cited in: Robert A. Solo (1994) " Kenneth Ewart Boulding: 1910-1993. An Appreciation http://www.jstor.org/stable/4226892". In: Journal of Economic Issues. Vol. 28, No. 4 (Dec., 1994), pp. 1187-1200

World, Behavior, Sense

“So many really divine individuals humanity has not already produced! Heros in the moral sense, who never got tired to practice renouncement and charity; bright intelligences who opened to the mind new ways and horizons; poets and wonderful artists, who created for him the image of an ideal world, the reflect of perfection. These are as many proofs of the presence of the absolu in the midst of humanity, for him that does not discover the immediate proof of that in himself.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 44.

World, Way, Intelligence, Sense

“The Churchyard abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo.”

Samuel Johnson (1709–1784) English writer

The Life of Gray
Lives of the English Poets (1779–81)

“Or take the case of Suhabhatta, the chief minister of Sikandar Butshikan of Kashmir (1389-1413 AD). Suhabhatta who had renounced his ancestral faith for Islam is known as Suha in the Rajataringini of Jonaraja. This historian of Kashmir records: “Instructed by mlechhas, (Suha) instigated the king to break down the images of Gods. The king forgot his kingly duties and took a delight day and night in breaking images… He broke the images of Martanda, Vishaya, Isana, Chakravarati and Tripuresvara… There was no city, no town, no village, no wood where Suha and the Turushka left the temples of Gods unbroken.”

Sikandar Butshikan

Jonraja, quoted in Sita Ram Goel: The Story of Islamic Imperialism in India.

God, Faith, Night

“And now, at the end of the twentieth century, with the pressure of modern information and the advances of data processing, graphics is passing through a new and fundamental stage. The great difference between the graphic representation of yesterday, which was poorly dissociated from the figurative image, and the graphics of tomorrow, is the disappearance of the congential fixity of the image.
When one can superimpose, juxtapose, transpose, and permute graphic images in ways that lead to groupings and classings, the graphic image passes from the dead image, the 'illustration,' to the living image, the widely accessible research instrument it is now becoming. The graphic is no longer only the 'representation' of a final simplification, it is a point of departure for the discovery of these simplifications and the means for their justification. The graphic has become, by its manageability, an instrument for information processing.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 4

Way, Departure, Dead

“The social system tends to be dominated by images… especially of the future, which act cybernetically, constantly guided by perceived divergences between the real and the ideal”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Toward a General Social Science, 1974, p. vii as cited by Debora Hammond (1995) "Perspectives from the Boulding files". In: Systems Research Vol. 12 No. 4, p. 281-290

Future

“[My audiences] discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones ‘dance’ in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes … Do not be alarmed! Your ears are not behaving strange or being damaged! … these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception… I want to release this music which is produced by the listener…”

Maryanne Amacher (1938–2009) Composer and installation artist

Quoted in: " Maryanne Amacher, Synaptic Island http://datagarden.org/5483/maryanne-amacher-synaptic-island/," on datagarden.org, 2015.

Music, Nature, Dance

“If God be God and man a creature made in image of the divine intelligence, his noblest function is the search for truth.”

Morris West (1916–1999) Australian writer

The Heretic (1968)

God, Truth, Search, Intelligence

“The image titled “The Homeless, Psalm 85:10,” featured on the cover of ELEMENTAL, can evoke multiple levels of response. They may include the spiritual in the form of a studied meditation upon the multidimensional qualities of the painting itself; or an extended contemplation of the scripture in the title, which in the King James Bible reads as follows: “Mercy and truth are met together; righteousness and peace have kissed each other.” The painting can also inspire a physical response in the form of tears as it calls to mind its more earth-bound aspects; namely, the very serious plight of those who truly are homeless in this world, whether born into such a condition, or forced into it by poverty or war.”

Aberjhani (1957) author

(The Homeless, Psalm 85:10, p. 111).
Book Sources, ELEMENTAL, The Power of Illuminated Love (2008)

War, Truth, World, Peace

“And I tell you that whether or not these projection images are hallucinations, they can be dangerous and you must respect the reality in which they exist. I want to be sure that you realize that some of these constructions will belong to other systems. You are safe as long as you do not meddle. You may explore, and freely, and that is all.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 334, quoting from Session 265

Reality

“A century and a half after its birth, the modern business corporation, an artificial person made in the image of a human psychopath, now is seeking to remake real people in its image.”

Joel Bakan (1959) Canadian writer, musician, filmmaker and legal scholar

Source: The Corporation: The Pathological Pursuit of Profit and Power (2004), Chapter 5, Corporations Unlimited, p. 135

People, Birth, Business, Personality

“You could waste years arguing. All I had to do was make one [image] and ask: 'Do I like that?' 'Is there anything to say there?' 'Does that thing have any presence' 'Does it really matter that it looks bluer now, because it is late afternoon? Earlier this morning it looked quite white.' 'Is that an interesting experience to have?' To me, the answer was yes.”

Robert Rauschenberg (1925–2008) American artist

on his 'White Paintings'
1960's, I never thought of it as much of an ability,' (1968)

Painting

“Still more serious was the emergence of an insidious image of Hindu personality as a direct result of this loss of the national perspective on Indian history. In due course, most Hindus, particularly the English-educated Hindu elite, have been made to believe that a Hindu is not true to himself nor to his religion and culture unless he 1) honours as his own heroes all those invaders and crusaders who demolished his temples, desecrated the images of his Gods and Goddesses, burnt his Shãstras, humiliated his holy men, dishonoured his women, pillaged his property, massacred his countrymen en masse, sold his children into slavery, trampled upon every symbol of his religion and culture, and coerced his co-religionists to swear by an aggressive and intolerant dogma glorified as the Kalima; 2) shows reverence for an ideology of calculated and cold-blooded gangesterism masquerading as the only true religion; 3) pays homage to all those pretenders, scoundrels, and hoodlums which this ideology presents as its sufis, saints and heroes; 4) practises patience and tolerance towards those who vow openly and work ceaselessly to destroy his religion and culture, and to take forcible possession of his homeland; and 5) is always prepared to surrender everything he possesses or cherishes in order to avoid violence and bloodshed.”

Sita Ram Goel (1921–2003) Indian activist

History of Heroic Hindu Resistance to Early Muslim Invaders (1984; 2001)

Women, Men, God, Children

“Bernard Mickey Wrangle had developed a psychological test of his own. It was short, simple, and infallible. To administer the test, merely ask the subject to name his or her favorite Beatle. If you are at all familiar with the distinct separate public images of the four Beatles, then you'll recognize that the one chosen reveals as much about the subject's personality as most of us will ever hope to know.”

Tom Robbins book Still Life with Woodpecker

Still Life with Woodpecker (1980)

Hope, Personality

“It (the fetus) is strongly aware of your feelings toward it. At times the personality traits that it had earlier color this perception. It pushes these aside impatiently. It has mental images of its own probable future, and parts of it do become frightened at times, to relinquish old adult powers for an infant's helplessness.”

Jane Roberts (1929–1984) American Writer

Session 499, Page 380
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9

Color, Feeling, Time, Future

“The space began to move around them as the being on her plinth receded. The splintered world hurtled toward them as though they were in a kaleidoscope, images whirling to join, spinning outward to disintegrate, vortices of jagged light, horizons of endless time, pinwheels of splendor that rushed at them and receded through which they heard the small god cry, "You will not see me soon again. It is not fitting that gods, however small, consort casually with their servants. I leave you as Guardians for all that live on this world."”

Sheri S. Tepper (1929–2016) American fiction writer

The small god in Ch. 44 : the visitor (p. 465)
The Visitor (2002)

God, World, Light, Time

“While the film Life of Christ was rolling past before my eyes I was mentally visualizing the gods, Shri Krishna, Shri Ramachandra their Gokul and Ayodhya.. I was gripped by a strange spell. I bought another ticket and saw the film again. This time I felt my imagination taking shape in the screen. Could this really happen? Could we the sons of India, ever be able to see Indian images on the screen. The whole night passed in this mental agony.”

Dadasaheb Phalke (1870–1944) Indian producer-director-screenwriter

After watching the film The Life of Christ in 1910 quoted in *[Ganti, Tejaswini, Bollywood: A Guidebook to Popular Hindi Cinema, http://books.google.com/books?id=2GAdCp1VAf0C&pg=PA8, 5 March 2013, Routledge, 978-1-136-84929-9, 92]
Quote

Life, God, Imagination, Time

“Ford was of the first order of poets. He sought for sublimity, not by parcels in metaphors or visible images, but directly where she has her full residence in the heart of man; in the actions and sufferings of the greatest minds.”

John Ford (dramatist) (1586–1639) dramatist

Charles Lamb Specimens of English Dramatic Poets ([1808] 1854) p. 228.
Criticism

Suffering, Heart

“This is the moment when it becomes clear that the images of madness are nothing but dream and error, and that if the unfortunate sufferer who is blinded by them invokes them, it is the better to disappear with them into the annihilation for which they are destined.”

Michel Foucault (1926–1984) French philosopher

Part Two: 2. The Transcendence of Delirium
History of Madness (1961)

Dreams, Error, Suffering, Madness

“He replaced the gray of the walls with a darker shade by closing his eyes. It felt good to shut out some of the light. Not all, but just some. Just enough so there was a gray without images or threatening corners. Not the blackness that gives birth to those sudden flashes of stinging light that slashes your eyes, or the velvety darkness that thickens and become animated and flows and somehow moves around and over you. Just a soothing gray. Nothing to see.”

Hubert Selby Jr. book The Room

The Room (1971)

Birth, Light, Animals

“People are very shortsighted when they argue that way, when they say: Beuys makes everything with felt, so he's trying to say something about the concentration camps [of the German Nazi regime]. Nobody bothers to ask whether I might not be more interested in evoking a very colorful world as an anti-image inside people with the help of this element, felt. So it's a matter of evoking a lucid world, a clear, lucid, perhaps transcendentally spiritual world through something which looks quite different, through an anti-image.”

Joseph Beuys (1921–1986) German visual artist

Beuys, 1997, p. 11, xix); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, by Victoria Walters, LIT Verlag Münster, 2012, p. 192
Quotes after 1984, posthumous published

People, World, Color, Way

“…Sooltan Mahmood now attacked one of the forts in the Koombulmere district, defended by Beny Ray, the deputy of Rana Koombho of Chittor. In front of the gateway was a large temple which commanded the lower works. This building was strongly fortified, and employed by the enemy as a magazine. Sooltan Mahmood, aware of its importance, determined to take possession of it at all hazards; and having stormed it in person, carried it, but not without heavy loss; after which, the fort fell into his hands, and many Rajpoots were put to death. The temple was now filled with wood, and being set on fire, cold water was thrown on the, stone images, which causing them to break, the pieces were given to the butchers of the camp, in order to be used as weights in selling meat. One large figure in particular, representing a ram, and formed of solid marble, being consumed, the Rajpoots were compelled to eat the calcined parts with pan, in order that it might be said that they were made to eat their gods…”

Firishta (1560–1620) Indian historian

Sultãn Mahmûd Khaljî of Malwa (AD 1435-1469) Kumbhalgadh (Rajasthan)
Tãrîkh-i-Firishta

Death, God, Water, Loss

“The chief requirement of the good life… is to live without any image of oneself.”

Iris Murdoch book The Bell

The Bell (1958), ch. 9; 2001, p. 119.

Life