Quotes about image
page 7

“I get accused of many things, promoting pedophilia and stuff like that. I find that extraordinary. I dress myself like I would paint a picture. I try to use that to project how I feel inside. I'm a complete romantic as well, but within traditional romantic images you have so much blatant sexism. So it's all those contradiction mixed up. But that's OK. We should embrace all that instead of tearing each other apart for it. That's what I'm admitting to.”

KatieJane Garside (1968) English singer

On her persona and lyrics, The Los Angeles Times (1992)

Feeling, Tear, Painting

“Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways.
Ancient, nobler ways. It is a lovely image... and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind.
Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women.
That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent.
But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age.”

David Brin book Glory Season

Afterword (p. 563)
Glory Season (1993)

Love, Life, Wisdom, Women

“As I watch television films on my own set I am continually aware that I do not have a complete control of the end results. For there is an engineer in every television station control booth who can change the screen image according to his instructions and depending upon the condition of his equipment. And there are the TV viewers who are their own "engineers." I believe that the time is not too distant when the only engineers will be the technicians who actually create the film that is transmitted. Only when that day arrives will we really have film quality comparable to motion picture standards as we know them today.”

Karl Freund (1890–1969) German film director and cinematographer

Filming The Lucy Show (December 1953)

Distant, Change, Time, Dependency

“This realistic image, however, does not catch at all what really is, but what should not be - death and misery - what should not exist, from our moral and humanistic point of view. And at the same time making an aesthetic and commercial, perfectly immoral use and abuse of this misery. Images that actually testify, behind their pretended "objectivity", of a deep denial of the real, and of an equal denial of the image - assigned to present what does not even want to be represented, assigned to the rape of the real by burglary.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

New millennium

Death, Time

“How widely its agencies vary,—
To save, to ruin, to curse, to bless,—
As even its minted coins express,
Now stamped with the image of Good Queen Bess,
And now of a Bloody Mary.”

Thomas Hood (1799–1845) British writer

Her Moral; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

“About the accident itself I can say very little. Almost nothing. It involved something falling from the sky. Technology. Parts, bits. That's it, really: all I can divulge. Not much, I know.
It's not that I'm being shy. It's just that—well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been—or, more precisely, being about to be—hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap—the crater—that the accident had blown? Minds are versatile and wily things. Real chancers.”

Tom McCarthy (writer) book Déjà vu

Source: Remainder (2005), Ch. 1.

Light, Parting

“I wanted to talk to very young kids about self-image and about being different and how that can be your strength, especially from the immigrant perspective.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

The Book Standard (4 June 2005)
2007, 2008

““Spelling is not an artificial skin of verbal expression, it is a deep structure that is revealed in the spelled image." by Smita Nair Jain at The first Global Alumni Leadership Summit organized by the Indian Institute of Management - Bangalore Alumni Association 2015””

Smita Nair Jain (1969) Indian Author, screenwriter and playback singer

“Many times I recall my father, with my mother and us children in tow, going up to the pastor after a service. With Bible in hand he would challenge the pastor about some of the things he said in his sermon, quoting Scriptures that resounded with the words "Thus said the Lord," or "It is written…"… (To this day, when I quote verses that contain these phrases, an image of my father confronting the liberal pastors pops into my mind!)”

Ken Ham (1951) Australian young Earth creationist

Raising Godly Children in an Ungodly World: Leaving a Lasting Legacy (2008)

Children, Quotes, Time

“The eye projects and focuses the inner image (idea) onto the physical world in the same manner that a motion picture camera transfers an image onto a screen. The mouth creates words. The ears create sound. The difficulty in understanding this principle is due to the fact that we’ve taken it for granted that the image and sound already exist for the senses to interpret. Actually the senses are the channels of creation by which idea is projected into material expression.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 13

World, Idea, Understanding, Sense

“Structures of lines, surfaces, forms, colours. They try to approach the eternal, the inexpressible above men. They are a denial of human egotism. They are the hatred of human immodesty, the hatred of images, of paintings.. Wisdom [is] the feeling for the coming reality, the mystical, the definite indefinite, the greatest definite.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote from his text in a catalogue of his exhibition, in Zürich 1915; quoted by Arp himself in his text 'Abstract Art, Concrete Art,' Hans Arp, c. 1942; as quoted in Theories of Modern Art: A Source Book by Artists and Critics, by Herschel Browning Chipp, Peter Selz, p. 390
1910-20s

Wisdom, Men, Feeling, Reality

“The nuclear bomb will turn warfare into the juggling of images.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 360

“The favourite volume whose reading we commend, is inevitably connected with ourselves — it must bring to our image those lonely hours when the recurrence of an image has such influence — it invests that image with the associations of poetry and fiction, and thus redeems it from the common-place of ordinary life. There is also the sympathy of taste — and how much may be inferred from a passage pencilled originally for no other eyes but our own. Then, too, a book is the prettiest stepping stone to a correspondence; it seems such a simple thing to write a note of thanks, and so natural to add some slight remark on the author; and how often is the criticism of an author's sentiments but the expression of our own!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Life, Books, Nature, Reading

“Hindus learn to look at themselves through borrowed eyes. The two approaches, that of self-discovery and creative response and that of self-alienation and imitation, were both inherited from the immediate history of the freedom struggle, though they derive their strength from the deeper sources in the psyche…. For one, the problem is of helping the society to find its roots, for the other to remake it in the image of a chosen pattern. The one serves; the other manipulates…. [The first approach] once formed a powerful current, and the freedom struggle was waged under its auspices. But increasingly its hold became weak, and in our own times it seems to have lost altogether…. Some see in this change a triumph of Nehru over Gandhi…. Nehru represented, in his own way, the response of a defeated nation trying to restore its self-respect and self-confidence through self-repudiation and identification with the ways of the victors. The approach was not altogether unjustified at one time. It had its compulsions and it also had a survival value for us. But its increasing influence can mean no good to us. We, however, believe that deeper Indian nationalism, which is also in harmony with deeper internationalism, may be weak just now, but it has the seed-power and it is bound to come up again under propitious circumstances”

Ram Swarup (1920–1998) Indian historian

Cultural Self-Alienation and Some Problems Hinduism Faces, 1987, p. 4-5

Way, Confidence, History, Problem

“There is no god, or love, just time / Saying "Do what you will. Nothing's real today" / We are fleeting numbers, and images / Like the liquid crystal digital readout / Floating on the sea of grey.”

Jonathan Larson (1960–1996) American composer and playwright

Superbia

Love, God, Time, Sea

“A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.”

Caterina Davinio (1957) Italian writer

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132

Question, Reality, Sense, Singing

“Naturally, the little wars were dressed up in ritual and significance. War spear challenge was followed by war dance, and invocation of demons, the one-eyed snake and diverse totems. I bowed to none of these, having seen early the vulgarity and impotence of the tribal pantheon. Generally men create gods in their own image.”

Tanith Lee book Vazkor, Son of Vazkor

Book One, Part I “The Krarl”, Chapter 4 (p. 31)
Vazkor, Son of Vazkor (1978)

Men, God, War, Nature

“The mosaic form of the TV image demands participation and involvement in depth, of the whole being, as does the sense of touch.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 334

Sense

“A living myth remains largely unconscious for the majority. It is the reality, not the symbol. … Some people in every culture, however, see through or beyond the myth. … Those whose amphibious minds move both within and beyond the myth may be though of as outlaws or metaphysicians. Myth and metaphysics are related to each other in the same way that religion is related to theology. The mythical mind is unreflective. It lives unquestioningly within a horizon of the culture’s images, stories, rituals, and symbols, just as the religious person rests content within the liturgy and creedal structure of the church or cult. The metaphysical mind reflects upon the myth and tries to make it conscious. It plays with the stories and images and lifts the basic presuppositions about life into the light of consciousness. In this sense, metaphysics is the thinking person’s religion.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 21

Life, People, Religion, Way

“We are frequently faced with the necessity of looking for the picture required for the visualization of an object, not in the perception of this particular object, but in a different perceptual image. …we can assert the discrepancy between the perceived picture and the objective state. This discrepancy… proves absolutely nothing against the fact that all visualizations are merely sense qualities of the perceptual space. …If the parallelism is …to be visualized, we must supplement our assertion by the description of certain qualities with which we are familiar from perceptual space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Sense

“In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point. (p. 125)
Source: 1960s, The Medium is the Message (1967), p. 125

“.. I will endeavour to make clear to men of good will what the word 'material' means with regard to painting and that, without the material substance of paint, a painting is not a work of art but merely a decorative object, or rather, if it deals with an invented painting, the value of the image resides in its spiritual content.
In order to be a work of art, a painting must be very well painted and the good quality of the paint depends completely on the material substance of the paint with which it is executed. This matter, which constitutes the substance of painting, is composed of two elements which are equally important and absolutely inseparable: physical substance and metaphysical substance. These two elements complete each other reciprocally and when they are of a superior quality, create a masterpiece by way of their absolute harmony.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Cirico's text 'A DISCOURSE ON THE MATERIAL SUBSTANCE OF PAINT', 1942 http://www.fondazionedechirico.org/wp-content/uploads/541-547Metafisica5_6.pdf, p. 542 <br class="br">1920s and later

Men, Art, Way, Painting

“Leroi-Gourhan surveyed more than sixty caves and saw order in the distribution of their images. Deer… often appeared in entranceways but were uncommon in main chambers. Horse, bison, and ox were the predominant creatures of the main chambers. Carnivores mostly occurred deep in the cave system.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Appearance, Horse

“What can be more discouraging to a man than to doubt if his soul be material, like a stone or a reptile, and subject to corruption like the vilest creatures? And does it not prove much more strength of mind and grandeur to be able to conceive the idea of a Being superior to all other beings, by whom and for whom all things were made; of a Being absolutely perfect and pure, without beginning or end, of whom our soul is the image, and of whom, if I may say so, it is a part, because it is spiritual and immortal?”

Jean de La Bruyère book Les Caractères

Of Freethinkers (1)
Les Caractères (1688)

Soul, Idea, Parting, Perfection

“So many roles, so many trends, so many kinds of cinema and so many stories…I have projected different images during different decades, voiced different concerns –sometimes as a daughter, sometimes as a wife and mother- but often I ask myself if things have really changed. I am not sure.”

Hema Malini (1948) Indian actress, dancer and politician

Page=1979
MOTHER MAIDEN MISTRESS

Change, Daughters

“The very act of thinking about power in our lives and experiences creates a process of revelation and self-analysis that may even make us look at ourselves in a new light… thinking about power and its complex manifestations may not simply lead to a better understanding of the abstract complexities of society, but may have an effect on one‟s own image and identity. Perhaps a warning label should be placed on the cover…”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Three Faces of Power, 1989, p. 259, quoted in: Andrew Mearman (2011)

Understanding, Thinking, Light

“Now you understand,” Rarm said to me. “It was the last cut against yourself to become convinced of your own hideousness. You held to it and nurtured it, and even identified with the devil goddess of Orash in your determination to be accursed. And it never occurred to you that perhaps you saw a false image under the mountain.”

Tanith Lee book The Birthgrave

Book Three, Part III “Inside the Hollow Star”, Chapter 5 (p. 405)
The Birthgrave (1975)

Mountain, Understanding, Falseness

“Afterwards, when Clavain tried to imaging how he might describe it, he found that words were never going to be adequate for the task. And that was no surprise: evolution had shaped language to convey many concepts, but going from a single to a networked topology of self was not amongst them.”

Alastair Reynolds (1966) British novelist and astronomer

The Great Wall of Mars (p. 37)
Short fiction, Galactic North (2006)

“By means of an image we are often able to hold on to our lost belongings. But it is the desperateness of losing which picks the flowers of memory, binds the bouquet.”

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

Mes Apprentissages (1936)

Flowers, Memory

“The image a society evolves of the relationship between the living and the dead is, in the final analysis, an attempt, on the level of religious thought, to conceal, embellish or justify the actual relationships which prevail among the living.”

Claude Lévi-Strauss book Tristes Tropiques

Source: Tristes Tropiques (1955), Chapter 23 : The Living and the Dead, p. 246

Dead

“I have shown that slavery is wicked—wicked, in that it violates the great law of liberty, written on every human heart—wicked, in that it violates the first command of the decalogue—wicked, in that it fosters the most disgusting licentiousness—wicked, in that it mars and defaces the image of God by cruel and barbarous inflictions—wicked, in that it contravenes the laws of eternal justice, and tramples in the dust all the humane and heavenly precepts of the New Testament.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Inhumanity of Slavery. Extract from A Lecture on Slavery, at Rochester. December 8, 1850
1850s, My Bondage and My Freedom (1855)

God, Justice, Law, Heart

“When you smiled,
Everything in the room was shattered;
Only you remained whole
In frozen wonder, as though you stared
At your image in the broken mirror
Where it had always been silverly carried.”

Stephen Spender (1909–1995) English poet and man of letters

"To A Spanish Poet"
The Still Centre (1939)

Smile

“Narrated 'Aisha: I used to play with the dolls in the presence of the Prophet, and my girl friends also used to play with me. When Allah's Apostle used to enter (my dwelling place) they used to hide themselves, but the Prophet would call them to join and play with me. (The playing with the dolls and similar images is forbidden, but it was allowed for 'Aisha at that time, as she was a little girl, not yet reached the age of puberty.)”

Aisha (605–678) Muhammad's wife

Sahih Bukhari 8:73:151 Sahih Bukhari http://www.usc.edu/org/cmje/religious-texts/hadith/bukhari/073-sbt.php#008.073.151

Age, Girl, Time

“I love every "lib" movement there is, because after the "lib" the things that were always a mystique become understandable and boring, and then nobody has to feel left out if they're not part of what is happening. For instance, single people looking for husbands and wives used to feel left out because the image marriage had in the old days was so wonderful. w:Jane Wyatt and Robert Young. w:Nick and Nora Charles, Ethel and Fred Mertz, Dagwood and Blondie.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 3: Senility

Love, Marriage, People, Feeling

“Man, made after God's image, was a nobler creation than twinkling sparks in the sky, or than the larger and more useful lamp of the moon.”

David Brewster (1781–1868) British astronomer and mathematician

More Worlds Than One: The Creed of the Philosopher and the Hope of the Christian (1856), p. 207

God

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

Music, Idea, Time

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

George Wallis

design as well as draw! <br class="br">George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Men, Beauty, Art, Intelligence

“LeDuff’s argument (in Shock Art #37) that an image, once floated on the international art-sea, is a fish that anyone may grab with impunity, and make it his own, would not persuade an oyster. Questions of primacy are not to be scumbled in this way, which, had he been writing from a European perspective, he would understand, and be ashamed. The brutality of the American rape of the world’s exhibition spaces and organs of art-information has distanciated his senses. The historical aspects have been adequately trodden by others, but there is one category yet to be entertained—that of the psychological. The fact that LeDuff is replicated in every museum, in every journal, that one cannot turn one’s gaze without bumping into this raw plethora, LeDuff, LeDuff, LeDuff (whereas poor Bruno, the true progenitor, is eating the tops of bunches of carrots)—what has this done to LeDuff himself? It has turned him into a dead artist, but the corpse yet bounces in its grave, calling attention toward itself in the most unseemly manner. But truth cannot be swallowed forever. When the real story of low optical stimulus is indited, Bruno will be rectified.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Letters to the Editore”, Guilty Pleasures (1974).

Truth, World, Art, Way

“Every one is in a small way the image of God.”
Exemplumque dei quisque est in imagine parva.

Marcus Manilius Astronomica

Book IV, line 895.
Astronomica

God, Way

“Auger could not help marvelling at the experience of being inside the ALS sphere and seeing her world as it should have been. This was an earth that had never known nuclear war, or runaway climatic catastrophe, or smart weather, or a Nanocaust. The sight of it made her want to weep. No image had ever come close to the heartbreaking beauty of this small blue world, a beauty all the more acute now that she knew how exquisitely fragile it was. It was the beauty of a butterfly’s wing.”

Alastair Reynolds book Century Rain

Source: Century Rain (2004), Chapter 40 (pp. 596-597)

War, World, Beauty, Help

“For years I have lived in the flats, rooms and garrets of this city, the drawers in the human filing-cabinets that stand in blank rows down the streets of Kensington and Notting Hill. Yet when I talk of home I think of that damp green valley near Stroud where I was brought up. The boys I went to school with have long since grown and fattened, got married and gone bald, and they would probably have to give me a very long look before they recognized me if I turned up there again. But that is my home, and the image of it the day I left it is still more real to me than long years in this crowded capital city.”

Laurie Lee (1914–1997) British writer

An Obstinate Exile, p. 43.
I Can't Stay Long (1975)

School, Home, Boy, Thinking

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

God, Books, Understanding, Tree

“I have not seen Thee, yet I tell Thy praise,
Nor known Thee, yet I image forth Thy ways.
For by Thy seers' and servants' mystic speech
Thou didst Thy sov'ran splendour darkly teach,
And from the grandeur of Thy work they drew
The measure of Thy inner greatness, too.
They told of Thee, but not as Thou must be,
Since from Thy work they tried to body Thee.
To countless visions did their pictures run,
Behold through all the visions Thou art one.”

Yehuda he-Hasid (1140–1217) German philosopher

Shir Hakovod, trans. from the Hebrew by Israel Zangwill

Art, Way

“Let's face it; regular monthly superhero comic books have taken on the look and smell of old men's pants. It's hardly a surprise comics lost the teenage audience or that the adult audience is now bored and irritated by the endless recycling of images they've already seen and words they've already read.”

Grant Morrison (1960) writer

2003
http://www.comicon.com/cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=001597
On comics

Men, Books, Reading

“The Lennon-McCartney comparison was frequently made and that was an image that critics could relate to. But it wasn't something people in the street could pick up on the way they'll pick up on someone who's really good-looking.”

Glenn Tilbrook (1957) British musician

September 1983 interview with NME, reprinted in "NME Rock 'N' Roll Years 3" [John, Tobler, 1992, NME Rock 'N' Roll Years, 1st, Reed International Books Ltd, London, 384, CN 5585]

People, Way

“From thence the King marched towards the mountains of Nagrakote, where he was overtaken by a storm of hail and snow. The Raja of Nagrakote, after sustaining some loss, submitted, but was restored to his dominions. The name of Nagrakote was, on this occasion, changed to that of Mahomedabad, in honour of the late king. Some historians state, that Feroze, on this occasion, broke the idols of Nagrakote, and mixing the fragments with pieces of cows flesh, filled bags with them, and caused them to be tied round the necks of Bramins, who were then paraded through the camp. It is said, also, that he sent the image of Nowshaba to Mecca, to be thrown on the road, that it might be trodden under foot by the pilgrims, and that he also remitted the sum of 100,000 tunkas, to be distributed among the devotees and servants of the temple.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 263 Vol I.
Variant: From thence the King marched towards the mountains of Nagrakote, where he was overtaken by a storm of hail and snow. The Raja of Nagrakote, after sustaining some loss, submitted, but was restored to his dominions. The name of Nagrakote was, on this occasion, changed to that of Mahomedabad, in honour of the late king. Some historians state, that Feroze, on this occasion, broke the idols of Nagrakote, and mixing the fragments with pieces of cows flesh, filled bags with them, and caused them to be tied round the necks of Bramins, who were then paraded through the camp. It is said, also, that he sent the image of Nowshaba to Mecca, to be thrown on the road, that it might be trodden under foot by the pilgrims, and that he also remitted the sum of 100,000 tunkas, to be distributed among the devotees and servants of the temple.

Mountain, Change, Loss

“p>…[E]ach moment of joy but prompts the more
That madness buried at the base of dreamy souls,
That sadness in the dark citadel of the heart,
And in sorrowful eyes, images of innocence from the past.
All the Past is but an endless string of days,
All the Future is but a series of graves not yet fulfilled…
In the summer sun, fresh leaves begin to change in hue,
Weaving the autumn whose arrival is imminent—as in our lives
The green days follow in fading succession,
Weaving the shroud that covers our souls.”

Chế Lan Viên (1920–1989) Vietnamese writer

"The Graves", as quoted in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), pp. 163–164

Sadness, Soul, Autumn, Change

“Poetry in America is no longer a dirty word. While it is still far from the center of the culture, it is moving slowly inward from the margins. I believe more and more people are shedding their outmoded notions of poetry as an exotic hobby--the result of bad teaching and worse public image problems--and coming to the realization that poetry is about their lives. Poetry is about them.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

People, Problem

“Self-painting is a further development of the art of painting. The surface of an image has lost its function as the sole means of conveying expression. It was taken back to its roots, to the wall, to the object, to the living being, to the human body. By using my body as a means of conveying expression, the result created is a happening captured by a camera as it progresses, and an experience which viewers can share.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 140 (1985)

Art, Painting

“The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.”

W. H. Auden book The Dyer's Hand

"Hic et Ille", p. 104
The Dyer's Hand, and Other Essays (1962)

Love

“I've talked to him on the phone, received notes through the mail, but I've never seen him face to face. I sent him my last LP and I understand that he turned his head away as he took the disc out, saying, "I don't want to see what he looks like. I have this image and I don't want to destroy it." So there's a certain amount of mystery involved. I suppose if he knew I were a gray-haired, older guy with a big paunch, he might say, "Oh, that ruins it."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On his working relationship with Prince, as quoted in "He Arranges, Composes, Performs: Fischer: A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer by Zan Stewart, in The Los Angeles Times (May 14, 1987)

Guy, Understanding

“Without need any longer of religious backing, capitalism may now have the power to shape people in its own image. Its conduct-forming spirit may be its own production. … Capitalism brings along with it, as part of its normal functioning, cultural forms affecting how subjects relate to themselves and to others. Capitalism has cultural concomitants—beliefs, values and norms—that help direct conduct—that get people to do willingly what capitalism requires of them—by encouraging them to see what they are doing and what they must do to get ahead as meaningful, valuable, or simply inevitable.”

Kathryn Tanner (1957) American theologian

"Christianity and the New Spirit of Capitalism" https://www.youtube.com/watch?v=yg6hztuaw2k&t=1002, Gifford Lecture, University of Edinburgh

People, Help, Parting

“But almost as if presenting the image of some ironic answer, the wings flapped against a sudden, high, unfelt breeze, and the beast, here shorn of all fables, rose and rose—for a while—under the night.”

Samuel R. Delany book Tales of Nevèrÿon

Section 3 (p. 245; closing words)
Tales of Nevèrÿon (1979)

Night

“Other times I am pestered by a recurrent visual image and this image will resonate with some tone-rhythm pattern, only after that does language start to come.”

Jan Zwicky (1955) Canadian philosopher

'Perfect Fluency' interview with Scott Rosenberg, University of Wyoming Campus, Oct. 2010.
Other

Time

“When the facts are in, it may well turn out that the more extreme condemnations were in fact correct. But even if that turns out to be the case, it will in no way alter the conclusions we have reached on the central question addressed here: how the available facts were selected, modified, or sometimes invented to create a certain image offered to the general population. The answer to this question seems clear, and it is unaffected by whatever may be discovered about Cambodia in the future.”

Edward S. Herman (1925–2017) American journalist

Source: After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, with Noam Chomsky, 1979, p. 293.

Way, Question, Future

“This image of four spectra is taken from one of Huggins's publications. …You can see that the Comet Winnecke resembles olive oil more than it does Comet Brorsen.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

“every individual is made in the image of God, insofar as he or she is a rational and free creature capable of knowing God and loving him.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Apostolic Letter Mulieris Dignitatem, 15 August 1988 <br class="br">Source: www.vatican.va http://www.vatican.va/holy_father/john_paul_ii/apost_letters/documents/hf_jp-ii_apl_15081988_mulieris-dignitatem_en.html

Love, God

“In the slow accretion of self-images that is the mortar between periods in the history of our civilization, a third character ideal emerged, in part from the failure of the previous two [political man and religious man]: economic man, one who would cultivate rationally his very own garden, meanwhile solacing himself with the assumption that by thus attending to his own lower needs a general satisfaction of the higher needs would occur. A moral revolution was the result: what had been lower in the established hierarchy of human interests was asserted to be higher.”

Philip Rieff (1922–2006) American sociologist

"Reflections on Psychological Man in America," The Feeling Intellect (1990), p. 4

History, Failure, Parting

“The court scribe pays fulsome homage to the sufis who “planted firmly the Faith of Islam” in this region. The pride of place goes to Hazrat Natthar WalI who took over by force the main temple at Tiruchirapalli and converted it into his khãnqãh. Referring to the destruction of the Sivalinga in the temple, he observes: “The monster was slain and sent to the house of perdition. His image namely but-ling worshipped by the unbelievers was cut and the head separated from the body. A portion of the body went into the ground. Over that spot is the tomb of WalI shedding rediance till this day.” Another sufi, Qãyim Shãh, who came to the same place at a later stage, “was the cause of the destruction of twelve temples.” At Vellore, Hazrat Nûr Muhammad Qãdirî, “the most unique man regarded as the invaluable person of his age,” was the “cause of the ruin of temples” which “he laid waste.””

Sita Ram Goel (1921–2003) Indian activist

He chose to be buried “in the vicinity of the temple” which he had replaced with his khãnqãh.
Hindu Temples – What Happened to Them, Volume I (1990)

Age, Faith, Housing, Personality

“Dear brethren, make your choice. Fight you must. Are you going to win or be beaten? Make your choice of the image you must bear. Whose?”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 108.

Fight

“I feel now if I think of it, it will come out in the painting. In other words, if I want to make the whole painting look like a bottle, like a lot of bottles - for instance maybe the end of the day, when everything is very light, but not in sunlight necessarily - and so if I have this image of this bottle and if I really think about it, it will come out in the painting. That doesn’t mean that people notice a bottle, but I know when I succeed in it – then the painting would have this.”

Willem de Kooning (1904–1997) Dutch painter

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 49.
1960's

People, Feeling, Thinking, Light

“A watch is much more than a list of functionality and features… the bottom line is this is fashion, this is image, this something that is on our skin that we want to wear, and it’s not just another electronic gadget that becomes obsolete…. there is an emotional character to it.”

Philippe Kahn (1952) Entrepreneur, camera phone creator

The Growth Show podcast, April 15th, 2015, regarding why some smartwatches to date have failed https://soundcloud.com/the-growth-show/apple-watch-special.

Fashion

“Instead of holding on to the Biblical view that we are made in the image of God, we come to realize that we are made in the image of the monkey.”

Lin Yutang book The Importance of Living

Source: The Importance of Living (1937), p. 36

God

“In the sixties, the recycling of pop culture — turning it into Pop art and camp — had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures — and they use them not as larger-than-life jokes but as altars.”

Pauline Kael book State of the Art

"A Bad Dream/A Masterpiece," review of The Moon in the Gutter (1983-09-19), p. 48.
State of the Art (1985)

Life, Art, Past

“In my pictures I would use speech as an extra dimension supplementing the image … Speech would not come off the screen in coincidence with the sequences, but from without, as if it were a surplus unconnected with the organism - a cravat of drivel hung on an ivory tooth.”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Venom and Eternity (1951), Danielle's Monologue

“Vision is a process that produces from images of the external world a description that is useful to the viewer and not cluttered with irrelevant information.”

David Marr (1945–1980) British neuroscientist and psychologist

as cited in Steven Yantis (2001) Visual Perception: Essential Readings, p. 117.
Vision, 1982

World

“The human condition can almost be summed up in the observation that, whereas all experiences are of the past, all decisions are about the future. It is the great task of human knowledge to bridge this gap and to find those patterns in the past which can be projected into the future as realistic images.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding in the foreword of: Fred Polak (1972) The image of the future http://storyfieldteam.pbworks.com/f/the-image-of-the-future.pdf, p. V <br class="br">1970s

Knowledge, Decision, Past, Future

“I need to go towards the illogical. This world we live in destroys us. It is always governed by the same laws. You have to create images that don’t belong to it. That are totally different from those it presents us.”

Bram van Velde (1895–1981) Dutch painter

11 August 1972; p. 90
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

World, Law

“Paradigm shifts in human thought always depend on iconoclasts who are not afraid to challenge conventional wisdom. Although our thinking in the past generation about the moral status of animals has advanced in certain respects, its fundamental presuppositions have suffered from a debilitating stagnation. … The fact that we humans tend to be comfortable with a regime of animal exploitation dating back thousands of years is not a justification for our continued subjugation of animals. It is an obstacle that we urgently need to overcome. To this end, what we need more than anything else is thinkers with the courage and the determination to break the images in the temple.”

Gary Steiner (1956) American philosopher

Foreword https://books.google.it/books?id=UdYYBQAAQBAJ&pg=PR9 to Animals as Persons: Essays on the Abolition of Animal Exploitation by Gary L. Francione, Columbia University Press, 2009.

Wisdom, Courage, Thinking, Suffering

“With the development of the human race (and perhaps a little earlier), a new structure emerges, which we can call know-what. This consists of the structures in the nervous system which presumably map into some kind of images in the of the 'mind', which also map into structure in the 'real world', whatever that is. Know-what is very different from know-how. The fertilized egg certainly has the know-how to make whatever organism it knows how to make, but it is very doubtful that it knows what it is doing. The remarkable thing about know-what is that it creates know-how, as we see with the fantastic burgeoning of human artifacts under the influence of a science-based technology. Science, fundamentally, deals with know-what and this enormously increases know-how.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1984) In: Meheroo Jussawalla, Helene Ebenfield eds. Communication and information economics: new perspectives. p. vii as cited in: John Laurent (2003) Evolutionary Economics and Human Nature. p. 177
1980s

World, Science

“As individuals and as a nation, we now suffer from social narcissism. The beloved Echo of our ancestors, the virgin America. has been abandoned. We have fallen in love with our own image, with images of our making, which turn out to be images of ourselves.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 257.

Love, Suffering

“the hegemony of immaterial labor does, though, tend to change the conditions of work. Consider, for example, the transformation of the working day in the immaterial paradigm, that is the increasingly indefinite division between work time and leisure time. In the industrial paradigm workers produced almost exlusively during the hours in the factory. When production is aimed at solving a problem, however, or creating and idea or a relationship, work time tends to expand to entire time of life. And idea or image comes to you not only in the office but also in the shower or in your dreams.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

111-112
Multitude: War and Democracy in the Age of Empire

Life, Dreams, Idea, Problem

“There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down this house. And there is a creeping fear of doubt, doubt of what we have been taught, of the validity of so many things we had long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong.”

Edward R. Murrow (1908–1965) Television journalist

This I Believe (1951)

Fear, Evil, Housing

“At first the tumbling had me totally disoriented. With each degree that I turned, the images around me would deform and change. Three given blobs might split or merge to two or five, while some other shape's angular facets would sprout interlocking crystals. It was a little like trying to make out a human body by watching a Carousel slideshow of three hundred sixty microtomed cross sections.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 106

Change

“All poets face the same task to 'follow the prompts' and satisfactorily shape the amorphous sounds, rhythms, images or phrases by which a potential poem is recognised.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

“The main objection to the theory of pure visualization is our thesis that the non-Euclidean axioms can be visualized just as rigorously if we adjust the concept of congruence. This thesis is based on the discovery that the normative function of visualization is not of visual but of logical origin and that the intuitive acceptance of certain axioms is based on conditions from which they follow logically, and which have previously been smuggled into the images. The axiom that the straight line is the shortest distance is highly intuitive only because we have adapted the concept of straightness to the system of Eucidean concepts. It is therefore necessary merely to change these conditions to gain a correspondingly intuitive and clear insight into different sets of axioms; this recognition strikes at the root of the intuitive priority of Euclidean geometry. Our solution of the problem is a denial of pure visualization, inasmuch as it denies to visualization a special extralogical compulsion and points out the purely logical and nonintuitive origin of the normative function. Since it asserts, however, the possibility of a visual representation of all geometries, it could be understood as an extension of pure visualization to all geometries. In that case the predicate "pure" is but an empty addition, since it denotes only the difference between experienced and imagined pictures, and we shall therefore discard the term "pure visualization."”

Hans Reichenbach (1891–1953) American philosopher

Instead we shall speak of the normative function of the thinking process, which can guide the pictorial elements of thinking into any logically permissible structure.
The Philosophy of Space and Time (1928, tr. 1957)

Imagination, Problem, Thinking, Change

“The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 67
Psychotic Reactions and Carburetor Dung (1988)

Music, Way, Home, Communication

“As image and apprehension are in an organic unity, so, for a Christian, are human body and human soul.”

Clive Staples Lewis book God in the Dock

"Priestesses in the Church?" (1948), p. 237
God in the Dock (1970)

Soul

“A dumb halo of sorrow lurks in Shirin's cold gaze,
Reclining on the marble columns of the veranda,
A pregnant cat is sleeping on her lap
And slowly snores.

The Shirin's image north of the garden
Is hanging on an apple tree;
Khosrow, in love with another mistress, mockingly mutters;
How can the eye in this image
Show the trace of lover breathing eye of Shirin?…??
For a moment Khosrow beats at the bow and says:
Shirin's eye is a good target, I have ordained
That this new bow should be tried on it.

Khosrow, the king of the world,
The master of archers,
Pulled out an arrow from his quiver.
This Parthian arrow, this nimble flying hawk,
Is familiar with the bow and the thumb.

A spark rose from Mount Bistoun,
Was it the lightening from Farhad's ax?
An angry flame is blazing in the image's eye,
The loud uproar,
The loud clamor of Farhad's heart,
Is robing sleep from the cat's eye.”

Farrokh Tamimi (1934–2003) Iranian poet and translator

Poet, Farhad

Love, World, Cats, Lovers

“Am I new minted by thy Stamp indeed?
Mine Eyes are dim; I cannot clearly see.
Be thou my Spectacles that I may read
Thine Image and Inscription stampt on mee.”

Edward Taylor (1642–1729) American poet

from "Meditation VI (Canticles II:1)"

Reading

“[in response to a question about what was meant by his "cosmic religion"] It is not a religion that teaches that man is made in the image of God—that is anthropomorphic. Man has infinite dimensions and finds God in his conscience. This religion has no dogma other than teaching man that the universe is rational and that his highest destiny is to ponder it and co-create with its laws. There are only two limiting factors: first, that what seems impenetrable to us is as important as what is cut and dried; and, second, that our faculties are dull and can only comprehend wisdom and serene beauty in crude forms, but the heart of man through intuition leads us to greater understanding of ourselves and the universe. My religion is based on Moses: Love God and love your neighbor as yourself. And for me God is the First Cause. David and the prophets knew that there could be no love without justice or justice without love. I don't need any other religious trappings.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 108

Love, Wisdom, God, Religion

“Let others complain that the age is wicked; my complaint is that it is paltry; for it lacks passion. Men’s thoughts are thin and flimsy like lace, they are themselves pitiable like the lacemakers. The thoughts of their hearts are too paltry to be sinful. For a worm it might be regarded as a sin to harbor such thoughts, but not for a being made in the image of God. Their lusts are dull and sluggish, their passions sleepy. They do their duty, these shopkeeping souls, but they clip the coin a trifle, like the Jews; they think that even if the Lord keeps ever so careful a set of books, they may still cheat Him a little. Out upon them! This is the reason my soul always turns back to the Old Testament and to Shakespeare. I feel that those who speak there are at least human beings; they hate, they love, they murder their enemies, and curse their descendants throughout all generations, they sin.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Swenson, 1959, p. 27
1840s, Either/Or (1843)

Love, Men, God, Hate

“But we cannot enjoy in isolation; we wish to dazzle others with that which we daily snatch from the world of sense, and in return we wish others to show us their trophies. From a reciprocity of concessions arise those mixed images, which we hasten to confront with artistic creations in order to compute what they contain of the objective; that is of the purely conventional”

Albert Gleizes (1881–1953) French painter

1910s, Du Cubisme (1912)

World, Sense

“As we look back, it seems like willful blindness. The abandonment of the radical economic foundation of the women's and civil-rights movements by the conflation of causes that came to be called political correctness successfully retrained generation of activists in the politics of image, not action.”

Naomi Klein (1970) Canadian author and activist

Source: No Logo: Taking Aim at the Brand Bullies 1999, Chapter Five: "The Patriarchy Gets Funky"

Women

“He routed Ramdev everywhere except the fort. The fort contained temples of gold and silver and images of the same metals. Besides, there were jewels of different varieties. He ordered them to be destroyed and collected its gold. Ruler of the fort was surprised at this action and his mind got confused. He sent an envoy for conclusion of peace on condition of sparing the temples from destruction which was agreed to”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Devagiri (Maharashtra) . Zafarul Walih Bi Muzaffar Wa Ãlihi, translated into English by M.F. Lokhandwala, Baroda, 1970 and 1974, Vol. I, p. 138
Quotes from Zafarul Walih Bi Muzaffar Wa Ãlihi

Peace

“Poetry is one of the destinies of speech…. One would say that the poetic image, in its newness, opens a future to language.”

Gaston Bachelard (1884–1962) French writer and philosopher

Introduction, sect. 2
La poétique de la rêverie (The Poetics of Reverie) (1960)

Future

“I had long known that there was something about me that was either violent or frightening for some reason. In certain three-sided clothing store images I had for some years come upon myself, with shock and disbelief, regret, and shame, disappointment and despair, for I am indeed clearly violent, mad, and ugly, all because of intensity of some kind, a tension, an obsession with getting everything that there was to be got, a passion, an insanity.”

William Saroyan (1908–1981) American writer

Sons Come and Go, Mothers Hang in Forever (1976)

Disappointment, Passion, Madness, Despair

“In a media-based society (and of course there is no such thing as a non-media-based society consisting of more than one person) it is the signs and significants, the meanings and habits and conventions of speaking and thinking, the images and stereotypes which control everything. It is important to analyze how it is represented and of course what is not represented or how it lacks representation. It's not so much Rupert Murdoch – whose assholeness I will not dispute – that we should attack, but rather something I would call the cultural grammar of the public space. Power is formed within such a grammar. Access and non-access to each and every thing is regulated in its realm. Meanings are negotiated there.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

talking about Guerilla Communication strategies in "Urban Hacking" http://www.transcript-verlag.de/ts1536/ts1536.php, transkript, p. 98

Thinking, Personality

“After the Godhra incident and the subsequent riots, Shastriji was head of the Gujarat VHP. He was a firm advocate of Gujarat's welfare. In a newspaper interview he said TV channels and national newspapers had spoiled Gujarat's image after the riots. By not speaking of the Godhra incident but only of the riots that followed, they had damaged Gujarat before the world. These channels would be damaging to Indian culture, he said. With a great deal of courage, Shastriji had rallied the Hindus.”

Narendra Modi (1950) Prime Minister of India

2006, 2006 essay by Modi

World, Courage

“What I have been talking about is knowledge. Knowledge, perhaps, is not a good word for this. Perhaps one would rather say my image of the world. Knowledge has an implication of validity, of truth. What I am talking about is what I believe to be true; my subjective knowledge. It is this Image that largely governs my behavior. In about an hour I shall rise, leave my office, go to a car, drive down to my home, play with the children, have supper, perhaps read a book, go to bed. I can predict this behavior with a fair degree to accuracy because of the knowledge which I have: the knowledge that I have a home not far away, to which I am accustomed to go. The prediction, of course, may not be fulfilled. There may be an earthquake, I may have an accident with the car on the way home, I may get home to find that my family has been suddenly called away. A hundred and one things may happen. As each event occurs, however, it alters my knowledge structure or my image. And as it alters my image, I behave accordingly. The first proposition of this work, therefore, is that behavior depends on the image.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 5

Children, Truth, Books, World

“The two sets of sources, textual and nontextual, reveal bits of history to us in different ways, like the lame man riding on the shoulders of the blind man. When it comes to history, you can’t trust anyone: The texts lie one way, while images and archeology mislead us in other ways. On the one hand, the gods did not fly around in big palaces, as the texts insist that they did, and we cannot know if women really did speak up as Gargi does in the Upanishads, or Draupadi in the Mahabharata.”

Wendy Doniger (1940) American Indologist

Source: The Hindus: An Alternative History, p. 34.

Women, God, Lie, Way

“As I contemplated the host of deities that rose to me like a smoke cloud from the many worlds, a new image, a new symbol of the infinite spirit, took shape in my mind. Though born of my own cosmical imagination, it was begotten by a greater than I.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 161)

World, Imagination

“The self-awareness that grows out of the habit of witnessing is nonjudgmental. I look at my actions, my feelings, my experience with soft and compassionate eyes, from a great distance as if I were God or a novelist. The chief rule of the witness is: Judge not. Do not identify with or against anything you observe. The witness must be amoral, a pure phenomenologist. The courtroom of civil conscience must be closed for a time. There is a time when the outlaw switches from contemplation to trans-moral action. But in order to stop the reactionary patterns of thought and behavior that make up the personality, there must be a prior time of inaction. As I gain skill as an objective and compassionate witness, my identity gradually shifts from my persona to my self. In place of the old compulsive, preprogrammed reactions, I find a growing ability to pause between the stimulus and the response. I cease being merely a biological creature who reacts automatically to steak and potatoes, the lure of immediate sex, or the invasion of my territory; I deliberate and choose what is most desirable. I am no longer captive either to my impulses or to the judgments made upon me by my society. In the newfound silence, I find the freedom to disengage from my old self-images and addictions.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 137

God, Sex, Behavior, Feeling

“The word, although prevalent in our day, has lost its reasoning value, and has value only as an accessory to images. In turn, the word actually evokes images. But it does not evoke the direct images related to my personal experience. Rather, it calls up images from the newspaper or television. The key words in our modern vocabulary, thanks to propaganda and advertising, are words that relate to visual reproduction. They are stripped of all rational content, so they evoke only visions that whisk us away to some enchanted universe. Saying "fascism," "progress," "science," or "justice" does not suggest any idea or produce any reflection. It only causes a fanfare of images to explode within us: a sort of fireworks of visual commonplaces, which link up very precisely with each other. These related images provide me with practical content: a common truth that is especially easy to swallow because the ready-made images that showed it to me had been digested in advance. Make no mistake here: this is how modern people usually think. We are arriving at a purely emotional stage of thinking.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 210
The Humiliation of the Word (1981)

People, Truth, Justice, Idea

“Less than three months after Japanese capitulation… he discarded all the democratic concepts expressed by his predecessors wartime undertakings… He ditched the Roosevelt thesis and put in first place his declared determination to use the all the power of the government to enable United States imperialism to dominate the post-war world and organize it in its own image.”

Tim Buck (1891–1973) Canadian politician

Referring to United States President Harry Truman Tim Buck A Conscience for Canada

War, World

“I'm really interested with the way light plays on images and one of the artists that really reawakened my interest in comic books was Frank Miller and his treatment of Daredevil, and then Wolverine and, of course, Batman.”

James Marsters (1962) American actor

Worlds Of Westfield James Marsters Interview (Feb '99) http://www.morethanspike.com/articles.php?ID=164

Books, Way, Light

“In discussing his work [the art of Marcel Duchamp, ] it is necessary to avoid overrating his silence. I hold him in a very high esteem, but I have to reject his silence. Duchamp was simply finished. He had run out of ideas; he was unable to come up with anything important… I would say that even the bourgeois tendencies in Duchamp's work – i. e., a form of provocative, bohemian behavior intended to 'épater le bourgeois'- follow the same path. Duchamp started out from here and wanted to shock the bourgeoisie, and because of that he destroyed his creative powers… The content of Duchamp's silence refers to the aim of leaving the subconscious passive, of developing it. This is the aspect of Duchamp, which is related to Surrealism. The surrealists asserted that they could live with their subconscious; they thought they were above reality, but instead they were beneath it. They thought they could fish in muddy waters…. but to my mind, the images which emerged have a repressive effect.”

Joseph Beuys (1921–1986) German visual artist

Quote in an interview with , 1986; republished in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993.pp. 169-170
Beuys refers in his quote to the so-called 'Silence of Marcel Duchamp', the period that Duchamp stopped creating art
1980's

Art, Behavior, Idea, Reality