Quotes about hill
page 6

Muhammad of Ghor photo

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Muhammad of Ghor (1160–1206) Ghurid Sultan

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Matthew Arnold photo
Colin Wilson photo
Samuel Taylor Coleridge photo

“Ye lightnings, the dread arrows of the clouds!
Ye signs and wonders of the element!
Utter forth ' God,' and fill the hills with praise!”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Hymn in the Vale of Chamouni" (1802)

John Dos Passos photo
John Muir photo
Aurangzeb photo

“The village of Sattara near Aurangabad was my hunting ground. Here on the top of a hill, stood a temple with an image of Khande Rai. By God's grace I demolished it, and forbade the temple dancers (muralis) to ply their shameful profession.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Satara (Maharashtra) Kalimat-i-Tayyibat, quoted in Sarkar, Jadu Nath, History of Aurangzeb, Vol. II, p. 94 https://archive.org/details/in.ernet.dli.2015.62677/page/n293
Quotes from late medieval histories

Khalil Gibran photo
Harry Turtledove photo
Samuel Rogers photo
Maurice de Vlaminck photo
Thomas Gray photo

“Ah, happy hills! ah, pleasing shade!
Ah, fields beloved in vain!
Where once my careless childhood stray'd,
A stranger yet to pain!
I feel the gales that from ye blow
A momentary bliss bestow.”

Thomas Gray (1716–1771) English poet, historian

St. 2
Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)

Jane Austen photo
Thomas Hardy photo
Assata Shakur photo
John F. Kennedy photo
Heinz Isler photo

“Among others there are three methods for shaping shells: the freely shaped hill, the membrane under pressure and the hanging cloth reversed.”

Heinz Isler (1926–2009) engineer

"New Shapes for Shells" (1961) Bulletin of the International Association for Shell Structures, No. 8: pp. 123-130, as quoted by John Chilton, "39 etc… : Heinz Isler’s infinite spectrum of new shapes for shells" (2009) Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2009, Valencia, Evolution and Trends in Design, Analysis and Construction of Shell and Spatial Structures, 28 September – 2 October 2009, Universidad Politecnica de Valencia, Spain, eds. Alberto Domingo, Carlos Lazaro.

John Mandeville photo

“This Ryvere comethe rennynge from Paradys terrestre, betwene the Desertes of Ynde; and aftre it smytt unto Londe, and rennethe longe tyme many grete Contrees undre Erthe: And aftre it gothe out undre an highe Hille, that Men clepen Alothe, that is betwene Ynde and Ethiope, the distance of five Moneths Journeyes fro the entree of Ethiope. And aftre it envyronnethe alle Ethiope and Morekane, and gothe alle along fro the Lond of Egipte, unto the Cytee of Alisandre, to the ende of Egipte; and there it fallethe into the See.”

John Mandeville (1300–1372) writer

This River cometh, running from Terrestrial Paradise, between the Deserts of Ind, and after it smiteth into the Land, and runneth long time through many great Countries under Earth. And after it goeth out under an high Hill, that men call Alothe, that is between Ind and Ethiopia the distance of 5 Months' Journeys from the Entry of Ethiopia; and after it environeth all Ethiopia and Mauritania, and goeth all along from the Land of Egypt unto the City of Alexandria to the End of Egypt, and there it falleth into the Sea.
Source: The Voiage and Travaile of Sir John Maundevile, Kt., Ch. 5

Jane Goodall photo
John Keats photo
William Ellery Channing photo
Francis Thompson photo

“The hills look over on the South,
And Southward dreams the sea;
And with the sea-breeze hand in hand,
Came innocence and she.”

Francis Thompson (1859–1907) British poet

Daisy http://www.bartleby.com/103/26.html (1893), st. 2.

Alexander Pope photo
Robert E. Howard photo
Max Brooks photo

“Do you know how many times, when I was a kid, going to Europe, having a Frenchman try to get on my case about Vietnam. And that wasn't the problem, do you know what it was like to have other kids, other American students go, "yeah, it's pretty bad, in Vietnam, we should, yeah". And I'd be like, 'but, mhmm, French Indochina.', and they'd be like, "Oh is that near Vietnam" (groans). We don't educate our young people, and then we send them out into the world, as ambassadors as lameness. So no, no world empire, I don't want to be responsible for the plumbing in Rwanda, but we do need to become as much of a student of them as they are of us. Because, here's the thing. Well, the problem with the global village, remember in the early 90's, with the term now, global village, well the problem with the global village is that a lot of people are waking up realizing that they are in the global villages ghetto. And now with media, we are broadcasting these images of our wealth, and our power, our society, and the people in the global village are looking up on the hill seeing that mansion, but we're not looking down into the slum, and we need to do that. There's just so many times you can drive slowly through the ghetto in a rich convertible before you get carjacked. So this is what I mean, we need to engage…”

Max Brooks (1972) American author

Lecture of Opportunity | Max Brooks: World War Z https://www.youtube.com/watch?v=-nGG5E04cog

Henry Howard, Earl of Surrey photo
William Blake photo

“The fields from Islington to Marybone,
To Primrose Hill and Saint John's Wood:
Were builded over with pillars of gold,
And there Jerusalems pillars stood.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 27, "To the Jews" 1) lines 1-4

David Jewett Waller, Sr. photo

“The time [will] come when a thousand students [will] be assembled on the hill for the purpose of seeing an education.”

David Jewett Waller, Sr. (1815–1893) Pennsylvanian minister and civic leader

1875, as attributed in Preacher, Entrepreneur: Rev. D.J. Waller Sr. by William M. Ballie (2011)

Amir Khusrow photo
José Martí photo
Harry Turtledove photo
Joaquin Miller photo
William Morley Punshon photo
John Fante photo
William Morris photo
Ossip Zadkine photo
Charles Kingsley photo

“Changeless march the stars above,
Changeless morn succeeds to even;
And the everlasting hills,
Changeless watch the changeless heaven.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

The Saint's Tragedy (1848), Act II, scene 2.

Jacqueline Kennedy Onassis photo
Sarah Helen Whitman photo
James Grant Wilson photo

“No nation is more abundant than Scotland in local bards that sing of streams & valleys & heathery hills”

James Grant Wilson (1832–1914) Union Army general

Preface to Poets & Poetry of Scotland Vol 1 , Blackie & Son , Edinburgh 1876

Aurangzeb photo

“27 January 1670: During this month of Ramzan abounding in miracles, the Emperor as the promoter of justice and overthrower of mischief, as a knower of truth and destroyer of oppression, as the zephyr of the garden of victory and the reviver of the faith of the Prophet, issued orders for the demolition of the temple situated in Mathura, famous as the Dehra of Kesho Rai. In a short time by the great exertions of his officers, the destruction of this strong foundation of infidelity was accomplished, and on its site a lofty mosque was built at the expenditure of a large sum. This temple of folly was built by that gross idiot Birsingh Deo Bundela. Before his accession to the throne, the Emperor Jahangir was displeased with Shaikh Abul Fazl. This infidel [Birsingh] became a royal favourite by slaying him [Abul Fazl], and after Jahangir’s accession was rewarded for this service with the permission to build the temple, which he did at an expense of thirty-three lakhs of rupees.
Praised be the august God of the faith of Islam, that in the auspicious reign of this destroyer of infidelity and turbulence [Aurangzeb], such a wonderful and seemingly impossible work was successfully accomplished. On seeing this instance of the strength of the Emperor’s faith and the grandeur of his devotion to God, the proud Rajas were stifled, and in amazement they stood like facing the wall. The idols, large and small, set with costly jewels, which had been set up in the temple, were brought to Agra, and buried under the steps of the mosque of the Begam Sahib, in order to be continually trodden upon. The name of Mathura was changed to Islamabad.
17 December 1679: Hafiz Muhammad Amin Khan reported that some of his servants had ascended the hill and found the other side of the pass also deserted; (evidently) the Rana had evacuated Udaipur and fled. On the 4th January/12th Zil. H., the Emperor encamped in the pass. Hasan ‘Ali Khan was sent in pursuit of the infidel. Prince Muhammad ‘Azam and Khan Jahan Bahadur were permitted to view Udaipur. Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana’s palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers. Twenty machator Rajputs [who] were sitting in the temple, vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Saqi Mustad Khan, Maasir-i-Alamgiri, translated and annotated by Jadunath Sarkar, Royal Asiatic Society of Bengal, Calcutta, 1947, reprinted by Oriental Books Reprint Corporation, Delhi, 1986. quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: January, 1670. “In this month of Ramzan, the religious-minded Emperor ordered the demolition of the temple at Mathura known as the Dehra of Keshav Rai. His officers accomplished it in a short time. A grand mosque was built on its site at a vast expenditure. The temple had been built by Bir Singh Dev Bundela, at a cost of 33 lakhs of Rupees. Praised be the God of the great faith of Islam that in the auspicious reign- of this destroyer of infidelity and turbulence, such a marvellous and [seemingly] impossible feat was accomplished. On seeing this [instance of the] strength of the Emperor’s faith and the grandeur of his devotion to God, the Rajahs felt suffocated and they stood in amazement like statues facing the walls. The idols, large and small, set with costly jewels, which had been set up in the temple, were brought to Agra and buried under the steps of the mosque of Jahanara, to be trodden upon continually.”
Quotes from late medieval histories, 1670s

Bruce Springsteen photo

“They found him shot dead outside Stockton,
His body lyin' on a muddy hill.
Nothin' taken, nothin' stolen;
Somebody killed him just to kill.”

Bruce Springsteen (1949) American singer and songwriter

"The New Timer"
Song lyrics, The Ghost of Tom Joad (1995)

Georgia O'Keeffe photo
Grandma Moses photo

“I paint from the top down. From the sky, then the mountains, then the hills, then the houses, then the cattle, and then the people.”

Grandma Moses (1860–1961) American artist

As quoted in Tampa Bay Magazine‎ (January/February 2008), p. 205

Emily Dickinson photo
Prince photo
James Beattie photo
George Eliot photo
Peter Greenaway photo
Alfred Denning, Baron Denning photo
M.I.A. photo

“M. I. A.: He looks like he always has gel in it. Hold on. [to taxi driver] Can you pull over, please? I’m at Notting Hill Gate station.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Sourced quotes, Interview with Romain Gavras for Interview (2010)

Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

James Beattie photo
Phillis Wheatley photo
John Ogilby photo

“I'le delight in Vales, near pleasant Floods,
And unrenown'd, haunt Rivers, Hills and Woods.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Georgicks

Bernard Cornwell photo
Lucius Shepard photo
Leonid Feodorov photo
Eino Leino photo
Dylan Moran photo
Ehud Barak photo

“[How is it consistent with what you advocated this evening in terms of a vision for peace, that you continued to allow the building of settlements in the West Bank, during your primeministership? ] Let me tell you, first of all, during my term as a Prime Minister, we have not built a single new settlement. I ordered the dismantling of many voluntary -- I don't know how to call it -- new settlements that had been set on top of hills in different parts of the West Bank, basically. But, I allowed contracts, contracts that had been signed, legally, in Israel, beforehand. To build new neighborhoods in some big cities in the West Bank, cities with 25,000 or 30,000 people. And very few new homes, in small settlements, where youngsters, who came back from the army service, asked to build their home near the home of their parents. Now, Israel is a law-abiding state, you cannot break contracts, there is Supreme Court. If the government behaves in a way that is not proper, any individual can appeal and change whatever we decide. Realizing that this is a sensitive issue from the Palestinian side, I talked to Arafat, at the beginning of my term as a Prime Minister, and I told him: Mr. Chairman, I know that you are worried about it, it creates some problems, in your own constituency. But let me tell you, we have a great opportunity here to put an end to the whole conflict, in a year and a half. When President Clinton that invested unbelievable amount of energy and political capital in trying to solve it, and he's still in power. Now, I understand your problem with settlement if there is no end, there is no time limit, and you are afraid that maybe the accumulation of new settlements will change the nature of the situation, for the worse, from your position. So I tell you, out of our own considerations, independent of you, we have decided not to set even a single new settlement. We will not allow anyone to establish his own private initiatives on the hills, for our own reasons, not because of you. But at the same time I will respect any contract that has been signed, under law, in Israel. But -- and here is a point -- bearing in mind that we can put an end to the conflict, to reach an agreement within a year and a half, why the hell it will matter? To build a new building in Israel takes more than a year and a half, so you won't see any building that is not already emerging from the ground, having it's roof before we can reach an agreement. Now if such a building happens to be in a settlement that will become, under the agreement, part of the new independent Palestine, why the hell you have to care? Take it, use it, put some refugees in it. And if it will happen to be a part of what will be agreed, as Israel, in a mutual agreement that is signed by you, why the hell do you care, if you agree? I believe that that simple answer would not solve his public -- or internal political -- problems, but it would solve the real issue if the will was there to make peace, and not just to politically maneuver and manipulate.”

Ehud Barak (1942) Israeli politician and prime minister

Speech at UC Berkeley http://www.jewishsf.com/content/2-0-/module/displaystory/story_id/19324/edition_id/391/format/html/displaystory.html, November 22, 2002

Alvin C. York photo
Lois Duncan photo

“The reasons for censorship reflect the social climate of the times. The publisher of Debutante Hill asked me to revise the manuscript because I had a 19-year-old boy (the ‘bad guy’) drink a beer. When I changed the beer to a Coke, the book was published and won the ‘Seventeenth Summer Literary Award.”

Lois Duncan (1934–2016) American young-adult and children's writer

On censorship, interview https://web-beta.archive.org/web/20130801124618/http://absolutewrite.com/specialty_writing/lois_duncan.htm in Absolute Write (2002)
1990–2002

Joan Baez photo
F. W. de Klerk photo
Neil Munro (Hugh Foulis) photo
John Keats photo
Iris DeMent photo
Northrop Frye photo

“If I had been on the hills of Bethlehem in the year one, I do not think I should have heard angels singing because I do not hear them now, & there is no reason to suppose that they have stopped.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 74

Letitia Elizabeth Landon photo
Thomas Wolfe photo
Attila photo

“Here you stand, after conquering mighty nations and subduing the world. I therefore think it foolish for me to goad you with words, as though you were men who had not been proved in action. Let a new leader or an untried army resort to that. It is not right for me to say anything common, nor ought you to listen. For what is war but your usual custom? Or what is sweeter for a brave man than to seek revenge with his own hand? It is a right of nature to glut the soul with vengeance. Let us then attack the foe eagerly; for they are ever the bolder who make the attack. Despise this union of discordant races! To defend oneself by alliance is proof of cowardice. See, even before our attack they are smitten with terror. They seek the heights, they seize the hills and, repenting too late, clamor for protection against battle in the open fields. You know how slight a matter the Roman attack is. While they are still gathering in order and forming in one line with locked shields, they are checked, I will not say by the first wound, but even by the dust of battle. Then on to the fray with stout hearts, as is your wont. Despise their battle line. Attack the Alani, smite the Visigoths! Seek swift victory in that spot where the battle rages. For when the sinews are cut the limbs soon relax, nor can a body stand when you have taken away the bones. Let your courage rise and your own fury burst forth! Now show your cunning, Huns, now your deeds of arms! Let the wounded exact in return the death of his foe; let the unwounded revel in slaughter of the enemy. No spear shall harm those who are sure to live; and those who are sure to die Fate overtakes even in peace. And finally, why should Fortune have made the Huns victorious over so many nations, unless it were to prepare them for the joy of this conflict. Who was it revealed to our sires the path through the Maeotian swamp, for so many ages a closed secret? Who, moreover, made armed men yield to you, when you were as yet unarmed? Even a mass of federated nations could not endure the sight of the Huns. I am not deceived in the issue;--here is the field so many victories have promised us. I shall hurl the first spear at the foe. If any can stand at rest while Attila fights, he is a dead man.”

Attila (406–453) King of the Hunnic Empire

As quoted by Jordanes, The Origin and Deeds of the Goths http://people.ucalgary.ca/~vandersp/Courses/texts/jordgeti.html#attila, translated by Charles C. Mierow

Clifford D. Simak photo
William Collins photo

“But thou, lorn stream, whose sullen tide
No sedge-crown'd sister now attend,
Now waft me from the green hill's side
Whose cold turf hides the buried friend!”

William Collins (1721–1759) English poet, born 1721

Source: Ode Occasioned by the Death of Mr. Thomson, (1748) http://www.luminarium.org/eightlit/collins/thomson.php, line 29.

Richard Henry Dana Jr. photo
Audre Lorde photo
Pauline Johnson photo

“August is laughing across the sky
laughing, while paddle, canoe and I
Drift, drift
Where hills uplift
either side of the current.. swift”

Pauline Johnson (1861–1913) Canadian poet and performer

from The Song my Paddle sings

Emma Lazarus photo
John Fletcher photo

“Hide, oh, hide those hills of snow
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are of those that April wears!
But first set my poor heart free,
Bound in those icy chains by thee.”

John Fletcher (1579–1625) English Jacobean playwright

Act IV, scene i. Compare: "Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again, bring again; Seals of love, but sealed in vain, sealed in vain", William Shakespeare, Measure for Measure.
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)

James Macpherson photo
Robert E. Howard photo
Bob Dylan photo

“Up on Housing Project Hill, it's either fortune or fame. You must pick one or the other, though neither of them are to be what they claim.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Highway 61 Revisited (1965), Just Like Tom Thumb's Blues

David Miscavige photo

“Scientologists are at war with a member of their own family - the outspoken niece of the church's powerful leader, David Miscavige. Jenna Hill Miscavige, 24, the daughter of David's older brother Ron, recently came out in support of Andrew Morton's "Tom Cruise: An Unauthorized Biography," and slammed the star for "supporting a religion that tears apart families, both in the media and monetarily."”

David Miscavige (1960) leader of the Church of Scientology

Since then, Jenna claims she's been subjected to harassment.
[Richard Johnson, Paula Froelich, Bill Hoffmann, Corynne Steindler, Marianne Garvey, http://www.nypost.com/p/pagesix/item_cTEbjaLicw7fDz7Gu2jFoK;jsessionid=A8156F120CCA0D16F233E470F02315D7, Family Feud In Tom's Church, New York Post, NYP Holdings, Inc, February 6, 2008, 2010-07-03].
About

Alauddin Khalji photo
Calvin Coolidge photo
Robert Louis Stevenson photo

“Be it granted me to behold you again in dying,
Hills of home!”

No. XLV, S.R. Crockett.
Songs of Travel and Other Verses (1896)

Phil Hartman photo
Samuel Taylor Coleridge photo

“First we look at the hills in the painting,
Then we look at the painting in the hills.”

As quoted in Lin Yutang's My Country and My People (1935), pp. 99 and 248
Compare:
We're made so that we love
First when we see them painted, things we've passed
Perhaps a hundred times nor cared to see;
And so they are better, painted,—better to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out.
Robert Browning, "Fra Lippo Lippi" (1855)

Hollow Horn Bear photo

“Mr. Lelar gave me a paper for the arrest of Crow Dog. Found defendant on a hill between White River and Rosebud Creek, where I made the arrest. Defendant had no clothes at the time, except a blanket, breechclout, and leggings and was on horseback. I did as I was ordered and took defendant to Fort Niobara.”

Hollow Horn Bear (1850–1913) 19th century Lakota chief and policeman

On the arrest of Crow Dog, in [Harring, Sidney L., Crow Dog's Case: A Chapter in the Legal History of Tribal Sovereignty Harring, American Indian Law Review, 1989, 14, 2, 191-240, http://heinonline.org/HOL/P?h=hein.journals/aind14&i=202, 1 March 2018]

Torquato Tasso photo

“Like as the wind, stopped by some wood or hill,
Grows strong and fierce, tears boughs and trees in twain,
But with mild blasts, more temperate, gentle, still,
Blows through the ample field or spacious plain;
Against the rocks as sea-waves murmur shrill,
But silent pass amid the open main:
Rinaldo so, when none his force withstood,
Assuaged his fury, calmed his angry mood.”

Torquato Tasso (1544–1595) Italian poet

Qual vento a cui s'oppone o selva o colle,
Doppia nella contesa i soffj e l'ira;
Ma con fiato più placido e più molle
Per le campagne libere poi spira.
Come fra scoglj il mar spuma e ribolle:
E nell'aperto onde più chete aggira.
Così quanto contrasto avea men saldo,
Tanto scemava il suo furor Rinaldo.
Canto XX, stanza 58 (tr. Fairfax)
Gerusalemme Liberata (1581)