Quotes about hair
page 11

Nora Perry photo
Robert E. Howard photo

“…it's as electrifying as a hair dryer thrown into a bathtub…look at the balance…the timing…he's like a master thief stealing the silverware in the dark night…the galácticos are gladiators tonight…and Gareth Bale is Spartacus!”

Ray Hudson (1955) English footballer

[Mandis, Steven G., The Real Madrid Way: How Values Created the Most Successful Sports Team on the Planet, 2016, BenBella Books, https://books.google.fi/books/about/The_Real_Madrid_Way.html?id=IEbQDAAAQBAJ&redir_esc=y, 978-1-942952-54-1]
After Gareth Bale headed the game-winning goal in from two yards out to put Real ahead for the first time, in the 110th minute.
2014 UEFA Champions League Final

Letitia Elizabeth Landon photo

“Rode by radiant shapes that seem
Creatures made of bloom and beam,
With their hair and plumes' gay dyes
Glorious as the morning skies.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1824

Abraham Cowley photo

“An harmless flaming meteor shone for hair,
And fell adown his shoulders with loose care.”

Abraham Cowley (1618–1667) British writer

Book II, lines 801-802
Compare: "Loose his beard and hoary hair / Stream'd like a meteor to the troubled air", Thomas Gray, The Bard, i. 2
Davideis (1656)

Larry Hogan photo
Clara Jessup Moore photo
Oksana Shachko photo
Henrik Ibsen photo

“Back he'll come…With vine leaves in his hair. Flushed and confident.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Hedda, Act II
Hedda Gabler (1890)

Max Müller photo
Homér photo
Sofia Samatar photo

““A book,” says Vandos of Ur-Amakir, “is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.” Fanlewas the Wise, the great theologian of Avalei, writes that Kuidva, the God of Words, is “a taskmaster with a lead whip.” Tala of Yenith is said to have kept her books in an iron chest that could not be opened in her presence, else she would lie on the floor, shrieking. She wrote: “Within the pages there are fires, which can rise up, singe the hair, and make the eyelids sting.” Ravhathos called the life of the poet “the fair and fatal road, of which even the dust and stones are dear to my heart,” and cautioned that those who spend long hours engaged in reading or writing should not be spoken to for seven hours afterward. “For they have gone into the Pit, into which they descend on Slopes of Fire, but when they rise they climb on a Ladder of Stone.” Hothra of Ur-Brome said that his books were “dearer than father or mother,” a sentiment echoed by thousands of other Olondrians through the ages, such as Elathuid the Voyager, who explored the Nissian coast and wrote: “I sat down in the wilderness with my books, and wept for joy.” And the mystic Leiya Tevorova, that brave and unfathomable soul, years before she met her tragic death by water, wrote: “When they put me into the Cold, above the white Lake, in the Loathsome Tower, and when Winter came with its cruel, hard, fierce, dark, sharp and horrible Spirit, my only solace was in my Books, wherein I walked like a Child, or shone in the Dark like a Moth which has its back to a sparkling Fire.””

Source: A Stranger in Olondria (2013), Chapter 3, “Doorways” (p. 19; the first sentence is echoed on p. 273)

Ilana Mercer photo
Rose Hartwick Thorpe photo
Salma Hayek photo

“The whole society is obsessed…. I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own.”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)
Context: The whole society is obsessed.... I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own. I, a rich girl from Mexico, came here with designer clothes. And one day when I was starving in an apartment in Los Angeles, I looked at my Chanel blouses and said, "If only I could pay the rent with one of these." … In those days, the rag I used to dry my dishes was more useful. Now many who start in this business come to me for advice and ask, "How do I get started?" And I have to say, "I honestly have no idea." I think it's a bunch of accidents that happen to you and somehow you survive them and take advantage of them and something magical happens — and you have an agent.

Connie Willis photo

“Kepe from haire. Der fevreblau hast bifallen us.”

Source: Doomsday Book (1992), Chapter 35 (p. 563)

Bernard Lown photo

“It is a statistical certainly that hair-trigger readiness cannot endure as a permanent condition.”

Bernard Lown (1921–2021) American cardiologist developer of the DC defibrillator and the cardioverter, as well as a recipient of the…

A Prescription for Hope (1985)
Context: As no national interest would justify inflicting genocide on the victim and suicide on the aggressor, a prevalent misconception is that nuclear war will never be fought. But the realities of our age compel an opposite assessment. In no previous epoch were adversaries so continuously and totally mobilized for instant war. It is a statistical certainly that hair-trigger readiness cannot endure as a permanent condition. Furthermore, the unrelenting growth in nuclear arsenals, the increasing accuracy of missiles, and the continuing computerization of response systems all promote instabilities which court nuclear war by technical malfunction; by miscalculation, human aberration or criminal act.

Mohamed ElBaradei photo

“More than 15 years after the end of the Cold War, it is incomprehensible to many that the major nuclear-weapon states operate with their arsenals on hair-trigger alert — such that, in the case of a possible launch of a nuclear attack, their leaders could have only 30 minutes to decide whether to retaliate, risking the devastation of entire nations in a matter of minutes.”

Mohamed ElBaradei (1942) Egyptian law scholar and diplomat, former Director General of the International Atomic Energy Agency, and Nobel …

Nobel lecture (2005)
Context: A good start would be if the nuclear-weapon states reduced the strategic role given to these weapons. More than 15 years after the end of the Cold War, it is incomprehensible to many that the major nuclear-weapon states operate with their arsenals on hair-trigger alert — such that, in the case of a possible launch of a nuclear attack, their leaders could have only 30 minutes to decide whether to retaliate, risking the devastation of entire nations in a matter of minutes.

P. J. O'Rourke photo
Ikkyu photo

“It has the original mouth but remains wordless;
It is surrounded by a magnificent mound of hair.
Sentient beings can get completely lost in it
But it is also the birthplace of all the Buddhas of the ten thousand worlds.”

Ikkyu (1394–1481) Japanese Buddhist monk

"A Woman's Sex" in Wild Ways : Zen Poems (2003), edited and translated by John Stevens, p. 74.

Alfred, Lord Tennyson photo

“Death was not. I lived in a simple drowse:
Hands and hair moved through a dream of wakening blossoms.”

Theodore Roethke (1908–1963) American poet

"The Shape of the Fire," ll. 73-77
The Lost Son and Other Poems (1948)
Context: Death was not. I lived in a simple drowse:
Hands and hair moved through a dream of wakening blossoms.
Rain sweetened the cave and the dove still called;
The flowers leaned on themselves, the flowers in hollows;
And love, love sang toward.

Jacqueline Kennedy Onassis photo

“I saw myself in the mirror; my whole face spattered with blood and hair… I wiped it off with Kleenex… History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done…”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

A variant reading of White's notes exists: Then later I said to Bobby — what's the line between histrionics and drama. I should have kept the blood on. but in White's own published memoir In Search of History: A Personal Adventure (1978) this is rendered "what's the line between history and drama?"
The "Camelot" interview (29 November 1963)
Context: History!... Everybody kept saying to me to put a cold towel around my head and wipe the blood off... later, I saw myself in the mirror; my whole face spattered with blood and hair... I wiped it off with Kleenex... History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done... If I'd just had the blood and caked hair when they took the picture … Then later I said to Bobby — what's the line between history and drama? I should have kept the blood on.

Robert Williams Buchanan photo

“O Balder, he who fashion’d us,
And bade us live and move,
Shall weave for Death’s sad heavenly hair
Immortal flowers of love.”

Robert Williams Buchanan (1841–1901) Scottish poet, novelist and dramatist

Balder the Beautiful (1877)
Context: “O Balder, he who fashion’d us,
And bade us live and move,
Shall weave for Death’s sad heavenly hair
Immortal flowers of love.
“Ah! never fail’d my servant Death,
Whene’er I named his name,—
But at my bidding he hath flown
As swift as frost or flame.
“Yea, as a sleuth-hound tracks a man,
And finds his form, and springs,
So hath he hunted down the gods
As well as human things!
“Yet only thro’ the strength of Death
A god shall fall or rise —
A thousand lie on the cold snows,
Stone still, with marble eyes.
“But whosoe’er shall conquer Death,
Tho’ mortal man he be,
Shall in his season rise again,
And live, with thee, and me!
“And whosoe’er loves mortals most
Shall conquer Death the best,
Yea, whosoe’er grows beautiful
Shall grow divinely blest.”
The white Christ raised his shining face
To that still bright’ning sky.
“Only the beautiful shall abide,
Only the base shall die!”

Todd Snider photo

“And so I go in there, and it's one of them bars, like everyone's drinking beer and there are like, say, twenty people in there and they have maybe, say, seventeen teeth total in the whole place. And I'm not a good fighter, or very good at protecting myself at all, you know! And I thought, well this could - this may not work out. So I saw behind the bar there was this one older woman; she looked like she was in her eighties and she kinda hunched over like I remember my grandma started to do, she kinda, she had curly white hair, and she's all… I thought, well, I could take her…”

Todd Snider (1966) American singer

The Story of the Ballad of the Devil's Backbone Tavern.
Near Truths and Hotel Rooms (2003)
Context: (Spoken) You get out in the desert and there's no signs. And of course it was just me and all my friends, it was all guys in the car, so we drove about another two and a half hours before we ever pulled over and asked anybody where we was. And we were on this thing called the Devil's Backbone Highway, right, so we finally pull into this place uniquely named "The Devil's Backbone Tavern." We go in, and all the guys say I gotta go in, you know. And so I go in there, and it's one of them bars, like everyone's drinking beer and there are like, say, twenty people in there and they have maybe, say, seventeen teeth total in the whole place. And I'm not a good fighter, or very good at protecting myself at all, you know! And I thought, well this could - this may not work out. So I saw behind the bar there was this one older woman; she looked like she was in her eighties and she kinda hunched over like I remember my grandma started to do, she kinda, she had curly white hair, and she's all... I thought, well, I could take her...

Yevgeny Zamyatin photo
Dylan Moran photo

“Bagpipes covered in hair”

Dylan Moran (1971) Irish actor and comedian

On testicles.
Monster (2004)

Robert G. Ingersoll photo

“Everywhere pain, disease and death—death that does not wait for bent forms and gray hairs, but clutches babes and happy youths. Death that takes the mother from her helpless, dimpled child—death that fills the world with grief and tears. How can the orthodox Christian explain these things?”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Why I Am an Agnostic (1896)
Context: What can be more frightful than a world at-war? Every leaf a battle-field—every flower a Golgotha—in every drop of water pursuit, capture and death. Under every piece of bark, life lying in wait for life. On every blade of grass, something that kills,—something that suffers. Everywhere the strong living on the weak—the superior on the inferior. Everywhere the weak, the insignificant, living on the strong—the inferior on the superior—the highest food for the lowest—man sacrificed for the sake of microbes. Murder universal. Everywhere pain, disease and death—death that does not wait for bent forms and gray hairs, but clutches babes and happy youths. Death that takes the mother from her helpless, dimpled child—death that fills the world with grief and tears. How can the orthodox Christian explain these things?

Joshua Jackson photo

“As a leading man you don't ask a woman's age, and you don't care about her natural hair colour or her weight.”

Joshua Jackson (1978) Canadian actor

In the article 'What I know about women...' in Observer Women's Magazine (February 2007)
Context: When I was about 15, thinking I was engaging in a light conversation, I asked a woman when she was due. Of course, she wasn't pregnant. I learned the lesson never to ask again. As a leading man you don't ask a woman's age, and you don't care about her natural hair colour or her weight.

P. J. O'Rourke photo
Paul Bourget photo

“I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.”

Paul Bourget (1852–1935) French writer

Source: Andre Cornelis (1886), Ch. 14
Context: Is there any God, any justice, is there either good or evil? None, none, none, none! There is nothing but a pitiless destiny which broods over the human race, iniquitous and blind, distributing joy and grief at haphazard. A God who says, "Thou shalt not kill," to him whose father has been killed? No, I don't believe it. No, if hell were there before me, gaping open, I would make answer: "I have done well," and I would not repent. I do not repent. My remorse is not for having seized the weapon and struck the blow, it is that I owe to him — to him — that infamous good service which he did me — that I cannot to the present hour shake from me the horrible gift I have received from that man. If I had destroyed the paper, if I had gone and given myself up, if I had appeared before a jury, revealing, proclaiming my deed, I should not be ashamed; I could still hold up my head. What relief, what joy it would be if I might cry aloud to all men that I killed him, that he lied, and I lied, that it was I, I, who took the weapon and plunged it into him! And yet, I ought not to suffer from having accepted — no — endured the odious immunity. Was it from any motive of cowardice that I acted thus? What was I afraid of? Of torturing my mother, nothing more. Why, then, do I suffer this unendurable anguish? Ah, it is she, it is my mother who, without intending it, makes the dead so living to me, by her own despair. She lives, shut up in the rooms where they lived together for sixteen years; she has not allowed a single article of furniture to be touched; she surrounds the man's accursed memory with the same pious reverence that my aunt formerly lavished on my unhappy father. I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.

O. Henry photo

“When a man begins to be hilarious in a sorrowful way you can bet a million that he is dyeing his hair.”

O. Henry (1862–1910) American short story writer

"The Fool-Killer"
The Voice of the City (1908)
Context: I hated Kerner, and one day I met him and we became friends. He was young and gloriously melancholy because his spirits were so high and life had so much in store for him. Yes, he was almost riotously sad. That was his youth. When a man begins to be hilarious in a sorrowful way you can bet a million that he is dyeing his hair.

Edith Sitwell photo

“Within your magic web of hair, lies furled
The fire and splendour of the ancient world;”

Edith Sitwell (1887–1964) British poet

"The Web of Eros"
The Wooden Pegasus (1920)
Context: Within your magic web of hair, lies furled
The fire and splendour of the ancient world;
The dire gold of the comet's wind-blown hair;
The songs that turned to gold the evening air
When all the stars of heaven sang for joy.

Jerome photo

“Sweet it is to lay aside the weight of the body and to soar into the pure bright ether. Do you dread poverty? Christ calls the poor blessed. (Luke 6:20) Does toil frighten you? No athlete is crowned but in the sweat of his brow. Are you anxious as regards food? Faith fears no famine. Do you dread the bare ground for limbs wasted with fasting? The Lord lies there beside you. Do you recoil from an unwashed head and uncombed hair? Christ is your true head. Does the boundless solitude of the desert terrify you? In the spirit you may walk always in paradise. Do but turn your thoughts there and you will be no more in the desert.”
Libet, sarcina corporis abiecta, ad purum aetheris evolare fulgorem. Paupertatem times? sed beatos Christus pauperes appellat. Labore terreris? at nemo athleta sine sudore coronatur. De cibo cogitas? sed fides famem non timet. Super nudam metuis humum exesa ieiuniis membra collidere? sed Dominus tecum iacet. Squalidi capitis horret inculta caesaries? sed caput tuum Christus est. Infinita eremi vastitas te terret? sed tu paradisum mente deambula. Quotiescumque illuc cogitatione conscenderis, toties in eremo non eris.

Jerome (345–420) Catholic saint and Doctor of the Church

Letter 14, 10; Translated by W.H. Fremantle, G. Lewis and W.G. Martley. From Nicene and Post-Nicene Fathers, Second Series, Vol. 6. Edited by Philip Schaff and Henry Wace. (Buffalo, NY: Christian Literature Publishing Co., 1893.) Revised and edited for New Advent by Kevin Knight. http://www.newadvent.org/fathers/3001.htm
Letters

Jerome K. Jerome photo

“In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!”

Idle Thoughts of an Idle Fellow (1886)
Context: And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!

Gerald Durrell photo

“I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

Letter to his fiancée Lee, (31 July 1978), published in Gerald Durrell: An Authorized Biography by Douglas Botting (1999)
Context: I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. … I have known silence: the cold earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. … I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills fling home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their winds smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.

Gus Cannon photo

“Walk right in, sit right down, baby let your hair hang down”

Gus Cannon (1883–1979) American blues musician

Song Walk Right In (1927)
Context: Walk right in, sit right down, baby let your hair hang down.
Everybody's talking 'bout a new way of walking;
Do you want to lose you mind?

Bill Bailey photo
Laxmi Prasad Devkota photo

“Your whole world is a hair to me.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

Lunatic. 5
पागल (The Lunatic)
Context: I called the Navab's wine blood, the painted whore a corpse, and the king a pauper. I attacked Alexander with insults, and denounced the so-called great souls. The lowly I have raised on the bridge of praise to the seventh heaven. Your learned pandit is my great fool, your heaven my hell, your gold my iron, friend! Your piety my sin. Where you see yourself as brilliant I find you a dolt. Your rise, friend-my decline. That's the way our values are mixed up, friend! Your whole world is a hair to me. Oh yes, friend, I'm moonstruck through and through- moonstruck! That's just the way I am.

Alfred, Lord Tennyson photo
Yoko Ono photo

“I gave you my life, you gave me my life.
Like a gush of wind in my hair.”

Yoko Ono (1933) Japanese artist, author, and peace activist

"Walking On Thin Ice" on Season of Glass (1981).
Context: I gave you my life, you gave me my life.
Like a gush of wind in my hair.
Why do we forget what's been said
And play the game of life with our hearts?

Frederick Douglass photo

“It is only about six centuries since the blue-eyed and fair-haired Anglo Saxons were considered inferior by the haughty Normans, who once trampled upon them. If you read the history of the Norman Conquest, you will find that this proud Anglo-Saxon was once looked upon as of coarser clay than his Norman master, and might be found in the highways and byways of Old England laboring with a brass collar on his neck, and the name of his master marked upon it were down then! You are up now. I am glad you are up, and I want you to be glad to help us up also”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, What the Black Man Wants (1865)
Context: I utterly deny, that we are originally, or naturally, or practically, or in any way, or in any important sense, inferior to anybody on this globe. This charge of inferiority is an old dodge. It has been made available for oppression on many occasions. It is only about six centuries since the blue-eyed and fair-haired Anglo Saxons were considered inferior by the haughty Normans, who once trampled upon them. If you read the history of the Norman Conquest, you will find that this proud Anglo-Saxon was once looked upon as of coarser clay than his Norman master, and might be found in the highways and byways of Old England laboring with a brass collar on his neck, and the name of his master marked upon it were down then! You are up now. I am glad you are up, and I want you to be glad to help us up also.

Sallustius photo

“Since we have received everything from the Gods, and it is right to pay the giver some tithe of his gifts, we pay such a tithe of possessions in votive offering, of bodies in gifts of (hair and) adornment, and of life in sacrifices.”

Sallustius Roman philosopher and writer

XVI. Concerning sacrifices and other worships, that we benefit man by them, but not the Gods.
On the Gods and the Cosmos

Julius Caesar photo

“It is not the well-fed long-haired man I fear, but the pale and the hungry looking.”

Julius Caesar (-100–-44 BC) Roman politician and general

As reported in Plutarch's Anthony'; William Shakespeare adapted this in having Caesar declare Cassius as having "a lean and hungry look."

Keith Richards photo

“I've never had my hair cut by anybody, I do it all myself”

Keith Richards (1943) British rock musician, member of The Rolling Stones
Madonna photo
Hippolytus of Rome photo
Daniel Abraham photo
Chris Martin photo
Cary-Hiroyuki Tagawa photo
Veronica Chambers photo

“I was the first black woman editor at the New York Times Magazine – that’s crazy! I’m not that old where you’d think I could be the New York Times’ first anything, but I was… People wanted to know about things, they had questions about my hair, they wanted to know where I was from, they wanted to know if I only listen to hip-hop. When people aren’t exposed to difference, there’s a lot of burden put on you to explain…”

Veronica Chambers (1970) writer

On African American women being the “first” in their given fields in “Q&A with Veronica Chambers, author of ‘The Meaning of Michelle’” https://www.stanforddaily.com/2017/02/06/qa-with-veronica-chambers-author-of-the-meaning-of-michelle/ in The Stanford Daily (2017 Feb 6)

J. Howard Moore photo
Pete Buttigieg photo
W.E.B. Du Bois photo

“Why was his hair tinted with gold? An evil omen was golden hair in my life. Why had not the brown of his eyes crushed out and killed the blue?”

for brown were his father’s eyes, and his father’s father’s. And thus in the Land of the Color-line I saw, as it fell across my baby, the shadow of the Veil.
Source: The Souls of Black Folk (1903), Ch. XI: Of the Passing of the First-Born

Ernst, Baron von Feuchtersleben photo
Victor Villaseñor photo
Amrita Sher-Gil photo

“Rose water and raw spirit…weird amalgam of the bearded star gazer and the red haired pianist pounding away at her keyboard.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Malcolm Muggeridge who had an serious affair with her in The Triumph of Modernism: India's Artists and the Avant-garde, 1922-1947, page=46

Paul Scholes photo

“Good enough to play for Brazil. I love to watch Scholes, to see him pass, the boy with the red hair and the red shirt.”

Paul Scholes (1974) English footballer

http://www.telegraph.co.uk/sport/football/teams/manchester-united/8547825/Manchester-Uniteds-Paul-Scholes-lauded-by-players-and-coaches-around-the-world-after-announcing-retirement.html
Sócrates

James Bolivar Manson photo

“A flushed face, white hair and a twinkle in his eye; and this twinkling got him out of scrapes that would have sunk a worthier man without trace.”

James Bolivar Manson (1879–1945) British artist

Kenneth Clark, quoted in Frances Spalding, The Tate: A History (1998), pp. 62–70. Tate Gallery Publishing, London. ISBN 1854372319.

Jeff Buckley photo
Jerry Seinfeld photo
Truman Capote photo

“Never trust a nigger: their minds and hair are full of kinks in equal measure.”

Miss Amy
Other Voices, Other Rooms (1948)

Julio Cortázar photo
Julio Cortázar photo
Julio Cortázar photo
Julio Cortázar photo

“I left home young. I returned old;
Speaking as then, but with hair grown thin;
And my children, meeting me, do not know me.
They smile and say: "Stranger, where do you come from?"”

He Zhizhang (659–744) Chinese writer

(zh-TW) 少小離家老大回,鄉音無改鬢毛衰。
兒童相見不相識,笑問客從何處來。
"Coming Home" (《回乡偶书》) in Three Hundred Poems of the Tang Dynasty, trans. Witter Bynner

T.S. Eliot photo
T.S. Eliot photo
Margot Robbie photo

“You can’t tuck your hair back the way you would, you can’t wipe away tears the way you would, because you’ve got nails that are an inch long. All your mannerisms change easily, when you have inch-long acrylic nails.”

Margot Robbie (1990) Australian actress

Melena Ryzik, "Acting Tips From Mrs. Wolf of Wall Street (Hint: Get a Flask)" https://carpetbagger.blogs.nytimes.com/2013/12/31/acting-tips-from-mrs-wolf-of-wall-street-hint-get-a-flask/?_r=0, The New York Times, (December 31, 2013).

Habib Bourguiba photo
Jacqueline Wilson photo

“I don’t think that girls would ever have wanted a grey-haired, wrinkly writer as a role model if they were wanting to feel good about maybe being gay…I’m sure they could find much more glamorous examples.”

Jacqueline Wilson (1945) novelist

On why she never wrote a children’s or young adult book addressing gayness in “Jacqueline Wilson: 'I've never really been in any kind of closet'” https://www.theguardian.com/books/2020/apr/04/jacqueline-wilson-ive-never-really-been-in-any-kind-of-closet in The Guardian (2020 Apr 4)

“You ask me to plow the ground. Shall I take a knife and tear my mother's bosom? Then when I die she will not take me to her bosom to rest.
You ask me to dig for stones! Shall I dig under her skin for bones? Then when I die I cannot enter her body to be born again.
You ask me to cut grass and make hay and sell it and be rich like white men, but how dare I cut my mother's hair?
I want my people to stay with me here. All the dead men will come to life again. Their spirits will come to their bodies again. We must wait here in the homes of our fathers and be ready to meet them in the bosom of our mother.”

Smohalla (1815–1895) Native American prophet-dreamer

As quoted in The Ghost-Dance Religion and Wounded Knee (1890) by James Mooney on page 721; it has been sometimes also ascribed to w:Wovoka, which seems misappropriated as Mooney himself mentions Wovoka in the same book from page 765 on.
"It is perhaps the most commonly cited piece of evidence documenting the Native American belief in Mother Earth. […]They rarely place the statement in the context in which Mooney presented it, that is, the history of millenarian movements spawned in part by the pressures Native American felt from the European-Americans' insatiable desire for land […] it is a direct response to 'white' pressures placed on native relationships with the land." From Mother Earth. An American Story. https://www.press.uchicago.edu/ucp/books/book/chicago/M/bo5975950.html

Omar Khayyám photo
Ian McEwan photo
Ivanka Trump photo

“During my punk phase in the nineties, I was really into Nirvana. My wardrobe consisted of ripped corduroy jeans and flannel shirts. One day after school, I dyed my hair blue. Mom wasn't a fan of this decision.”

Ivanka Trump (1981) American businesswoman, socialite, fashion model and daughter of Donald Trump

10 October 2017, Raising Trump page 74 https://books.google.ca/books?id=gQ5aDgAAQBAJ&pg=PT74
2017

Willis Allan Ramsey photo
T.S. Eliot photo
John Mulaney photo
Paulo Coelho photo
Suraj Sani photo

“I also admit that some gray-haired men are stupid but that doesn’t mean I am. I know myself.”

Suraj Sani (1996) Nigerian writer, Spoken word artist

Source: Quotes from Thorns in The desert, P. 11.

Sade Adu photo

“Most things around are very similar in every respect, the music and the way people look. In order to be in a band, you have to have certain colors in your hair—still! Our image is striking because it is different, not because it is particularly outstanding.”

Sade Adu (1959) English singer-songwriter

On the appeal of her band in “Sade: Our 1985 Interview” https://www.spin.com/featured/sade-diamond-life-interview-may-1985/ in SPIN (2019 Jul 20)
Music

Kurt Cobain photo

“Cut myself on angel hair and baby's breath.”

Kurt Cobain (1967–1994) American musician and artist

Song lyrics, In Utero (1993)

Lana Condor photo

“When you do action stuff and sci-fi stuff, you have a lot to hide behind - the hair and the makeup and the special effects. But when you play a normal girl, it's challenging because you have to trust yourself.”

Lana Condor (1997) Vietnamese-American actress

As quoted in "Get Ready to Be Charmed by Lana Condor" in Vanity Fair (17 August 2018) https://www.vanityfair.com/hollywood/2018/08/lana-condor-to-all-the-boys-ive-loved-before

Matt Ridley photo
Edward G. Robinson photo

“The first symptom is that hair grows on your ears. It's very disconcerting.”

Edward G. Robinson (1893–1973) Romanian American actor

On growing old; op. cit.

Kate Bush photo

“The stars are caught in our hair
The stars are on our fingers
A veil of diamond dust
Just reach up and touch it
The sky's above our heads
The sea's around our legs
In milky, silky water
We swim further and further...”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Kate Bush photo

“You can’t run from your reflection… you can try to lighten your skin, change your hair, but the one thing you can’t run from is yourself. I want to influence people of color to be proud of where they come from and to reconnect with their roots.”

Haatepah (1998) model

Interviews, Television
Source: Stated in " An honest conversation about colorism in the Latino community https://www.goodmorningamerica.com/news/video/honest-conversation-colorism-latino-community-part-80088814" on Good Morning America (2021-09-18)

Dilgo Khyentse photo
Bill Engvall photo

“I discovered two very important facts that day - Number one: The springs will pull the hair out of your legs, and Number two: the dog doesn't like to jump.”

Bill Engvall (1957) American comedian and actor

about trampolines
Source: Blue Collar Comedy Tour, Blue Collar Comedy Tour: One For the Road (2006)

Bill Maher photo