Quotes about floor

A collection of quotes on the topic of floor, likeness, doing, down.

Quotes about floor

Louis Tomlinson photo

“One time, Niall sat on the floor for hours trying to find a way of putting his M&M's in alphabetical order.”

Louis Tomlinson (1991) English pop singer

https://www.goodreads.com/author/quotes/5834782.Louis_Tomlinson

Tupac Shakur photo

“You can spend minutes, hours, days, weeks, or even months over-analyzing a situation; trying to put the pieces together, justifying what could've, would've happened… or you can just leave the pieces on the floor and move on.”

Tupac Shakur (1971–1996) rapper and actor

Variant: You can spend minutes, hours, days, weeks or even months over-analyzing a situation; trying to put the pieces together, justifying what could've, would've happened... or you can just leave the pieces on the floor and move the f**k on.

Michael Jackson photo

“Get on the floor and dance with me,
I love the way you shake your thing especially.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Get on the Floor (co-written with Louis Johnson)
Off the Wall (1979)

Michael Jackson photo
Pablo Picasso photo
Kent Hovind photo
H.P. Lovecraft photo
Cassandra Clare photo
Alicia Keys photo
Rick Riordan photo
Rick Riordan photo
Emmeline Pankhurst photo
Michael Jackson photo
Edgar Allan Poe photo
Michael Jackson photo
George Orwell photo
Sylvia Plath photo

“The floor seemed wonderfully solid. It was comforting to know I had fallen and could fall no farther.”

Variant: It was comforting to know I had fallen and could fall no farther.
Source: The Bell Jar

Anthony Doerr photo
Stephen King photo
Cassandra Clare photo

“I thought I'd lie on the floor and writhe in pain for awhile. It relaxes me.”

Jace to Alec, pg. 318
Source: The Mortal Instruments, City of Ashes (2008)

Sylvia Plath photo
Douglas Adams photo
Anthony Bourdain photo
Terry Pratchett photo
Betty Friedan photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

AnnaSophia Robb photo
W.B. Yeats photo
Mickey Spillane photo
Edgar Allan Poe photo
Galén photo
James A. Michener photo
E.M. Forster photo
Kurt Vonnegut photo

“It was then that Diana Moon Glampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor.”

Kurt Vonnegut (1922–2007) American writer

Paragraph 78 (p. 13 of Welcome to the Monkey House)
Welcome to the Monkey House (1968), "Harrison Bergeron" (1961)

Thomas Paine photo
Vladimir Nabokov photo
Kurt Vonnegut photo
Barack Obama photo
Mark Twain photo
Malcolm X photo
Kanye West photo

“I walk through the valley of the Chi where death is,
Top floor, the view alone will leave ya breathless.”

Kanye West (1977) American rapper, singer and songwriter

Jesus Walks, The College Dropout (2004)
Bible References

Barack Obama photo
Tennessee Williams photo
Barack Obama photo
Theodor W. Adorno photo
Stephen Hawking photo
Stefan Zweig photo

“You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either.”

The Post Office Girl (published posthumously in 1982)

Edgar Allan Poe photo
Mark Twain photo
George Wallace photo
Megan Whalen Turner photo
Elizabeth von Arnim photo
Flannery O’Connor photo
Suzanne Collins photo
Diana Gabaldon photo
Robin McKinley photo
Sherrilyn Kenyon photo
Dorothy Parker photo
Cecelia Ahern photo
Jerry Spinelli photo
Cassandra Clare photo
Mercedes Lackey photo
Haruki Murakami photo
Mark Z. Danielewski photo
Rachel Caine photo
Gillian Flynn photo
Richard Siken photo

“For you can't hear Irish tunes without knowing you're Irish, and wanting to pound that fact into the floor.”

Jennifer Armstrong (1961) American children's writer

Source: Becoming Mary Mehan

Arundhati Roy photo
Rachel Caine photo
Marya Hornbacher photo
Jeffrey Eugenides photo
Rick Riordan photo
Cormac McCarthy photo
Miranda July photo

“I went to the bedroom and lay on the floor, so as not to mess up the covers.”

Miranda July (1974) American performance artist, musician and writer

Source: No One Belongs Here More Than You

Maya Angelou photo

“I’ve got a magic charm
That I keep up my sleeve,
I can walk the ocean floor
And never have to breathe.”

Maya Angelou (1928–2014) American author and poet

Source: Life Doesn't Frighten Me

Nora Roberts photo

“What is technology?" Cian pulled his brother inside, pushed the button for the next floor. "It's another god.”

Nora Roberts (1950) American romance writer

Source: Morrigan's Cross

Margaret Atwood photo
Wayne W. Dyer photo
Rachel Caine photo
Suzanne Collins photo
George Carlin photo
Jonathan Safran Foer photo
Dorothy Parker photo

“I like best to have one book in my hand, and a stack of others on the floor beside me, so as to know the supply of poppy and mandragora will not run out before the small hours.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: The Collected Dorothy Parker

Woody Allen photo
Derek Landy photo
Jonathan Safran Foer photo
Edna O'Brien photo
Kim Harrison photo
Rick Riordan photo