Quotes about finger
page 8

Stanisław Jerzy Lec photo

“"I will just wag my finger at him", he said, putting it on the trigger.”

Pogrożę mu tylko palcem – rzekł, kładąc go na cynglu.
Unkempt Thoughts (1957)

Matthew Arnold photo
Robert E. Howard photo
Elias Canetti photo
Henry Rollins photo
Jodie Foster photo
Rudyard Kipling photo

“She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you—
Out on the rocks where the tide has rolled you.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Harp Song of the Dane Women http://www.kipling.org.uk/poems_harp.htm, Stanza 3 (1906).
Puck of Pook's Hill 1906

Tré Cool photo

“I'm the finger fucker.”

Tré Cool (1972) Drummer, punk rock musician

2009 Studio Brussel interview

Jonah Goldberg photo
Gillian Anderson photo

“I would never point a finger at anyone and say, 'They lived their life badly.' I take it as it comes and deal with each situation as it arrives.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Garth Pearce (April 29, 2007) "The plot to slow me down - Interview", The Sunday Times, p. InGear 3.
2000s

Hans von Seeckt photo

“Only in firm co-operation with a Great Russia will Germany have the chance of regaining her position as a world power…Britain and France fear the combination of the two land powers and try to prevent it with all their means—hence we have to seek it with all our strength…Whether we like or dislike the new Russia and her internal structure is quite immaterial. Our policy would have had to be the same towards a Tsarist Russia or towards a state under Kolchak or Denikin. Now we have to come to terms with Soviet Russia—we have no alternative…In Poland France seeks to gain the eastern field of attack against Germany and, together with Britain, has driven the stake which we cannot endure into our flesh, quite close to the heart of our existent a a state. Now France trembles for her Poland which a strengthened Russia threatens with destruction, and now Germany is to save her mortal enemy! Her mortal enemy, for we have none worse at this moment. Neva can Prussia-Germany concede that Bromberg, Graudenz, Thorn, (Marienburg), Posen should remain in Polish hands, and now there appears on the horizon, like a divine miracle, help for us in our deep distress. At this moment nobody should ask Germany to lift as much as a finger when disaster engulf Poland.”

Hans von Seeckt (1866–1936) German general

Memorandum (4 February 1920), quoted in F. L. Carsten, The Reichswehr and Politics 1918 to 1933 (Oxford: Clarendon Press, 1966), p. 68.

Halldór Laxness photo
Emily Dickinson photo
Natacha Rambova photo
Baba Amte photo

“Whenever God has pointed the way with his finger, he also cleared the way with his mighty palm.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

When he was looking for help to build his institutions at Anandwan, unexpected help came from 50 volunteers of 36 different countries working under the banner of “Service Civil International", from Gandhi’s Ashram at Sevagram, page=14
Baba Amte: A Vision of New India

Steve Jobs photo
Ryan Adams photo

“Liberals, unless they are professional politicians seeking votes in the hinterland, are not subject to strong feelings of national patriotism and are likely to feel uneasy at patriotic ceremonies. These, like the organizations in whose conduct they are still manifest, are dismissed by liberals rather scornfully as ‘flag-waving’ and ‘100 percent Americanism.’ The national anthem is not customarily sung or the flag shown, unless prescribed by law, at meetings of liberal associations. When a liberal journalist uses the phrase ‘patriotic organization,’ the adjective is equivalent in meaning to ‘stupid, reactionary and rather ludicrous.’ The rise of liberalism to predominance in the controlling sectors of American opinion is in almost exact correlation with the decline in the ceremonial celebration of the Fourth of July, traditionally regarded as the nation’s major holiday. To the liberal mind, the patriotic oratory is not only banal but subversive of rational ideals; and judged by liberalism’s humanitarian morality, the enthusiasm and pleasures that simple souls might have got from the fireworks could not compensate the occasional damage to the eye or finger of an unwary youngster. The purer liberals of the Norman Cousins strain, in the tradition of Eleanor Roosevelt, are more likely to celebrate UN day than the Fourth of July.”

James Burnham (1905–1987) American philosopher

James Burnham (1961) Suicide of the West; as cited in: Suicide of the West http://nlt.ashbrook.org/2006/03/suicide-of-the-west.php Posted by Steven Hayward on ashbrook.org 2006/03; And in 2012 on powerlineblog.com http://www.powerlineblog.com/archives/2012/01/suicide-of-the-west.php

Willa Cather photo
Mike Oldfield photo
M. K. Hobson photo
James Fenimore Cooper photo

“For a time our efforts seem to create, and to adorn, and to perfect, until we forget our origin and destination, substituting self for that divine hand which alone can unite the elements of worlds as they float in gasses, equally from His mysterious laboratory, and scatter them again into thin air when the works of His hand cease to find favour in His view.
Let those who would substitute the voice of the created for that of the Creator, who shout "the people, the people," instead of hymning the praises of their God, who vainly imagine that the masses are sufficient for all things, remember their insignificance and tremble. They are but mites amid millions of other mites, that the goodness of providence has produced for its own wise ends; their boasted countries, with their vaunted climates and productions, have temporary possessions of but small portions of a globe that floats, a point, in space, following the course pointed out by an invisible finger, and which will one day be suddenly struck out of its orbit, as it was originally put there, by the hand that made it. Let that dread Being, then, be never made to act a second part in human affairs, or the rebellious vanity of our race imagine that either numbers, or capacity, or success, or power in arms, is aught more than a short-lived gift of His beneficence, to be resumed when His purposes are accomplished.”

James Fenimore Cooper (1789–1851) American author

The Crater; or, Vulcan's Peak: A Tale of the Pacific http://www.gutenberg.org/files/11573/11573-h/11573-h.htm (1847), Ch. XXX

Carson Cistulli photo
John Fante photo
Jean Paul Sartre photo
Valentina Lisitsa photo

“I’m nothing but a conduit. The music goes though my ears, my fingers… Composer is a god. Composer creates music. We’re performers. We’re just passing it on.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/9467708/Pianist-Valentina-Lisitsa-interview-with-the-YouTube-star.html

“Alfie was an organizer. He would telephone the other kids a week before that first practice session (which he euphemistically called spring training), and he would knock on their doors the morning of, and they would look out the windows and say, "Hey, it's snowing," and he would say, "It's not snowing all that hard. See you in a half-hour." So we would gather our tired, cold bodies together, throw on our baseball clothes—old shirts, old pants, sneakers, old baseball gloves—and grab a couple of bats and scuffed-up balls, and we would pile onto the subway and ride to Van Cortland Park. We would run to make sure we'd be first to claim a ball field. Of course we were first. Nobody else was that crazy. My brother would direct practice for a couple of hours, batting practice, catching fungoes, fielding, practicing our curves and drops on the sidelines, fingers aching from contact with batted or thrown baseballs. We threw ourselves across that hard bone of a field so we would be ready when the spring suns finally thawed the ground at our feet. If the still-awake dreams of hunting lions in Africa were the peak moments of my night life, those frozen ball fields of February were the highlights of my days.”

Arnold Hano (1922) American writer

Recalling his late brother, from "Life with Alfie," https://books.google.com/books?id=PWEEAAAAMBAJ&pg=PA233&dq=%22Alfie+was+an+organizer%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIiqWJ2oHaxwIVipANCh2Utw2g#v=onepage&q=%22Alfie%20was%20an%20organizer%22&f=false in Orange Coast Magazine (November 1990), pp. 233–234
Other Topics

E. B. White photo
Nathaniel Hawthorne photo
Robert G. Ingersoll photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Chinua Achebe photo
Aristide Maillol photo
Iain Banks photo
John Tyndall photo
Ralph Ellison photo
John Bunyan photo
Adelaide Anne Procter photo

“Let us begin by observing that the word "system" is almost never used by itself; it is generally accompanied by an adjective or other modifier: physical system; biological system; social system; economic system; axiom system; religious system; and even "general" system. This usage suggests that, when confronted by a system of any kind, certain of its properties are to be subsumed under the adjective, and other properties are subsumed under the "system," while still others may depend essentially on both. The adjective describes what is special or particular; i. e., it refers to the specific "thinghood" of the system; the "system" describes those properties which are independent of this specific "thinghood."
This observation immediately suggests a close parallel between the concept of a system and the development of the mathematical concept of a set. Given any specific aggregate of things; e. g., five oranges, three sticks, five fingers, there are some properties of the aggregate which depend on the specific nature of the things of which the aggregate is composed. There are others which are totally independent of this and depend only on the "set-ness" of the aggregate. The most prominent of these is what we can call the cardinality of the aggregate…
It should now be clear that system hood is related to thinghood in much the same way as set-ness is related to thinghood. Likewise, what we generally call system properties are related to systemhood in the same way as cardinality is related to set-ness. But systemhood is different from both set-ness and from thinghood; it is an independent category.”

Robert Rosen (1934–1998) American theoretical biologist

Source: "Some comments on systems and system theory," (1986), p. 1-2 as quoted in George Klir (2001) Facets of Systems Science, p. 4

Orson Scott Card photo
Glen Cook photo
Amitabh Bachchan photo
John Osborne photo
Muhammad bin Qasim photo

“Muhammad took the fort [of Rawar] and stayed there for two or three days. He put six thousand fighting men, who were in the fort, to the sword, and shot some with arrows. The other dependents and servants were taken prisoners, with their wives and children… When the number of the prisoners was calculated, it was found to amount to thirty thousand persons, amongst whom thirty were the daughters of chiefs, and one of them was Rai Dahir's sister's daughter, whose name was Jaisiya. They were sent to Hajjaj. The head of Dahir and the fifth part of the prisoners were forwarded in charge of Ka'ab, son of Mharak. When the head of Dahir, the women, and the property all reached Hajjaj, he prostrated himself before Allah, offered thanksgivings and praises… Hajjaj then forwarded the head, the umbrellas, and wealth, and the prisoners to Walid the Khalifa. When the Khalifa of the time had read the letter, he praised Almighty Allah. He sold some of those daughters of the chiefs, and some he granted as rewards. When he saw the daughter of Rai Dahir’s sister he was much struck with her beauty and charms, and began to bite his finger with astonishment…. It is said that after the conquest was effected and the affairs of the country were settled and the report of the conquest had reached Hajjaj, he sent a reply to the following effect. 'O my cousin! I received your life-inspiring letter. I was much pleased and overjoyed when it reached me. The events were recounted in an excellent and beautiful style, and I learnt that the ways and rules you follow are conformable to the Law. Except that you give protection to all, great and small alike, and make no difference between enemy and friend. God says, - Give no quarter to Infidels, but cut their throats. Then know that this is the command of the great God [Allah]. You shall not be too ready to grant protection, because it will prolong your work. After this, give no quarter to any enemy except to those who are of rank.”

Muhammad bin Qasim (695–715) Umayyad general

The Chach Nama, in: Elliot and Dowson, History of India as told by its own Historians, Volume I, p. 172-173. Also partially quoted in B.R. Ambedkar, Pakistan or The Partition of India (1946)
Quotes from The Chach Nama

Abraham Joshua Heschel photo
John Fante photo
Roberto Clemente photo
Susan Faludi photo
Isaac Leib Peretz photo

“Prayer sometimes dulls the hunger of the pauper, like a mother's finger thrust into the mouth of her starving baby.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Quoted in M. Samuel. Prince of the Ghetto. Alfred A. Knopf, 1948, p. 162.

Muhammad photo
Eric Clapton photo

“His fingers are directly wired to his soul.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

Brian May
About

Harriet Beecher Stowe photo
Bill Maher photo
Marilyn Manson photo
George Eliot photo

“New voices come to me where'er I roam,
My heart too widens with its widening home:
But song grows weaker, and the heart must break
For lack of voice, or fingers that can wake
The lyre's full answer; nay, its chords were all
Too few to meet the growing spirit's call.”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)
Context: New voices come to me where'er I roam,
My heart too widens with its widening home:
But song grows weaker, and the heart must break
For lack of voice, or fingers that can wake
The lyre's full answer; nay, its chords were all
Too few to meet the growing spirit's call.
The former songs seem little, yet no more
Can soul, hand, voice, with interchanging lore
Tell what the earth is saying unto me:
The secret is too great, I hear confusedly.

Bono photo

“We love the crackle and the hustle, we love the spirit that gives the finger to fate, the spirit that says there's no hurdle we can't clear and no problem we can't fix.”

Bono (1960) Irish rock musician, singer of U2

PENN Address (2004)
Context: When the potatoes ran out, millions of Irish men, women and children packed their bags got on a boat and showed up right here. And we're still doing it. We're not even starving anymore, loads of potatoes. In fact if there's any Irish out there, I've breaking news from Dublin, the potato famine is over you can come home now. But why are we still showing up? Because we love the idea of America.
We love the crackle and the hustle, we love the spirit that gives the finger to fate, the spirit that says there's no hurdle we can't clear and no problem we can't fix.

Alan Watts photo
Richard Wright photo

“Repeatedly I took stabs at writing, but the results were so poor that I would tear up the sheets. I was striving for a level of expression that matched those of the novels I read. But I always somehow failed to get onto the page what I thought and felt. Failing at sustained narrative, I compromised by playing with single sentences and phrases. Under the influence of Stein’s Three Lives, I spent hours and days pounding out disconnected sentences for the sheer love of words. I would write: “The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam.” Or: “The child’s clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream.” “The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skyscrapers.” My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. I strove to master words, to make them disappear, to make them important by making them new, to make them melt into a rising spiral of emotional stimuli, each greater than the other, each feeding and reinforcing the other, and all ending in an emotional climax that would drench the reader with a sense of a new world. That was the single aim of my living.”

Black Boy (1945)

Robinson Jeffers photo

“Look for foundations of sea-worn granite, my fingers had the art
To make stone love stone, you will find some remnant.”

Robinson Jeffers (1887–1962) American poet

"Tor House"
Context: If you should look for this place after a handful of lifetimes:
Perhaps of my planted forest a few
May stand yet, dark-leaved Australians or the coast cypress, haggard
With storm-drift; but fire and the axe are devils.
Look for foundations of sea-worn granite, my fingers had the art
To make stone love stone, you will find some remnant.
But if you should look in your idleness after ten thousand years:
It is the granite knoll on the granite
And lava tongue in the midst of the bay, by the mouth of the Carmel
River Valley; these four will remain
In the changes of names. You will know it by the wild sea-fragrance of the wind.

James Burke (science historian) photo

“Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place… stops you dead.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

Connections (1979), 1 - The Trigger Effect
Context: These are the great ancient temples of Karnak, on the edge of the Nile about 450 miles south of Cairo. They were the center of Egyptian religion, built in the imperial city of Thebes, when the Egyptian empire was at its height, the greatest power in the world. This was the New York of its time. The temples were built over a period of 2,000 years, each pharaoh adding his bit, leaving his name in stone, to last forever. Inside the temple domain, there were 65 towns, 433 gardens & orchards, 400,000 animals, and it took 80,000 people just to run the place. Small wonder that centuries afterwards the Greeks and Romans came here and gawked like peasants at a civilisation that made their efforts look like well-dressed mud huts. It still has that effect today. You come here from the great modern cities, full of the immense power of modern technology at your finger tips, press a button, turn a switch. And this place... stops you dead.

Mike Scott photo

“He stopped every clock in New York state
and every heart that heard him
and time itself was beaten and confused
and fell lamb-like under the spell of his
fabulous flashing fingers”

Mike Scott (1958) songwriter, musician

"The Return of Jimi Hendrix"
Dream Harder (1993)
Context: He did a forty-two minute
cosmic rise in future shocks
Star Spangled Banner
in the back of CBGB's He stopped every clock in New York state
and every heart that heard him
and time itself was beaten and confused
and fell lamb-like under the spell of his
fabulous flashing fingers He played an encore at the Bitter End
a heartburst Little Wing
even the waiters cried
and then we fell outside
and in the dusty dawn of Bleeker street
a sweet rain fell
and Jimi died.

“All of them called god. And yet none of them are truly Him. Some may be tiny glimpses of Him. Maybe His big toe or little finger, but nothing more. Others are not even that. They’re only delusions from our prejudices.”

Sean Sellers (1969–1999) American murderer

Open Letter To Satanists
Context: It's so much easier to create our own gods; gods that are fully knowable. Those are the gods of atheism, occultism, religion and sometimes even Christianity. Then, of course, there are those prejudices that we demand of our gods. Women who take offense at a "male" God create for themselves a female or neuter god. There, we have all the racial gods, the black gods, white gods, and cultural gods, the Spanish gods, African gods, Indian gods and so on. All of them called god. And yet none of them are truly Him. Some may be tiny glimpses of Him. Maybe His big toe or little finger, but nothing more. Others are not even that. They’re only delusions from our prejudices.

Sadhguru photo

“God will not lift a little finger for you, please know, because whatever he has to do, he has done it.”

Sadhguru (1957) Yogi, mystic, visionary and humanitarian

Isha Newsletter, July 14, 2009
Sourced from newspapers and magazines
Context: God will not lift a little finger for you, please know, because whatever he has to do, he has done it. His work is not pending. He has done a fantastic job over the creation, isn’t it? He has done a fantastic job. There is nothing to complain. He has put himself into you; beyond that he cannot do anything... Everything that you need now has been given. So, it is your turn to play the game now. Match has started, coach cannot interfere now.

“The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.”

Alfred Whitney Griswold (1906–1963) American historian

Address at Yale University, New Haven, Connecticut (9 June 1957).
Context: Could Hamlet have been written by a committee, or the Mona Lisa painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

Roger Williams (theologian) photo

“I have read … the last will and testament of the Lord Jesus over many times, and yet I cannot find by one tittle of that testament that if He had been pleased to have accepted of a temporal crown and government that ever He would have put forth the least finger of temporal or civil power in the matters of His spiritual affairs and Kingdom.”

Roger Williams (theologian) (1603–1684) English Protestant theologian and founder of the colony of Providence Plantation

The Hireling Ministry, None of Christ's (1652)
Context: I observe the great and wonderful mistake, both our own and our fathers, as to the civil powers of this world, acting in spiritual matters. I have read … the last will and testament of the Lord Jesus over many times, and yet I cannot find by one tittle of that testament that if He had been pleased to have accepted of a temporal crown and government that ever He would have put forth the least finger of temporal or civil power in the matters of His spiritual affairs and Kingdom.
Hence must it lamentably be against the testimony of Christ Jesus for the civil state to impose upon the souls of the people a religion, a worship, a ministry, oaths (in religious and civil affairs), tithes, times, days, marryings, and buryings in holy ground...

Margaret Atwood photo

“Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation”

Margaret Atwood (1939) Canadian writer

"Backdrop addresses cowboy" (1974)
Selected Poems 1965-1975 (1976)
Context: Your righteous eyes, your laconic
trigger-fingers
people the streets with villains:
as you move, the air in front of you
blossoms with targets and you leave behind you a heroic
trail of desolation:
beer bottles
slaughtered by the side
of the road, bird-
skulls bleaching in the sunset.

Albert Camus photo

“If I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers.”

The Myth of Sisyphus (1942), An Absurd Reasoning
Context: If I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all those likewise that have been attributed to it, this upbringing, this origin, this ardor or these silences, this nobility or this vileness. But aspects cannot be added up. <!-- 159

Wallace Stevens photo

“Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound”

Wallace Stevens (1879–1955) American poet

Peter Quince at the Clavier (1915)
Context: Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,
Thinking of your blue-shadowed silk,
Is music.

Charles Sanders Peirce photo

“Of this nature are all natural signs and physical symptoms. I call such a sign an index, a pointing finger being the type of the class.
The index asserts nothing; it only says "There!" It takes hold of our eyes, as it were, and forcibly directs them to a particular object, and there it stops.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

On The Algebra of Logic (1885)
Context: If the sign were not related to its object except by the mind thinking of them separately, it would not fulfil the function of a sign at all. Supposing, then, the relation of the sign to its object does not lie in a mental association, there must be a direct dual relation of the sign to its object independent of the mind using the sign. In the second of the three cases just spoken of, this dual relation is not degenerate, and the sign signifies its object solely by virtue of being really connected with it. Of this nature are all natural signs and physical symptoms. I call such a sign an index, a pointing finger being the type of the class.
The index asserts nothing; it only says "There!" It takes hold of our eyes, as it were, and forcibly directs them to a particular object, and there it stops. Demonstrative and relative pronouns are nearly pure indices, because they denote things without describing them; so are the letters on a geometrical diagram, and the subscript numbers which in algebra distinguish one value from another without saying what those values are.

Bill Maher photo

“You can't give that to people to pass around and smudge up with their grimy fingers. But it didn't matter, because it never matters to these people because nothing they say is ever fact-checked.”

Bill Maher (1956) American stand-up comedian

Larry King Live interview (2010)
Context: That's the problem with the Drudge-Rush-Fox axis-of-evil news bubble. Nothing gets into these people's heads. They only listen to what they want to hear. They listen to what confirms what they believe. And what they believe is what they got from these people to begin with.
You know, when Glenn Beck had his big rally on the mall, he said something like — he at one point said, "Today, I was holding George Washington's inaugural in my hand." No — you can't do that — it's in Plexiglas. You can't — it's 200 years old. You can't give that to people to pass around and smudge up with their grimy fingers. But it didn't matter, because it never matters to these people because nothing they say is ever fact-checked. The governor of Arizona talks about how illegals — you saw this on the news — were beheading people in Arizona. When the press asked her about it, because it was patently untrue, she just ran away. Sarah Palin never talks to the press because they might ask her a question that she doesn't have a pat answer for. They know they don't have to deal with reality, because they don't have to go to what used to be the mainstream press.

Halldór Laxness photo

“Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
Context: He was not quite nine years old, in fact, when he began to have spiritual experiences... he felt he saw God's image open before him. He felt the deity reveal itself in Nature in an inexpressible music, the sonic revelation of the deity; and before he knew it, he himself had become a trembling voice in a celestial chorus of glory. His soul seemed to be rising out of his body like frothing milk brimming over the edge of a basin; it was as if his soul were flowing into an unfathomable ocean of higher life, beyond words, beyond all perception, his body suffused by some surging light that was beyond all light. Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.

Khalil Gibran photo

“Your thought advocates Judaism, Brahmanism, Buddhism, Christianity, and Islam. In my thought there is only one universal religion, whose varied paths are but the fingers of the loving hand of the Supreme Being.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

Your Thought and Mine
Context: Your thought advocates Judaism, Brahmanism, Buddhism, Christianity, and Islam. In my thought there is only one universal religion, whose varied paths are but the fingers of the loving hand of the Supreme Being. In your thought there are the rich, the poor, and the beggared. My thought holds that there are no riches but life; that we are all beggars, and no benefactor exists save life herself.

“I saw in it a thing
That scorned the grossness of the thing I wrote.
It hung upon my finger like a sting.”

Karl Shapiro (1913–2000) Poet, essayist

"Interludes" III, in From Darkness To Light : A Confession of Faith in the form of an Anthology (1956) edited by Victor Gollancz
Context: Writing, I crushed an insect with my nail
And thought nothing at all. A bit of wing
Caught my eye then, a gossamer so frail And exquisite, I saw in it a thing
That scorned the grossness of the thing I wrote.
It hung upon my finger like a sting.

Helen Keller photo

“I stood still, my whole attention fixed upon the motions of her fingers. Suddenly I felt a misty consciousness as of something forgotten — a thrill of returning thought; and somehow the mystery of language was revealed to me. I knew then that "w-a-t-e-r" meant the wonderful cool something that was flowing over my hand. That living word awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away.”

Source: The Story of My Life (1903), Ch. 4
Context: We walked down the path to the well-house, attracted by the fragrance of the honeysuckle with which it was covered. Some one was drawing water and my teacher placed my hand under the spout. As the cool stream gushed over one hand she spelled into the other the word water, first slowly, then rapidly. I stood still, my whole attention fixed upon the motions of her fingers. Suddenly I felt a misty consciousness as of something forgotten — a thrill of returning thought; and somehow the mystery of language was revealed to me. I knew then that "w-a-t-e-r" meant the wonderful cool something that was flowing over my hand. That living word awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away.
I left the well-house eager to learn. Everything had a name, and each name gave birth to a new thought. As we returned to the house every object which I touched seemed to quiver with life. That was because I saw everything with the strange, new sight that had come to me.

Jane Roberts photo

“You are not a miniature self, an adjunct to some superbeing, never to share fully In its reality. In those terms you are that superself - looking out of only one eye, or using just one finger.”

Jane Roberts (1929–1984) American Writer

Session 740, Page 618
The “Unknown” Reality: Volume Two, (1979)
Context: You are not a miniature self, an adjunct to some superbeing, never to share fully In its reality. In those terms you are that superself - looking out of only one eye, or using just one finger. Much of this is very difficult to verbalize. You are not subordinate to some giant consciousness. While you think in such terms, however, I must speak of reincarnational selves counterparts, because you are afraid that if you climb out of what you think your identity is, then you will lose it.

Ann Coulter photo

“As governor of California, Reagan gave student protesters at Berkeley the finger.”

Ann Coulter (1961) author, political commentator

"Ho Ho Ho, Merry Imus!" (11 April 2007) http://www.anncoulter.com/cgi-local/article.cgi?article=178.
2007
Context: One more item for the delusional Miss Grundys still obtusely citing Reagan as their model of "niceness": As governor of California, Reagan gave student protesters at Berkeley the finger. Remember that next time you ask yourself: "What would Reagan do?"
People who are afraid of ideas whitewash Reagan like they whitewash Jesus. Sorry to break it to you, but the Reagan era did not consist of eight years of Reagan joking about his naps.

Paul A. Samuelson photo

“I can claim that in talking about modern economics I am talking about me. My finger has been in every pie.”

Paul A. Samuelson (1915–2009) American economist

February 1985, in William Breit and Roger W. Spencer (ed.) Lives of the laureates
1980s–1990s
Context: I can claim that in talking about modern economics I am talking about me. My finger has been in every pie. I once claimed to be the last generalist in economics, writing about and teaching such diverse subjects as international trade and econometrics, economic theory and business cycles, demography and labor economics, finance and monopolistic competition, history of doctrines and locational economics.

Felix Adler photo

“The rose Religion grows on a thorn-bush, and we must not be afraid to have our fingers lacerated by the thorns if we would pluck the rose.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 7 : Spiritual Progress
Founding Address (1876), Life and Destiny (1913)
Context: By what sort of experience are we led to the conviction that spirit exists? On the whole, by searching, painful experience. The rose Religion grows on a thorn-bush, and we must not be afraid to have our fingers lacerated by the thorns if we would pluck the rose.

George W. Bush photo

“Too many of our citizens have cause to doubt our nation's justice when the law points a finger of suspicion at groups, instead of individuals. All our citizens are created equal and must be treated equally. Earlier today, I asked John Ashcroft, the Attorney General, to develop specific recommendations to end racial profiling. It is wrong, and we will end it in America. It is wrong.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Address to Joint Session of Congress on Administration Goals (February 2001)
Context: As government promotes compassion, it also must promote justice. Too many of our citizens have cause to doubt our nation's justice when the law points a finger of suspicion at groups, instead of individuals. All our citizens are created equal and must be treated equally. Earlier today, I asked John Ashcroft, the Attorney General, to develop specific recommendations to end racial profiling. It is wrong, and we will end it in America. It is wrong. In so doing, we will not hinder the work of our nation’s brave police officers. They protect us every day, often at great risk. But by stopping the abuses of a few, we will add to the public confidence our police officers earn and deserve.

Huston Smith photo

“No affirmation is more than a finger pointing to the moon.”

The World's Religions (1991)
Context: Signposts are not the destination, maps are not the terrain. Life is too rich and textured to be fitted into pigeonholes, let alone equated with them. No affirmation is more than a finger pointing to the moon. And, lest attention turn to the finger, Zen will point, only to withdraw its finger at once.

Teresa of Ávila photo

“May it please our Lord that I be not one of these; and may His Majesty give me grace to take that for peace which is really peace, that for honour which is really honour, and that for delight which is really a delight. Let me never mistake one thing for another — and then I snap my fingers at all the devils, for they shall be afraid of me.”

Teresa of Ávila (1515–1582) Roman Catholic saint

Source: The Life of St. Teresa of Jesus (c.1565), Ch. XXV. "Divine Locutions. Discussions on That Subject" ¶ 26 & 27
Variant translation: I do not fear Satan half so much as I fear those who fear him.
Context: May it please His Majesty that we fear Him whom we ought to fear, and understand that one venial sin can do us more harm than all hell together; for that is the truth. The evil spirits keep us in terror, because we expose ourselves to the assaults of terror by our attachments to honours, possessions, and pleasures. For then the evil spirits, uniting themselves with us, — we become our own enemies when we love and seek what we ought to hate, — do us great harm. We ourselves put weapons into their hands, that they may assail us; those very weapons with which we should defend ourselves. It is a great pity. But if, for the love of God, we hated all this, and embraced the cross, and set about His service in earnest, Satan would fly away before such realities, as from the plague. He is the friend of lies, and a lie himself. He will have nothing to do with those who walk in the truth. When he sees the understanding of any one obscured, he simply helps to pluck out his eyes; if he sees any one already blind, seeking peace in vanities, — for all the things of this world are so utterly vanity, that they seem to be but the playthings of a child, — he sees at once that such a one is a child; he treats him as a child, and ventures to wrestle with him — not once, but often.
May it please our Lord that I be not one of these; and may His Majesty give me grace to take that for peace which is really peace, that for honour which is really honour, and that for delight which is really a delight. Let me never mistake one thing for another — and then I snap my fingers at all the devils, for they shall be afraid of me. I do not understand those terrors which make us cry out, Satan, Satan! when we may say, God, God! and make Satan tremble. Do we not know that he cannot stir without the permission of God? What does it mean? I am really much more afraid of those people who have so great a fear of the devil, than I am of the devil himself. Satan can do me no harm whatever, but they can trouble me very much, particularly if they be confessors. I have spent some years of such great anxiety, that even now I am amazed that I was able to bear it. Blessed be our Lord, who has so effectually helped me!

Ivan Illich photo

“Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us.”

Ivan Illich (1926–2002) austrian philosopher and theologist

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

Richard Wright photo
Robert M. Pirsig photo

“He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30
Context: For three days and three nights, Phædrus stares at the wall of the bedroom, his thoughts moving neither forward nor backward, staying only at the instant. His wife asks if he is sick, and he does not answer. His wife becomes angry, but Phædrus listens without responding. He is aware of what she says but is no longer able to feel any urgency about it. Not only are his thoughts slowing down, but his desires too. And they slow and slow, as if gaining an imponderable mass. So heavy, so tired, but no sleep comes. He feels like a giant, a million miles tall. He feels himself extending into the universe with no limit.
He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.

David Brewster photo

“The omnipotence of the Creator, and the exertion of it in every corner of space, — His care over the falling sparrow, and His guidance of the gigantic planet, are the earliest of our acquired truths, and the very first that observation and experience confirm. When Reason gives wisdom to our perceptions, omnipotence is the grand truth which they inculcate. Whatever the eye sees, or the ear hears, or the fingers touch, — every motion of our body, every function it performs, every structure in its fabric, impresses on the mind, and fixes in the heart the conviction, that the Creator is all-powerful as well as all-wise.”

David Brewster (1781–1868) British astronomer and mathematician

More Worlds Than One: The Creed of the Philosopher and the Hope of the Christian (1856), "Religious Difficulties", p. 152-153
Context: Amid the destructive convulsions of the physical world, even pious minds may have for an instant questioned the superintending providence of God. In the midst of famine, or pestilence, or war, they may have stood horror- struck at the scene. In the triumphs of fraud, oppression, and injustice, over honesty, and liberty, and law. Faith may have wavered, and Hope despaired; but in no condition, either of the physical or the moral world, does the mind question the POWER of its Maker. The omnipotence of the Creator, and the exertion of it in every corner of space, — His care over the falling sparrow, and His guidance of the gigantic planet, are the earliest of our acquired truths, and the very first that observation and experience confirm. When Reason gives wisdom to our perceptions, omnipotence is the grand truth which they inculcate. Whatever the eye sees, or the ear hears, or the fingers touch, — every motion of our body, every function it performs, every structure in its fabric, impresses on the mind, and fixes in the heart the conviction, that the Creator is all-powerful as well as all-wise. Omnipotence, in short, is the only attribute of God which is universally appreciated, which skepticism never unsettles, and which we believe as firmly when under the influence of our corrupt passions, as when we are looking devoutly to heaven. All the other attributes of God are inferences. His omnipresence, His omniscience, His justice, mercy, and truth, are the deductions of reason, and, however true and demonstrable, they exercise little influence over the mind; but the attribute of omnipotence predominates over them all, and no mind responsive to its power will ever be disturbed by the ideas which it suggests of infinity of time, infinity of space, and infinity of life.

Alan Watts photo
Gerald Durrell photo

“There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

Encounters with Animals (1958)
Context: There would be a dreadful outcry if anyone suggested obliterating, say, the Tower of London, and quite rightly so; yet a unique and wonderful species of animal which has taken hundreds of thousands of years to develop to the stage we see today, can be snuffed out like a candle without more than a handful of people raising a finger or a voice in protest. So, until we consider animal life to be worthy of the consideration and reverence we bestow upon old books and pictures and historic monuments, there will always be the animal refugee living a precarious life on the edge of extermination, dependent for existence on the charity of a few human beings.

Madonna photo
John Ruskin photo
Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)