Quotes about final
page 15

Max Scheler photo

“We do not use the word “ressentiment” because of a special predilection for the French language, but because we did not succeed in translating it into German. Moreover, Nietzsche has made it a terminus technicus. In the natural meaning of the French word I detect two elements. First of all, ressentiment is the repeated experiencing and reliving of a particular emotional response reaction against someone else. The continual reliving of the emotion sinks it more deeply into the center of the personality, but concomitantly removes it from the person's zone of action and expression. It is not a mere intellectual recollection of the emotion and of the events to which it “responded”—it is a re-experiencing of the emotion itself, a renewal of the original feeling. Secondly, the word implies that the quality of this emotion is negative, i. e., that it contains a movement of hostility. Perhaps the German word “Groll” (rancor) comes closest to the essential meaning of the term. “Rancor” is just such a suppressed wrath, independent of the ego's activity, which moves obscurely through the mind. It finally takes shape through the repeated reliving of intentionalities of hatred or other hostile emotions. In itself it does not contain a specific hostile intention, but it nourishes any number of such intentions.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Charles Taze Russell photo
Ludovico Ariosto photo

“But so secretive nobody can be
That someone does not notice finally.”

Canto XXII, stanza 39 (tr. B. Reynolds)
Orlando Furioso (1532)

Richard Rodríguez photo
Paul Erdős photo

“Finally I am becoming stupider no more.”

Paul Erdős (1913–1996) Hungarian mathematician and freelancer

A suggestion for his own epitaph, as quoted in Variety in Religion and Science: Daily Reflections (2005) by Varadaraja Raman, p. 256

George Peacock photo
George William Curtis photo

“And so it went until the alarm was struck in the famous Missouri debate. Then wise men remembered what Washington had said, 'Resist with care the spirit of innovation upon the principles of the Constitution'. They saw that the letting alone was all on one side, that the unfortunate anomaly was deeply scheming to become the rule, and they roused the country. The old American love of liberty flamed out again. Meetings were everywhere held. The lips of young orators burned with the eloquence of freedom. The spirit of John Knox and of Hugh Peters thundered and lightened in the pulpits, and men were not called political preachers because they preached that we are all equal children of God. The legislatures of the free States instructed their representatives to stand fast for liberty. Daniel Webster, speaking for the merchants of Boston, said that it was a question essentially involving the perpetuity of the blessings of liberty for which the Constitution itself was formed. Daniel Webster, speaking for humanity at Plymouth, described the future of the slave as 'a widespread prospect of suffering, anguish, and death'. The land was loud with the debate, and Rufus King stated its substance in saying that it was a question of slave or free policy in the national government. Slavery hissed disunion; liberty smiled disdain. The moment of final trial came. Pinckney exulted. John Quincy Adams shook his head. Slavery triumphed and, with Southern chivalry, politely called victory compromise.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Rand Paul photo
Peter Greenaway photo
Neil Gaiman photo
George Dantzig photo
George Hendrik Breitner photo

“Do you know what I really need to make a well-finished painting? 2 years at Gérome or somebody like him, working in the studio.... because that is the only way to become a good painter. That whole business.. then a small watercolour than a little painting and finally when I have earned so much that I could study, I have become too old and too miserable.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Weet U wat ik nodig heb om een goed afgewerkt schilderij te maken? 2 jaar bij Gérome of zoo iemand op 't atelier te werken.. ..want dat is de enige manier om een goed schilder te worden. Dat gewurm, dan een aquarelletje dan een schilderijtje en eindelijk als ik daardoor zo veel verdiend heb dat ik zou kunnen studeeren ben ik te oud en te beroerd geworden.
In his letter to A.P. van Stolk, nr. 51, c. 1884; RKD-Archive, The Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 29
Breitner responds to accusations from his Maecenas that he refused to learn from well-known Dutch painters how to finish his paintings well. In 1884 already Breitner started in the studio of Cormon in Paris
before 1890

Andrew Sega photo
Anthony Burgess photo
Nick Cave photo
Aron Ra photo
Mike Tyson photo

“After his final fight: "I felt like I was 120 years old. I feel like Rip Van Winkle right now."”

Mike Tyson (1966) American boxer

http://www.abc.net.au/news/stories/2005/06/12/1390287.htm
On boxing

Pierre Teilhard De Chardin photo

“However convergent it be, evolution cannot attain to fulfilment on earth except through a point of dissociation. With this we are introduced to a fantastic and inevitable event which now begins to take shape in our perspective, the event which comes nearer with every day that passes: the end of all life on our globe, the death of the planet, the ultimate phase of the phenomenon of man. …
Now when sufficient elements have sufficiently agglomerated, this essentially convergent movement will attain such intensity and such quality that mankind, taken as a whole, will be obliged—as happened to the individual forces of instinct—to reflect upon itself at a single point; that is to say, in this case, to abandon its organo-planetary foothold so as to shift its centre on to the transcendent centre of its increasing concentration. This will be the end and the fulfilment of the spirit of the earth.
The end of the world: the wholesale internal introversion upon itself of the noosphere, which has simultaneously reached the uttermost limit of its complexity and its centrality.
The end of the world: the overthrow of equilibrium, detaching the mind, fulfilled at last, from its material matrix, so that it will henceforth rest with all its weight on God-Omega. …
Are we to foresee man seeking to fulfil himself collectively upon himself, or personally on a greater than himself? Refusal or acceptance of Omega? … Universal love would only vivify and detach finally a fraction of the noosphere so as to consummate it—the part which decided to "cross the threshold", to get outside itself into the other. …
The death of the materially exhausted planet; the split of the noosphere, divided on the form to be given to its unity; and simultaneously (endowing the event with all its significance and with all its value) the liberation of that percentage of the universe which, across time, space and evil, will have succeeded in laboriously synthesising itself to the very end. Not an indefinite progress, which is an hypothesis contradicted by the convergent nature of noogenesis, but an ecstasy transcending the dimensions and the framework of the visible universe.”

pp. 273, 287–289 https://archive.org/stream/ThePhenomenonOfMan/phenomenon-of-man-pierre-teilhard-de-chardin#page/n137/mode/1up/,
The Phenomenon of Man (1955)

Louis Tronson photo

“Finally, have we lamented along with the Saints that we see ourselves constrained to endure in the world; and have we desired to leave it in order to flee the danger that there will be something it corrupts?”

Louis Tronson (1622–1700) French Roman Catholic priest

Enfin, gémissons-nous souvent avec les Saints de nous voir contraints de demeurer encore dans le monde; et avons-nous désiré d'en sortir pour fuir le danger qu'il y a de s'y corrompre?
Examens particuliers sur divers sujets, p. 322 http://books.google.com/books?id=esY9AAAAIAAJ&pg=PA322
Examens particuliers sur divers sujets [Examination of Conscience upon Special Subjects] (1690)

Victor Villaseñor photo
Jerome Frank photo
Derek Humphry photo
Peter Greenaway photo
Frederick Douglass photo
Richard Feynman photo
Kris Roe photo
Albert Einstein photo
James Salter photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Jeffrey Tucker photo

“There’s a final motive for having a huge family: revenge. Revenge against the family haters, against the environmentalists, against the abortion lobby, against modernity’s corruption.”

Jeffrey Tucker (1963) American writer

Source: ""Trophy Kids"" by Jeffrey Tucker, The Rothbard-Rockwell Report, October 1997, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1997oct-00008,

Edwin Markham photo

“So I go to the long adventure, lifting
My face to the far, mysterious goals,
To the last assize, to the final sifting
Of gods and stars and souls.”

Edwin Markham (1852–1940) American poet

Source: The Shoes of Happiness, and Other Poems (1913), The Crowning Hour, II

Edgar Rice Burroughs photo
Peter Greenaway photo
Conor Oberst photo

“So I wait for the day
when I'll hear the key
as it turns in the lock
And the guard will say to me,
"Oh my patient prisoner
you waited for this day and finally,
you are free!
You are free!
You are free!"”

Conor Oberst (1980) American musician

From A Balance Beam
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Eugène Delacroix photo

“I believe it safe to say that all progress must lead, not to further progress, but finally to the negation of progress, a return to the point of departure.”

Eugène Delacroix (1798–1863) French painter

23 April 1849 (p. 97)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Roger Bacon photo

“And this [experimental] science verifies all natural and man-made things in particular, and in their appropriate discipline, by the experimental perfection, not by arguments of the still purely speculative sciences, nor through the weak, and imperfect experiences of practical knowledge. And therefore, this is the matron of all preceding sciences, and the final end of all speculation.”
Et hæc scientia certificat omnia naturalia et artificialia in particulari et in propria disciplina, per experientiam perfectam; non per argumenta, ut scientiæ pure speculativae, nec per debiles et imperfecta experientias ut scientiae operativæ. Et ideo hæc est domina omnium scientiarum præcedentium, et finis totius speculationis.

Ch 13 ed. J. S. Brewer Opera quadam hactenus inedita (1859) p. 46
Opus Tertium, c. 1267

Jorge Luis Borges photo
Hillary Clinton photo

“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139

Maxime Bernier photo

“During the final months of the campaign, as polls indicated that I had a real chance of becoming the next leader, opposition from the supply management lobby gathered speed. Radio-Canada reported on dairy farmers who were busy selling Conservative Party memberships across Quebec. A Facebook page called Les amis de la gestion de l’offre et des régions (Friends of supply management and regions) was set up and had gathered more than 10,500 members by early May. As members started receiving their ballots by mail from the party, its creator, Jacques Roy, asked them to vote for Andrew Scheer.
Andrew, along with several other candidates, was then busy touring Quebec’s agricultural belt, including my own riding of Beauce, to pick up support from these fake Conservatives, only interested in blocking my candidacy and protecting their privileges. Interestingly, one year later, most of them have not renewed their memberships and are not members of the party anymore. During these last months of the campaign, the number of members in Quebec had increased considerably, from about 6,000 to more than 16,000. In April 2018, according to my estimates, we are down to about 6,000 again.
A few days after the vote, Éric Grenier, a political analyst at the CBC, calculated that if only 66 voters in a few key ridings had voted differently, I could have won. The points system, by which every riding in the country represented 100 points regardless of the number of members they had, gave outsized importance in the vote to a handful of ridings with few members. Of course, a lot more than 66 supply management farmers voted, likely thousands of them in Quebec, Ontario, and the other provinces. I even lost my riding of Beauce by 51% to 49%, the same proportion as the national vote.
At the annual press gallery dinner in Ottawa a few days after the vote, a gala where personalities make fun of political events of the past year, Andrew was said to have gotten the most laughs when he declared: “I certainly don’t owe my leadership victory to anybody…”, stopping in mid-sentence to take a swig of 2% milk from the carton. “It’s a high quality drink and it’s affordable too.” Of course, it was so funny because everybody in the room knew that was precisely why he got elected. He did what he thought he had to do to get the most votes, and that is fair game in a democratic system. But this also helps explain why so many people are so cynical about politics, and with good reason.”

Maxime Bernier (1963) Canadian politician

page 23 in "Live or die with supply management", chapter 5 previewed April 2018 http://www.maximebernier.com/my_chapter_on_supply_management of "Doing Politics Differently: My Vision for Canada"

Jack Vance photo
Italo Calvino photo
François Gautier photo

“Finally, Westernisation through television and advertisements, is sweeping across India, and this may be the greatest danger, as westernisation has killed the souls of many Asian countries.”

François Gautier (1959) French journalist

On westernisation, quoted from "Let all Hindus come together" http://www.newindianexpress.com/columns/article438933.ece, The New Indian Express (17 June 2010)

Cormac McCarthy photo
Wallace Stevens photo

“The thinking of art seems final when
The thinking of god is smoky dew.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Ahad Ha'am photo
Peter Kropotkin photo
Clive Staples Lewis photo
Muhammad Iqbál photo

“I would like to see the Punjab, North-West Frontier Province, Sind and Baluchistan amalgamated into a single State. Self-government within the British Empire, or without the British Empire, the formation of a consolidated North-West Indian Muslim State appears to me to be the final destiny of the Muslims, at least of North-West India.”

Muhammad Iqbál (1877–1938) Urdu poet and leader of the Pakistan Movement

Sir Muhammad Iqbal’s 1930 Presidential Address to the 25th Session of the All-India Muslim League, Allahabad, 29 December 1930 (from University of Columbia website http://www.columbia.edu/itc/mealac/pritchett/00islamlinks/txt_iqbal_1930.html)

Otto Neurath photo

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

Pierre Corneille photo

“My generosity finally cedes to her hatred.”

Ma générosité cède enfin à sa haine.
Nicomède, act III, scene iv.
Nicomède (1651)

Dave Barry photo
Martin Sheen photo
Wesley Snipes photo
Samuel R. Delany photo
Josh Homme photo

“My years of reading P. T. Barnum is finally coming into play. [snaps fingers] This notion of saying nothing, of keeping a secret, and doing it in a way that's not elitist but that's like, You wanna come in here and hear? [whispers] We have a secret. That's all that I can tell you. But you're involved. You know?”

Josh Homme (1973) American musician

Reported in Jay Babcock, " MUSIC IS NEVER WRONG: A visit with Josh Homme & John Paul Jones of Them Crooked Vultures http://www.arthurmag.com/2009/10/15/them-crooked-vultures/", Arthur Magazine (October 15, 2009).

Matthew Stover photo
Joe Hill photo
Pappus of Alexandria photo
Calvin Coolidge photo

“The thirteen Colonies were not unaware of the difficulties which these problems presented. We shall find a great deal of wisdom in the method by which they dealt with them. When they were finally separated from Great Britain, the allegiance of their citizens was not to the Nation, for there was none. It was to the States. For the conduct of the war there had been a voluntary confederacy loosely constructed and practically impotent. Continuing after peace was made, when the common peril which had been its chief motive no longer existed, it grew weaker and weaker. Each of the States could have insisted on an entirely separate and independent existence, having full authority over both their internal and external affairs, sovereign in every way. But such sovereignty would have been a vain and empty thing. It would have been unsupported by adequate resources either of property or population, without a real national spirit; ready to fall prey to foreign intrigue or foreign conquest. That kind of sovereignty meant but little. It had no substance in it. The people and their leaders naturally sought for a larger, more inspiring ideal. They realized that while to be a citizen of a State meant something, it meant a great deal more if that State were a part of a national union. The establishment of a Federal Constitution giving power and authority to create a real National Government did not in the end mean a detriment, but rather an increment to the sovereignty of the several States. Under the Constitution there was brought into being a new relationship, which did not detract from but added to the power and the position of each State. It is true that they surrendered the privilege of performing certain acts for themselves, like the regulation of commerce and the maintenance of foreign relations, but in becoming a part of the Union they received more than they gave.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Freedom and its Obligations (1924)

Franz Kafka photo
Carl Linnaeus photo
Frank Borman photo
Jacob Aagaard photo

“The choice of moves should not be made on an exact verdict of the final position, but on whether or not your position has improved or worsened.”

Jacob Aagaard (1973) Danish-born Scottish chess grandmaster

As quoted in his Excelling at Positional Chess (2003), p. 19.

Philip Roth photo
Patrick Swift photo
Robert Southey photo

“Write poetry for its own sake — not in a spirit of emulation, and not with a view to celebrity; the less you aim at that the more likely you will be to deserve and finally to obtain it.”

Robert Southey (1774–1843) British poet

Letter to Charlotte Brontë in March 1837; Gaskell The life of Charlotte Brontë, Vol. I (1857), p. 140.

Allen West (politician) photo
Geoffrey Howe photo
Javad Alizadeh photo

“I finally did not understand if we are living to survive or we are living to die!”

Javad Alizadeh (1953) cartoonist, journalist and humorist

Quoted in Humor & Caricature (February 1995), p. 3

Wangari Maathai photo
Michael Crichton photo
Tomas Kalnoky photo
Henry Van Dyke photo

“To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind,—this is a choice which is possible for all of us; and surely it is a good haven to sail for. The more we think of it, the more attractive and desirable it becomes. To do some work that is needed, and to do it thoroughly well; to make our toil count for something in adding to the sum total of what is actually profitable for humanity; to make two blades of grass grow where one grew before, or, better still, to make one wholesome idea take root in a mind that was bare and fallow; to make our example count for something on the side of honesty and cheerfulness, and courage, and good faith, and love - this is an aim for life which is very wide, and yet very definite, as clear as light. It is not in the least vague. It is only free; it has the power to embody itself in a thousand forms without changing its character. Those who seek it know what it means, however it may be expressed. It is real and genuine and satisfying. There is nothing beyond it, because there can be no higher practical result of effort. It is the translation, through many languages, of the true, divine purpose of all the work and labor that is done beneath the sun, into one final, universal word. It is the active consciousness of personal harmony with the will of God who worketh hitherto.”

Henry Van Dyke (1852–1933) American diplomat

Source: Ships and Havens https://archive.org/stream/shipshavens00vand#page/28/mode/2up/search/more+we+think+of+it (1897), p.27

Andrei Sakharov photo
Carl von Clausewitz photo

“Art is the final cunning of the human soul which would rather do anything than face the gods.”

Iris Murdoch (1919–1999) British writer and philosopher

"Art and Eros: A Dialogue about Art", Acastos: Two Platonic Dialogues (1986).

David Rakoff photo
Stanisław Lem photo
Ian Hacking photo
Walther von Brauchitsch photo

“Hitler is still such a popular man; we are afraid of the Hitler myth. We want to give to the German people and to the world the final proof by means of the Supreme Court-Martial and its verdict.”

Walther von Brauchitsch (1881–1948) German field marshal

Quoted in "Trial of the Major War Criminals Before the International Military Tribunal" - Page 203 - Nuremberg, Germany - 1947

“Some one wrote to me upon the publication of my book two years ago: “But you live in England! Poor man: then you are a preacher in the desert!” So I am. But I owe something to my desert. The desert is an excellent place for anybody who can make use of it, as biblical and post-biblical experience proves. Without my desert I should not have written my book. Without coming to England I should have become a modern creature, going in for money and motor-cars. For I was born with a fatal inclination for such lighter and brighter kind of things. I was born under a lucky star, so to say: I was born with a warm heart and a happy disposition; I was born to play a good figure in one of those delightful fêtes champêtres of Watteau, Lancret, and Boucher, with a nice little shepherdess on my arm, listening to the sweet music of Rossini and drinking the inspiring “Capri bianco” or “Verona soave” of that beautiful country Italy. But the sky over here is not blue—nor grows there any wine in England—and no Rossini ever lived here; and towards the native shepherdesses I adopted the ways of the Christian towards his beautiful ideals: I admired them intensely but kept myself afar. So there was nothing to console your thirsty and disenchanted traveller in the British Sahara. In the depths of his despair, there was sent to him, as to the traveller in the desert, an enchanting vision, a beautiful fata Morgana rising on the horizon of the future, a fertile and promising Canaan of a new creed that had arisen in Germany (there too as a revulsion against the desert): the philosophy of Friedrich Nietzsche.
So I owe something to the desert. Had I not wandered there so long, I could never have fervently wished to escape nor finally succeeded in coming out of it.”

Oscar Levy (1867–1946) German physician and writer

Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

George Klir photo

“Applying this approach, systems belonging to different scientific disciplines are investigated in their natural forms. On the basis of experimental results, isomorphic relations between different systems are studied and, finally, some general principles applicable for all systems of a certain class are formulated.”

George Klir (1932–2016) American computer scientist

Source: An approach to general systems theory (1969), p. 97 as cited in: B. Van Rootselaar (2009) Annals of Systems Research. p. 114: About the aim of general systems theory

Sten Nadolny photo
Charles Lyell photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Michael Shea photo
Yehuda Bauer photo
John Mayer photo
Guru Arjan photo
Norman Mailer photo

“There are four stages to marriage. First there's the affair, then there's the marriage, then children, and finally the fourth stage, without which you cannot know a woman, the divorce.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

News summaries (31 December 1969)

Ragnar Frisch photo
Henry David Thoreau photo
Maddox photo

“Finally when the movie started, I thought the bullshit ads were over, but no. First thing they showed was a "coke break" sponsored and produced by coke. […] I paid $7 for a movie, NOT FOR BULLSHIT ADVERTISEMENTS.”

Maddox (1978) American internet writer

I paid $7.00 for a movie... http://www.thebestpageintheuniverse.net/c.cgi?u=moviebs
The Best Page in the Universe