Quotes about escape
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China Miéville photo
Sherrilyn Kenyon photo
Franz Kafka photo
George Eliot photo
Ernest Cline photo

“You cannot escape your destiny”

Armada

Charles Baudelaire photo
William L. Shirer photo
Erica Jong photo
Aldous Huxley photo
Michael Chabon photo

“Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.”

Part I, ch. 2
Variant: "Forget about what you are escaping from," he said, quoting an old maxim of Kornblum's. "Reserve your anxiety for what you are escaping to."
Source: The Amazing Adventures of Kavalier & Clay (2000)

Matt Haig photo

“There is this idea that you either read to escape or you read to find yourself.”

Variant: There is this idea that you either read to escape or you read to find yourself. I don't really see the difference.
Source: Reasons to Stay Alive

Christopher Hitchens photo
Charles Bukowski photo
Rick Riordan photo
Charles Bukowski photo
Colson Whitehead photo
Brian Jacques photo

“Death comes to us all sooner or later. We cannot escape it.”

Brian Jacques (1939–2011) British fiction writer known for Redwall animal fantasy novels
Frank Herbert photo
T.D. Jakes photo

“What you cannot escape, you must fight; what you cannot fight, you must endure.”

Lilith Saintcrow (1976) American writer

Source: The Devil's Right Hand

Gabriel García Márquez photo
Thich Nhat Hanh photo

“My actions are my only true belongings. I cannot escape the consequences of my actions. My actions are the ground on which I stand.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Source: Understanding Our Mind: 50 Verses on Buddhist Psychology

Leo Tolstoy photo

“I believe one has to escape oneself to discover oneself.”

Rabih Alameddine (1959) Lebanese-American painter and writer.

Source: I, The Divine: A Novel in First Chapters

Lawrence Durrell photo
Chuck Klosterman photo
Jonathan Safran Foer photo
Frank Herbert photo
Nora Ephron photo
David Levithan photo

“Your life is inescapable. Unless you decide to escape it.”

David Levithan (1972) American author and editor

Every You, Every Me

Laurie Halse Anderson photo

“Can't escape pain, kiddo. Battle through it and you get stronger.”

Laurie Halse Anderson (1961) American children's writer

Source: The Impossible Knife of Memory

T.S. Eliot photo
James Patterson photo
T.S. Eliot photo
Milan Kundera photo
Rick Riordan photo
Richelle Mead photo
Richelle Mead photo

“I'm Marcus Finch. Of course I have an escape car.”

Richelle Mead (1976) American writer

Source: The Ruby Circle

“I read because I have to. It drives everything else from my mind. It lets me escape to find other world.”

Adeline Yen Mah (1937) Author and physician

Source: Chinese Cinderella: The True Story of an Unwanted Daughter

Laurell K. Hamilton photo
Ram Dass photo

“All spiritual practices are illusions created by illusionists to escape illusion.”

Ram Dass (1931–2019) American contemporary spiritual teacher and the author of the 1971 book Be Here Now
Jodi Picoult photo

“When she wanted to escape her life, she read books”

Jodi Picoult (1966) Author

Source: Between the Lines

George MacDonald photo
Bell Hooks photo

“He will not succeed in this," Taran said. "Somehow, we must find a way to escape. We dare not lose hope."
"I agree absolutely," Fflewddur answered. "Your general idea is excellent; it's only the details that are lacking…”

Source: The Chronicles of Prydain (1964–1968), Book V : The High King (1968), Chapter 20
Source: The Black Cauldron
Context: Orgoch gave a most ungentle snort. Orddu, meanwhile, had unfolded a length of brightly woven tapestry and held it out to Taran.
“We came to bring you this, my duckling,” she said. “Take it and pay no heed to Orgoch’s grumbling. She’ll have to swallow her disappointment—for lack of anything better.”
“I have seen this on your loom,” Taran said, more than a little distrustful. “Why do you offer it to me? I do not ask for it, nor can I pay for it.”
“It is yours by right, my robin,” answered Orddu. “It does come from our loom, if you insist on strictest detail, but it was really you who wove it.”
Puzzled, Taran looked more closely at the fabric and saw it crowded with images of men and women, of warriors and battles, of birds and animals. “These,” he murmured in wonder, “these are of my own life.”
“Of course,” Orddu replied. “The pattern is of your choosing and always was.”
“My choosing?” Taran questioned. “Not yours? Yet I believed...” He stopped and raised his eyes to Orddu. “Yes,” he said slowly, “once I did believe the world went at your bidding. I see now it is not so. The strands of life are not woven by three hags or even by three beautiful damsels. The pattern indeed was mine. But here,” he added, frowning as he scanned the final portion of the fabric where the weaving broke off and the threads fell unraveled, “here it is unfinished.”
“Naturally,” said Orddu. “You must still choose the pattern, and so must each of you poor, perplexed fledglings, as long as thread remains to be woven.”

Richelle Mead photo
Chuck Palahniuk photo
Haruki Murakami photo
Charles Baudelaire photo
Joseph Conrad photo
Charles Bukowski photo
Lisa Scottoline photo
Toni Morrison photo
Marcus Aurelius photo

“Look beneath the surface; let not the several quality of a thing nor its worth escape thee.”

VI, 3
Source: Meditations (c. 121–180 AD), Book VI

Wilfred Owen photo

“Escape? There is one unwatched way: your eyes. O Beauty! Keep me good that secret gate.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Source: The Poems Of Wilfred Owen

Octavia E. Butler photo
Zadie Smith photo

“… They cannot escape their history any more than you yourself can lose your shadow.”

Variant: Because this is the other thing about immigrants: they cannot escape their history any more than you yourself can lose your shadow.
Source: White Teeth (2000)

Dr. Seuss photo

“What are clouds, but an excuse for the sky? What is life, but an escape from death?”

Yabu-san's death poem after being ordered to commit seppuku.
Shōgun (1975)

Marya Hornbacher photo
Mathias Malzieu photo
Alexandre Dumas photo
Vincent Van Gogh photo
George Bernard Shaw photo
Wendell Berry photo
Ayaan Hirsi Ali photo
Mitch Albom photo

“Silence was his escape, but silence is rarely a refuge.”

Source: The Five People You Meet in Heaven

Anaïs Nin photo
Paulo Coelho photo
William Styron photo

“We each devise our means of escape from the intolerable.”

William Styron (1925–2006) American novelist and essayist

Source: A Tidewater Morning

Arthur Conan Doyle photo
Anthony Giddens photo

“This situation [alienation] can therefore [according to Durkheim] be remedied by providing the individual with a moral awareness of the social importance of his particular role in the division of labour. He is then no longer an alienated automaton. but is a useful part of an organic whole: ‘from that time, as special and uniform as his activity may be, it is that of an intelligent being, for it has direction, and he is aware of it.’ This is entirely consistent with Durkheim’s general account of the growth of the division of labour, and its relationship to human freedom. It is only through moral acceptance in his particular role in the division of labour that the individual is able to achieve a high degree of autonomy as a self-conscious being, and can escape both the tyranny of rigid moral conformity demanded in undifferentiated societies on the one hand and the tyranny of unrealisable desires on the other.
Not the moral integration of the individual within a differentiated division of labour but the effective dissolution of the division of labour as an organising principle of human social intercourse, is the premise of Marx’s conception. Marx nowhere specifies in detail how this future society would be organised socially, but, at any rate,. this perspective differs decisively from that of Durkheim. The vision of a highly differentiated division of labour integrated upon the basis of moral norms of individual obligation and corporate solidarity. is quite at variance with Marx’s anticipation of the future form of society.
According to Durkheim’s standpoint. the criteria underlying Marx’s hopes for the elimination of technological alienation represent a reversion to moral principles which are no longer appropriate to the modern form of society. This is exactly the problem which Durkheim poses at the opening of The Division of Labour: ‘Is it our duty to seek to become a thorough and complete human being. one quite sufficient unto himself; or, on the contrary, to be only a part of a whole, the organ of an organism?’ The analysis contained in the work, in Durkheim’s view, demonstrates conclusively that organic solidarity is the ‘normal’ type in modern societies, and consequently that the era of the ‘universal man’ is finished. The latter ideal, which predominated up to the seventeenth and eighteenth centuries in western Europe is incompatible with the diversity of the contemporary order. In preserving this ideal. by contrast. Marx argues the obverse: that the tendencies which are leading to the destruction of capitalism are themselves capable of effecting a recovery of the ‘universal’ properties of man. which are shared by every individual.”

Anthony Giddens (1938) British sociologist

Source: Capitalism and Modern Social Theory (1971), pp. 230-231.

Ignatius Sancho photo
Aurangzeb photo

“Darab Khan who had been sent with a strong force to punish the Rajputs of Khandela and to demolish the great temple of the place, attacked the place on the 8th March/5th Safar, and slew the three hundred and odd men who made a bold defence, not one of them escaping alive. [16 October 1678] The temples of Khandela and Sanula and all other temples in the neighbourhood were demolished…'On Sunday, the 25th May/24th Rabi. S., Khan Jahan Bahadur came from Jodhpur, after demolishing the temples and bringing with himself some cart-loads of idols, and had audience of the Emperor, who highly praised him and ordered that the idols, which were mostly jewelled, gold en, silver y, bronze, copper or stone, should be cast in the yard (jilaukhanah) of the Court and under the steps of the Jam'a mosque, to be trodden on. They remained so for some time and at last their very names were lost' [25 May 1679]…Ruhullah Khan and Ekkataz Khan went to demolish the great temple in front of the Rana's palace, which was one of the rarest buildings of the age and the chief cause of the destruction of life and property of the despised worshippers Twenty machator Rajputs who were sitting in the temple vowed to give up their lives; first one of them came out to fight, killed some and was then himself slain, then came out another and so on, until every one of the twenty perished, after killing a large number of the imperialists including the trusted slave, Ikhlas. The temple was found empty. The hewers broke the images…..”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 107-120, also quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. Different translation: “Darab Khan was sent with a strong force to punish the Rajputs of Khandela and demolish the great temple of that place.” (M.A. 171.) “He attacked the place on 8th March 1679, and pulled down the temples of Khandela and Sanula and all other temples in the neighbourhood.”(M.A. 173.) Sarkar, Jadunath (1972). History of Aurangzib: Volume III. App. V.
Quotes from late medieval histories, 1670s

“If only she could have held on to that day, held on to that moment forever, grasped it in her fists so it wouldn't escape.
If only.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 1-10, p. 11

Mahendra Chaudhry photo

“If you hold two arms out in front of you and someone grabs them, then you can use the third set elbow movement to escape. Bring the hand right in to touch the body. If the hand is held in a fist, it doesn't work. Then press down with the elbow.”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung Comments on How to Respond to a Grab
Standing Grappling Situations
Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm

J.C. Ryle photo
Henry James photo
Charlotte Brontë photo