Quotes about dust
page 5

Ahmad Sirhindi photo

“The Shariat prevails under the shadow of the sword (al Shara‘ tahat al-saif) - according to this (saying), the Shariat can triumph only with the help of mighty kings and their good administration. But for some time past this saying has been languishing, which means inevitably that Islam has become weak. The unbelievers (Hindus) of Hindustan are demolishing mosques, and erecting their own places of worship on the same sites. There was a mosque in the tank of Kurukhet (Kurukshetra) at Thanesar, as also the tomb of some (Muslim) saint. These have been demolished, and a huge gurudwara has been constructed on the same sites. Besides, the kafirs are holding many celebrations of kufr…
It is a thousand pities that the reigning king is a Mussalman, and we recluses find ourselves helpless. There was a time when Islam stood glorified due to the might and prestige of its kings, and the Ulama and the Sufis were honoured and held in high regard. It was with their help that the kings made the Shariat prevail. I have heard that one day Amir Taimur was passing through the bazar at Bukhara when, by chance, the inmates of Khwaja Naqshbandi’s khanqah were beating the dust out of the mats used in that place. Because Islam was intact in Amir Taimur, he stopped at that spot and regarded the dust of the khanqah as musk and sandal. He met a good end.”

Ahmad Sirhindi (1564–1624) Indian philosopher

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume II, p.1213. This letter was written to Mir Muhammad Nu‘man, obviously in the reign of Akbar.
From his letters

Robert Frost photo

“The buzz saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.”

Robert Frost (1874–1963) American poet

" Out, Out — http://www.poemhunter.com/poem/out-out-2/"
1910s

John Mandeville photo

“And Men seye in theise Contrees, that Philosophres som tyme wenten upon theise Hilles, and helden to here Nose a Spounge moysted with Watre, for to have Eyr; for the Eyr above was so drye. And aboven, in the Dust and in the Powder of tho Hilles, thei wroot Lettres and Figures with hire Fingres: and at the zeres end thei comen azen, and founden the same Lettres and Figures, the whiche thei hadde writen the zeer before, withouten ony defaute.”

John Mandeville (1300–1372) writer

And Men say in these Countries, that Philosophers some time went upon these Hills, and held to their Noses a Sponge moisted with Water, to have Air; for the Air above was so dry. And above, in the Dust and in the Powder of those Hills, they wrote Letters and Figures with their Fingers. And at the Year's End they came again, and found the same Letters and Figures, the which they had written the Year before, without any Default.
Describing early ascents of Mounts Olympus and Athos.
Source: The Voiage and Travaile of Sir John Maundevile, Kt., Ch. 3

Carl Sagan photo
Henry Wadsworth Longfellow photo
André Breton photo
John Donne photo
Bruce Springsteen photo
Calvin Coolidge photo
Neil Peart photo
Hal David photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Letitia Elizabeth Landon photo
Ursula K. Le Guin photo

“Where my guides lead me in kindness
I follow, follow lightly,
and there are no footprints
in the dust behind us.”

Source: Hainish Cycle, The Telling (2000), Ch. 3, §2 (p. 72)

Robert G. Ingersoll photo
Ben Harper photo

“You may write me down in history
With your bitter twisted lies
You may trod me down in the very dirt
And still like the dust I'll rise.”

Ben Harper (1969) singer-songwriter and musician

I'll Rise, written by Ben Harper and Maya Angelou.
Song lyrics, Welcome to the Cruel World (1994)

Bob Dylan photo

“Here's to Cisco an' Sonny an' Lead Belly too
An' to all the good people that traveled with you
Here's to the hearts and the hands of the men
That come with the dust and are gone with the wind”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Compare: "We come with the dust and we go with the wind." Woody Guthrie, Pastures of Plenty.
Song lyrics, Bob Dylan (1962), Song to Woody

Peter Kropotkin photo

“When we have but the will to do it, that very moment will Justice be done: that very instant the tyrants of the Earth shall bite the dust.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

An Appeal to the Young (1880)

George Biddell Airy photo
Joe Hill photo
Lord Dunsany photo
Zakir Hussain (musician) photo
Bruce Springsteen photo

“Every riot is followed by an Inquiry Committee, but its report is never published. Take U. P. for instance. A report in the Times of India of 13.12.1990 from Lucknow says: “At least a dozen judicial inquiry reports into the genesis of communal riots in the state have never seen the light of the day. They have been buried in the secretariat-files over the past two decades. The failure of the successive state governments to publish these reports and initiate action has given credence to the belief that they are not serious about checking communal violence… There were other instances when the state government instituted an inquiry and then scuttled the commissions. In the 1982 and 1986 clashes in Meerut and in the 1986 riots in Allahabad, the judicial inquiries were ordered only as an ‘eye-wash’…” Judicial inquiries are ordered as an eye-wash because the perpetrators of riots are known but cannot be booked. In a secular state it is neither proper to name them nor political to punish them. Inquiry committee reports are left to gather dust, while those who should be punished are pampered and patronised as vote-banks in India’s democratic setup. Therefore communal riots in India as a legacy of Muslim rule may continue to persist. If these could help in partitioning the country, they could still help in achieving many other goals.”

Source: The Legacy of Muslim Rule in India (1992), Chapter 8

Menno Simons photo
Walter Savage Landor photo
Joe Biden photo
John Muir photo
Isaiah Berlin photo
Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

“The glow has gone forever
And our dreams have turned to dust;
I don't know how I can go on,
And yet I know I must.”

Tom Springfield (1934) English musician, songwriter and record producer

Song No Sad Songs for Me.

Antoni Tàpies photo
Stephen Vincent Benét photo
John Moffat photo
Brigham Young photo
Max Stirner photo
Kameron Hurley photo
Maurice de Vlaminck photo
Aron Ra photo
Peter Greenaway photo
Jerome K. Jerome photo
Edwin Hubbell Chapin photo
Norman Spinrad photo
Amit Chaudhuri photo

“Trenches and mounds of dust everywhere give the city a strange bombed-out look.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

A Strange and Sublime Address (1991)

Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Gene Simmons photo

“I think Prince was heads, hands and feet about all the rest of them, I thought he left (Michael) Jackson in the dust. Prince was way beyond that. But how pathetic that he killed himself. Don't kid yourself, that's what he did. Slowly, I'll grant you … but that's what drugs and alcohol is: a slow death.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

About Prince's death. http://www.rollingstone.com/music/news/gene-simmons-on-prince-how-pathetic-that-he-killed-himself-20160510 (May 10, 2016)

Robert A. Heinlein photo

“I’m not raising any kids to be radioactive dust.”

Source: Farmer in the Sky (1950), Chapter 18, “Pioneer Party” (p. 198)

Homér photo

“He in the turning dust lay
mightily in his might, his horsemanship all forgotten.”

XVI. 775–776 (tr. R. Lattimore).
Iliad (c. 750 BC)

George Gordon Byron photo
Amit Chaudhuri photo
Francis Thompson photo
Edward R. Murrow photo
Haruki Murakami photo
Thomas Nashe photo

“Brightness falls from the air,
Queens have died young and fair,
Dust hath closed Helen's eye.
I am sick, I must die:
Lord, have mercy on us.”

Thomas Nashe (1567–1601) English Elizabethan pamphleteer and poet

Source: Summer's Last Will and Testament http://www.elizabethanauthors.com/summ1.htm (1600), lines 1590-1594.

George William Russell photo
John Muir photo
James Weldon Johnson photo

“This Great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till He shaped it in His own image.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 11.
God's Trombones: Seven Negro Sermons in Verse (1927)

“You'd be shiny and glossy and resist dust.”

Radio From Hell (October 10, 2005)

Claire Danes photo

“I don’t know if people are meant to be together. You have to have a lot in common, choose well and be really fortunate. It’s not like you’re sprinkled with fairy dust. You have to believe that love will be there when you need it.”

Claire Danes (1979) American actress

In "I Needed A Connection That Was Real" by Dotson Rader in Parade magazine (2 October 2005) http://www.parade.com/articles/editions/2005/edition_10-02-2005/featured_1

Thomas Babington Macaulay, 1st Baron Macaulay photo

“The dust and silence of the upper shelf.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

On Milton (1825)

“Dear, beauteous death, the jewel of the just!
Shining nowhere but in the dark;
What mysteries do lie beyond thy dust,
Could man outlook that mark!”

Henry Vaughan (1621–1695) Welsh author, physician and metaphysical poet

"They Are All Gone," st. 5.
Silex Scintillans (1655)

Laurence Hope photo

“Less than the dust beneath thy chariot wheel,
Less than the rust that never stained thy sword”

Less Than the Dust
Indian Love Lyrics (aka Garden of Kama) (1901)

John Foxe photo
Anthony Burgess photo
Mickey Spillane photo
Ulysses S. Grant photo
Desmond Tutu photo
Conrad Aiken photo
Joseph Heller photo
Norman Mailer photo
John Fante photo
Alexander Pope photo

“How loved, how honored once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee;
'Tis all thou art, and all the proud shall be!”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 71.

Cormac McCarthy photo

“Men are made of the dust of the earth.”

Blood Meridian (1985)

Denis Diderot photo
Lawton Chiles photo

“We can show the way. We can make dust -- or eat dust.”

Lawton Chiles (1930–1998) Chairman of the Senate Special Committee on Aging

State of the State address http://www.personal.psu.edu/faculty/d/x/dxd22/1993B.htm (2 February 1993)

J. B. Bury photo
Peter Greenaway photo
Harry Turtledove photo
William Wordsworth photo

“Turning, for them who pass, the common dust
Of servile opportunity to gold.”

William Wordsworth (1770–1850) English Romantic poet

Desultory Stanza.
Bartlett's Familiar Quotations, 10th ed. (1919)

Edmund White photo
Arthur Schopenhauer photo
Alexander Woollcott photo
Bruce Springsteen photo

“When they built you brother, they turned this dust to gold.
When they built you brother, they broke the mold.”

Bruce Springsteen (1949) American singer and songwriter

"Terry's Song"
Song lyrics, Magic (2007)

Wang Wei photo

“A morning rain has settled the dust in Weicheng;
Willows are green again in the tavern dooryard…
Wait till we empty one more cup –
West of Yang Gate there'll be no old friends.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"A Song at Weicheng" (送元二使安西), as translated by Witter Bynner in Three Hundred Poems of the Tang Dynasty
Variant translations:
Wei City morning rain dampens the light dust.
By this inn, green, newly green willows.
I urge you to drink another cup of wine;
West of Yang Pass, are no old friends.
Mike O'Connor, "Wei City Song" in Where the World Does Not Follow (2002), p. 119
No dust is raised on pathways wet with morning rain,
The willows by the tavern look so fresh and green.
I invite you to drink a cup of wine again:
West of the Southern Pass no more friends will be seen.
Xu Yuan-zhong, "A Farewell Song" in 150 Tang Poems (1984), p. 29
Light rain is on the light dust.
The willows of the inn-yard
Will be going greener and greener,
But you, Sir, had better take wine ere your departure,
For you will have no friends about you
When you come to the gates of Go.
Ezra Pound, epigraph to "Four Poems of Departure", in Cathay (1915), p. 28

Robert Frost photo
Letitia Elizabeth Landon photo

“[After]
Burnt to the dust, an ashy heap
Was every cottage round;—
I listened, but I could not hear
One single human sound:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Glencoe from The London Literary Gazette (12th July 1823)
The Vow of the Peacock (1835)

Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Stanley Kubrick photo
Letitia Elizabeth Landon photo
Washington Irving photo
Thomas Wolfe photo
John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

Daisy Ashford photo
Robert Chambers (publisher, born 1802) photo

“The elder Herschel, directing his wonderful tube towards the sides of our system, where stars are planted most rarely… was enabled with awe struck mind to see suspended in the vast empyrean astral systems, or, as he called them, firmaments, resembling our own. Like light cloudlets to a certain power of the telescope, they resolved themselves, under a greater power, into stars, though these generally seemed no larger than the finest particles of diamond dust. The general forms of these systems are various; but one at least has been detected as bearing a striking resemblance to the supposed form of our own. The distances are also various… The farthest observed by the astronomer were estimated by him as thirty-five thousand times more remote than Sirius, supposing its distance to be about twenty thousand millions of miles. It would thus appear, that not only does gravitation keep our earth in its place in the solar system, and the solar system in its place in our astral system, but it also may be presumed to have the mightier duty of preserving a local arrangement between that astral system and an immensity of others, through which the imagination is left to wander on and on without limit or stay, save that which is given by its inability to grasp the unbounded.”

Source: Vestiges of the Natural History of Creation (1844), p. 6-7