Quotes about dust
page 6

Clarence Thomas photo
Alauddin Khalji photo

“The tongue of the sword of the Khalifa of the time, which is the tongue of the flame of Islam, has imparted light to the entire darkness of Hindustan by the illumination of its guidance… On the other side, so much dust arose from the battered temple of Somnat that even the sea was not able to lay it, and on the right hand and on the left hand the army has conquered from sea to sea, and several capitals of the gods of the Hindus, in which Satanism has prevailed since the time of the Jinns, have been demolished. All these impurities of infidelity have been cleansed by the Sultan's destruction of idol-temples, beginning with his first holy expedition against Deogir,44so that the flames of the light of the law illumine all these unholy countries, and places for the criers to prayer are exalted on high, and prayers are read in mosques. Allah be praised!'…'On Sunday, the 23rd, after holding a council of chief officers, he [Malik Kafur, converted Hindu and commander of the Muslim army] took a select body of cavalry with him and pressed on against Billal Deo, and on the 5th of Shawwal reached the fort of Dhur Sammund after a difficult march of twelve days over the hills and valleys, and through thorny forests. 'The fire-worshipping' Rai, when he learnt that 'his idol-temple was likely to be converted into a mosque,' despatched Kisu Mal' The commander replied that he was sent with the object of converting him to Muhammadanism, or of making him a zimmi, and subject to pay tax, or of slaying him if neither of these terms were assented to. When the Rai received this reply, he said he was ready to give up all he possessed, except his sacred thread.”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 85-89
Quotes from The History of India as told by its own Historians

Aldo Leopold photo
Giovanni della Casa photo
Jerome David Salinger photo
Edith Sitwell photo
Statius photo

“What sweat in muddy dust for horses and for men! Ah, how high shall rivers be cruelly reddened!”
Quantus equis quantusque viris in puluere crasso sudor! io quanti crudele rubebitis amnes!

Source: Thebaid, Book III, Line 210

H. Rider Haggard photo
Dejan Stojanovic photo

“All dust is the same dust. Temporarily separated to go peacefully and enjoy the eternal nap.”

”The Same Dust,” p. 63
Circling: 1978-1987 (1993), Sequence: “A Warden with No Keys”

Ernst Gombrich photo

“Very well, the starting point would be that claim of Professor Quarrey’s, which had been in the news at the beginning of the year, that the country’s greatest export was noxious gas. And who would like to stir up the fuss again? Obviously, the Canadians, cramped into a narrow band to the north of their more powerful neighbors, growing daily angrier about the dirt that drifted to them on the wind, spoiling crops, causing chest diseases and soiling laundry hung out to dry. So she’d called the magazine Hemisphere in Toronto, and the editor had immediately offered ten thousand dollars for three articles.
Very conscious that all calls out of the country were apt to be monitored, she’d put the proposition to him in highly general terms: the risk of the Baltic going the same way as the Mediterranean, the danger of further dust-bowl like the Mekong Desert, the effects of bringing about climactic change. That was back in the news—the Russians had revised their plan to reverse the Yenisei and Ob. Moreover, there was the Danube problem, worse than the Rhine had ever been, and Welsh nationalists were sabotaging pipelines meant to carry “their” water into England, and the border war in West Pakistan had been dragging on so long most people seemed to have forgotten that it concerned a river.
And so on.
Almost as soon as she started digging, though, she thought she might never be able to stop. It was out of the question to cover the entire planet. Her pledged total of twelve thousand words would be exhausted by North American material alone.”

June “A PLACE TO STAND”
The Sheep Look Up (1972)

Robert G. Ingersoll photo
Peter Greenaway photo
Chief Seattle photo
Jenny Lewis photo

“It's all of the good that won't come out of us and how eventually our hands will just turn to dust, if we keep shaking them standing here on this frozen lake.”

Jenny Lewis (1976) American actor, singer-songwriter

"The Good That Won't Come Out"
Song lyrics, The Execution of All Things (2003)

Alan Bean photo
Huston Smith photo

“We are a blend of dust and divinity.”

Summarizing the Jewish view of human nature.
The World's Religions (1991)

Guy Gavriel Kay photo
Robert Olmstead photo
Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Carl Sandburg photo

“When Abraham Lincoln was shoveled into
the tombs, he forgot the copperheads and
the assassin… in the dust, in the cool tombs.”

Carl Sandburg (1878–1967) American writer and editor

"Cool Tombs" (1918)

Robert G. Ingersoll photo
Joan Rivers photo

“Why do wives have to spend so much time dusting, vacuuming, mopping, making beds, washing dishes, when you just have to do it all again six months later?”

Joan Rivers (1933–2014) American comedian, actress, and television host

As quoted in Enjoy Your Gifted Child (1986), by C. A. Takacs, p. 55

Gabriel García Márquez photo
Kate Bush photo

“I am ice and dust. I am sky.
I can see horses wading through snowdrifts.
My broken hearts, my fabulous dances.
My fleeting song, fleeting.
The world is so loud. Keep falling. I'll find you.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

George Berkeley photo

“That we have first rais'd a Dust, and then complain, we cannot see.”

A Treatise Concerning the Principles of Human Knowledge (1710)

Anthony Burgess photo
William Julius Mickle photo
John Quincy Adams photo

“In the seventh century of the Christian era, a wandering Arab of the lineage of Hagar, the Egyptian, combining the powers of transcendent genius, with the preternatural energy of a fanatic, and the fraudulent spirit of an impostor, proclaimed himself as a messenger from Heaven, and spread desolation and delusion over an extensive portion of the earth. Adopting from the sublime conception of the Mosaic law, the doctrine of one omnipotent God; he connected indissolubly with it, the audacious falsehood, that he was himself his prophet and apostle. Adopting from the new Revelation of Jesus, the faith and hope of immortal life, and of future retribution, he humbled it to the dust by adapting all the rewards and sanctions of his religion to the gratification of the sexual passion. He poisoned the sources of human felicity at the fountain, by degrading the condition of the female sex, and the allowance of polygamy; and he declared undistinguishing and exterminating war, as a part of his religion, against all the rest of mankind. THE ESSENCE OF HIS DOCTRINE WAS VIOLENCE AND LUST : TO EXALT THE BRUTAL OVER THE SPIRITUAL PART OF HUMAN NATURE.
Between these two religions, thus contrasted in their characters, a war of twelve hundred years has already raged. That war is yet flagrant; nor can it cease but by the extinction of that imposture, which has been permitted by Providence to prolong the degeneracy of man. While the merciless and dissolute dogmas of the false prophet shall furnish motives to human action, there can never be peace upon earth, and good will towards men. The hand of Ishmael will be against every man, and every man's hand against him.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Passage on Muhammad by an anonymous author in The American Annual Register for the Years 1827-8-9 (1830), edited by Joseph Blunt, Ch. X, p. 269. Robert Spencerattributed the authorship to Adams in The Politically Incorrect Guide to Islam (and the Crusades) (2005), p. 83, but provided no clear documentation as to why this attribution was made.
Disputed

Robert Silverberg photo
Hal David photo
Omar Khayyám photo
Li Hongzhi photo
Gregory of Nyssa photo
Hafez al-Assad photo

“Strike the enemy’s settlements, turn them into dust, pave the Arab roads with the skulls of Jews.”

Hafez al-Assad (1930–2000) former president of Syria

Michael B. Oren, Six Days of War [Oxford University Press, 2002], p293

Neal Stephenson photo
Percy Bysshe Shelley photo

“The dust of creeds outworn.”

First Spirit, Act I, l. 697
Prometheus Unbound (1818–1819; publ. 1820)

Rose Wilder Lane photo
Tanith Lee photo
Sri Chinmoy photo

“Alas, why does my mind have to walk through the dust of the past every day?”

Sri Chinmoy (1931–2007) Indian writer and guru

#14702, Part 15
Twenty Seven Thousand Aspiration Plants Part 1-270 (1983)

Lewis Morris (poet) photo

“Call no faith false which e'er hath brought
Relief to any laden life,
Cessation to the pain of thought,
Refreshment mid the dust of strife.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

Tolerance, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ernest Dowson photo

“O pray the earth enfold
Our life-sick hearts and turn them into dust.”

Ernest Dowson (1867–1900) English writer

A Last Word (1899).

Ray Bradbury photo
John Bright photo

“If a man have three or four children, he has just three or four times as much interest in having the Corn Laws abolished as the man who has none. Your children will grow up to be men and women. It may be that your heads will be laid in the grave before they come to manhood or womanhood; but they will grow up, and want employment at honest trades—want houses and furniture, food and clothing, and all the necessaries and comforts of life. They will be honest and industrious as yourselves. But the difficulties which surround you will be increased tenfold by the time they have arrived at your age. Trade will then have become still more crippled; the supply of food still more diminished; the taxation of the country still further increased. The great lords, and some other people, will have become still more powerful, unless the freemen and electors of Durham and of other places stand to their guns, and resolve that, whatever may come of Queen, or Lords, or Commons, or Church, or anybody—great and powerful, and noble though they be—the working classes will stand by the working classes; and will no longer lay themselves down in the dust to be trampled upon by the iron heel of monopoly, and have their very lives squeezed out of them by evils such as I have described.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech during the general election of 1843, quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), pp. 113-114.
1840s

Richard Feynman photo
Orson Scott Card photo
Jayant Narlikar photo
Joseph Conrad photo
John Fante photo
Walter Raleigh photo

“Even such is time, that takes in trust
Our youth, our joys, our all we have,
And pays us but with age and dust;
Who in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days.
But from this earth, this grave, this dust,
My God shall raise me up, I trust!”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

His Own Epitaph, written the night before his execution (1618) and found in his Bible in the Gate-house at Westminster; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: https://www.youtube.com/watch?v=-tnk8RpOFWw "Even Such is Time" — Choir of Salisbury Cathedral

Walter Scott photo
Denise Levertov photo
Joseph Conrad photo
Julian May photo
Richard Rodríguez photo
Robert E. Howard photo

“Mingle my dust with the burning brand,
Scatter it free to the sky
Fling it wide on the ocean’s sand,
From peaks where the vultures fly.”

Robert E. Howard (1906–1936) American author

From a letter to Tevis Clyde Smith (August 28, 1925)
Letters

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Judah Halevi photo
Amit Chaudhuri photo
Bayard Taylor photo
Charles Kingsley photo

“Let us be content to do little, if God sets us at little tasks. It is but pride and self-will which says, "Give me something huge to fight, — and I should enjoy that — but why make me sweep the dust?"”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

Source: Attributed, Dictionary of Burning Words of Brilliant Writers (1895), P. 388.

Adam Roberts photo

““Do you know what this is?
“The floor, Miss?”
“Dust! I read about it—tiny particles of matter.””

Part 2, Chapter 7, “The Investigation Begins” (p. 163).
Jack Glass (2012)

Ilana Mercer photo

“Zimbabwe, once the breadbasket of Africa, is now its dust bowl.”

Ilana Mercer South African writer

“The Genocide in Democratic South Africa,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=105 WorldNetDaily.com, January 19, 2007;
“The Kulaks of Democratic South Africa,” http://www.fmnn.com/Analysis/56/6789/kulaks.asp?wid=56&nid=6789 Free Market News Network, January 22, 2007.
2000s, 2007

Halldór Laxness photo

“Dust, who is not dust? I am dust. But I am your Member of Parliament, nevertheless.”

Bui Arland
Atómstöðin (The Atom Station) (1948)

Bram Stoker photo
Maxwell D. Taylor photo
Jonathan Swift photo
T. H. White photo

““It happened that Mahmud had long been planning an expedition into Bhardana, and Gujarat, to destroy the idol temple of Somnat, a place of great sanctity to all Hindus. So as soon as he had returned to Ghazni from his Khurasan business, he issued a farman to the General of the army, ordering him to leave a confidential officer in charge of the fort of Kabuliz, and himself to join the court with his son Salar Mas‘ud…
“It is related in the Tarikh-i Mahmudi that the Sultan shortly after reached Ghazni, and laid down the image of Somnat at the threshold of the Mosque of Ghazni, so that the Musulmans might tread upon the breast of the idol on their way to and from their devotions. As soon as the unbelievers heard of this, they sent an embassy to Khwaja Hasan Maimandi, stating that the idol was of stone and useless to the Musulmans, and offered to give twice its weight in gold as a ransom, if it might be returned to them. Khwaja Hasan Maimandi represented to the Sultan that the unbelievers had offered twice the weight of the idol in gold, and had agreed to be subject to him. He added, that the best policy would be to take the gold and restore the image, thereby attaching die people to his Government. The Sultan yielded to the advice of the Khwaja, and the unbelievers paid the gold into the treasury.
“One day, when the Sultan was seated on his throne, the ambassadors of the unbelievers came, and humbly petitioned thus: ‘Oh, Lord of the world! we have paid the gold to your Government in ransom, but have not yet received our purchase, the idol Somnat.’ The Sultan was wroth at their words, and, falling into reflection, broke up the assembly and retired, with his dear Salar Mas‘ud, into his private apartments. He then asked his opinion as to whether the image ought to be restored, or not? Salar Mas‘ud, who was perfect in goodness, said quickly, ‘In the day of the resurrection, when the Almighty shall call for Ãzar, the idol-destroyer, and Mahmud, the idol-seller, Sire! what will you say?’ This speech deeply affected the Sultan, he was full of grief, and answered, ‘I have given my word; it will be a breach of promise.’ Salar Mas‘ud begged him to make over the idol to him, and tell the unbelievers to get it from him. The Sultan agreed; and Salar Mas‘ud took it to his house, and, breaking off its nose and ears, ground them to powder.
“When Khwaja Hasan introduced the unbelievers, and asked the Sultan to give orders to restore the image to them, his majesty replied that Salar Mas‘ud had carried it off to his house, and that he might send them to get it from him. Khwaja Hasan, bowing his head, repeated these words in Arabic, ‘No easy matter is it to recover anything which has fallen into the hands of a lion.’ He then told the unbelievers that the idol was with Salar Mas‘ud, and that they were at liberty to go and fetch it. So they went to Mas‘ud’s door and demanded their god.
“That prince commanded Malik Nekbakht to treat them courteously, and make them be seated; then to mix the dust of the nose and ears of the idol with sandal and the lime eaten with betel-nut, and present it to them. The unbelievers were delighted, and smeared themselves with sandal, and ate the betel-leaf. After a while they asked for the idol, when Salar Mas‘ud said he had given it to them. They inquired, with astonishment, what he meant by saying that they had received the idol? And Malik Nekbakht explained that it was mixed with the sandal and betel-lime. Some began to vomit, while others went weeping and lamenting to Khwaja Hasan Maimandi and told him what had occurred…”
“Afterwards the image of Somnat was divided into four parts, as is described in the Tawarikh-i-Mahmudi. Mahmud’s first exploit is said to have been conquering the Hindu rebels, destroying the forts and the idol temples of the Rai Ajipal (Jaipal), and subduing the country of India. His second, the expedition into Harradawa and Guzerat, the carrying off the idol of Somnat, and dividing it into four pieces, one of which he is reported to have placed on the threshold of the Imperial Palace, while he sent two others to Mecca and Medina respectively. Both these exploits were performed at the suggestion, and by the advice, of the General and Salar Mas‘ud; but India was conquered by the efforts of Salar Mas‘ud alone, and the idol of Somnat was broken in pieces by his sold advice, as has been related. Salar Sahu was Sultan of the army and General of the forces in Iran…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Somnath (Gujarat), Mir‘at-i-Mas‘udi Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

George Gordon Byron photo

“The dust we tread upon was once alive.”

Act IV, scene 1.
Sardanapalus (1821)

John F. Kennedy photo

“I am certain that after the dust of centuries has passed over our cities, we, too, will be remembered not for victories or defeats in battle or in politics, but for our contribution to the human spirit.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Remarks at a Closed-circuit Television Broadcast on Behalf of the National Cultural Center (527)" (29 November 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx
1962

Robert G. Ingersoll photo
Babe Ruth photo

“They can boo and hoot me all they want. That doesn't matter to me. But when a fan calls insulting names from the grandstand and becomes abusive I don't intend to stand for it. This fellow today, whoever he was, called me a low-down bum and other names that got me mad, and when I went after him he ran. Furthermore, I didn't throw any dust in Hildebrand's face. It didn't go into his face, only on his sleeve. I don't know what they will do to me for this. Maybe I'll be fined or suspended for kicking on the decision, but I don't see why I should get any punishment at all. I would go into the stands again if I had to.”

Babe Ruth (1895–1948) American baseball player

On his temper flaring on May 25, 1922, when he threw dirt at an umpire and chased after a heckler in the stands, as quoted in "Ruth in Row With Umpire and Fan at Polo Grounds" in The New York Times (May 26, 1922), reprinted in Sultans of Swat: The Four Great Sluggers of the New York Yankees (2006) by The New York Times, p. 35 https://books.google.com/books?id=rvsETfrxDacC&pg=PA35

Steven Erikson photo
Emil M. Cioran photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)

Michael Polanyi photo
Basava photo

“In a brahmin house
where they feed the fire as a god
when the fire goes wild and burns the house
they splash on it
the water of the gutter and the dust of the street,
beat their breasts
and call the crowd.
These men then forget their worship
and scold their fire,
O lord of the meeting rivers!”

Basava (1134–1196) a 12th-century Hindu philosopher, statesman, Kannada Bhakti poet of Lingayatism

Basava’s saying in his “The Lord of the Meeting Rivers: Devotional Poems of Basavanna” quoted in The Lord of the Meeting Rivers Quotes, 23 November 2013, Goodreads.com http://www.goodreads.com/work/quotes/3772282-the-lord-of-the-meeting-rivers-devotional-poems-of-basavanna,

Adin Ballou photo
Philip Pullman photo
Rose Wilder Lane photo
James G. Watt photo

“Everything Cheney's saying, everything the president's saying — they're saying exactly what we were saying 20 years ago, precisely … Twenty years later, it sounds like they've just dusted off the old work.”

James G. Watt (1938) United States Secretary of the Interior

Praising George W. Bush's energy and environmental policies "Watt Applauds Bush Energy Strategy", Denver Post (16 May 2001)
2000s

Theodor Herzl photo
Pauline Kael photo
Henry David Thoreau photo
David Brewster photo
Charles Grandison Finney photo
Dejan Stojanovic photo

“Dust to dust, ashes to ashes. Is that all?”

Dejan Stojanovic (1959) poet, writer, and businessman

Faith http://www.poetrysoup.com/famous/poem/21392/Faith_
From the poems written in English

Walter Scott photo

“Woman's faith and woman's trust,
Write the characters in dust.”

The Betrothed, Chap. xx.
Bartlett's Familiar Quotations, 10th ed. (1919)

Edith Sitwell photo