Quotes about dust

A collection of quotes on the topic of dust, likeness, time, timing.

Quotes about dust

Jack London photo

“I would rather be ashes than dust! I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot. I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet. The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.”

Jack London (1876–1916) American author, journalist, and social activist

The Bulletin, San Francisco, California, December 2, 1916, part 2, p. 1.
Also included in Jack London’s Tales of Adventure, ed. Irving Shepard, Introduction, p. vii (1956)

Rick Riordan photo
Franz Kafka photo
Carl Sagan photo

“Consider again that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar", every "supreme leader", every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.”

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 8, Supplemental image at randi.org http://www.randi.org/images/122801-BlueDot.jpg

Ghani Khan photo
Pablo Picasso photo

“Art washes away from the soul the dust of everyday life.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quoted in: LIFE http://books.google.com/books?id=9EgEAAAAMBAJ&pg=PA9, Vol. 57, nr. 11 (11 September 1964). p. 9.
1960s

Rabindranath Tagore photo
George Orwell photo
Maya Angelou photo

“You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.”

"Still I Rise" - Full text online at poets.org http://www.poets.org/viewmedia.php/prmMID/15623
And Still I Rise (1978)

Aleksandr Solzhenitsyn photo

“Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you — you do not even suspect that the day has already dawned outside.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Letter to the Secretariat of the Soviet Writers’ Union (12 November 1969) as translated in Solzhenitsyn: A Documentary Record (1970) edited by Leopold Labedz (1970) “Expulsion".

Robert Jordan photo
Hunter S. Thompson photo
Christopher Paolini photo
Francis of Assisi photo
José Saramago photo
George Orwell photo
Ghani Khan photo
Chris Cornell photo

“love when i lose aobut 100 followers immediately after making a beautiful post. the weak shriveling up into dust. Thats called darwin”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/955933835329462273]
Tweets by year, 2018

Carlos Ruiz Zafón photo
William Shakespeare photo

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth”

Variant: Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let's choose executors and talk of wills
Source: Richard II

Vladimir Nabokov photo
W.B. Yeats photo
Leonard Cohen photo
Oscar Wilde photo
Langston Hughes photo
Anne Rice photo
Robert Jordan photo
Virginia Woolf photo
Arthur Miller photo

“Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!”

Source: The Crucible (1953)
Context: Danforth: Do you mean to deny this confession when you are free?
Proctor: I mean to deny nothing!
Danforth: Then explain to me, Mr. Proctor, why you will not let —
Proctor: [With the cry of his whole soul] Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!

Ovid photo
Yiannis Ritsos photo
Pablo Picasso photo

“The purpose of art is washing the dust of daily life off our souls.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Nikola Tesla photo
Ransom Riggs photo
Philip Pullman photo
Statius photo

“A Nemean steed in terror of the fight bears the hero from the citadel of Pallas, and fills the fields with the huge flying shadow, and the long trail of dust rises upon the plain.”
Illum Palladia sonipes Nemeaeus ab arce devehit arma pavens umbraque inmane volanti implet agros longoque attollit pulvere campum.

Source: Thebaid, Book IV, Line 136 (tr. J. H. Mozley)

Oscar Wilde photo

“And all, but Lust, is turned to dust
In Humanity's machine.”

Pt. V, st. 7
The Ballad of Reading Gaol (1898)

Aleksandr Pushkin photo

“Pimen [writing in front of a sacred lamp]:
One more, the final record, and my annals
Are ended, and fulfilled the duty laid
By God on me a sinner. Not in vain
Hath God appointed me for many years
A witness, teaching me the art of letters;
A day will come when some laborious monk
Will bring to light my zealous, nameless toil,
Kindle, as I, his lamp, and from the parchment
Shaking the dust of ages will transcribe
My true narrations.”

(Variant translation):
One more story, just one more,
And then my history's completed,
All my chronicles written down
And my sinner's debt repaid to God.
Not for nothing.
The Lord appointed me to bear witness
For many many years and it was he
Taught me the art of creating books.
One day, in the far future,
some hard-working monk
Will find my painstaking,
anonymous writings.
He'll light his lamp,
as I light mine,
He'lll shake the dust of centuries from these scrolls.
Then he'll copy out, carefully, these true accounts,
So the descendants of today's Christians
May know the past of their native land
Remember their mighty Tsars warmly
For their glory and their knidness
And our Lord's mercy on their sins and crimes.
In my old age I live my life anew.
Pushkin, Alexander (2012). Pushkin's Boris Gudunov. Oberon Books.
Boris Godunov (1825)

Aleksandr Pushkin photo
Joseph Heller photo
Friedrich Nietzsche photo
Aleksandr Pushkin photo
Matthew Arnold photo
Napoleon I of France photo

“A little while ago, I stood by the grave of the old Napoleon, a magnificent tomb, and I gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Robert G. Ingersoll, The Liberty of Man, Woman and Child
About

V.S. Naipaul photo

“We knew nothing but despotism. That is why the very rich Mughal empire could break up into nothing. Turn to dust at the merest touch of a foreign power. There was no institution, there was no creative nation, no university, no printing press, there was nothing but personal power. …. How do you ignore history? But the nationalist movement, independence movement ignored it. You read the Glimpses of World History by Jawaharlal Nehru, it talks about the mythical past and then it jumps the difficult period of the invasions and conquests. So you have Chinese pilgrims coming to Bihar, Nalanda and places like that. Then somehow they don't tell you what happens, why these places are in ruin. They never tell you why Elephanta island is in ruins or why Bhubaneswar was desecrated. So history has to be studied, it is very painful history. But it is not more painful than most countries have had. …It isn't India alone that has had a rough time, that has to be understood. But the rough time has to be faced and it cannot be glossed over. There are tools for us to understand the rough time. We can read a man like Ibn Battuta who will tell you what it was like to be there in the midst of the fourteenth century, terrible times. An apologist of the invaders would like to gloss that over. But it would be wrong to gloss that over, that has to be understood. …But I would like to see this past recovered and not dodged.”

V.S. Naipaul (1932–2018) Trinidadian-British writer of Indo-Nepalese ancestry

V.S. Naipaul, Interview, with URMI GOSWAMI, JANUARY 14, 2003 0 'How do you ignore history?' https://web.archive.org/web/20070106194746/http://economictimes.indiatimes.com/cms.dll/html/comp/articleshow?artid=34295982

William Shakespeare photo
Clive Staples Lewis photo
Jerome K. Jerome photo
Thomas Mann photo
Ovid photo

“Pointing to a pile of dust, that had collected, I foolishly begged to have as many anniversaries of my birth, as were represented by the dust. But I forgot to ask that the years should be accompanied by youth.”
Ego pulveris hausti ostendens cumulum, quot haberet corpora pulvis, tot mihi natales contingere vana rogavi; excidit, ut peterem iuvenes quoque protinus annos.

Book XIV, lines 136–139; translation by A. S. Kline
Metamorphoses (Transformations)

A.C. Bhaktivedanta Swami Prabhupada photo
Henry Miller photo
A.C. Bhaktivedanta Swami Prabhupada photo
Robert G. Ingersoll photo

“I would rather have been a French peasant and worn wooden shoes; I would rather have lived in a hut, with a vine growing over the door and the grapes growing and ripening in the autumn sun; I would rather have been that peasant, with my wife by my side and my children upon my knees, twining their arms of affection about me; I would rather have been that poor French peasant and gone down at last to the eternal promiscuity of the dust, followed by those who loved me; I would a thousand times rather have been that French peasant than that imperial personative of force and murder; and so I would —ten thousand thousand times.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Soliloquy at the tomb of Napoleon (1882); noted to have been misreported as "I would rather be the humblest peasant that ever lived … at peace with the world than be the greatest Christian that ever lived" by Billy Sunday (May 26, 1912), as reported in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 52-53.

Vālmīki photo
Mark Twain photo
António de Oliveira Salazar photo

“The day I leave the power, inside my pockets will only be dust.”

António de Oliveira Salazar (1889–1970) Prime Minister of Portugal

Quoted in Salazar: biographical study - page 383; of Franco Nogueira - Published by Atlantis Publishing, 1977

Kurt Vonnegut photo
Sadegh Hedayat photo
Charles Darwin photo
Lewis Carroll photo
Friedrich Nietzsche photo

“But what changes come upon the weary desert of our culture, so darkly described, when it is touched by the magic of Dionysus! A storm seizes everything decrepit, rotten, broken, stunted; shrouds it in a whirling red cloud of dust and carries it into the air like a vulture. In vain confusion we seek for all that has vanished; for what we see has risen as if from beneath he earth into the gold light, so full and green, so luxuriantly alive, immeasurable and filled with yearning. Tragedy sits in sublime rapture amidst this abundance of life, suffering and delight, listening to a far-off, melancholy song which tells of the Mothers of Being, whose names are Delusion, Will, Woe. -
Yes, my friends, join me in my faith in this Dionysiac life and the rebirth of tragedy. The age of Socratic man is past: crown yourselves with ivy, grasp the thyrsus and do not be amazed if tigers and panthers lie down fawning at your feet. Now dare to be tragic men, for you will be redeemed. You shall join the Dionysiac procession from India to Greece! Gird yourselves for a hard battle, but have faith in the miracles of your god!”

Aber wie verändert sich plötzlich jene eben so düster geschilderte Wildniss unserer ermüdeten Cultur, wenn sie der dionysische Zauber berührt! Ein Sturmwind packt alles Abgelebte, Morsche, Zerbrochne, Verkümmerte, hüllt es wirbelnd in eine rothe Staubwolke und trägt es wie ein Geier in die Lüfte. Verwirrt suchen unsere Blicke nach dem Entschwundenen: denn was sie sehen, ist wie aus einer Versenkung an's goldne Licht gestiegen, so voll und grün, so üppig lebendig, so sehnsuchtsvoll unermesslich. Die Tragödie sitzt inmitten dieses Ueberflusses an Leben, Leid und Lust, in erhabener Entzückung, sie horcht einem fernen schwermüthigen Gesange - er erzählt von den Müttern des Seins, deren Namen lauten: Wahn, Wille, Wehe.
Ja, meine Freunde, glaubt mit mir an das dionysische Leben und an die Wiedergeburt der Tragödie. Die Zeit des sokratischen Menschen ist vorüber: kränzt euch mit Epheu, nehmt den Thyrsusstab zur Hand und wundert euch nicht, wenn Tiger und Panther sich schmeichelnd zu euren Knien niederlegen. Jetzt wagt es nur, tragische Menschen zu sein: denn ihr sollt erlöst werden. Ihr sollt den dionysischen Festzug von Indien nach Griechenland geleiten! Rüstet euch zu hartem Streite, aber glaubt an die Wunder eures Gottes!
Source: The Birth of Tragedy (1872), p. 98

Thomas Babington Macaulay, 1st Baron Macaulay photo

“Forget all feuds, and shed one English tear
O'er English dust. A broken heart lies here.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Epitaph on a Jacobite (1845)

A.C. Bhaktivedanta Swami Prabhupada photo
Ghalib photo
Eugene O'Neill photo
Rabindranath Tagore photo
Friedrich Nietzsche photo

“The heaviest burden: “What, if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: ‘This life, as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life must return to you, all in the same succession and sequence — even this spider and this moonlight between the trees and even this moment and I myself. The eternal hourglass of existence is turned over again and again—and you with it, speck of dust!’ Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: ‘You are a god, and never have I heard anything more divine!’ If this thought were to gain possession of you, it would change you as you are, or perhaps crush you. The question in each and every thing, “do you want this once more and innumerable times more?””

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?.
Sec. 341
The Gay Science (1882)

Georges-Louis Leclerc, Comte de Buffon photo

“[F]rom the earliest periods of time [man] alone has divided the empire of the world between him and Nature. …[H]e rather enjoys than possesses, and it is by constant and perpetual activity and vigilance that he preserves his advantage, for if those are neglected every thing languishes, changes, and returns to the absolute dominion of Nature. She resumes her power, destroys the operations of man; envelopes with moss and dust his most pompous monuments, and in the progress of time entirely effaces them, leaving man to regret having lost by his negligence what his ancestors had acquired by their industry. Those periods in which man loses his empire, those ages in which every thing valuable perishes, commence with war and are completed by famine and depopulation. Although the strength of man depends solely upon the union of numbers, and his happiness is derived from peace, he is, nevertheless, so regardless of his own comforts as to take up arms and to fight, which are never-failing sources of ruin and misery. Incited by insatiable avarice, or blind ambition, which is still more insatiable, he becomes callous to the feelings of humanity; regardless of his own welfare, his whole thoughts turn upon the destruction of his own species, which he soon accomplishes. The days of blood and carnage over, and the intoxicating fumes of glory dispelled, he beholds, with a melancholy eye, the earth desolated, the arts buried, nations dispersed, an enfeebled people, the ruins of his own happiness, and the loss of his real power.”

Georges-Louis Leclerc, Comte de Buffon (1707–1788) French natural historian

Buffon's Natural History (1797) Vol. 10, pp. 340-341 https://books.google.com/books?id=respAAAAYAAJ&pg=PA340, an English translation of Histoire Naturelle (1749-1804).

Cassandra Clare photo
José Saramago photo
Rabindranath Tagore photo

“The child ever dwells in the mystery of ageless time,
unobscured by the dust of history.”

Rabindranath Tagore (1861–1941) Bengali polymath

26
Fireflies (1928)

William Shakespeare photo

“Golden lads and girls all must,
As chimney-sweepers, come to dust.”

Guiderius, Act IV, scene ii.
Cymbeline (1610)

C.G. Jung photo
H.P. Lovecraft photo
Percy Bysshe Shelley photo

“Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal.”

St. XXXVIII
Adonais (1821)
Context: He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal.

Maurice Maeterlinck photo

“It is childish to talk of happiness and unhappiness where infinity is in question. The idea which we entertain of happiness and unhappiness is something so special, so human, so fragile that it does not exceed our stature and falls to dust as soon as we go beyond its little sphere.”

Maurice Maeterlinck (1862–1949) Belgian playwright, poet, and essayist

Death (1912)
Context: It is childish to talk of happiness and unhappiness where infinity is in question. The idea which we entertain of happiness and unhappiness is something so special, so human, so fragile that it does not exceed our stature and falls to dust as soon as we go beyond its little sphere. It proceeds entirely from a few accidents of our nerves, which are made to appreciate very slight happenings, but which could as easily have felt everything the reverse way and taken pleasure in that which is now pain. We believe that we see nothing hanging over us but catastrophes, deaths, torments and disasters; we shiver at the mere thought of the great interplanetary spaces, with their cold and formidable and gloomy solitudes; and we imagine that the revolving worlds are as unhappy as ourselves because they freeze, or clash together, or are consumed in unutterable flames. We infer from this that the genius of the universe is an outrageous tyrant, seized with a monstrous madness, and that it delights only in the torture of itself and all that it contains. To millions of stars, each many thousand times larger than our sun, to nebulee whose nature and dimensions no figure, no word in our languages is able to express, we attribute our momentary sensibility, the little ephemeral and chance working of our nerves; and we are convinced that life there must be impossible or appalling, because we should feel too hot or too cold. It were much wiser to say to ourselves that it would need but a trifle, a few papilla more or less to our skin, the slightest modification of our eyes and ears, to turn the temperature, the silence and the darkness of space into a delicious spring-time, an unequalled music, a divine light. It were much more reasonable to persuade ourselves that the catastrophes which we think that we behold are life itself, the joy and one or other of those immense festivals of mind and matter in which death, thrusting aside at last our two enemies, time and space, will soon permit us to take part. Each world dissolving, extinguished, crumbling, burnt or colliding with another world and pulverized means the commencement of a magnificent experiment, the dawn of a marvelous hope and perhaps an unexpected happiness drawn direct from the inexhaustible unknown. What though they freeze or flame, collect or disperse, pursue or flee one another: mind and matter, no longer united by the same pitiful hazard that joined them in us, must rejoice at all that happens; for all is but birth and re-birth, a departure into an unknown filled with wonderful promises and maybe an anticipation of some unutterable event …
And, should they stand still one day, become fixed and remain motionless, it will not be that they have encountered calamity, nullity or death; but they will have entered into a thing so fair, so great, so happy and bathed in such certainties that they will for ever prefer it to all the prodigious chances of an infinity which nothing can impoverish.

Nathalia Crane photo

“Yielding to nothing — not even the rose,
The dust has its reasons wherever it goes.”

Nathalia Crane (1913–1998) American writer

"The Dust" <!-- p. 23 -->
Venus Invisible and Other Poems (1928)
Context: Treating the sword blade the same as the staff,
Turning the chariot wheel into chaff.
Toppling a pillar and nudging a wall,
Building a sand pile to counter each fall.
Yielding to nothing — not even the rose,
The dust has its reasons wherever it goes.

Leonard Cohen photo

“When it all comes down to dust I will kill you if I must, I will help you if I can.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Story of Isaac"
Songs from a Room (1969)
Context: When it all comes down to dust I will kill you if I must, I will help you if I can.
When it all comes down to dust I will help you if I must, I will kill you if I can.

Theodore Roosevelt photo

“It is not the critic who counts, not the man who points out how the strong man stumbled, or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena; whose face is marred by the dust and sweat and blood; who strives valiantly”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Citizenship in a Republic (1910)
Context: It is not the critic who counts, not the man who points out how the strong man stumbled, or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena; whose face is marred by the dust and sweat and blood; who strives valiantly; who errs and comes short again and again, because there is no effort without error or shortcoming; who knows the great enthusiasms, the great devotions and spends himself in a worthy cause; who at the best, knows in the end the triumph of high achievement, and who, at worst, if he fails, at least fails while daring greatly; so that his place shall never be with those cold and timid souls who know neither victory or defeat.

Barack Obama photo

“Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.”

Barack Obama (1961) 44th President of the United States of America

2009, First Inaugural Address (January 2009)
Context: We remain the most prosperous, powerful nation on Earth. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions — that time has surely passed. Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.

Aesop photo

“The fly sat upon the axel-tree of the chariot-wheel and said, 'What a dust do I raise!”

Aesop (-620–-564 BC) ancient Greek storyteller

The Fly on the Wheel.

T.S. Eliot photo
Alexis Karpouzos photo
Rick Riordan photo
Ellen DeGeneres photo
Charlaine Harris photo
Cornelia Funke photo
Gustave Flaubert photo

“(Egypt) is a great place for contrasts: splendid things gleam in the dust.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

Source: Flaubert in Egypt: A Sensibility on Tour

David Levithan photo

“We do not start as dust. We do not end as dust. We make more than dust.

That's all we ask of you. Make more than dust.”

David Levithan (1972) American author and editor

Source: Two Boys Kissing