Quotes about drum

A collection of quotes on the topic of drum, likeness, beat, beating.

Quotes about drum

“Music is so important to us. We hear music from the moment we are born, often via lullabies, and through many of the most important occasions in our lives, from graduations to weddings to funerals. There is something about music that seems to bring us closer to each other and help us come together as a community.
Humans are wired for music. Researchers recently discovered that we have a dedicated part of our brain for processing music, supporting the theory that it has a special, important function in our lives.
Listening to music and singing together has been shown in several studies to directly impact neuro-chemicals in the brain, many of which play a role in closeness and connection. Now new research suggests that playing music or singing together may be particularly potent in bringing about social closeness through the release of endorphins.
Through singing, drumming, and dancing—all resulted in participants having higher pain thresholds (a proxy measure for increased endorphin release in the brain) in comparison to listening to music alone. In addition, the performance of music resulted in greater positive emotion, suggesting one pathway through which people feel closer to one another when playing music together is through endorphin release.”

Stephie Pahlavi Zan

Pain, People, Music, Feeling

“My soul is a hidden orchestra; I know not what instruments, what fiddlestrings and harps, drums and tamboura I sound and clash inside myself. All I hear is the symphony.”

Fernando Pessoa book The Book of Disquiet

Source: The Book of Disquiet

Soul

“Why they had gone so suddenly off the walls seems to have been that they had taken the resolve of those who give up a place as lost; they put all ladies and beauties to death, then, looking themselves to die, came naked out to fight. Our men attacking, each one from his post, drove them from the walls whereupon 2 or 300 of them entered Medini Rao's house and there almost killed one another in this way: -- one having taken stand with a sword, the rest eagerly stretched out the neckblow. Thus went the greater number to hell. By God's grace this renowned fort was captured in 2 or 3 garis (cir. an hour), without drum and standard, with no hard fighting done. A pillar of pagan-heads was ordered set up on a hill north-west of Chanderi. A chronogram of this victory having been found in the words of Fath-i-daru'l-harb (Conquest of a hostile seat), I thus composed them:
Was for a while the station Chandiri Pagan-full, the seat of hostile force;
By fighting, I vanquished its fort,
The date was Fath-i-daru'l-harb.”

Babur (1483–1530) 1st Mughal Emperor

Quote from Bevridge translation of the Baburnama https://archive.org/stream/baburnama017152mbp#page/n663/mode/2up

Death, Men, God, Hostility

Stephie Pahlavi Zan

Pain, People, Music, Feeling

“[Hitler] has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all "progressive" thought, has assumed tacitly that human beings desire nothing beyond ease, security, and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. The Socialist who finds his children playing with soldiers is usually upset, but he is never able to think of a substitute for the tin soldiers; tin pacifists somehow won’t do. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades. However they may be as economic theories, Fascism and Nazism are psychologically far sounder than any hedonistic conception of life. The same is probably true of Stalin’s militarised version of Socialism. All three of the great dictators have enhanced their power by imposing intolerable burdens on their peoples. Whereas Socialism, and even capitalism in a grudging way, have said to people "I offer you a good time," Hitler has said to them "I offer you struggle, danger and death," and as a result a whole nation flings itself at his feet.”

George Orwell (1903–1950) English author and journalist

From a review of Adolf Hitler's Mein Kampf, New English Weekly (21 March 1940)

Life, Death, Pain, War

“Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple—these are our faithful timekeepers; and reason corrects the feverish beat.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Source: Ada, or Ardor: A Family Chronicle

Faith, Time, Night

“But let me tell you this: sometimes at night, when I look up at the stars, an see the whole sky jus laid out there, don't you think I ain't rememberin it all. I still got dreams like anybody else, an ever so often, I am thinkin about how things might of been. An then, all of a sudden, I'm forty, fifty, sixty years ole, you know?
Well, so what? I may be a idiot, but most of the time, anyway, I tried to do the right thing-- an dreams is jus dreams, ain't they? So whatever else has happened, I am figgerin this: I can always look back an say, at least I ain't led no hum-drum life.
You know what I mean?”

Winston Groom Forrest Gump

Source: Forrest Gump

Life, Dreams, Star, Thinking

“Prabhupada: Yes. That is Tulasi dasa’s remark. So in many passages of his poetry he has not done very justice to woman. And another poetry, he writes, dhol gunar sudra nari. Dhol gunar sudra nari ihe sab sasan ke adhikari. (?) Dhol gunar pasu sudra nari, ihe sab sasan ke adhikari. Dhol, dhol means drum, mrdanga. Gunar, gunar means… What is called English? A fool, fool. Illiterate fool, what is one word?
Brahmananda: Buffoon?
Prabhupada: Maybe buffoon. Buffoon is sometimes troublesome. But gunar means he doesn’t understand very nicely.
Brahmananda: Dullard.
Prabhupada: Dull, dull. Dhol gunar, dhol means drum and gunar means dull. Sudra, and the laborer class. Three. Dhol, gunar, sudra, and pasu, household animals, just like cows, dogs.
Brahmananda: Pet.
Prabhupada: Pet, like that. Dhol gunar sudra pasu and nari. Nari means woman. (laughs) Just see. He has classified the nari amongst these class, dhol, gunar, sudra, pasu, nari. Ihe sab sasan ke adhikari. Sasan ke adhikari means all these are subjected for punishment. And what about the guest?
Govinda dasi: Oh, the guest? It’s coming.
Prabhupada: So sasan ke adhikari means they should be punished. (laughs) Punished means, just like dhol, when the, I mean to say, sound is not very hard, dag-dag, if you beat it on the border, then it comes to be nice tune. Similarly, pasu, animals, if you request, “My dear dog, please do not go there.” Hut! (laughter) “No, my dear dog.” Hut! This is the way.(?) Similarly, woman. If you become lenient, then she will be troublesome. So in India still, in villages, whenever there is some quarrel between husband wife, the husband beats and she is tamed. (laughs) In civilized society, “Oh, you have done this?” Immediately some criminal case. But in uncivilized society they don’t care for court or civilized way of…”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Conversation, New York, April 12, 1969 PrabhupadaBooks.com http://prabhupadabooks.com/conversations/1969/apr/new_york/april/12/1969?d=1 Quotes from other Sources, Quotes from other Sources: Violence and Dictatorship

Justice, Dogs, Fools, Way

“Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone.
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.”

W. H. Auden (1907–1973) Anglo-American poet

Funeral Blues (1936)

Dogs, Silence

“The story starts when it was hot and it was summer and…
I had it all, I had him right there where I wanted him
She came along, got him alone and let's hear the applause
She took him faster than you could say "sabotage"I never saw it coming, wouldn't have suspected it
I underestimated just who I was dealing with
She had to know the pain was beating on me like a drum
She underestimated just who she was stealing from”

Taylor Swift (1989) American singer-songwriter

Better Than Revenge.
Song lyrics, Speak Now (2010)

Pain, Summer

“You have taken far too much trouble over your opera. Here in England that is mere waste of time. What the English like is something that they can beat time to, something that hits them straight on the drum of the ear.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Richard Alexander Streatfeild Handel (2005) p. 195, citing Anton Schmid Christoph Willibald Ritter von Gluck (1854) p. 29
In conversation with Gluck.

Time

“On the infrequent occasions when I have been called upon in a formal place to play the bongo drums, the introducer never seems to find it necessary to mention that I also do theoretical physics.”

Richard Feynman book The Character of Physical Law

statement after an introduction mentioning that he played bongo drums; Messenger Lectures at Cornell University, p. 13
The Character of Physical Law (1965)

“Empty heads make the best drums. And the emptier the head, the fuller the sound.”

Karlheinz Deschner (1924–2014) German writer and activist

Auf hohlen Köpfen ist gut trommeln. Und je hohler ein Kopf, desto voller das Echo. Acceptance speech on receiving the Alternative Büchner Prize, 1993. MIZ - Materialien und Informationen zur Zeit. ISSN 0170-6748, Heft 3, 1993, ibka.org http://www.ibka.org/artikel/miz93/preis.html

“It is by a blend of lively curiosity and intelligent selfishness that the artists who wish to mature late, who feel too old to die, the Goethes, Tolstoys, Voltaires, Titians and Verdis, reach a fruitful senescence. They cannot afford to associate with those who are burning themselves up or preparing for a tragedy or whom melancholy has marked for her own. Not for them the accident-prone, the friend in whom the desire for self-destruction keeps blistering out in broken legs or threatening them in anxiety-neuroses. Not for them the drumming finger, the close-cropt nail, the chewed glasses, the pause on the threshold, the wandering eye, or the repeated ‘um’ and ‘er.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 2: The Charlock’s Shade, Ch. 16: Outlook Unsettled (p. 137)

Feeling, Intelligence, Selfishness

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

Love, Lie, Cars, Guy

“Beware the leader who bangs the drums of war in order to whip the citizenry into a patriotic fervor, for patriotism is indeed a double-edged sword. The saying goes you live by the sword you shall die by the sword…It both emboldens the blood, just as it narrows the mind. And when the drums of war have reached a fever pitch and the blood boils with hate and the mind has closed, the leader will have no need in seizing the rights of the citizenry. Rather, the citizenry, infused with fear and blinded by patriotism, will offer up all of their rights unto the leader and gladly so. How do I know? For this is what I have done. And I am Caesar.”

William Shakespeare (1564–1616) English playwright and poet

This statement by an unknown author has also been wrongly attributed to Julius Caesar, as well as to Shakespeare's play on his assassination and its aftermath, but there are no records of it prior to late 2000. It has been debunked at Snopes.com http://www.snopes.com/quotes/caesar.htm Misattributed

Hate, War, Fear

“Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.”

W.B. Yeats book Michael Robartes and the Dancer

St. 2 Michael Robartes and the Dancer (1921), A Prayer For My Daughter http://poetry.poetryx.com/poems/1421/

Imagination, Future, Dance, Sea

“Nothing beats 2 guitars, drum and bass.”

Lou Reed (1942–2013) American musician

In the liner notes of New York

“If you want to build a ship, don’t drum up the men and women to gather wood, divide the work, and give orders. Instead, teach them to yearn for the vast and endless sea.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Disputed

Sea, Relation ships, Women, Men

“If you want to build a ship, don’t drum up people together to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Disputed

Sea, People, Relation ships

“He who walks out of step hears another drum.”

Ken Kesey book One Flew Over the Cuckoo's Nest

Variant: He who marches out of line hears another drum.
Source: One Flew Over the Cuckoo's Nest (1962), Ch. 1

“As a man danced so the drums were beaten for him.”

Chinua Achebe book Things Fall Apart

Source: Things Fall Apart (1958), Chapter 22 (p. 170)

Dance

“They're puttin' music to AIDS germs--putting a drum machine behind them and a metronome beat and Ted Turner's colorizing them, goddamn it. These aren't even really people, man. It's a CIA plot to make you think malls are good. Don't you see?”

Bill Hicks (1961–1994) American comedian

Sane Man (1989)
Context: Rick Astley? Have you seen this banal incubus at work? Boy, if this guy isn't heralding Satan's imminent approach to Earth, huh. "Don't ever wanna make you cry, never wanna make you sigh … never gonna break your heart" … oh, I wouldn't worry about that without a dick, buddy. You got a corn nut! You got a clit! You're not even a guy! You're an AIDS germ that got off a slide! They're puttin' music to AIDS germs, they're puttin' a drum machine behind them in a metronome beat and Ted Turner's colorizing 'em, God damn it! These aren't even people man! It's a CIA plot to make you think malls are good!! Don't ya see? (Imitates stereotypical American in a robotic manner) "But Bill, malls are good! Malls allow us to shop 365 days of the year at a 72 degree heat. That must be good."

People, Music, Color, Thinking

“Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.”

Henry Wadsworth Longfellow book Voices of the Night

St. 4.
Cf. Andrew Marvell, Upon the Death of Lord Hastings (1649): "Art indeed is long, but life is short".
A Psalm of Life (1839)
Source: Voices of the Night

Art, Time, Heart

“daddy says the world is
a drum tight and hard
and i told him
i’m gonna beat
out my own rhythm”

Nikki Giovanni (1943) American writer and academic

World

“Simon: Anyone ever tell you your sense of timing really sucks?
Derek: That's why I don't play the drums. Now what's up?”

Kelley Armstrong book The Summoning

Source: The Summoning

Sense, Time

“Many have died; you also will die. The drum of death is being beaten. The world has fallen in love with a dream. Only sayings of the wise will remain.”

Kabir (1440–1518) Indian mystic poet

Source: The Bijak of Kabir

Love, Death, World, Dreams

“A cap of good acid costs five dollars and for that you can hear the Universal Symphony with God singing solo and Holy Ghost on drums.”

Hunter S. Thompson (1937–2005) American journalist and author

God, Universe, Singing

“Your war drum ain't / louder than this breath.”

Suheir Hammad (1973) American poet, author, performer, and political activist

Source: Zaatardiva

War

“On horseback you feel as if you're moving in time to classical music; a camel seems to progress to the beat of a drum played by a drunk.”

Walter Moers The 13½ Lives of Captain Bluebear

Source: The 13½ Lives of Captain Bluebear

Music, Feeling, Time

“Pop guns! And bicycles! Roller skates! Drums! Checkerboards! Tricycles! Popcorn! And plums!
And he stuffed them in bags. Then the Grinch, very nimbly,
Stuffed all the bags, one by one, up the chimbley!”

Dr. Seuss book How the Grinch Stole Christmas!

Source: How the Grinch Stole Christmas!

“Live by your own rules Move to your rhythm, instead of dancing to the beat of someone else’s drum Decide how you want to be treated Choose what you will or will not tolerate Leave if you don’t get what you want.”

Sherry Argov (1977) American writer

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Dance

“It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.”

Hunter S. Thompson (1937–2005) American journalist and author

Source: Hell's Angels: A Strange and Terrible Saga

Life

“She knew the true shape of the world. All else was shadow and the sound of distant drums.”

Patrick Rothfuss book The Slow Regard of Silent Things

Source: The Slow Regard of Silent Things

World, Distant

“This light is for the world
send it out with sword of fire,
with cymbal, drum and angel choir,
music in the heart of it
proclaiming that the lamp is lit
this light is for the world.”

Mike Scott (1958) songwriter, musician

"This Light Is for the World"
Universal Hall (2003)

World, Music, Angels, Light

“Roger: I was super, crazy little! Yeah, like my dad's a guitar player and my uncle was in bands when I was growing up. I sat behind a drum set when I was like six years old. I started taking piano lessons when I was like nine. So, like I've been around music my whole, entire, entire life.”

Roger Manganelli (1973) American musician

Life, Music

“Each jazz musician when he takes a horn in his hand — trumpet, bass, saxophone, drums — whatever instrument he plays — each soloist, that is, when he begins to ad lib on a given composition with a title and improvise a new creative melody, this man is taking the place of a composer.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)

“In 1992 by chance I witnessed a drum and bugle corps competition on television and became aware of three-valve bugles. A year later my wife, Donna, and I attended a performance in La Mirada of the previous year's winner. I have experienced fine concert band performances and also good symphonies in my life, but what was not prepared for what I experienced that day. The entire bugle corps was turned away from us playing softly and suddenly they turned toward us and projected a very thick chord. Every hair on my body stood up (and I have a lot of it) and I decided at that moment to buy some of these instruments. In the next year I purchased approximately $14,000 worth of bugles. After having completed an orchestrational family all the way down to the contrabass bugle, I began writing. This album is the result of this particular interest in my sixth decade in music.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Written in 1997, from the liner notes for Jazz Corps (1998)

Life, Family, Music, Way

“I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!”

Jack White (1975) American musician and record producer

It weeds out people who wouldn't care anyway. On how they are able to "sell what is really an art concept" to a mass audience Perry, Andrew (2004). "The White Stripes uncut" http://observer.guardian.co.uk/omm/story/0,13887,1349947,00.html Observer Music Monthly (accessed June 19, 2007). 2007

Love, People, Understanding, Thinking

“Do we write books so that they shall merely be read? Don't we also write them for employment in the household? For one that is read from start to finish, thousands are leafed through, other thousands lie motionless, others are jammed against mouseholes, thrown at rats, others are stood on, sat on, drummed on, have gingerbread baked on them or are used to light pipes.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

E 65
Aphorisms (1765-1799), Notebook E (1775 - 1776)

Lie, Books, Light, Reading

“I was playing drums, and I had broken my wrist very bad playing football, and the bass player in the band… he wanted to split. So I just went to the bass; I went from Drums over to Bass. That was it. I was playing the bass within a week.”

Jaco Pastorius (1951–1987) Musician, producer, educator

On how he switched from drums to bass
Modern Electric Bass, Jaco Pastorius (1985)

Football

“I’d got all this new technology and we spent a year making the album, programming all these primitive computers. [The LinnDrum] sounded so much like real drums it was difficult to tell it apart. The tempo was absolutely precise because it all ran to a digital clock and the record just was precision itself. It was also very simple. If you actually analyse what was going on at any given moment in time there may be only four or five things going on, but it does the job.”

Martin Rushent (1948–2011) English record producer

Serck, Linda, Legendary producer Martin Rushent, 2009, http://www.getreading.co.uk/entertainment/music/s/2061462_legendary_producer_martin_rushent, Get Reading, 6 June 2011

Time

“First and foremost I am a drummer. After that, I'm other things…. But I didn't play drums to make money. I played drums because I loved them…. My soul is that of a drummer…. It came to where I had to make a decision — I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.”

Ringo Starr (1940) British musician, former member of the Beatles

As quoted in The Big Beat: Conversations with Rock's Great Drummers (1984) by Max Weinberg and Robert Santelli

Love, Life, Money, Way

“You are graduating at a time when there is a full-fledged assault on truth and reason. Just log on to social media for 10 seconds. It will hit you right in the face. People denying science, concocting elaborate, hurtful conspiracies theories about child abuse rings operating out of pizza parlors. Drumming up rampant fear about undocumented immigrants, Muslims, minorities, the poor. Turning neighbor against neighbor and sowing division at a time when we desperately need unity. Some are even denying things we see with our own eyes. Like the size of crowds. And then defending themselves by talking about “alternative facts.””

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Post Presidential Election, Wellesley Commencement Speech (2017)

People, Truth, Fear, Science

“Let your love flow out on all living things. These words at some level have the quality of a strapping homily. Nonetheless, they are remarkably beautiful, strung together in their honest lump-like English syllables… Let your love flow out on all living things.
But there are a couple of problems with this precept of mine. The first is, of course, that it is not mine. It springs from the universe and is the property of God, and the words have been intercepted — on the wing, so to speak — by such mediators as Lao-tzu, Jesus, Gautama Buddha and thousands upon thousands of lesser prophets, including your narrator, who heard the terrible truth of their drumming somewhere between Baltimore and Wilmington and set them down with the fury of a madman sculpting in stone.”

William Styron book Sophie's Choice

Source: Sophie's Choice (1979), Ch. 16; the italicized words being quotes of the song "Let Your Love Flow" by Larry E. Williams, as sung by The Bellamy Brothers

Love, God, Truth, Beauty

“Comrades of the 'Boys in Blue' and fellow-citizens of New York. I cannot look upon this great assemblage and these old veterans that have marched past us, and listen to the words of welcome from our comrade who has just spoken, without remembering how great a thing it is to live in this Union and be a part of it. [Applause. ] This is New York; and yonder, toward the Battery, more than a hundred years ago, a young student of Columbia College was arguing the ideas of the American Revolution and American union against the un-American loyalty to monarchy, of his college president and professors. By and by, he went into the patriot army, was placed on the staff of Washington, [cheers] to fight the battles of his country, [cheers] and while in camp, before he was twenty-one years old, upon a drum-head he wrote a letter which contained every germ of the Constitution of the United States. [Applause. ] That student, soldier, statesman, and great leader of thought, Alexander Hamilton, of New York, made this Republic glorious by his thinking, and left his lasting impress upon this the foremost State of the Union. [Applause. ] And here on this island, the scene of his early triumphs, we gather tonight, soldiers of the new war, representing the same ideas of union, having added strength and glory to the monument reared by the heroes of the Revolution.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1880s, Speech to the 'Boys in Blue' (1880)

War, Boy, Idea, Thinking

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Lee Child book Running Blind

Source: Running Blind (2000), Ch. 1.

People, Education, Fear, Smile

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Death, Men, Forgiveness, Suffering

“About the cover of "The world wont’ listen"
It represents the band to me. On the front you've got four guys who look like, if not the band, then Smiths fans. On the back you've got the female side of it - individually they really look like the Smiths: Morrissey on the far right, me on the second right, Andy [Rourke, bass] on the second left and Mike [Joyce, drums] on the far left. To find a picture like that is really clever. We didn't discuss it, but I understood.”

Johnny Marr (1963) musician

from "The 100 best record covers of all time", Q (June 2001).

World, Guy

“Standing ten feet away from Lila was sort of kickass with her nails drumming on the box with the slot in, where we put everything that we rip in half, and with her blue-eyed beauty and with the gum she was chewing and how lovely she was, in that way that makes you want to find something else lovely just so you can give it to her and see how really kickass it is to have to lovely things next to each other.”

Daniel Handler book Adverbs

Adverbs (2006), Obviously

Love, Beauty, Way, Box

“Hear the trumpets, hear the pipers.
One hundred million angels singin'.
Multitudes are marching to the big kettle drum.
Voices callin', voices cryin'.
Some are born an' some are dyin.”

Johnny Cash (1932–2003) American singer-songwriter

It's Alpha and Omega's Kingdom come.
Song lyrics, American IV: The Man Comes Around (2002), The Man Comes Around

Angels

“I always had a knack for it [music]. I bought a drum kit for like 50 bucks, and within three weeks I was in a band. Not only was I in a band, but people were saying that I was really good. Being someone with a short attention span who didn't have much patience for anything, that was great, 'cause it didn't take much. I could just sit down and do it instantly. I could play a basic rock beat right away, so it didn't require much patience, and that's probably why I ended up doing it. As I got some of the rewards for it, it fueled me to want to be better. Then the rewards thing gets old, and what you really want is to be good and understand it, 'cause you're so enthused by it. That's what got me into all the other instruments and songwriting and singing.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, Soundgarden Era

People, Music, Understanding, Singing

“It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. … I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

CNN interview (2004)

Food, Moms, Singing

“The human family now exists under conditions of a global village. We live in a single constricted space resonant with tribal drums.”

Marshall McLuhan book The Gutenberg Galaxy

The Gutenberg Galaxy (1962)

Family

“At the Everyman Cinema there is a season of Satyajit Ray. He watches the Apu trilogy on successive nights in a state of rapt absorption. In Apu's bitter, trapped mother, his engaging, feckless father he recognizes, with a pang of guilt, his own parents. But it is the music above all that grips him, dizzyingly complex interplays between drums and stringed instruments, long arias on the flute whose scale or mode — he does not know enough about music theory to be sure which — catches at his heart, sending him into a mood of sensual melancholy that last long after the film has ended.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Mood, Parent, Success

“I programmed all the drums and synths, while he played all the guitars. The initial plan was just to demo his songs because he was out of his UA deal, so we pumped it to people like Island and Virgin and they loved it. It was signed to Island, but Simon Draper of Virgin heard it and called me to talk about their band, the Human League. They'd done demos of The Sound of the Crowd and Love Action in a Sheffield studio, but Simon didn't think they were getting the punch they needed. He loved the drums on Homosapien and asked me to do a track. So the band turned up at Genetic with their multi-track for The Sound of the Crowd. Simon had conned them and told them that I'd mix it! I said, 'We're going to start again and do it better'. There were a few grumbles, but by the time we'd finished, they were really pleased.”

Martin Rushent (1948–2011) English record producer

Perrone, Pierre, Martin Rushent: Synth-pop pioneer and innovative producer of the Human League, the Stranglers and Buzzcocks, 2011, http://www.independent.co.uk/news/obituaries/martin-rushent-synthpop-pioneer-and-innovative-producer-of-the-human-league-the-stranglers-and-buzzcocks-2294842.html, The Independent, 11 June 2011

Love, People, Thinking, Time

“Not a drum was heard, not a funeral note,
As his corse to the rampart we hurried.”

Charles Wolfe (1791–1823) Irish poet

The Burial of Sir John Moore.

“Drake, he's in his hammock till the great Armadas come,
(Captain, art tha sleepin' there below?)
Slung atween the roundshot, list'ning for the drum,
And dreamin' arl the time o' Plymouth Hoe.”

Henry Newbolt (1862–1938) English poet and writer

Song Drake's Drum (NB: the odd spelling reflects the Devon dialect).

Art, Time

“Rap — so many words, so little said. What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another.”

Keith Richards (1943) British rock musician, member of The Rolling Stones

Reported in Jon Blistein, " Keith Richards: Rap Is for 'Tone-Deaf People' http://www.rollingstone.com/music/news/keith-richards-rap-is-for-tone-deaf-people-20150903", Rolling Stone (September 3, 2015).

People, Happiness

“And then the final great tragedy of the distorted personality is the fact that when one fails to harness this instinct, he ends up trying to push others down in order to push himself up. And whenever you do that, you engage in some of the most vicious activities. You will spread evil, vicious, lying gossip on people, because you are trying to pull them down in order to push yourself up. And the great issue of life is to harness the drum major instinct.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

Life, People, Lying, Evil

“Nolan Ryan is simply a flame-thrower. They call him The Express. Get it? Ryan's Express. Harmon Killebrew says if he ever gets hit by Ryan's express, he'll have the pitcher arrested for manslaughter. Oakland slugger Reggie Jackson says Ryan is the only pitcher he's afraid of, down-deep-in-the-guts afraid of. "If a pitch ever gets away from him, he will kill someone." Nolan Ryan pitches for the California Angels, in Anaheim, which you also wouldn't confuse with New York. Thus, few people really know what an exciting young man this is, perhaps the most exciting single performer in baseball today. Yes, I've heard of Hank Aaron. For years I beat the drums, by myself, for Roberto Clemente. I like the cool gall of Vida Blue, the hot moxie of Pete Rose. They all excite me. But not down deep in the guts, the way this kid does. He excites me. He frightens me. He puts me on that double-pronged fork of attraction and revulsion. When you watch Nolan Ryan rear and throw that screaming blur of white toward the plate, you don't know whether to watch or cover your eyes. Will he strike out the hitter, or will he strike him dead?”

Arnold Hano (1922) American writer

From "Nolan Ryan: The Untouchable," in Baseball Stars of 1973 (March 1973), edited by Ray Robinson, p. 92
Sports-related

People, Angels, Way, Dead

“In a national capital Mirabeau and his set
Attacked mystery; the packed galleries roared
And history marched to the drums of a clear idea,
The aim of the Rational City, quick to admire,
Quick to tire.”

W. H. Auden (1907–1973) Anglo-American poet

Memorial for the City (1947)

History, Idea

“What I don't want to do is to go and buy a bunch of exotic-looking drums and set up an Afrikanische Musik in New York City.”

Steve Reich (1936) American composer

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 55

“Those who marry God can become domesticated too—it’s just as hum-drum a marriage as all the others. The word “Love” means a formal touch of the lips as in the ceremony of the Mass, and “Ave Maria” like “dearest” is a phrase to open a letter. This marriage like the world’s marriages was held together by habits and tastes shared in common between God and themselves—it was God’s taste to be worshipped and their taste to worship, but only at stated hours like a suburban embrace on a Saturday night.”

Graham Greene book A Burnt-Out Case

Pt. 1, ch. 1, sct. 2
A Burnt-Out Case (1960)

Love, God, Marriage, World

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Fools, Spring, Flowers, Tree

“I've been blessed with playing the drums and having a young mind and staying healthy. I’m a vegetarian, I take good care of myself. I'll be the last Skynyrd standing. All those guys smoke themselves to death. They all drank themselves to death, drugs. … I still have stainless steel from the knee down in my right leg; I have bone against bone against stainless steel against nerve ending. Every step I take is painful, but when I play drums I push everything away, I get into the zone and I do what I’m supposed to do. … I play Lynyrd Skynyrd music because that's who I am. Everything else has been taken from me, my reputation, my world, my money has all been stolen from me by people that I thought loved me. However they can't take away my ability to play drums.”

Artimus Pyle (1948) American musician

"Rock Survivor: Lynyrd Skynyrd drummer Artimus Pyle keeps the music alive his way" http://tbrnews.com/lifestyle/rock-survivor-lynyrd-skynyrd-drummer-artimus-pyle-keeps-the-music/article_1c30bfee-1501-11e3-8bdb-001a4bcf887a.html, interview with The Beach Reporter (4 September 2013).

Love, Death, Money, Pain

“I went outside, tripping over slabs of sunshine the size of towns. The sun was like a crowd of people, it was a party, it was music. The sun was blaring through the walls of the houses and beating down the steps. The Sun was drumming time into the stone. The sun was rhythming the day.”

Jeanette Winterson book Lighthousekeeping

Source: Lighthousekeeping (2004), p. 197

People, Music, Time, Sun

“It is very appropriate that from this cradle of the Confederacy, this very heart of the great Anglo-Saxon Southland, that today we sound the drum for freedom as have our generations of forebears before us time and again down through history. Let us rise to the call for freedom-loving blood that is in us and send our answer to the tyranny that clanks its chains upon the South. In the name of the greatest people that have ever trod this earth, I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow and segregation forever.”

George Wallace (1919–1998) 45th Governor of Alabama

First Inaugural Speech as Governor of Alabama, (January 1963)
1960s

Love, People, History, Freedom

“[…] the drum major instinct is real. And you know what else it causes to happen? It often causes us to live above our means.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

“Thus have I rolled my life throughout
Inside and out, reclined, upright.
What is all this?
A beating drum
A trumpet's blare
No more.”

Musō Soseki (1275–1351) Japanese Zen-Buddhist teacher and landscape architect

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

Life

“What will we do when they start capturing our people?" Klein asked. "They will, you know, if they haven't by now. Things go wrong." Heydrich's fingers drummed some more. He didn't worry about the laborers who'd expanded this redoubt- they'd all gone straight to the camps after they did their work. But captured fighters were indeed another story. He sighed. "Things go wrong. Ja. If they didn't, Stalin would be lurking somewhere in the Pripet Marshes, trying to keep his partisans fighting against us. We would've worked Churchill to death in a coal mine." He barked laughter. "The British did some of that for us, when they threw the bastard out of office last month. And we'd be getting ready to fight the Amis on their side of the Atlantic. But… things went wrong." "Yes, sir." After a moment, Klein ventured, "Uh, sir- you didn't answer my question." "Oh. Prisoners." Heydrich had to remind himself what his aide was talking about. "I don't know what to do, Klein, except make sure our people all have cyanide pills." "Some won't have the chance to use them. Some won't have the nerve," Klein said. Not many men had the nerve to tell Reinhard Heydrich the unvarnished truth. Heydrich kept Klein around not least because Klein was one of those men. They were useful to have. Hitler would have done better had he seen that. Heydrich recognized the truth when he heard it now; one more thing Hitler'd had trouble with.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 56-57

Death, Men, People, Truth

“If today you can take a thing like evolution and make it a crime to teach it in the public school, tomorrow you can make it a crime to teach it in the private schools, and the next year you can make it a crime to teach it to the hustings or in the church. At the next session you may ban books and the newspapers. Soon you may set Catholic against Protestant and Protestant against Protestant, and try to foist your own religion upon the minds of men. If you can do one you can do the other. Ignorance and fanaticism is ever busy and needs feeding. Always it is feeding and gloating for more. Today it is the public school teachers, tomorrow the private. The next day the preachers and the lectures, the magazines, the books, the newspapers. After a while, your honor, it is the setting of man against man and creed against creed until with flying banners and beating drums we are marching backward to the glorious ages of the sixteenth century when bigots lighted fagots to burn the men who dared to bring any intelligence and enlightenment and culture to the human mind.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Scopes Trial, Dayton, Tennessee (13 July 1925)

Men, Books, Age, School

“And the other thing is that it causes one to engage ultimately in activities that are merely used to get attention. Criminologists tell us that some people are driven to crime because of this drum major instinct. They don't feel that they are getting enough attention through the normal channels of social behavior, and so they turn to anti-social behavior in order to get attention, in order to feel important. And so they get that gun, and before they know it they robbed a bank in a quest for recognition, in a quest for importance.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

People, Behavior, Feeling

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Love, Life, Death, Pleasure

“It is not necessarily for mercenary soldiers to know what is going on. It is sufficient for them to do the job for which they have taken the gold. That had been drummed into me from the moment I enlisted. There is neither right nor wrong, neither good nor evil, only our side and theirs. The honor of the company lies within, directed one brother toward another. Without, honor lies only in keeping faith with the sponsor.”

Glen Cook book Shadow Games

Source: Shadow Games (1989), Chapter 28, “Back to Scouting” (p. 148)

Faith, Evil

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

World, Family, Music, Home

“Why have I sold out? You think I'm supposed to grow old, beating some trite old protest drum that people don't hear anymore? Please; protest is now just a backdrop for a Diesel clothing ad in a slick fashion magazine. My goal is to create a metaphor that changes our reality by charming people into considering their world in a different way. It's time — for me, at least — to be clever and seduce people by entertaining them. I'll never be heard if I'm always ranting and griping.”

Chuck Palahniuk (1962) American novelist, essayist

"You Ask The Questions," The Independent Review (2004-03-25)

People, World, Way, Fashion

“The earth, he'd say, is just a big machine. A big processing plant. A factory. That's your big answer. The big truth. Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That's the earth. Why it goes round. We're the rocks. And what happens to us--the drama and pain and joy and war and sickness and victory and abuse--why, that's just the water and sand to erode us. Grind us down. To polish us up, nice and bright.”

Chuck Palahniuk book Haunted

Source: Haunted (2005), Chapter 6

Pain, War, Truth, Thinking

“Perhaps the most extraordinary thing about a modern battlefield is the desolation and emptiness of it all…one cannot emphasize too much. Nothing is to be seen of war or soldiers--only the split and shattered trees and the burst of an occasional shell reveal anything of the truth. One can look for miles and see no human being. But in those miles of country lurk (like moles or rats, it seems) thousands, even hundreds of thousands of men, planning against each other perpetually some new device of death. Never showing themselves, they launch at each other bullet, bomb, aerial torpedo and shell. And somewhere too (on the German side we know of their existence opposite us) are the little cylinders of gas, waiting only for the moment to spit forth their nauseous and destroying fumes. And yet the landscape shows nothing of all this--nothing but a few shattered trees and three or four lines of earth and sandbags, these and the ruins of towns and villages are the only signs of war anywhere visible. The glamour of red coats--the martial tunes of flag and drum--aide-de-camps scurrying hither and thither on splendid chargers--lances glittering and swords flashing--how different the old wars must have been!”

Harold Macmillan (1894–1986) British politician

letter to his mother, May 13, 1916
1910s

Death, Men, War, Truth

“Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Sad-Eyed Lady of the Lowlands

Sadness, Waiting

“I am a vegetarian and so is my baby! … I became a vegetarian in small stages starting at the ripe old age of 16 years old! … When I turned 16 I started to get a little freaked out if while I was eating my KFC, I looked at my chicken drum sticks too long. If I noticed the veins or cartilage etc. … I started to see that it was once an actual living breathing animal. … I have this beautiful baby girl and I have a choice to make. Do I feed her meat? Or no? I went with my gut, I had learned over the years how to feed myself healthy, and made sure I got enough iron, so I would do the same for Luna Marie… I knew nothing else.”

Constance Marie (1965) actress

"No “MOO” for Me and Luna Marie", in her official website ConstanceMarie.net (11 August 2010) http://constancemarie.net/2010/no-moo-for-me-and-luna-marie.

Age, Beauty, Girl, Learning

“It's fun hitting on the drums and singing songs.”

Rachel Trachtenburg (1993) American musician

Rachel on performing.
Off & On Broadway documentary (2006)

Singing

“I had gone to hear the winner of that year's drum and bugle corps competition. That band played a chord that made every hair on my body stand up. I've been in front of great symphony orchestras, and the greatest bands, but I've never had my hair stand up quite like that. That's when I decided to write for the bugles.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Voicing With a Heart" by Ernie Rideout, in Keyboard (August 2000)

“For the longest time, I didn't know the name of anyone in Led Zeppelin. I didn't care about what they looked like or ate. I wanted to listen, not read about them. I've always had that philosophy. I never started playing drums to get chicks or money or anything else. Long before I had concepts of those things, I wanted to be a drummer. That's the basic concept of what I do. I'm a drummer. I play drums. We are artists as drummers, and people should realize that. Not everyone can sit down and use all four of your limbs simultaneously to create something out of wood and plastic. We're creating something beautiful, and it may not sound pretty, but if you listen with the right ear, it sounds very pretty. If you try and listen to a song without drums, you haven't got anything.”

John Dolmayan (1973) Lebanese-born Armenian–American songwriter and drummer

[Artist Features: Steal This Article: John Dolmayan, Weiss, David, May 2003, http://drummagazine.com/html/modules.php?op=modload&name=News&file=article&sid=241, 2007-01-08]

Money, People, Beauty, Time

“Sound the trumpets; beat the drums…
Now give the hautboys breath; he comes, he comes.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 50–51.

“When I was a fighting-man, the kettle-drums they beat,
The people scattered gold-dust before my horses feet;
But now I am a great king, the people hound my track
With poison in my wine-cup, and daggers at my back.”

Robert E. Howard (1906–1936) American author

"The Phoenix on the Sword" (1932)

People, Wine, Horse, Fight

“There is yet one place of shelter,
Where the foeman cannot come,
Where the summons never sounded
Of the trumpet or the drum.
There again we'll meet our children,
Who, on Flodden's trampled sod,
For their king and for their country
Rendered up their souls to God.
There shall we find rest and refuge,
With our dear departed brave;
And the ashes of the city
Be our universal grave!”

William Edmondstoune Aytoun (1813–1865) British writer and lawyer

Edinburgh after Flodden, stanza XV, from Lays of The Scottish Cavaliers (1848)

God, Children, Soul, Universe

“At the big Georgia paper mill the saboteur was obviously a chemist. Some kind of catalyst was substituted for a drum of regular sizing solution and vast billowing waves of corrosive fumes ruined the plant. Anonymous calls to a local TV station claimed it had been done to preserve trees.
The same day, in northern California, signs were posted on a stand of redwoods that the governor had authorized for lumbering: about two hundred of the last six hundred in the state. The signs said: FOR EVERY TREE YOU KILL ONE OF YOU WILL DIE TOO.
The promise was carried out with Schmiesser machine-pistols. The actual score was eighteen people for seventeen trees.
Close enough.”

John Brunner book The Sheep Look Up

July “BLOWBACK”
The Sheep Look Up (1972)

People, Tree

“And there is deep down within all of us an instinct. It's a kind of drum major instinct—a desire to be out front, a desire to lead the parade, a desire to be first. And it is something that runs the whole gamut of life.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

Life

“Hear the beat of the drums Woah oh
You better run run Woah oh
Hear the beat of the drums Woah oh
Cause I'm a warrior, I'm a warrior
Cause I'm a warrior”

Michelle Lambert (1985) American singer-songwriter and violinist

"Warrior" (2015)

“Can we ring the bells backward? Can we unlearn the arts that pretend to civilize, and then burn the world? There is a march of science; but who shall beat the drums for its retreat?”

Charles Lamb (1775–1834) English essayist

Letter to George Dyer (December 20, 1830)

World, Art, Science

“A scratch is nothing but the back-cueing that you hear in your ear before you push it out to the crowd. All you have to know is mathematically how many times to scratch it and when to let it go — when certain things will enhance the record you're listening to. For instance, if you're playing a record with drums--horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.”

Grandmaster Flash (1958) musician

Quoted in Rap Attack 2 (1991) by David Toop, p. 65

Mathematics, Time

“They left no stone unturned in de-Hinduizing or denationalizing the Hindus, in effect de-Indianizing the Indians, in various ways. It is preposterous to question their credentials as true Muslims. Their 'Ulama' exhorted them off and on to make the best of their sword to root out the Hindus and convert India into a full-fledged Dar al-lslam. Sayyid Nur ad-Din Mubarak Ghaznawi Suhrawardi, at once a leading Sufi, a leading Muslim divine, and the Shaykh al-lslam of Sultan Iltutmish. led a deputation of Ulama to the Sultan and advised him to give an ultimatum to the Hindus to embrace Islam or face death. The Sultan’s prime minister pleaded powerlessness on his behalf to do so." Then the Shaykh offered an alternative suggestion: ’… the king should at least strive to disgrace, dishonour, and defame the Mushrik and idol- worshipping Hindus…. The sign of the kings being protectors of the faith is this: When they see a Hindu, their faces turn red and they wish to swallow him alive….' A similar suggestion was made to Jalal ad-Din Khalji, who returned ruefully: 'Don’t you see that Hindus, who are the worst enemies of God and of Islam, pass daily below my royal palace to the Jamuna beating drums and playing flutes, and practise before our eyes the worship of the idols with all the rituals? Fie on us unworthy leaders who declare ourselves Muslim kings!… Had I been a Muslim ruler, a real king, or a prince and felt myself strong and powerful enough to protect Islam, any enemy of God and the faith of the Prophet of Islam would not have been allowed to chew betels in a care-free manner and put on a clean garment or live in peace. Qadi Mughis ad- Din’s advice to Sultan Ala' d-Din Khaiji was on similer lines, and the Sultan confessed that he had humiliated and pauperized the Hindus to his utmost even though without caring to know the provisions of the Shari'ah on the subject.”

Harsh Narain (1921–1995) Indian writer

Myths of Composite Culture and Equality of Religions (1990)

Death, God, Peace, Faith

“You shouldn't hear the guitar by itself. It should be part of the drums so it sounds like the drummer is playing chords -- like the snare is in A or the hi-hat in D minor. You only notice the guitar when it's not there.”

Freddie Green (1911–1987) American musician

[Denyer, Ralph, The Guitar Handbook, 2002, Alfred A. Knopf, 88, 0-679-74275-1]

Parting

“It (synthesizers and drum machines) has contributed greatly (to an 'antiseptic' sound). And the fact is, when I look back on the last few years I really can't remember that much of the music, such is its lasting effect. I think it's instantly forgettable and it horrifies me in many respects. It's so sterile and non-human. I don't understand why people play non-human music. It really mystifies me when we're human beings. It's strange. I hate it.”

Morrissey (1959) English singer

From a radio interview with David Jensen in 1983
In interviews etc., About pop culture

Hate, People, Music, Understanding

“Once the song is done and recorded, I like to go back and then cut the drums, because then I know exactly what the song needs, and what it doesn't need.”

Tommy Lee (1962) American drummer

http://www.ink19.com/issues/august2002/interviews/tommyLee.html.

“[written when news was received that a vast French invasion fleet had appeared off the south coast of England ] MA CHERE AMIE, … I awake to fears of invasion, to noise, faction, drums, soldiers, and care the whole town has now but two employments - the learning of French, and the exercise of arms - which is highly political, in my poor opinion, for should the military fail of success, which is not impossible- why, the ladies must take the field, and scold them to their ships again.”

Ignatius Sancho (1729–1780) British composer, writer and grocer

(from vol 2, letter 32: 25 Aug 1779, to Mrs C___ ).

Fear, Exercises, Learning, Appearance

“I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.”

Patrick Stump (1984) American musician

TV.com
Source: http://www.tv.com/patrick-stump/person/412086/summary.html TV.com Patrick Stump.

Music

“Hail, hail rock and roll; deliver me from the days of old.
Long live rock and roll; the beat of the drums, loud and bold.
Rock, rock, rock and roll; the feelin' is there, body and soul.”

Chuck Berry (1926–2017) American rock-and-roll musician

"School Days" (1957), Pop Chronicles Show 6 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. Part 2 http://digital.library.unt.edu/ark:/67531/metadc19752/m1/ Song lyrics

Soul

“Like a drum my heart was beating,
And your kiss was sweet as wine,
But the joys of love are fleeting
For Pierrot and Columbine.”

Tom Springfield (1934) English musician, songwriter and record producer

Song The Carnival Is Over.

Love, Kiss, Wine, Heart