Quotes about drum
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“Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way. The visuals are grubby and drab. The characters are unkempt and have rotten teeth. Breathing tubes hang from their noses like ropes of snot. The soundtrack sounds like the boom mike is being slammed against the inside of a 55-gallon drum. The plot. … Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/battlefield-earth-2000 of Battlefield Earth (12 May 2000) Reviews, Half-star reviews

Hostility, Way, Time, Training

“We all have the drum major instinct. We all want to be important, to surpass others, to achieve distinction, to lead the parade. … And the great issue of life is to harness the drum major instinct. It is a good instinct if you don't distort it and pervert it. Don't give it up. Keep feeling the need for being important. Keep feeling the need for being first. But I want you to be the first in love. I want you to be the first in moral excellence. I want you to be the first in generosity.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

Love, Life, Feeling

“He loved hitherto-unthought-of, thereafter-unthinkable combinations of instruments. When some extraordinary array of players filed half-proudly, half-sheepishly on to the stage, looking like the Bremen Town Musicians—if those were, as I think they were, a rooster, a cat, a dog, and a donkey—you could guess beforehand that it was to be one of Gottfried’s compositions. His Joyous Celebration of the Memory of the Master Johann Sebastian Bach had a tone-row composed of the notes B, A, C, and H (in the German notation), of these inverted, and of these transposed; and there were four movements, the first played on instruments beginning with the letter b, the second on instruments beginning with the letter a, and so on. After the magnificent group that ushered in the piece (bugle, bass-viol, bassoon, basset-horn, bombardon, bass-drum, baritone, and a violinist with only his bow) it was sad to see an Alp horn and an accordion come in to play the second movement. Gottfriend himself said about the first group: “Vot a bunch!””

Randall Jarrell book Pictures from an Institution

When I asked him how he had thought of it he said placidly: “De devil soldt me his soul.”
Source: Pictures from an Institution (1954) [novel], Chapter 4: “Constance and the Rosenbaums”, p. 136

Love, Sadness, Dogs, Soul

“The new leadership in India is taking shape quietly, without any drum beating through the newspapers. … Various centers, the centers of energy and strength in the life of society are gaining tremendous momentum. May be, the surging new generation of today appears to have lost its bearing, to have lost its soul. But it is absolutely certain that one day it will have its own leader and prophet…. I am absolutely confident that the phoenix of a new leadership is rising from the ashes of all its failure. Soon the world will witness the lightning hidden in its beak and the storm hidden in its wings.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

On leadership
Baba Amte's Words of Wisdom

Life, World, Soul, Confidence

“AND the muffled drum rolled on the air,
Warriors with stately step were there;
On every arm was the black crape bound,
Every carbine was turned to the ground:
Solemn the sound of their measured tread,
As silent and slow they followed the dead.
The riderless horse was led in the rear,
There were white plumes waving over the bier:
Helmet and sword were laid on the pall,
For it was a soldier's funeral.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Improvisatrice (1824)

Horse, Dead

“Tré Cool plays the drums in Green Day, and he snorts [he sniffs] donut sprinkles, and [wipes his nose]... oh, that's a sweet drain.”

Tré Cool (1972) Drummer, punk rock musician

Bullet in a Bible (2005) (in an interview).

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008) Reviews, Half-star reviews

Death, Game, Sense, Waiting

“As a sleuth you are poor. You couldn’t detect a bass-drum in a telephone-booth.”

P.G. Wodehouse (1881–1975) English author

The Man with Two Left Feet (1917)

“Less glory is more liberty. When the drum is silent, reason sometimes speaks.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. I : Apprentice, The Twelve-Inch Rule and Common Gavel, p. 1

“I hear if you make friends with Jesus Christ, you will get right up from that chalk outline. And then you'll get dolled up, and you'll dress in white all to take your place in his chorus line. And then in you'll come with those marching drums in a saintly compromise. No more whiskey slurs, no more blonde-haired girls for your whole eternal life. And you'll do the dance that was choreographed at the very dawn of time. Singing "I told you son, the day would come you would die, you'd die you'd die you'd die you'd die."”

Conor Oberst (1980) American musician

Arc Of Time
Digital Ash in a Digital Urn (2005)

Life, Girl, Singing, Time

“A serjeant is a soldier with a halbert, and a drummer is a soldier with a drum.”

Thomas Denison (1699–1765) British judge (1699–1765)

Lloyd v. Wooddall (1748), 1 Black. 30.

“Jumbled black rocks adorned an otherwise pale, flat landscape of salmons and khakis. Mountains rose in distant ridges. Out there in the Namaqua sea, I found myself thinking of South Africa as an island. Like Robinson Crusoe, I was walking its perimeter, noting the extent of my domain, checking for cannibals, finding fresh water. Sure, there were 47 million others who might make such a claim, but theirs were no more valid than mine, only similar. Beating my drum, singing the land, proclaiming it mine from coast to coast.”

Justin D. Fox (1967) South African author, photojournalist, lecturer and editor

The Marginal Safari: Scouting the Edge of South Africa (2010)

Mountain, Thinking, Water, Distant

“Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire—the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening."
"I wonder," said our young composer dreamily, "if my music will be played a hundred years from now."
"It certainly will be," said the bitter Levant,"if you are still around."”

Alexander Woollcott (1887–1943) American critic

"George the Ingenuous" in Cosmopolitan (November 1933); reprinted in Ch. IV: "'...A Young Colossus...'" https://books.google.com/books?id=ATcjgQTx0uIC&pg=PA45#v=onepage&q&f=false from Gershwin Remembered (1992) by Edward Jablonski, pp. 44-45

Love, Books, Music, Way

“One of the most common failings [when writing a drum track] is repetition. Nobody wants to hear that same stupid 16-line bass-snare pattern throughout the WHOLE song. Didn't your mother ever teach you that variety is the spice of life?”

Andrew Sega (1975) musician from America

"Melodic Structure", Necros, TraxWeekly #15, 1995

Life, Stupidity

“[Is "90 Millas" another crossover -- into World Music? ] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

People, World, Family, Music

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

Music, Light

“I can hear another drum beating for the dead that rise, whom Nature's beast fears as they come.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Empire Burlesque (1985), Dark Eyes

Fear, Nature, Dead

“Bonfires dot the rolling hillsides
Figures dance around and around
To drums that pulse out echoes of darkness
And moving to the pagan sound.”

Loreena McKennitt (1957) Canadian musician and composer

The Visit (1991), All Souls Night

Dance

“It was during that same week that I was up there [In Seattle rehearsing with Pearl Jam]. Day four maybe, or day five, they did a Temple [of the Dog] rehearsal after our afternoon rehearsal. I got to watch these songs, and watch how Chris [Cornell] was working, and watch Matt [Cameron] play drums. It got to "Hunger Strike" - I was sitting in the corner, putting duck tape on a little African drum. About two-thirds of the way though, he was having to cut off the one line, and start the other. I'm not now, and certainly wasn't then, self-assured or cocky, but I could hear what he was trying to do, so I walked up to the mic - which I'm really surprised I did - and sang the other part, "Going hungry, going hungry." The next time I was up, he asked if I'd record it - so it was just me and Chris in the same studio that we made [1991's] Ten record. I really like hearing that song. I feel like I could be real proud of it - because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time. I'm indebted to Chris time eternal for being invited onto that track.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Hunger, Dogs, Way, Feeling

“Drum on your drums, batter on your banjos,
sob on the long cool winding saxophones.
Go to it, O jazzmen.”

Carl Sandburg (1878–1967) American writer and editor

"Jazz Fantasia" (1920)

“I met [Meyerbeer] at the performance of my "Battle." Most of the composers then in Vienna were kind enough to undertake something or other in my orchestra, and the young man played the big drum. Ha! ha! ha! (a peal of laughter). I had reason not to be very well satisfied with him. He was always behindhand, and I had to give it him roundly. (New peal of laughter.) He must have felt mortified by my observations; but there is no reliance to be placed in him; he has not the courage to raise his arm at the proper moment.”

Ludwig Van Beethoven (1770–1827) German Romantic composer

10th October, 1814
In: Johann Wenzel Tomaschek, "A Talk with Beethoven", The Musical Times and Singing Class Circular, Vol. 33, Beethoven Supplement (Dec. 15, 1892)

Courage, Laughter

“Freemasons, n. An order with secret rites, grotesque ceremonies and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucius, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids — always by a Freemason.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

Secret, Time, Success, Past

“In a world become blind,
I beat the drum of the Deathless.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

Ariyapariyesana Sutta http://www.accesstoinsight.org/tipitaka/mn/mn.026.than.html Unclassified

World

“In war-time on the field or in the fleet, a mortal punishment decreed by a drum-head court — on the field sometimes decreed by but a nod from the General — follows without delay on the heel of conviction without appeal.”

Herman Melville book Billy Budd, Sailor

Source: Billy Budd, the Sailor (1891), Ch. 21

War, Time

“Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!”

Edward FitzGerald (1809–1883) English poet and writer

The Rubaiyat of Omar Khayyam

World, Distant

“When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.... how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term[? ]. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.... he [Mr. Garrick] must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in a letter of Gainbourough, 1772; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 88 1770 - 1788

Truth, Music, Feeling, Nature

“The drums ceased and the parade ground was as silent as an inland sea. At the other end of the parade ground, I heard Gauldin Grace's harsh, overextended voice screaming out the findings of the honor court. "Gentlemen, the honor court has met tonight and has found Pignetti, D. A., Company R, guilty of the honor code violation of stealing. His name will never be spoken by any man from Carolina Military Institute. He will never return to the campus so long as he may live. His name and memory are anathema to anyone who aspires to wear the ring. Let him go from us and never be heard from again. Let him begin the Walk of Shame."”

Pat Conroy The Lords of Discipline

Source: The Lords of Discipline (1980), p. 439

Memory, Sea

“Doing identity politics means trying to drum up support by appealing to specific groups on the basis of their ethnicity, religion, language, sexuality or other characteristics, instead of speaking to them as Canadians interested in the wellbeing of our country as a whole.
Identity politics has become pervasive and is being practiced by all political parties trying to buy votes. Political debate has degenerated into a contest between different ways of pandering to specific groups instead of appealing to our common interests.
I have repeatedly stated that I believe identity politics is reductive, divisive and destructive of our social cohesion. I am doing THE OPPOSITE of identity politics by focusing on policy solutions that concern ALL Canadians. And I will continue to do so.”

Maxime Bernier (1963) Canadian politician

16 August 2018 https://twitter.com/MaximeBernier/status/1030087576328105985

Religion, Way, Support, Country

“By the winding stream we shall lie and dream
We'll make dreams come true if we want them to
Yes all will come play the pipes and drum
Sing a happy song and we'll sing along.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Everyone
Song lyrics, Moondance (1970)

Happiness, Lie, Dreams, Singing

“The harder they hit us, the louder we become, kind of like the skin on a drum.”

Michael Franti (1966) American rapper

Skin On The Drum, Stay Human (2001)

“Barani mourned: “Should the king consider the payment of a few tankas by way of jiziya as sufficient justification for their allowing all possible freedom to the infidels to observe and demonstrate all orders and detail of infidelity, to read the misleading literature of their faith, and to propagate their teachings, how could the true religion get the upper hand over other religions, and how could the emblems of Islam be held high? How will the true faith prevail if rulers allow the infidels to keep their temples, adorn their idols, and to make merry during their festivals with beating of drums and dhols, singing and dancing?””

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231

Faith, Religion, Way, Literature

“We all must march to the same drum as Christ. The Church is reformed when the baptized march more resolutely toward holiness, allowing themselves to be recreated in the likeness of God by the power of the Holy Spirit.”

Robert Sarah (1945) Roman Catholic bishop

God or Nothing: A Conversation on Faith (2015)

God, Christ

“This London, of course, with its hollow, drum-like name, is neither England nor abroad but something on its own, a walled fantasy of remembered tales.”

Laurie Lee (1914–1997) British writer

Eight-Year-Old World, p. 26.
I Can't Stay Long (1975)

“Some on commission, some for the love of learning,
Some because they have nothing better to do
Or because they hope these walls of books will deaden
The drumming of the demon in their ears.”

Louis MacNeice (1907–1963) poet

"The British Museum Reading Room", line 4, from Plant and Phantom (1941)

Love, Books, Hope, Learning

“It did cause problems at one point. Part of it was down to the name of the group—people tended to think I was Echo. That's why we named the drum-machine Echo because I definitely wasn't.”

Ian McCulloch (1959) singer, musician

When asked if the media attention focussing on him caused problems.
NME (1980)

People, Problem, Thinking, Parting

“Drumming is my middle name.”

Ringo Starr (1940) British musician, former member of the Beatles

"Drumming Is My Madness," from Stop And Smell The Roses (1981)

“Ted, I noted, was very busy - at the pumps, at the glasses behind, the bottles below, the merrily ringing till, like a percussion-player in some modern work who dashes with confidence from xylophone to glockenspiel to triangle to wind-machine to big drum to tambourine.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Confidence, Business

“I've written every drum bit I ever done, every note. I played the drums. I played the guitar. I played the piano. I wanted it exactly the way I wanted. Exactly. Any composer I would think would want it that way, and I don't deviate at all. Don't you think that somebody like Stravinsky, for instance, don't you think that it would have annoyed him if someone bent a note the wrong way?”

Captain Beefheart (1941–2010) musician

On Trout Mask Replica
The Artist Formerly Known as Captain Beefheart (1997)

Way, Thinking

“The Emperor ordered Jumdat-ul-Mulk to write to the Mutsaddis of all the subahs (provinces) of the empire that display of fire-works (atishbazi) is being forbidden. Also, Faulad Khan was ordered to arrange for announcement in the city by the beat of a drum that no one is to indulge in atishbazi.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat-i-Darbar-i-Mu‘alla, Julus 10, Shawwal 24 / April 9th 1667.
Quotes from late medieval histories, 1660s

“Teachers and pop icons, empty drums beat loudest noise. We swap their quotes and CDs like children trading toys. Follow along, bite the barbed hook deep in our jaw…”

Dawud Wharnsby (1972) Canadian musician

"The War/La Ilaha Il Allah"
Out Seeing The Fields (2007)

Children, Quotes, Teachers

“My ultimate vocation in life is to be an irritant, someone who disrupts the daily drag of life just enough to leave the victim thinking there's maybe more to it all than the mere hum-drum quality of existence.”

Elvis Costello (1954) English singer-songwriter

New Music Express interview with Nick Kent (1978); quoted in Elvis Costello, Joni Mitchell, and the Torch Song Tradition (2004) by Larry David Smith, p. 166

Life, Thinking

“We did not suspend our democracy in our darkest hours why are we suspending it now? the fawning over Thatcher had gone too far. We have had enough of this, It has gone on too long and it has gone too far. This put the tin hat on it the idea that we should suspend a vital part of our democratic process for a party political and private funeral, Mr Churchill didn’t ask for Parliament to be silenced, for confrontations across the House to be forbidden. When our soldiers were being laid waste in the Norway debate, the House of Commons perhaps rose to its finest 20th Century moment. Nobody said: ‘Our armed forces have suffered a disaster, the House of Commons cannot meet, the clash of ideas cannot be heard, we must muffle the drums and silence ourselves The so-called Beast of Bolsover said the argument was about class and that it was "one rule for those at the top and another for those at the bottom. We are here talking about the thing that we sometimes suggest has gone away class, That's what it is, it's about class. It's about the fact that people out there have to live their lives in a different way and there's one rule for those at the top and there's another for those at the bottom. It's never changed, I wish it had, but it hasn't. So when I heard about the chain of events it seemed to grow like topseed - first of all there was going to be some sort of ceremonial funeral, and then the next thing you (Mr Speaker) tell us that the chimes of Big Ben are going to stop and then we hear about the fact that we are going to abandon Prime Minister's question time, I mean, what's it all about? That's why the people out there are angry, a lot of them.”

George Galloway (1954) British politician, broadcaster, and writer

The Mirror http://www.mirror.co.uk/news/uk-news/margaret-thatcher-fawning-gone-far-1836314 George Galloway blasts cancellation of PMQs for Margret Thatchers funeral 16 April, 2013

People, Way, Democracy, Idea

“The great pontiff took the floor to argue the case against me. I don't remember his harangue, because I was too horrified to understand such a discordant voice, and because he made his speech with a musical instrument so loud it deafened me. He had deliberately chosen a trumpet. The violence of its martial tone was supposed to make the people call for my death and to keep them from thinking rationally, as happens in our armies, where the din of trumpets and drums prevents the soldier from thinking about the importance of his life.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)

Life, Death, People, Music

“A single, isolated battle that ranks in magnificence and courage with Guam, Tarawa, Omaha Beach. A story that should be told to the blowing of bugles and the beating of drums for the men whose bravery made the capture of this crossing over the Waal possible.”

Bill Downs (1914–1978) American journalist

Describing the Allied assault on the Nijmegen bridge during Operation Market Garden in 1944

Men, Courage

“As soon as war is declared it will be impossible to hold the poets back. Rhyme is still the most effective drum.”

Jean Giraudoux The Trojan War Will Not Take Place

Tiger at the Gates (1935)

War

“If I had to take eveything into consideration, [the truly essential song] would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possiblility of "Mi Tierra" [Estefan's top-selling Spanish album] happening. Not only did it talk about a specific rhythm of my homeland [Cuba], it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Music, Nature, Thinking, Dance

“.. I kissed the hand of Don Alvise Davila, who said he was your friend, and begged me to tell you he would soon prove it. I would have done the same by Signor Antonio da Leva, but that there was no time. He came to see the Emperor [Charles V], and only staid half a day, and there were so many visitors that I could not kiss his hand. But should we meet I shall do my duty, and attend to your interests without regard to the consequences. No more on this head. Here nothing is heard but the roll of drums, and everyone is starting for France. I hope soon to be with you, when we shall have much to say to each other. Bas las manos a vuestra merced and also those of Alvise Anichini.”

Titian (1488–1576) Italian painter

Quote in his letter to Titian's friend and agent Pietro Aretino, From Asti, 31 May, 1536; in Lettere a Pietro Aretino, i. p. 146 and reprinted in Ticozzi (Vecelli, p. 309); transl. J.A.Y. Crowe & G.B. Cavalcaselle
At Asti, it would seem, Titian was quite in Spanish waters. He doubtless met and perhaps again portrayed the Emperor Charles V.
1510-1540

Hope, Kiss, Time

“The drum major instinct can lead to exclusivism in one's thinking and can lead one to feel that because he has some training, he's a little better than that person who doesn't have it. Or because he has some economic security, that he's a little better than that person who doesn't have it. And that's the uncontrolled, perverted use of the drum major instinct.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

Feeling, Thinking, Personality, Training

“On this score, I will briefly address the re-entry of Biafra as a talking drum in our recent polity. A minister of state (Mrs. Dupe Adelaja) had the recklessness to say that Biafran soldiers cannot enjoy retirement benefits, not minding, for instance, the reality that some of them were Nigerian soldiers before the emergence of Biafra and that pardon has been granted to all ex-Biafran soldiers.”

Chuba Okadigbo (1941–2003) Nigerian politician

Address to the December 2001 debates concerning Biafra, USAfrica Online http://www.usafricaonline.com/okadigbo.biafra2001.html

Reality

“This Prime Minister must be drummed from office and we will use each and every opportunity to make that a reality…But this Prime Minister deserves to be impeached - and we, with others, will present the case that he should be required to answer…I believe that this Prime Minister now operates outside the currency of debate, beyond the pale of decency…I don't just challenge the policies of Tony Blair, I challenge his morality…This is not a question of this Prime Minister - any prime minister - making a judgement call and just being wrong. It is not a matter, as Blair would have us believe, of someone acting in good faith and making an honest mistake. This is a man who buried the intelligence that was inconvenient, manipulated the information to suit his purpose, and entered into a secret pact with the American President to go to war come what may.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Speech at the SNP annual conference (24 September 2004), quoted in The Independent, ' Salmond back with threat to impeach PM http://www.independent.co.uk/news/uk/politics/salmond-back-with-threat-to-impeach-pm-6160873.html' (25 September 2004).

War, Secret, Faith, Intelligence

“(By moving) I'm making sounds on the drums of spacetime"… "Space itself wobbles and rumbles like a drum… Black holes can bang on spacetime like mallets on a drum”

Janna Levin (1967) American theoretical cosmologist

(2010) http://youtube.com/watch?v=eLz9TvxGoKs

“I believe that day [Ras Tafari's victory parade, Addis Ababa, 3 Nov 1916] implanted in me a life-long craving for barbaric splendour, for savagery and colour and the throb of drums, and that it gave me a lasting veneration for long-established custom and ritual, from which would derive later a deep-seated resentment of Western innovations in other lands, and a distaste for the drab uniformity of the modern world.”

Wilfred Thesiger (1910–2003) British explorer

Source: The Life Of My Choice (1987), p. 56.

Life, World, Victory

“A man that is not afraid of a Lion is afraid of a Cat; not afraid of starving, and yet is afraid of some joint of meat at the table, presented to feed him; not afraid of the sound of drums, and trumpets, and shot, and those, which they seek to drown, the last cries of men, and is afraid of some particular harmonious instrument; so much afraid, as that with any of these the enemy might drive this man, otherwise valiant enough, out of the field.”

John Donne (1572–1631) English poet

VI. Metuit. The physician is afraid
Devotions Upon Emergent Occasions (1624)

Men, Cats

“Some say the Internet is for porn; but you know that in truth the Internet is for spam. As communication technologies got cheaper, the cost of grabbing a megaphone and jamming it up against the aching ear-drums of an advertising-jaded public collapsed: Meanwhile, the content-is-king mantra of the monetization mavens gridlocked the new media in an advertising-supported business model. The great and the good of the Academy have been fighting a losing battle against the Anglo-Saxon hucksterization model for the past thirty years: But the sad truth is that the battle’s lost. The tide of war was turned in Beijing and New Delhi, when the rapidly industrializing new superpowers climbed on the MAKE MONEY FAST band-wagon and gave free rein to the free market, red in tooth and claw—just as long as the sharp bits were directed outwards. And today the entire world is still drowning in a sea of attention-grabbing unregulated unethical untruthful spamvertising.”

Charles Stross book Rule 34

Source: Rule 34 (2011), Chapter 13, “Kemal: Spamcop” (pp. 154-155)

Money, War, Truth, World

“There is no doubt that Goya thought that one of the drugs chiefly responsible for the sleep of reason was the Church, and he had the lowest possible opinion of ecclesiastical institutions. However, this did not prevent him from painting religious pictures, completely sincerely because, like all Latin people, however little he believed in Christianity, he felt himself to be within the structure of the Catholic Church. One of his finest works was the decoration of a church near Madrid called S. Antonio de la Florida. He used the kind of device that would have appealed to Tiepolo. He painted a balcony round the drum of a cupola, and behind it he put a crowd of loiterers who are supposed to be watching the saint raise a man from the dead. Very few of them are interested in this unusual event. They are interested in each other or themselves, and show very well the curious tension between the individual and the collective, which is the essence of a crowd.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 3: Goya

People, Sleep, Painting, Sincerity

“Why does the drum, of all instruments, have the greatest potential for life enhancement? I don't really know but here are some thoughts. First of all, there are no notes, therefore fewer judgments to be made by yourself and by others. There will be less right and wrong—especially if there is no counting. Is it the vibrating membrane? So alive! Is it because of its roundness? What I do know, is that everyone's association with the drum is with Life, with Heart—even more with the Mother.”

John Diamond (doctor) (1934) Australian doctor

Source: The Way of the Pulse: Drumming with Spirit (1999), p. 79

Life, Heart

“O my Lord, Thy hand holding the sacred drum has made and ordered the heavens and earth and other worlds and innumerable souls. Thy lifted hand protects both the conscious and unconscious order of thy creation. All these worlds are transformed by Thy hand bearing fire. Thy sacred foot, planted on the ground, gives an abode to the tired soul struggling in the toils of causality. It is Thy lifted foot that grants eternal bliss to those that approach Thee. These Five-Actions are indeed Thy Handiwork.”

Ananda K. Coomaraswamy (1877–1947) Ceylon-American art historian

By Ananda Coomaraswamy in "Nataraja".

World, Soul

“Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

World, Distant

“One time, when I was really little, I climbed a tree and ate these green, sour apples. My stomach swelled and became hard like a drum, it hurt a lot. Mother said that if I'd just waited for the apples to ripen, I wouldn't have become sick. So now, whenever I really want something, I try to remember what she said about the apples.”

Khaled Hosseini book The Kite Runner

The Kite Runner (2003)

Tree, Time, Waiting, Hurt

“Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them,
Great is the battle-god, great, and his kingdom —
A field where a thousand corpses lie.”

Stephen Crane (1871–1900) American novelist, short story writer, poet, and journalist

Do Not Weep, Maiden, For War is Kind, st. 2
War Is Kind and Other Lines (1899)

Men, God, Lie, Soul

“As that great captain, Ziska, would have a drum made of his skin when he was dead, because he thought the very noise of it would put his enemies to flight.”

Robert Burton book The Anatomy of Melancholy

The Anatomy of Melancholy (1621), Democritus Junior to the Reader

Dead

“My background in music came from me playing drums and piano as a young child. My grandmother was a pianist and I was influenced by her and my parents were playing rock records which influenced my drumming. I was a fan of film scores, rock, classical, jazz, and hip-hop in my early years and tried to learn as much about each of those genres as possible. I began writing music in a serious way in my teen years while I was playing in various bands and orchestras.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)

Music, Way, Parent, Learning

“With the drums of the long war banging, Israel's line on Hamas has been well received. The US administration urged European and Arab countries to freeze direct aid to the Palestinian Authority, and on February 15, the U. S. congress started moves in the same direction. Israeli security officials had been involved for quite some time before in urging the U. S. administration to increase its operations in Iran, including covert acts of regime change - efforts that were yielding their fruits in 2006. As was disclosed by Seymour Hersh and others, during Israel's recent war on Lebanon, the U. S. administration has viewed this as preparation, and a "test" for the option of an attack on Iran.”

Tanya Reinhart (1943–2007) Israeli journalist

Counterpounch, Interview with Tanya Reinhart (October 2, 2006) http://www.counterpunch.org/hazan10022006.html

War, Effort, Change, Time

“And so I'd dream a bass will join me,
and fill the bottom in. And maybe now some lead guitar
so it would not sound so thin.
I need some drums to set the beat
and help me keep in time.
And way back in the distance,
some strings would sound so fine.”

Harry Chapin (1942–1981) American musician

Six String Orchestra
Song lyrics, Verities & Balderdash (1974)

Dreams, Way, Time, Help

“There’s nothing that I would call ordinary audition about this at all. It doesn’t really.. It’s a curious thing that will be very difficult to explain. Somebody asked me, “Was it as though your hand was moving?” No. I wrote perfectly voluntarily in response to…I call it a voice, but “a voice” has sounds… or sounds as though it has something to do with hearing. And I didn’t hear anything. I think it’s the sort of hearing that you can’t really describe. It doesn’t have anything to do with ears, or waves hitting a drum or anything on that order. I don’t really know, I think maybe I’m using the wrong word when I say “hear.” I sort of recognized it, it was very rapid, I could even…. if I didn’t catch a phrase, I could sort of say, “Would you mind doing that again?””

Helen Schucman (1909–1981) Clinical Psychologist

Helen Schucman (1976), in interview by David Hammond August 1976 in Belvedere, California. Quoted in: The Voice: A Historical Moment with Helen https://acim.org/Scribing/the_voice.html at acim.org. Accessed May 21, 2014. Also online ar merelyacim.wikispaces.com http://merelyacim.wikispaces.com/An+interview+with+Helen+Schucman. In answer of question: "Regarding the voice you heard in the scribing A Course in Miracles, did it come from outside or from within?"

Thinking

“I'd like somebody to mention that day, that Martin Luther King, Jr., tried to give his life serving others. I'd like for somebody to say that day, that Martin Luther King, Jr., tried to love somebody. I want you to say that day, that I tried to be right on the war question. I want you to be able to say that day that I did try to feed the hungry. I want you to be able to say that day that I did try in my life to clothe those who were naked. I want you to say, on that day, that I did try, in my life, to visit those who were in prison. I want you to say that I tried to love and serve humanity.
Yes, if you want to say that I was a drum major, say that I was a drum major for justice; say that I was a drum major for peace; I was a drum major for righteousness. And all of the other shallow things will not matter. I won't have any money to leave behind. I won't have the fine and luxurious things of life to leave behind. But I just want to leave a committed life behind. And that's all I want to say.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Paraphrased on the Stone of Hope in the Martin Luther King, Jr. National Memorial in Washington, DC as "I was a drum major for justice, peace and righteousness." (Rachel Manteuffel, "Martin Luther King a drum major? If you say so." http://www.washingtonpost.com/opinions/martin-luther-king-a-drum-major-if-you-say-so/2011/08/25/gIQAmmUkeJ_story.html The Washington Post, 25 August 2011) The monument plans used a correct and contextualized quote, but the lead architect and the sculptor altered it to use fewer words for visual appearance. (Rachel Manteuffel, "Correcting the Martin Luther King memorial mistake", http://www.washingtonpost.com/opinions/mlk-memorials-drum-major-quote-will-be-corrected-interior-secretary-says/2012/01/13/gIQAnjYvwP_story.html The Washington Post, 13 January 2012) 1960s, The Drum Major Instinct (1968) Context: Every now and then I guess we all think realistically about that day when we will be victimized with what is life's final common denominator — that something we call death. We all think about it. And every now and then I think about my own death, and I think about my own funeral. And I don't think of it in a morbid sense. Every now and then I ask myself, "What is it that I would want said?" And I leave the word to you this morning. If any of you are around when I have to meet my day, I don't want a long funeral. And if you get somebody to deliver the eulogy, tell them not to talk too long. Every now and then I wonder what I want them to say. Tell them not to mention that I have a Nobel Peace Prize, that isn't important. Tell them not to mention that I have three or four hundred other awards, that's not important. Tell him not to mention where I went to school. I'd like somebody to mention that day, that Martin Luther King, Jr., tried to give his life serving others. I'd like for somebody to say that day, that Martin Luther King, Jr., tried to love somebody. I want you to say that day, that I tried to be right on the war question. I want you to be able to say that day that I did try to feed the hungry. I want you to be able to say that day that I did try in my life to clothe those who were naked. I want you to say, on that day, that I did try, in my life, to visit those who were in prison. I want you to say that I tried to love and serve humanity. Yes, if you want to say that I was a drum major, say that I was a drum major for justice; say that I was a drum major for peace; I was a drum major for righteousness. And all of the other shallow things will not matter. I won't have any money to leave behind. I won't have the fine and luxurious things of life to leave behind. But I just want to leave a committed life behind. And that's all I want to say.

Love, Life, Money, War

“The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber.”

Marshall McLuhan book Understanding Media: The Extensions of Man

Understanding Media (1964)
Context: Radio affects most intimately, person-to-person, offering a world of unspoken communication between writer-speaker and the listener. That is the immediate aspect of radio. A private experience. The subliminal depths of radio are charged with the resonating echoes of tribal horns and antique drums. This is inherent in the very nature of this medium, with its power to turn the psyche and society into a single echo chamber. (p. 261)

Nature

“I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.”

Joanna Newsom (1982) American musician

Sunday Service, 13 December 2004
Context: I'm not terribly interested in playing harp on other people's music right now. Partly because I feel like many people view the harp as this kind of gimmick. You know, like they have songs that are fully realized, complete songs, and then they think "How do we make this special? - Ooh, let's bring the harp in!" and they kind of want a harpist to play a glissando and play some heavenly noise in the background. I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.
I also don't want to feel bound to the harp, I'd be interested in bringing other instruments in at some time. But I think the harp has been viewed in one particular way for so long, and has been limited for so long, that I feel like I am really interested in stretching the boundaries of what it's capable of doing and how it's perceived.

Way, Sense

“The worm stood straight on God's blood-splattered threshold then
and beat his drum”

Nikos Kazantzakis (1883–1957) Greek writer

Odysseus' song, Book III, line 424
The Odyssey : A Modern Sequel (1938)
Context: The worm stood straight on God's blood-splattered threshold then
and beat his drum, beat it again, and raised his throat:
'You've matched all well on earth, wine, women, bread, and song,
but why, you Murderer, must you slay our children? Why?'
God foamed with rage and raised his sword to pierce that throat,
but his old copper sword, my lads, stuck at the bone.
Then from his belt the worm drew his black-hilted sword,
rushed up and slew that old decrepit god in heaven!
And now, my gallant lads — I don't know when or how —
that worm's god-slaying sword has fallen into my hands;
I swear that from its topmost iron tip the blood still drips!

God

“Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided with a stack of empty oil drums during a birdcall contest.”

P. J. O'Rourke (1947) American journalist

All the Trouble in the World (1994)

Music

“After the blast of lightning from the east,
The flourish of loud clouds, the Chariot Throne;
After the drums of time have rolled and ceased,
And by the bronze west long retreat is blown,
Shall Life renew these bodies?”

Wilfred Owen The End

The End
Context: After the blast of lightning from the east,
The flourish of loud clouds, the Chariot Throne;
After the drums of time have rolled and ceased,
And by the bronze west long retreat is blown,
Shall Life renew these bodies? Of a truth,
All death will he annul, all tears assuage? —
Or fill these void veins full again with youth,
And wash, with an immortal water, age?

Life, Time

“Put away your muskets, lay aside the drum,
Hang it by the wooden sword we made for little Peterkin!”

Alfred Noyes (1880–1958) English poet

Prelude
The Flower of Old Japan and Other Poems (1907), Forest of Wild Thyme
Context: They wouldn't mourn for Peterkin, merry little Peterkin.
Put away your muskets, lay aside the drum,
Hang it by the wooden sword we made for little Peterkin!

“Who brought this to pass?
Who has brought the flaming imperial anger?
Who has brought the army with drums and with kettle-drums?
Barbarous kings.
A gracious spring, turned to blood-ravenous autumn,
A turmoil of wars-men, spread over the middle kingdom,
Three hundred and sixty thousand,
And sorrow, sorrow like rain.”

Ezra Pound (1885–1972) American Imagist poet and critic

'Lament of the Frontier Guard' (From Cathay, 1915)

Men, War, Spring, Autumn

“There comes a time that the drum major instinct can become destructive.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)
Context: There comes a time that the drum major instinct can become destructive. And that's where I want to move now. I want to move to the point of saying that if this instinct is not harnessed, it becomes a very dangerous, pernicious instinct. For instance, if it isn’t harnessed, it causes one's personality to become distorted. I guess that's the most damaging aspect of it: what it does to the personality. If it isn't harnessed, you will end up day in and day out trying to deal with your ego problem by boasting. Have you ever heard people that—you know, and I'm sure you've met them—that really become sickening because they just sit up all the time talking about themselves. And they just boast and boast and boast, and that's the person who has not harnessed the drum major instinct. And then it does other things to the personality. It causes you to lie about who you know sometimes. There are some people who are influence peddlers. And in their attempt to deal with the drum major instinct, they have to try to identify with the so-called big-name people. And if you're not careful, they will make you think they know somebody that they don't really know. They know them well, they sip tea with them, and they this-and-that. That happens to people.

Time

“Beware the leader who bangs the drums of war in order to whip the citizenry into a patriotic fervor, for patriotism is indeed a double-edged sword. It both emboldens the blood, just as it narrows the mind. And when the drums of war have reached a fever pitch and the blood boils with hate and the mind has closed, the leader will have no need in seizing the rights of the citizenry. Rather, the citizenry, infused with fear and blinded by patriotism, will offer up all of their rights unto the leader and gladly so. How do I know? For this is what I have done. And I am Caesar.”

Julius Caesar (-100–-44 BC) Roman politician and general

This statement by an unknown author has also been wrongly attributed to William Shakespeare, but there are no records of it prior to late 2001. It has been debunked at Snopes.com http://www.snopes.com/quotes/caesar.htm Misattributed

Hate, War, Fear

“If you can strum the guitar a little, hit the drums — it’s always fun and a good way to release tensions…You can have a hard day at work, pick up your instrument and just feel better. You also can appreciate why a performer is up on stage and see how they have spent their life learning their craft.”

Pete Escovedo (1935) Mexican-American jazz musician and percussionist

On the benefits of being a musician in “Drummer Pete Escovedo will stick with what he knows at Thornton Winery” https://www.pe.com/2017/07/06/drummer-pete-escovedo-will-stick-with-what-he-knows-at-thornton-winery/ in The Press-Enterprise (2017 Jul 6)

Life, Way, Feeling, Learning

“I’ve been banging the drum on that sort of thing, environment sustainability, for a long time – and getting some flack for it along the road – so yes I’m pleased other artists are starting to get on board with it too, but listen, really taking flack is what we do – it’s ok, I’m cool with that.”

Chris Martin (1977) musician, co-founder of Coldplay

http://www.nme.com/news/music/coldplay-to-play-a-couple-more-shows-before-they-take-a-break-to-reconsider-touring-2581423 source

Time

“The world is just a barrel-organ which the Lord God turns Himself. We all have to dance to the tune which is already on the drum.”

Reinhard Heydrich (1904–1942) German Nazi official during World War II

Heydrich recited this, one of his father's operas, on his deathbed during one of Himmler's visits on 2 June 1941.
Source: [Lehrer, Steven, Steven Lehrer, 2000, 86, Wannsee House and the Holocaust, McFarland, Jefferson, NC, 978-0-7864-0792-7, harv]

God, World, Dance

“For as long as there been humans we have searched for our place in the cosmos. Where are we? Who are we? We find that we live on an insignificant planet of a hum-drum star lost in a galaxy tucked away in some forgotten corner of a universe in which there are far more galaxies than people. This perspective is a courageous continuation of our penchant for constructing and testing mental models of the skies; the Sun as a red-hot stone, the stars as a celestial flame, the Galaxy as the backbone of night.”

Carl Sagan book Cosmos

Source: Cosmos (1980), p. 193

People, Search, Star, Courage

“Poets, orators, even philosophes, say the same things about fame we were told as boys to encourage us to win prizes. What they tell children to make them prefer being praised to eating jam tarts is the same idea constantly drummed into us to encourage us to sacrifice our real interests in the hope of being praised by our contemporaries or by posterity.”

Nicolas Chamfort (1741–1794) French writer

Ce que les poètes, les orateurs, même quelques philosophes nous disent sur l'amour de la Gloire, on nous le disait au Collège, pour nous encourager à avoir les prix. Ce que l'on dit aux enfants pour les engager à préférer à une tartelette les louanges de leurs bonnes, c'est ce qu'on répète aux hommes pour leur faire préférer à un intérêt personnel les éloges de leurs contemporains ou de la postérité.
Maximes et Pensées, #85
Reflections

Children, Making love, Hope, Boy

“Whereas some ascetics and Brahmins remain addicted to attending such shows as dancing, singing, music, displays, recitations, hand-music, cymbals and drums, fairy-shows, acrobatic and conjuring tricks, combats of elephants, buffaloes, bulls, goats, rams, cocks and quail, fighting with staves, boxing, wrestling, sham-fights, parades, manoeuvres and military reviews, the ascetic Gotama refrains from attending such displays.”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

M. Walshe, trans. (1987), Sutta 1, verse 1.13
Pali Canon, Sutta Pitaka, Digha Nikaya (Long Discourses)

Music, Singing, Dance, Fight

“The howling pariah dogs, the cocks that herald dawn all night, the drumming, the moaning that will be found later white plumage huddled on telegraph wires in back gardens or fowl roosting in apple trees, the eternal sorrow that never sleeps of great Mexico.”

Malcolm Lowry book Under the Volcano

Source: Under the Volcano (1947), Ch. I (p. 35)

Dogs, Sleep, Tree, Night

“The dark and distant drumming
The pounding of the hooves
The silence of everything that moves
Late at night you'll see them
decked out in shiny jewels
the coming of the caravan of fools”

John Prine (1946–2020) American country singer/songwriter

Caravan of Fools (co-written with Dan Auerbach and Pat McLaughlin)
Song lyrics, The Tree of Forgiveness (2018)

Fools, Silence, Distant, Night

“I’m a late bloomer. It’s just a matter of how you evolve; of what your pace is. Hopefully, the older you get the more you grow. So, that has been my speed, the beat of my drum. I march to the beat of a different drum … you’ll pardon me for using this expression.”

Harry Dean Stanton (1926–2017) American actor, musician, and singer

Actor Harry Dean Stanton Dies at 91", by Patrick Mcdonald, HollywoodChicago.com (16 September 2017) https://www.hollywoodchicago.com/news/27911/film-news-character-actor-harry-dean-stanton-dies-at-91"Character

Speed

“REMEMBER OLD TIM QUILL

In the moneylenders’ offices
The clocks are standing still
As leading the workers here in Cork
Is our old man Tim Quill

Known for his eloquent oration
When he heads the Cork Trades Council
He devises every selfless action
For the welfare of the nation

In ’22 democracy
Was promised to us all
Yet if it wasn’t for the Co-op
That dream it would just fall

Some say his Friesian herd
Is the most prolific of the lot
Yet the needs of the most desperate
Quill has not forgot

Under the present order
We’re left with debt and slums
Until then we follow Timothy Quill
And his marchers’ fine ol’ drums”

Sean O'Connor

Primary source
Source: Scrap print from Irish Labour history group

Dreams, Democracy

Quotes about drum page 2

Quotes about drum
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