Quotes about drum

A collection of quotes on the topic of drum, likeness, beat, beating.

Quotes about drum

Fernando Pessoa photo
Babur photo
George Orwell photo

“[Hitler] has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all "progressive" thought, has assumed tacitly that human beings desire nothing beyond ease, security, and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. The Socialist who finds his children playing with soldiers is usually upset, but he is never able to think of a substitute for the tin soldiers; tin pacifists somehow won’t do. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades. However they may be as economic theories, Fascism and Nazism are psychologically far sounder than any hedonistic conception of life. The same is probably true of Stalin’s militarised version of Socialism. All three of the great dictators have enhanced their power by imposing intolerable burdens on their peoples. Whereas Socialism, and even capitalism in a grudging way, have said to people "I offer you a good time," Hitler has said to them "I offer you struggle, danger and death," and as a result a whole nation flings itself at his feet.”

George Orwell (1903–1950) English author and journalist

From a review of Adolf Hitler's Mein Kampf, New English Weekly (21 March 1940)

Vladimir Nabokov photo
Winston Groom photo
A.C. Bhaktivedanta Swami Prabhupada photo

“Prabhupada: Yes. That is Tulasi dasa’s remark. So in many passages of his poetry he has not done very justice to woman. And another poetry, he writes, dhol gunar sudra nari. Dhol gunar sudra nari ihe sab sasan ke adhikari. (?) Dhol gunar pasu sudra nari, ihe sab sasan ke adhikari. Dhol, dhol means drum, mrdanga. Gunar, gunar means… What is called English? A fool, fool. Illiterate fool, what is one word?
Brahmananda: Buffoon?
Prabhupada: Maybe buffoon. Buffoon is sometimes troublesome. But gunar means he doesn’t understand very nicely.
Brahmananda: Dullard.
Prabhupada: Dull, dull. Dhol gunar, dhol means drum and gunar means dull. Sudra, and the laborer class. Three. Dhol, gunar, sudra, and pasu, household animals, just like cows, dogs.
Brahmananda: Pet.
Prabhupada: Pet, like that. Dhol gunar sudra pasu and nari. Nari means woman. (laughs) Just see. He has classified the nari amongst these class, dhol, gunar, sudra, pasu, nari. Ihe sab sasan ke adhikari. Sasan ke adhikari means all these are subjected for punishment. And what about the guest?
Govinda dasi: Oh, the guest? It’s coming.
Prabhupada: So sasan ke adhikari means they should be punished. (laughs) Punished means, just like dhol, when the, I mean to say, sound is not very hard, dag-dag, if you beat it on the border, then it comes to be nice tune. Similarly, pasu, animals, if you request, “My dear dog, please do not go there.” Hut! (laughter) “No, my dear dog.” Hut! This is the way.(?) Similarly, woman. If you become lenient, then she will be troublesome. So in India still, in villages, whenever there is some quarrel between husband wife, the husband beats and she is tamed. (laughs) In civilized society, “Oh, you have done this?” Immediately some criminal case. But in uncivilized society they don’t care for court or civilized way of…”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Conversation, New York, April 12, 1969 PrabhupadaBooks.com http://prabhupadabooks.com/conversations/1969/apr/new_york/april/12/1969?d=1
Quotes from other Sources, Quotes from other Sources: Violence and Dictatorship

W. H. Auden photo
Taylor Swift photo
George Frideric Handel photo

“You have taken far too much trouble over your opera. Here in England that is mere waste of time. What the English like is something that they can beat time to, something that hits them straight on the drum of the ear.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Richard Alexander Streatfeild Handel (2005) p. 195, citing Anton Schmid Christoph Willibald Ritter von Gluck (1854) p. 29
In conversation with Gluck.

Richard Feynman photo

“On the infrequent occasions when I have been called upon in a formal place to play the bongo drums, the introducer never seems to find it necessary to mention that I also do theoretical physics.”

statement after an introduction mentioning that he played bongo drums; Messenger Lectures at Cornell University, p. 13
The Character of Physical Law (1965)

Karlheinz Deschner photo

“Empty heads make the best drums. And the emptier the head, the fuller the sound.”

Karlheinz Deschner (1924–2014) German writer and activist

Auf hohlen Köpfen ist gut trommeln. Und je hohler ein Kopf, desto voller das Echo.
Acceptance speech on receiving the Alternative Büchner Prize, 1993. MIZ - Materialien und Informationen zur Zeit. ISSN 0170-6748, Heft 3, 1993, ibka.org http://www.ibka.org/artikel/miz93/preis.html

Cyril Connolly photo
Gabriel Iglesias photo

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

William Shakespeare photo
W.B. Yeats photo

“Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.”

St. 2
Michael Robartes and the Dancer (1921), A Prayer For My Daughter http://poetry.poetryx.com/poems/1421/

Lou Reed photo

“Nothing beats 2 guitars, drum and bass.”

Lou Reed (1942–2013) American musician

In the liner notes of New York

Antoine de Saint-Exupéry photo
Antoine de Saint-Exupéry photo

“He who walks out of step hears another drum.”

Variant: He who marches out of line hears another drum.
Source: One Flew Over the Cuckoo's Nest (1962), Ch. 1

Chinua Achebe photo

“As a man danced so the drums were beaten for him.”

Source: Things Fall Apart (1958), Chapter 22 (p. 170)

Bill Hicks photo

“They're puttin' music to AIDS germs--putting a drum machine behind them and a metronome beat and Ted Turner's colorizing them, goddamn it. These aren't even really people, man. It's a CIA plot to make you think malls are good. Don't you see?”

Bill Hicks (1961–1994) American comedian

Sane Man (1989)
Context: Rick Astley? Have you seen this banal incubus at work? Boy, if this guy isn't heralding Satan's imminent approach to Earth, huh. "Don't ever wanna make you cry, never wanna make you sigh … never gonna break your heart" … oh, I wouldn't worry about that without a dick, buddy. You got a corn nut! You got a clit! You're not even a guy! You're an AIDS germ that got off a slide! They're puttin' music to AIDS germs, they're puttin' a drum machine behind them in a metronome beat and Ted Turner's colorizing 'em, God damn it! These aren't even people man! It's a CIA plot to make you think malls are good!! Don't ya see? (Imitates stereotypical American in a robotic manner) "But Bill, malls are good! Malls allow us to shop 365 days of the year at a 72 degree heat. That must be good."

Henry Wadsworth Longfellow photo

“Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.”

St. 4.
Cf. Andrew Marvell, Upon the Death of Lord Hastings (1649): "Art indeed is long, but life is short".
A Psalm of Life (1839)
Source: Voices of the Night

Nikki Giovanni photo
Kelley Armstrong photo
Kabir photo
Hunter S. Thompson photo
Suheir Hammad photo

“Your war drum ain't / louder than this breath.”

Suheir Hammad (1973) American poet, author, performer, and political activist

Source: Zaatardiva

Dr. Seuss photo

“Live by your own rules Move to your rhythm, instead of dancing to the beat of someone else’s drum Decide how you want to be treated Choose what you will or will not tolerate Leave if you don’t get what you want.”

Sherry Argov (1977) American writer

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Hunter S. Thompson photo

“It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.”

Hunter S. Thompson (1937–2005) American journalist and author

Source: Hell's Angels: A Strange and Terrible Saga

Patrick Rothfuss photo
Mike Scott photo
Roger Manganelli photo
Charles Mingus photo
Jack White photo

“I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!”

Jack White (1975) American musician and record producer

It weeds out people who wouldn't care anyway.
On how they are able to "sell what is really an art concept" to a mass audience
Perry, Andrew (2004). "The White Stripes uncut" http://observer.guardian.co.uk/omm/story/0,13887,1349947,00.html Observer Music Monthly (accessed June 19, 2007).
2007

Georg Christoph Lichtenberg photo
Jaco Pastorius photo
Martin Rushent photo
Ringo Starr photo
Hillary Clinton photo
William Styron photo
James A. Garfield photo

“Comrades of the 'Boys in Blue' and fellow-citizens of New York. I cannot look upon this great assemblage and these old veterans that have marched past us, and listen to the words of welcome from our comrade who has just spoken, without remembering how great a thing it is to live in this Union and be a part of it. [Applause. ] This is New York; and yonder, toward the Battery, more than a hundred years ago, a young student of Columbia College was arguing the ideas of the American Revolution and American union against the un-American loyalty to monarchy, of his college president and professors. By and by, he went into the patriot army, was placed on the staff of Washington, [cheers] to fight the battles of his country, [cheers] and while in camp, before he was twenty-one years old, upon a drum-head he wrote a letter which contained every germ of the Constitution of the United States. [Applause. ] That student, soldier, statesman, and great leader of thought, Alexander Hamilton, of New York, made this Republic glorious by his thinking, and left his lasting impress upon this the foremost State of the Union. [Applause. ] And here on this island, the scene of his early triumphs, we gather tonight, soldiers of the new war, representing the same ideas of union, having added strength and glory to the monument reared by the heroes of the Revolution.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1880s, Speech to the 'Boys in Blue' (1880)

Lee Child photo

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Johnny Marr photo
Daniel Handler photo
Johnny Cash photo

“Hear the trumpets, hear the pipers.
One hundred million angels singin'.
Multitudes are marching to the big kettle drum.
Voices callin', voices cryin'.
Some are born an' some are dyin.”

Johnny Cash (1932–2003) American singer-songwriter

It's Alpha and Omega's Kingdom come.
Song lyrics, American IV: The Man Comes Around (2002), The Man Comes Around

Chris Cornell photo
Brian Wilson photo
Marshall McLuhan photo
J.M. Coetzee photo
Martin Rushent photo
Charles Wolfe photo

“Not a drum was heard, not a funeral note,
As his corse to the rampart we hurried.”

Charles Wolfe (1791–1823) Irish poet

The Burial of Sir John Moore.

Henry Newbolt photo
Keith Richards photo

“Rap — so many words, so little said. What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another.”

Keith Richards (1943) British rock musician, member of The Rolling Stones

Reported in Jon Blistein, " Keith Richards: Rap Is for 'Tone-Deaf People' http://www.rollingstone.com/music/news/keith-richards-rap-is-for-tone-deaf-people-20150903", Rolling Stone (September 3, 2015).

Martin Luther King, Jr. photo
W. H. Auden photo
Steve Reich photo

“What I don't want to do is to go and buy a bunch of exotic-looking drums and set up an Afrikanische Musik in New York City.”

Steve Reich (1936) American composer

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 55

Graham Greene photo
Hans Arp photo

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

Artimus Pyle photo
Jeanette Winterson photo
George Wallace photo
Martin Luther King, Jr. photo

“[…] the drum major instinct is real. And you know what else it causes to happen? It often causes us to live above our means.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Drum Major Instinct (1968)

Musō Soseki photo

“Thus have I rolled my life throughout
Inside and out, reclined, upright.
What is all this?
A beating drum
A trumpet's blare
No more.”

Musō Soseki (1275–1351) Japanese Zen-Buddhist teacher and landscape architect

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

Harry Turtledove photo

“What will we do when they start capturing our people?" Klein asked. "They will, you know, if they haven't by now. Things go wrong." Heydrich's fingers drummed some more. He didn't worry about the laborers who'd expanded this redoubt- they'd all gone straight to the camps after they did their work. But captured fighters were indeed another story. He sighed. "Things go wrong. Ja. If they didn't, Stalin would be lurking somewhere in the Pripet Marshes, trying to keep his partisans fighting against us. We would've worked Churchill to death in a coal mine." He barked laughter. "The British did some of that for us, when they threw the bastard out of office last month. And we'd be getting ready to fight the Amis on their side of the Atlantic. But… things went wrong." "Yes, sir." After a moment, Klein ventured, "Uh, sir- you didn't answer my question." "Oh. Prisoners." Heydrich had to remind himself what his aide was talking about. "I don't know what to do, Klein, except make sure our people all have cyanide pills." "Some won't have the chance to use them. Some won't have the nerve," Klein said. Not many men had the nerve to tell Reinhard Heydrich the unvarnished truth. Heydrich kept Klein around not least because Klein was one of those men. They were useful to have. Hitler would have done better had he seen that. Heydrich recognized the truth when he heard it now; one more thing Hitler'd had trouble with.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 56-57

Clarence Darrow photo
Martin Luther King, Jr. photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Glen Cook photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Chuck Palahniuk photo
Chuck Palahniuk photo
Harold Macmillan photo
Bob Dylan photo

“Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Sad-Eyed Lady of the Lowlands

Constance Marie photo
Rachel Trachtenburg photo

“It's fun hitting on the drums and singing songs.”

Rachel Trachtenburg (1993) American musician

Rachel on performing.
Off & On Broadway documentary (2006)

John Dolmayan photo
John Dryden photo

“Sound the trumpets; beat the drums…
Now give the hautboys breath; he comes, he comes.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 50–51.

Robert E. Howard photo
William Edmondstoune Aytoun photo
Martin Luther King, Jr. photo
Michelle Lambert photo
Charles Lamb photo
Grandmaster Flash photo

“They left no stone unturned in de-Hinduizing or denationalizing the Hindus, in effect de-Indianizing the Indians, in various ways. It is preposterous to question their credentials as true Muslims. Their 'Ulama' exhorted them off and on to make the best of their sword to root out the Hindus and convert India into a full-fledged Dar al-lslam. Sayyid Nur ad-Din Mubarak Ghaznawi Suhrawardi, at once a leading Sufi, a leading Muslim divine, and the Shaykh al-lslam of Sultan Iltutmish. led a deputation of Ulama to the Sultan and advised him to give an ultimatum to the Hindus to embrace Islam or face death. The Sultan’s prime minister pleaded powerlessness on his behalf to do so." Then the Shaykh offered an alternative suggestion: ’… the king should at least strive to disgrace, dishonour, and defame the Mushrik and idol- worshipping Hindus…. The sign of the kings being protectors of the faith is this: When they see a Hindu, their faces turn red and they wish to swallow him alive….' A similar suggestion was made to Jalal ad-Din Khalji, who returned ruefully: 'Don’t you see that Hindus, who are the worst enemies of God and of Islam, pass daily below my royal palace to the Jamuna beating drums and playing flutes, and practise before our eyes the worship of the idols with all the rituals? Fie on us unworthy leaders who declare ourselves Muslim kings!… Had I been a Muslim ruler, a real king, or a prince and felt myself strong and powerful enough to protect Islam, any enemy of God and the faith of the Prophet of Islam would not have been allowed to chew betels in a care-free manner and put on a clean garment or live in peace. Qadi Mughis ad- Din’s advice to Sultan Ala' d-Din Khaiji was on similer lines, and the Sultan confessed that he had humiliated and pauperized the Hindus to his utmost even though without caring to know the provisions of the Shari'ah on the subject.”

Harsh Narain (1921–1995) Indian writer

Myths of Composite Culture and Equality of Religions (1990)

Morrissey photo
Tommy Lee photo

“Once the song is done and recorded, I like to go back and then cut the drums, because then I know exactly what the song needs, and what it doesn't need.”

Tommy Lee (1962) American drummer

http://www.ink19.com/issues/august2002/interviews/tommyLee.html.

Ignatius Sancho photo
Patrick Stump photo

“I started playing music when I was really young. I didn't start off on guitar because I couldn't fit my hands around the neck and fret board. So I did the drums. And back then, all I did was hit things.”

Patrick Stump (1984) American musician

TV.com
Source: http://www.tv.com/patrick-stump/person/412086/summary.html TV.com Patrick Stump.

Chuck Berry photo

“Hail, hail rock and roll; deliver me from the days of old.
Long live rock and roll; the beat of the drums, loud and bold.
Rock, rock, rock and roll; the feelin' is there, body and soul.”

Chuck Berry (1926–2017) American rock-and-roll musician

"School Days" (1957), Pop Chronicles Show 6 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. Part 2 http://digital.library.unt.edu/ark:/67531/metadc19752/m1/
Song lyrics

“Like a drum my heart was beating,
And your kiss was sweet as wine,
But the joys of love are fleeting
For Pierrot and Columbine.”

Tom Springfield (1934) English musician, songwriter and record producer

Song The Carnival Is Over.