Quotes about down
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Larry Bird photo

“The guy has been there. What he tells us is not just what he believes deep down, but what he knows, because he has been through it.”

Larry Bird (1956) basketball player and coach

Chris Mullin — reported in John Brennan (May 30, 1999) "Pacers: Timing Is On Our Side", The Record, p. S1.
About

Ryū Murakami photo
Ronnie James Dio photo

“When I see lightning — you know it always brings me down
'Cause it's free and I see that it's me
Who's lost and never found.”

Ronnie James Dio (1942–2010) American singer

"Rainbow in the Dark" on Holy Diver (1983)
Lyrics

Aldous Huxley photo

“There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world’s capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don’t want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else’s categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 55
Do What You Will (1928)

Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Jim Morrison photo

“At first flash of Eden, We race down to the sea.
Standing there on Freedom's shore.
Waiting for the sun…”

Jim Morrison (1943–1971) lead singer of The Doors

"Waiting for the Sun" on the album Morrison Hotel (1970)

Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Pearl S.  Buck photo
Elton John photo

“When are you gonna come down?
When are you going to land?
I should have stayed on the farm,
I should have listened to my old man.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Goodbye Yellow Brick Road
Song lyrics, Goodbye Yellow Brick Road (1973)

Oliver Wendell Holmes photo

“Then the white man hates him [the Native American], and hunts him down like the wild beasts of the forest, and so the red-crayon sketch is rubbed out, and the canvas is ready for a picture of manhood a little more like God's own image.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

"The Pilgrims of Plymouth" http://www.unz.org/Pub/BrainerdCephas-1901v02-00267 (Oration, December 22, 1855), in Cephas Brainerd and Eveline Warner Brainerd (eds), The New England Society Orations: Volume II. New York: The Century Co., 1901, p. 298.

George Eliot photo

“It is good to be unselfish and generous; but don't carry that too far. It will not do to give yourself to be melted down for the benefit of the tallow-trade; you must know where to find yourself.”

This has been paraphrased as: "Be courteous, be obliging, but don't give yourself over to be melted down for the benefit of the tallow trade."
Daniel Deronda (1876)

William S. Burroughs photo
Michelle Obama photo
Herman Melville photo
Stanley Baldwin photo
Tom Petty photo

“No I'll stand my ground, won't be turned around
And I'll keep this world from draggin' me down
Gonna stand my ground,
And I won't back down.”

Tom Petty (1950–2017) American musician

I Won't Back Down
Lyrics, Full Moon Fever (1989)

“The two-party system is breaking down into a race system.”

Crispin Sartwell (1958) American philosopher

White Liberals: We’re Not Racist (August 29, 2016)

Jean-Pierre Serre photo
Robert Mugabe photo

“May I borrow your wheelbarrow?
— I didn't lay down my life in World War II
so that you could borrow my wheelbarrow”

Adrian Mitchell (1932–2008) British writer

"Ten Ways to Avoid Lending Your Wheelbarrow to Anybody", from Adrian Mitchell's Greatest Hits (1991).

Ai Weiwei photo
Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

“The uncomfortable moments in a person's life make great stories down the road.”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

Charlie Munger photo

“You have to learn all the big ideas in the key disciplines in a way that they're in a mental latticework in your head and you automatically use them for the rest of your life. If you do that, I solemnly promise you that one day you'll be walking down the street and you'll look to your right and left and you’ll think "my heavenly days, I'm now one of the few competent people in my whole age cohort."”

Charlie Munger (1924) American business magnate, lawyer, investor, and philanthropist

If you don't do it, many of the brightest of you will live in the middle ranks or in the shallows.
USC Law School Commencement Speech http://genius.com/Charlie-munger-usc-law-commencement-speech-annotated (2007-05-13)

Zubin Mehta photo

“Throughout Jack's violin solo at the Hollywood Bowl, the audience was glued to their seats. That was the only way he could get them to sit down.”

Zubin Mehta (1936) Indian conductor

Zubin Mehta in Irving Fein, Jack Benny: an Intimate Biography (1976), Volume 2, page 154.

Victor Villaseñor photo
Tom Petty photo

“Yeah runnin' down a dream
That never would come to me.
Workin' on a mystery, goin' wherever it leads.
I'm runnin' down a dream.”

Tom Petty (1950–2017) American musician

Runnin' Down a Dream, written with Jeff Lynne and Mike Campbell
Lyrics, Full Moon Fever (1989)

Theodor Mommsen photo
Halldór Laxness photo
Ted Nelson photo

“After all, dumbing down Xanadu sure worked well for Tim Berners-Lee!”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Article on Nelson's website, "Indirect Documents at Last!" http://www.hyperland.com/trollout.txt (2005)

Elliott Smith photo
Dante Gabriel Rossetti photo

“The sun was gone now; the curl'd moon
Was like a little feather
Fluttering far down the gulf; and now
She spoke through the still weather.
Her voice was like the voice the stars
Had when they sang together.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)

“I don't mind failing in this world,
I'll stay down here with the raggedy crew,
'Cause getting up there means stepping on you,
so I don't mind failing in this world.”

Malvina Reynolds (1900–1978) American folk singer

Song I don't mind failing in this world https://www.youtube.com/watch?v=MJ60n_-BK6Q (1966)

Sir Francis Buller, 1st Baronet photo
Robert Barron (bishop) photo

“The ISIS barbarians were actually quite right in entitling their video “A Message Written in Blood.” Up and down the centuries, tyrants and their lackeys have thought that they could wipe out the followers of Jesus through acts of violence. But as Tertullian observed long ago, the blood of the martyrs is the seed of the Church. And they were furthermore right in sending their message to “the Nation of the Cross.””

Robert Barron (bishop) (1959) priest of the Roman Catholic Church, author, scholar and Catholic evangelist.

But they should know that the cross taunts them.
ISIS and the Meaning of the Cross https://www.wordonfire.org/resources/article/a-message-in-blood-isis-and-the-meaning-of-the-cross/4677/ (March 20, 2015)

Dylan Moran photo

“The steel worker on the girder
Learned not to look down, and does his work
And there are words we have learned
Not to look at,
Not to look for substance
Below them. But we are on the verge
Of vertigo.”

George Oppen (1908–1984) American poet

"The Building of the Skyscraper" st. 1, 1965; Collected Poems of George Oppen", New Directions, 1976, ISBN 0-811-20615-7

Masanobu Fukuoka photo
Charlotte Brontë photo
Jeff Koons photo

“My work will use everything that it can to communicate. It will use any trick; it'll do anything — absolutely anything — to communicate and to win the viewer over. Even the most unsophisticated people are not threatened by it; they aren't threatened that this is something they have no understanding of. They can look at it and they can participate with it. And also somebody who has been very highly educated in art and deals with more esoteric areas can also view it and find that the work is open as far as being something that wants to add more to our culture. The work wants to meet the needs of' the people. It tries to bring down all the barriers that block people From their culture. that shield and hide them. It tells them to embrace the moment instead of always feeling that they're being indulged by things that they do not participate in. It tells them to believe in something and to eject their will. The idea of St. John and baptism right now is that there are greater things to come. And it's about embracing guilt and shame and moving forward instead of letting this negative society always thwart us — always a more negative society, always more negative.”

Jeff Koons (1955) American artist

Partly cited in: Linda Weintraub, Arthur Coleman Danto, Thomas McEvilley. Art on the edge and over: searching for art's meaning in contemporary society, 1970s-1990s. Art Insights, Inc., 1996. p. 201; And cited in Kristine Stiles, ‎Peter Howard Selz (1996). Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. p. 381
"From Full Phantom Five," 1988

Paul Krugman photo
Reginald Heber photo
Noel Coward photo
John Fante photo
Karl Pilkington photo

“Just pop it on your wrist. - Ricky asks Karl how his 'invention' of a watch that counts down your life would actually work.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 5
On Technology

Carlos Menem photo

“English: "To all of them I say that I take you in my heart, I won't put my arms down, and you can have complete assurance I won't abandon political fight, why has been and is the reason for my life."”

Carlos Menem (1930) Argentine politician who was President of Argentina from 1989 to 1999

"A todos ellos les digo que los llevo en mi corazón, que no bajaré los brazos y que pueden tener la absoluta seguridad que no abandonaré la lucha política, que ha sido y es la razón de mi vida."
From a message broadcast on May 14th, in which he explains the reasons of his resign from participating on the May 18th ballotage

Jack Johnson (musician) photo
Leszek Kolakowski photo

“Lenin’ s article of 1905, "Party Organization and Party Literature", was used for decades, and is still used, to justify ideologically the enslavement of the written word in Russia. It has been argued that it refers only to political literature, but this is not so: it relates to every kind of writing. It contains the words: "Down with non-partisan writers! Down with literary supermen! Literature must become part of the common cause of the proletariat, ‘ a cog and a screw’ of one single great Social Democratic mechanism set in motion by the entire politically conscious vanguard of the entire working class" (Works, vol. 10, p. 45). For the benefit of "hysterical intellectuals" who deplore this seemingly bureaucratic attitude, Lenin explains that there can be no mechanical levelling in the field of literature; there must be room for personal initiative, imagination, etc.; none the less, literary work must be part of the party’ s work and controlled by the party. This, of course, was written during the fight for "hourgeois democracy", on the assumption that Russia would in due course enjoy freedom of speech but that literary members of the party would have to display party-mindedness in their writings; as in other cases, the obligation would become general when the party controlled the apparatus of state coercion.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 515
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Bertolt Brecht photo
Ben Croshaw photo
Tim Moore photo
Ernesto Che Guevara photo
Vladimir Lenin photo

“We must pursue the removal of church property by any means necessary in order to secure for ourselves a fund of several hundred million gold rubles (do not forget the immense wealth of some monasteries and lauras). Without this fund any government work in general, any economic build-up in particular, and any upholding of soviet principles in Genoa especially is completely unthinkable. In order to get our hands on this fund of several hundred million gold rubles (and perhaps even several hundred billion), we must do whatever is necessary. But to do this successfully is possible only now. All considerations indicate that later on we will fail to do this, for no other time, besides that of desperate famine, will give us such a mood among the general mass of peasants that would ensure us the sympathy of this group, or, at least, would ensure us the neutralization of this group in the sense that victory in the struggle for the removal of church property unquestionably and completely will be on our side.
One clever writer on statecraft correctly said that if it is necessary for the realization of a well-known political goal to perform a series of brutal actions then it is necessary to do them in the most energetic manner and in the shortest time, because masses of people will not tolerate the protracted use of brutality. … Now victory over the reactionary clergy is assured us completely. In addition, it will be more difficult for the major part of our foreign adversaries among the Russian emigres abroad, i. e., the Socialist-Revolutionaries and the Milyukovites, to fight against us if we, precisely at this time, precisely in connection with the famine, suppress the reactionary clergy with utmost haste and ruthlessness.
Therefore, I come to the indisputable conclusion that we must precisely now smash the Black Hundreds clergy most decisively and ruthlessly and put down all resistance with such brutality that they will not forget it for several decades. … The greater the number of representatives of the reactionary clergy and the reactionary bourgeoisie that we succeed in shooting on this occasion, the better because this "audience" must precisely now be taught a lesson in such a way that they will not dare to think about any resistance whatsoever for several decades.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Letter to Comrade Molotov for the Politburo (19 March 1922) http://www.ibiblio.org/expo/soviet.exhibit/ae2bkhun.html
Variant translation:
It is precisely now and only now, when in the starving regions people are eating human flesh, and hundreds if not thousands of corpses are littering the roads, that we can (and therefore must) carry out the confiscation of church valuables. … I come to the categorical conclusion that precisely at this moment we must give battle to the Black Hundred clergy in the most decisive and merciless manner and crush its resistance with such brutality that it will not forget it for decades to come. The greater the number of representatives of the reactionary clergy and reactionary bourgeoisie we succeed in executing for this reason, the better.
As translated in The Unknown Lenin : From the Secret Archive (1996) edited by Richard Pipes, pp. 152-4
1920s

Gloria Estefan photo
Bill Hybels photo
Václav Havel photo

“Man is in fact nailed down — like Christ on the Cross — to a grid of paradoxes... he balances between the torment of not knowing his mission and the joy of carrying it out, between nothingness and meaningfulness. And like Christ, he is in fact victorious by virtue of his defeats.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

As quoted in "Václav Havel: Heir to a Spiritual Legacy" by Richard L. Stanger in Christian Century (11 April 1990)

Neil Young photo

“Well, people let me tell you, it sent a chill up and down my spine,
When I picked up the telephone and heard that he'd died out on the mainline.”

Neil Young (1945) Canadian singer-songwriter

Tonight's the Night
Song lyrics, Tonight's the Night (1975)

Billy Davies photo
Lewis Morris (poet) photo

“The love of the Right, tho' cast down, the hate of victorious Ill,
All are sparks from the central fire of a boundless beneficent will.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

A new Orphic Hymn, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Vyasa photo

“All right, I also have a condition:that you should not write down anything without grasping the full significance of what I say.”

Vyasa central and revered figure in most Hindu traditions

Vyasa's condition agreeing to the terms set by Ganesha. Quoted in p. 139.
Sources, Hindu Culture, An Introduction

Alain Finkielkraut photo
Edward Heath photo
Bill Cosby photo
Wilfred Owen photo
Lew Rockwell photo
Henry Adams photo
Dashiell Hammett photo
Donald J. Trump photo

“He's a terrible president, he'll probably go down as the worst president in the history of our country, he's been a total disaster.”

Donald J. Trump (1946) 45th President of the United States of America

On Barack Obama during an interview with WJLA. http://edition.cnn.com/2016/08/02/politics/donald-trump-obama-election-2016/ (August 2, 2016)
2010s, 2016, August
Variant: President Obama will go down as perhaps the worst president in the history of the United States!

Samuel Madden photo
Alex Jones photo
Warren Zevon photo
Charles B. Rangel photo
Sinclair Lewis photo
Robert Graves photo
Chris Cornell photo
James Comey photo
Neal Stephenson photo
Andy Partridge photo

“Now I lay me down to sleep
Knowing that your lenses peep
Now I eat my daily bread
And into the tape spool I'll be fed”

Andy Partridge (1953) British musician

"Reel By Real".
Drums and Wires (1979)

Bill Hicks photo
Suzanne Collins photo

“It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves.”

Suzanne Collins (1962) American television writer and novelist

Johanna Mason, p. 361
The Hunger Games trilogy, Catching Fire (2009)

Victor Villaseñor photo

“It was from this day on that I began to notice a real difference between our vaqueros on the ranch from Mexico and the gringo cowboys. The American cowboys always seemed so ready to act rough and tough, wanting to “break” the horse, cow, or goat or anything else. Where, on the other hand, our vaqueros—who used the word “amanzar,” meaning to make “tame,” for dealing with horses—had a whole different attitude towards everything. To “break” a horse, for the cowboys, actually, really meant to take a green, untrained horse and rope him, knock him down, saddle him while he fought to get loose, then mount him as he got up on all four legs, and ride the living hell out of the horse until you tired him out, taught him who was boss, and “broke” his spirit. To “amanzar” a horse, on the other hand, was a whole other approach that took weeks of grooming, petting, and leading the green horse around in the afternoon with a couple of well-trained horses. Then, after about a month, you began to put a saddle on the horse and tie him up in shade in the afternoon for a couple of hours until, finally, the saddle felt like just a natural part of him. Then, and only then, did a person finally mount the horse, petting and sweet-talking him the whole time, and once more the green horse was taken on a walk between two well-trained horses.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Brandon Boyd photo

“Floating down a river named Emotion…will I make it back to shore, or drift into the unknown?”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Morning View (2001)

Nigel Cumberland photo

“The business author Stephen Covey explains it well using logging as an analogy – when you are trying to saw a tree down you must take breaks to sharpen your saw. Being a workaholic and failing to do so will leave you blunt and useless.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Woody Allen photo
Michael Jordan photo
Thomas Hobbes photo
Henning von Tresckow photo

“Hitler is a dancing dervish. He must be shot down.”

Henning von Tresckow (1901–1944) German general

1938. Roger Moorhouse, Killing Hitler, p. 237.

Oliver P. Morton photo
Bernard Membe photo