Quotes about depth
page 5

The Unity of Religious Ideals, Part I : Seeking for the Ideal.
The Spiritual Message of Hazrat Inayat Khan

Robert Fludd, cited in: Waite (1887, p. 290)
According to Waite: "In Medicine he laments the loss of that universal panacea referred to by Hippocrates."
'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)

The Golden Violet - The Ring
The Golden Violet (1827)

Part Two: 2. The Transcendence of Delirium
History of Madness (1961)

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248
Introduction to Mohammed and the Rise of Islam by D.S. Margoliouth, Voice of India reprint, New Delhi, 1985, pp. xvii-xviii. 10Ibid., pp. xix-xx.
Methodical Realism

On Fellini’s favorite directors
Federico Fellini: Sou um Grande Mentiroso (2008)

“She sank again into the salty water…into the delicious warm brine-tasting depths of her grief.”
Fiction, Beds in the East (1959)

Source: The Subversion of Christianity (1984), pp. 36-37

The Ecology of Freedom (1982)

Source: Inductive Reasoning and Bounded Rationality (The El Farol Problem) (1994), p. 1

This Business of Living (1935-1950)

Quote from his letter to Madame de Forget, Dieppe, 13 September 1852; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
Delacroix's quote refers to his stay at the coast at Dieppe
1831 - 1863
Commenting, respectively, on Jessica Lange's participation in Postman Always Rings Twice, on her decision to purchase land in Minnesota, on the absolute priority placed on parenting throughout the intense Frances shoot, and on the beginning of Lange's relationship with Sam Shepard; as heard in "Jessica Lange: On Her Own Terms," https://www.youtube.com/watch?v=6KvxVFiDVls on A&E's Biography; broadcast November 26, 2001

Quote in Mondrian's letter to Cornelis Spoor, Domburg October 1910; Van Ginneken and Joosten, op. cit. (note 26), pp. 263; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 47
1910's
Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

Gautama Buddha, Sutta Nipata
Unclassified
"King of Sweden" presenting "Professor Mortimer" with the 2056 Nobel prize, in "Simon Conway Morris forecasts the future" at NewScientist.com (15 November 2006) http://www.newscientist.com/channel/opinion/science-forecasts/dn10477-simon-conway-morris-forecasts-the-future.html.
“Innocence and optimism have one basic failing: they have no fundamental depth.”
Source: The Greening of America (1970), Chapter II : Consciousness I: Loss Of Reality, p. 36
Short fiction, The Spawn Of Dagon (1938)

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity
Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37
Source: PsyberMagick (1995), p. 13
Source: Christ and Culture (1951), p. 70

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

1870s, Oratory in Memory of Abraham Lincoln (1876)

Source: Existence (1958), p. 35; also published in The Discovery of Being: Writings in Existential Psychology (1983), Part II : The Cultural Background, Ch. 5 : Kierkegaard, Nietzsche, and Freud, p. 86
Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

Weekly presidential address http://www.c-span.org/video/?401096-1/weekly-presidential-address (21 November 2015).
2010s

Foreword to the MAPS edition of LSD: My Problem Child (October 2005) by Dr. Albert Hofmann

"The Sea" in The Philosophy of Elbert Hubbard (1916), p. 169.

original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen
Und dabei entstand<brdas Leben oder das Theater???
Quote, probably 1943, in Charlotte Salomon: Life? or Theatre?, (ed.) Judith C. E. Belinfante et al, Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0, p. 38; as cited om Wikipedia
these are the concluding words of the last overlay: JHM 4924-02 https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924, of the epilogue - quoting ideas of her former love in Germany Alfred Wolfsohn, she called him 'Amadeus Daberlohn' in her paintings

Sam Harris, Drugs and the Meaning of Life http://www.samharris.org/blog/item/drugs-and-the-meaning-of-life/ (5 July 2011)
2010s

Quote of De Chirico, April/May 1919; as quoted in 'Giorgio de Chirico', MoMa online https://www.moma.org/artists/1106#fnref1
De Chirico compared the metaphysical work of art to this image of a calm ocean
1908 - 1920
Time for Stock-Taking (1997)
Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 166)

Quote from Cézanne's letter to Émile Bernard, 15 April 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 180
Quotes of Paul Cezanne, after 1900
Broken Lights Letters 1951-59.
I. Bernard Cohen,
The Birth of a New Physics (1959)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 83.

As quoted in Margaret Fuller Ossoli (1898) by Thomas Wentworth Higginson, p. 289-91.

"Job's Leviathan" in JD Argassy #58 (1961); re-published in Pearls From Peoria (2006)

Source: Law in Modern Societyː Toward a Criticism of Social Theory (1976), p. 242

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Sources of Chinese Tradition (1999), vol. 1, p. 181
Human nature is evil

Robert Bisset, The Life of Edmund Burke. Volume II (London: G. Cawthorn, 1800), pp. 428-9
Undated

Source: Evolution: the general theory (1996), p. 3.

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Source: Saturn and its System (2nd ed 1882), Chapter 1, p. 2

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 211.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 488.
Unsourced, Night Duty
Sidra Quotes, cited on his website http://www.rabbijeffrey.co.uk/daf_yitro.pdf

Source: Part II : Practical Pictorial Photography, Some examples in composition, p. 60

As quoted in Wisdom for the Soul : Five Millennia of Prescriptions for Spiritual Healing (2006) by Larry Chang, p. 597

Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 39.

p, 125
The Word of God and the Word of Man (1928)

1932 - 1946
Source: 'Circle', 1937; as quoted in Voicing our visions, - Writings by women artists, ed. by Mara R. Witzling, Universe New York 1991, p. 279

C'est l'imagination qui a enseigné à l'homme le sens moral de la couleur, du contour, du son et du parfum. Elle a créé, au commencement du monde, l'analogie et la métaphore. Elle décompose toute la création, et, avec les matériaux amassés et disposés suivant des règles dont on ne peut trouver l'origine que dans le plus profond de l'âme, elle crée un monde nouveau, elle produit la sensation du neuf. Comme elle a créé le monde (on peut bien dire cela, je crois, même dans un sens religieux), il est juste qu'elle le gouverne.
"Lettres à M. le Directeur de La revue française," III: La reine des facultés http://fr.wikisource.org/wiki/Salon_de_1859_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#III._.E2.80.94_La_reine_des_facult.C3.A9s
Salon de 1859 (1859)

“One just principle from the depths of a cave is more powerful than an army.”
Martí : Thoughts/Pensamientos (1994)

“When Hannibal's eyes were sated with the picture of all that valour, he saw next a marvellous sight—the sea suddenly flung upon the land with the mass of the rising deep, and no encircling shores, and the fields inundated by the invading waters. For, where Nereus rolls forth from his blue caverns and churns up the waters of Neptune from the bottom, the sea rushes forward in flood, and Ocean, opening his hidden springs, rushes on with furious waves. Then the water, as if stirred to the depths by the fierce trident, strives to cover the land with the swollen sea. But soon the water turns and glides back with ebbing tide; and then the ships, robbed of the sea, are stranded, and the sailors, lying on their benches, await the waters' return. It is the Moon that stirs this realm of wandering Cymothoe and troubles the deep; the Moon, driving her chariot through the sky, draws the sea this way and that, and Tethys follows with ebb and flow.”
Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Book III, lines 45–60
Punica

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

"Sonnet: Do not believe when lovely lips report"
To Lady Diana Cooper. See her memoir, The Light of Common Day (Boston: Houghton, 1959), pp. 27–28
Sonnets and Verse (1938)

April 15, 1945
1940s–present, The Diary of H.L. Mencken (1989)

Review http://www.rogerebert.com/reviews/guyana-cult-of-the-damned-1980 of Guyana-Cult of the Damned (29 January 1980)
Reviews, Zero star reviews