Quotes about depth
page 5

John of St. Samson photo
Hazrat Inayat Khan photo
Robert Fludd photo
Ursula K. Le Guin photo
Letitia Elizabeth Landon photo
Michel Foucault photo
Gino Severini photo
John Zerzan photo
Damian Pettigrew photo
John Ruysbroeck photo

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

James Jeans photo
Anthony Burgess photo

“She sank again into the salty water…into the delicious warm brine-tasting depths of her grief.”

Anthony Burgess (1917–1993) English writer

Fiction, Beds in the East (1959)

Jacques Ellul photo
Murray Bookchin photo
W. Brian Arthur photo
H.V. Sheshadri photo
Cesare Pavese photo

“We want Realism's wealth of experience and Symbolism's depth of feeling. All art is a problem of balance between two opposites.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Wassily Kandinsky photo
Eugène Delacroix photo
Piet Mondrian photo

“He [ Jan Toorop, an older and famous Dutch religious painter] sees the Catholic faith as A. Besant, [a British Theosophiste and women's right activiste, then] views it in its primeval period: the Catholic religion as it was originally, is the same as Theosophy, is it not? I remained broadly in agreement with Toorop, and I could tell that he goes to the depths, and that he is searching for the spiritual.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Cornelis Spoor, Domburg October 1910; Van Ginneken and Joosten, op. cit. (note 26), pp. 263; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 47
1910's

“Some one wrote to me upon the publication of my book two years ago: “But you live in England! Poor man: then you are a preacher in the desert!” So I am. But I owe something to my desert. The desert is an excellent place for anybody who can make use of it, as biblical and post-biblical experience proves. Without my desert I should not have written my book. Without coming to England I should have become a modern creature, going in for money and motor-cars. For I was born with a fatal inclination for such lighter and brighter kind of things. I was born under a lucky star, so to say: I was born with a warm heart and a happy disposition; I was born to play a good figure in one of those delightful fêtes champêtres of Watteau, Lancret, and Boucher, with a nice little shepherdess on my arm, listening to the sweet music of Rossini and drinking the inspiring “Capri bianco” or “Verona soave” of that beautiful country Italy. But the sky over here is not blue—nor grows there any wine in England—and no Rossini ever lived here; and towards the native shepherdesses I adopted the ways of the Christian towards his beautiful ideals: I admired them intensely but kept myself afar. So there was nothing to console your thirsty and disenchanted traveller in the British Sahara. In the depths of his despair, there was sent to him, as to the traveller in the desert, an enchanting vision, a beautiful fata Morgana rising on the horizon of the future, a fertile and promising Canaan of a new creed that had arisen in Germany (there too as a revulsion against the desert): the philosophy of Friedrich Nietzsche.
So I owe something to the desert. Had I not wandered there so long, I could never have fervently wished to escape nor finally succeeded in coming out of it.”

Oscar Levy (1867–1946) German physician and writer

Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

Gautama Buddha photo
Michel De Montaigne photo

“It is a thorny undertaking, and more so than it seems, to follow a movement so wandering as that of our mind, to penetrate the opaque depths of its innermost folds, to pick out and immobilize the innumerable flutterings that agitate it.”

C'est une épineuse entreprise, et plus qu'il ne semble, de suivre une allure si vagabonde que celle de nôtre esprit; de pénétrer les profondeurs opaques de ses replis internes; de choisir et arrêter tant de menus de ses agitations.
Book II, Ch. 6
Essais (1595), Book II

Edmund White photo
Walker Percy photo

“Innocence and optimism have one basic failing: they have no fundamental depth.”

Source: The Greening of America (1970), Chapter II : Consciousness I: Loss Of Reality, p. 36

Ellen G. White photo
Philip K. Dick photo
Thomas Carlyle photo
Jim Baggott photo
Letitia Elizabeth Landon photo
Erwin Schrödinger photo
Imre Kertész photo
Thomas Carlyle photo
Chinmayananda Saraswati photo

“In all adversities there is always in its depth, a treasure of spiritual blessings secretly hidden.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Frederick Douglass photo

“When, therefore, it shall be asked what we have to do with the memory of Abraham Lincoln, or what Abraham Lincoln had to do with us, the answer is ready, full, and complete. Though he loved Caesar less than Rome, though the Union was more to him than our freedom or our future, under his wise and beneficent rule we saw ourselves gradually lifted from the depths of slavery to the heights of liberty and manhood; under his wise and beneficent rule, and by measures approved and vigorously pressed by him, we saw that the handwriting of ages, in the form of prejudice and proscription, was rapidly fading away from the face of our whole country; under his rule, and in due time, about as soon after all as the country could tolerate the strange spectacle, we saw our brave sons and brothers laying off the rags of bondage, and being clothed all over in the blue uniforms of the soldiers of the United States; under his rule we saw two hundred thousand of our dark and dusky people responding to the call of Abraham Lincoln, and with muskets on their shoulders, and eagles on their buttons, timing their high footsteps to liberty and union under the national flag; under his rule we saw the independence of the black republic of Haiti, the special object of slave-holding aversion and horror, fully recognized, and her minister, a colored gentleman, duly received here in the city of Washington; under his rule we saw the internal slave-trade, which so long disgraced the nation, abolished, and slavery abolished in the District of Columbia; under his rule we saw for the first time the law enforced against the foreign slave trade, and the first slave-trader hanged like any other pirate or murderer.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Rollo May photo

“We are now committed to an unqualified art, not illustrating outworn myths or contemporary alibis. One must accept total responsibility for what he executes. And the measure of his greatness will be in the depth of his insight and his courage in realizing his own vision.”

Clyfford Still (1904–1980) American artist

Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

Joe Biden photo

“Good morning everyone. This past week we've seen the best and the worst of humanity. The heinous terrorist attacks in Paris and Beirut, in Iraq and Nigeria. They showed us once again the depths of the terrorist's depravity. And at the same time we saw the world come together in solidarity. Parisians opening their doors to anyone trapped in the street, taxi drivers turning off their meters to get people home safety, people lining up to donate blood. These simple human acts are a powerful reminder that we cannot be broken and in the face of terror we stand as one. In the wake of these terrible events, I understand the anxiety that many Americans feel. I really do. I don't dismiss the fear of a terrorist bomb going off. There's nothing President Obama and I take more seriously though, than keeping the American people safe. In the past few weeks though, we've heard an awful lot of people suggest that the best way to keep America safe is to prevent any Syrian refugee from gaining asylum in the United States. So let's set the record straight how it works for a refugee to get asylum. Refugees face the most rigorous screening of anyone who comes to the United States. First they are finger printed, then they undergo a thorough background check, then they are interviewed by the Department of Homeland Security. And after that the FBI, the National Counterterrorism Center, the Department of Defense and the Department of State, they all have to sign off on access. And to address the specific terrorism concerns we are talking about now, we've instituted another layer of checks just for Syrian refugees. There is no possibility of being overwhelmed by a flood of refugees landing on our doorstep tomorrow. Right now, refugees wait 18 to 24 months while the screening process is completed. And unlike in Europe, refugees don't set foot in the United States until they are thoroughly vetted. Let's also remember who the vast majority of these refugees are: women, children, orphans, survivors of torture, people desperately in need medical help. To turn them away and say there is no way you can ever get here would play right into the terrorists' hands. We know what ISIL - we know what they hope to accomplish. They flat-out told us. Earlier this year, the top ISIL leader al-Baghdadi revealed the true goal of their attacks. Here's what he said: "Compel the crusaders to actively destroy the gray zone themselves. Muslims in the West will quickly find themselves between one and two choices. Either apostatize or emigrate to the Islamic State and thereby escape persecution." So it's clear. It's clear what ISIL wants. They want to manufacture a clash between civilizations. They want frightened people to think in terms of "us versus them."They want us to turn our backs on Muslims victimized by terrorism. But this gang of thugs peddling a warped ideology, they will never prevail. The world is united in our resolve to end their evil. And the only thing ISIL can do is spread terror in hopes that we will in turn, turn on ourselves. We will betray our ideals and take actions, actions motivated by fear that will drive more recruits into the arms of ISIL. That's how they win. We win by prioritizing our security as we've been doing. Refusing to compromise our fundamental American values: freedom, openness, tolerance. That's who we are. That's how we win. May God continue to bless the United States of America and God bless our troops.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Weekly presidential address http://www.c-span.org/video/?401096-1/weekly-presidential-address (21 November 2015).
2010s

Stanislav Grof photo
Elbert Hubbard photo
Letitia Elizabeth Landon photo
Charlotte Salomon photo

“.. And with dream awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew she had to vanish for a while from the human surface and make every sacrifice in order to create her world anew out of the depths.
And from that came
Life or Theater???”

Charlotte Salomon (1917–1943) German painter

original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen
Und dabei entstand<brdas Leben oder das Theater???
Quote, probably 1943, in Charlotte Salomon: Life? or Theatre?, (ed.) Judith C. E. Belinfante et al, Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0, p. 38; as cited om Wikipedia
these are the concluding words of the last overlay: JHM 4924-02 https://charlotte.jck.nl/detail/M004924/part/character/theme/keyword/M004924, of the epilogue - quoting ideas of her former love in Germany Alfred Wolfsohn, she called him 'Amadeus Daberlohn' in her paintings

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Andrew Sega photo
David Fincher photo
Sam Harris photo

“The power of psychedelics… is that they often reveal, in the span of a few hours, depths of awe and understanding that can otherwise elude us for a lifetime.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, Drugs and the Meaning of Life http://www.samharris.org/blog/item/drugs-and-the-meaning-of-life/ (5 July 2011)
2010s

Johannes Tauler photo
Giorgio de Chirico photo

“.. the flat surface of a perfectly calm ocean [which] disturbs us.... by all the unknown that is hidden in the depth.”

Giorgio de Chirico (1888–1978) Italian artist

Quote of De Chirico, April/May 1919; as quoted in 'Giorgio de Chirico', MoMa online https://www.moma.org/artists/1106#fnref1
De Chirico compared the metaphysical work of art to this image of a calm ocean
1908 - 1920

Hector Berlioz photo

“This sudden and unexpected revelation of Shakespeare overwhelmed me. The lightning-flash of his genius revealed the whole heaven of art to me, illuminating its remotest depths in a single flash. I recognised the meaning of real grandeur, real beauty, and the real dramatic truth.”

Shakespeare, en tombant ainsi sur moi à l'improviste, me foudroya. Son éclair, en m'ouvrant le ciel de l'art avec un fracas sublime, m'en illumina les plus lointaines profondeurs. Je reconnus la vraie grandeur, la vraie beauté, la vraie vérité dramatiques.
Source: Mémoires (1870), Ch. 18, p. 66

Paul Cézanne photo
Nicholas Carr photo
Christian Scriver photo
Margaret Fuller photo

“Man tells his aspiration in his God; but in his demon he shows his depth of experience; and casts light into the cavern through which he worked his cause up to the cheerful day.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

As quoted in Margaret Fuller Ossoli (1898) by Thomas Wentworth Higginson, p. 289-91.

Philip José Farmer photo

“Let those who think the soul is shallow rail,
They must be warned before they dare to leap
They'll plunge into the twilight depths where sweep
In ceaseless thirst great teeth too swift to fail.”

Philip José Farmer (1918–2009) American science fiction writer

"Job's Leviathan" in JD Argassy #58 (1961); re-published in Pearls From Peoria (2006)

Andrew Motion photo
Roberto Mangabeira Unger photo
Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Xun Zi photo
Edmund Burke photo
Ervin László photo
Alan Moore photo

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Alexis De Tocqueville photo
Richard Anthony Proctor photo

“An air of mystery surrounds his researches, lying, as they do, chiefly in depths to which the far-seeing eye of the telescope alone penetrates.”

Richard Anthony Proctor (1837–1888) English astronomer

Source: Saturn and its System (2nd ed 1882), Chapter 1, p. 2

Herrick Johnson photo
Thiruvalluvar photo
Jacques Derrida photo
John Ruysbroeck photo
Alfred Horsley Hinton photo

“It is the subjects which might be imitated by pieces of paper of varying depth of color laid one over the other, which are the subjects that will give more readily the greater satisfaction.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Some examples in composition, p. 60

Hugh Walpole photo
Joanna Newsom photo
Horace Bushnell photo
Karl Barth photo
Barbara Hepworth photo
Thomas Noon Talfourd photo
Charles Baudelaire photo

“It is imagination that has taught man the moral sense of color, of contour, of sound and of scent. It created, in the beginning of the world, analogy and metaphor. It disassembles creation, and with materials gathered and arranged by rules whose origin is only to be found in the very depths of the soul, it creates a new world, it produces the sensation of the new. As it has created the world (this can be said, I believe, even in the religious sense), it is just that it should govern it.”

Charles Baudelaire (1821–1867) French poet

C'est l'imagination qui a enseigné à l'homme le sens moral de la couleur, du contour, du son et du parfum. Elle a créé, au commencement du monde, l'analogie et la métaphore. Elle décompose toute la création, et, avec les matériaux amassés et disposés suivant des règles dont on ne peut trouver l'origine que dans le plus profond de l'âme, elle crée un monde nouveau, elle produit la sensation du neuf. Comme elle a créé le monde (on peut bien dire cela, je crois, même dans un sens religieux), il est juste qu'elle le gouverne.
"Lettres à M. le Directeur de La revue française," III: La reine des facultés http://fr.wikisource.org/wiki/Salon_de_1859_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#III._.E2.80.94_La_reine_des_facult.C3.A9s
Salon de 1859 (1859)

José Martí photo

“One just principle from the depths of a cave is more powerful than an army.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Martí : Thoughts/Pensamientos (1994)

Silius Italicus photo

“When Hannibal's eyes were sated with the picture of all that valour, he saw next a marvellous sight—the sea suddenly flung upon the land with the mass of the rising deep, and no encircling shores, and the fields inundated by the invading waters. For, where Nereus rolls forth from his blue caverns and churns up the waters of Neptune from the bottom, the sea rushes forward in flood, and Ocean, opening his hidden springs, rushes on with furious waves. Then the water, as if stirred to the depths by the fierce trident, strives to cover the land with the swollen sea. But soon the water turns and glides back with ebbing tide; and then the ships, robbed of the sea, are stranded, and the sailors, lying on their benches, await the waters' return. It is the Moon that stirs this realm of wandering Cymothoe and troubles the deep; the Moon, driving her chariot through the sky, draws the sea this way and that, and Tethys follows with ebb and flow.”
Postquam oculos varia implevit virtutis imago, mira dehinc cernit: surgentis mole profundi injectum terris subitum mare nullaque circa litora et infuso stagnantis aequore campos. nam qua caeruleis Nereus evoluitur antris atque imo freta contorquet Neptunia fundo, proruptum exundat pelagus, caecosque relaxans Oceanus fontis torrentibus ingruit undis. tum uada, ceu saevo penitus permota tridenti, luctantur terris tumefactum imponere pontum. mox remeat gurges tractoque relabitur aestu, ac ratis erepto campis deserta profundo, et fusi transtris expectant aequora nautae. Cymothoes ea regna vagae pelagique labores Luna mouet, Luna, immissis per caerula bigis, fertque refertque fretum, sequiturque reciproca Tethys.

Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Book III, lines 45–60
Punica

Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Hilaire Belloc photo

“That I grow sour, who only lack delight;
That I descend to sneer, who only grieve:
That from my depth I should contemn your height;
That with my blame my mockery you receive;
Huntress and splendour of the woodland night,
Diana of this world, do not believe.”

Hilaire Belloc (1870–1953) writer

"Sonnet: Do not believe when lovely lips report"
To Lady Diana Cooper. See her memoir, The Light of Common Day (Boston: Houghton, 1959), pp. 27–28
Sonnets and Verse (1938)

H.L. Mencken photo
John Stuart Mill photo
Roger Ebert photo