
Source: Mental images and their transformations. 1982, p. 66; as cited in Niall (1997)
Source: Mental images and their transformations. 1982, p. 66; as cited in Niall (1997)
Bijna alle nieuwe Fransche kunst [Impressionisme] heeft voor mij een plat, leeg karakter zonder afstand en diepte in kleur. De schilderijen lijken witte velletjes papier met kleurtjes erop.
Quote of Jacob Maris, in: 'Veerpont - Jacob Maris', Frank van der Velden https://www.rembrandtcirkel.nl/ul/cms/attachment/file/document/6/0/7/607/607/1/veerpont.pdf; Vereniging Rembrandt, Spring 2005, p. 24
he lived for several years in Paris, till 1871
“In science there are no 'depths'; there is surface everywhere.”
Rudolf Carnap (1929) from the Vienna Circle manifesto.
Broken Lights p. 90-91 Diaries 1951-1952.
Fisher's Drawing Room Scrap Book, 1835 (1834), 'Chapter House, Furness Abbey' translation from an epistle of St. Beuve to A. Fontenay. (Presumably Charles Augustin Sainte-Beuve)
Translations, From the French
"The Damned Thing", from Anarchism Is Not Enough (London: Jonathan Cape, 1928)
Source: The Friends of Voltaire (1906), Ch. 1 : D'Alembert: The Thinker, p.28
The Second Declaration of Havana (1962)
"Night"
By Still Waters (1906)
written text with brush, in her painting JHM no. 4687 https://charlotte.jck.nl/detail/M004687/part/character/theme/keyword/M004687: in 'Life? or Theater..', p. 569
Charlotte Salomon - Life? or Theater?
Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 933–938 (tr. R. C. Seaton)
Source: Time Machines Repaired While-U-Wait (2008), Chapter 13 (p. 159)
Lillian Moller Gilbreth (1962) Conference and Convention Proceedings American Institute of Industrial Engineers. p. 21.
“The deep, seen with depth, is surface.”
Voces (1943)
Quote from Schopferische Konfession (Creative credo) of 1918; first published in 'Tribune der Kunst und Zeit', no. 13 (1920): 66; for an English translation, see Victor H. Miesel, ed. Voices of German Expressionism, (Englewood Cliffs, N.J.: Prentice Hall, 1970); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 101
1900s - 1920s
Kunnumpuram, K. (ed) (2006) Life in Abundance: Indian Christian Reflections on Spirituality. Mumbai: St Pauls
On Spirituality
2000s, 2002, State of the Union address (January 2002)
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 163-164, in: 'What he told me – I. The motif'
Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88
"The Old Man with the Broken Arm" (a satire on militarism)
Arthur Waley's translations
Lenin Anthology, pp. 119
1900s, One Step Forward, Two Steps Back (1904)
'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)
Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, P.x
I wołam, ja, syn polskiej ziemi, a zarazem ja: Jan Paweł II papież, wołam z całej głębi tego tysiąclecia, wołam w przeddzień święta Zesłania, wołam wraz z wami wszystkimi: Niech zstąpi Duch Twój! Niech zstąpi Duch Twój! I odnowi oblicze ziemi. Tej ziemi!
the Polish word ziemi means both "earth" and "land"; on the former utterance, it refers to the entire planet, on the latter – to Poland.
Homily during the Holy Mass in Victory Square in Warsaw on 2 June 1979, during the pope's first apostolic journey to Poland
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/homilies/1979/documents/hf_jp-ii_hom_19790602_polonia-varsavia_en.html
1840s, Heroes and Hero-Worship (1840), The Hero as Priest
No fundo da China existe um mandarim mais rico que todos os reis de que a fábula ou a história contam. Dele nada conheces, nem o nome, nem o semblante, nem a seda de que se veste. Para que tu herdes os seus cabedais infindáveis, basta que toques essa campainha, posta a teu lado, sobre um livro. Ele soltará apenas um suspiro, nesses confins da Mongólia. Será então um cadáver: e tu verás a teus pés mais ouro do que pode sonhar a ambição de um avaro. Tu, que me lês e és um homem mortal, tocarás tu a campainha?
O Mandarim ("The Mandarin", 1880), trans. Margaret Jull Costa, Ch. 1.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
Source: Uniqueness of Zakir Husain and His Contributions (1997), p. 25.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 311.
Source: Pathei-Mathos – Genesis of My Unknowing (2012) http://www.davidmyatt.info/genesis-of-my-unknowing.html
Source: The Conduct Of Life (1951), Ch. 1
(2nd February 1822) Poetic Sketches, No.4
The London Literary Gazette, 1821-1822
No.14. The Bride of Lammermuir — LUCY ASHTON.
Literary Remains
Report of the Independent Expert on the promotion of a democratic and equitable international order on the adverse impacts of free trade and investment agreements on a democratic and equitable international order http://www.ohchr.org/EN/Issues/IntOrder/Pages/Reports.aspx.
2015, Report submitted to the UN General Assembly
Arp on Arp: poems, essays, memories. p. 327 (1958)
1950s
Source: The Shape of Time, 1982, p. 14.
Source: Reason for Hope: a Spiritual Journey (2000), p. xx
Preface, p. 16 (Corrected Edition)
1920s, Process and Reality: An Essay in Cosmology (1929)
Source: All Men are Mortal (1946), P. 30
Time and Individuality (1940)
By Still Waters (1906)
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.186
(1838 2) (Vol 53) Subjects for Pictures - The Death of Camoens
The Monthly Magazine
Source: Halakhic Man (1983), p. 84
Introduction, p. 6
Leonardo's Mountain of Clams and the Diet of Worms (1998)
Source: The Passionate Life (1983), p. 163
"Facing Up to the Problem of Consciousness," 1995
Source: 1930s, On my Painting (1938), p. 12
Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920
Don’t Blink! The Hazards of Confidence, The New York Times, 19 October 2011, 15 May 2014 http://www.nytimes.com/2011/10/23/magazine/dont-blink-the-hazards-of-confidence.html?pagewanted=all&_r=0,
"Don't Blink! The Hazards of Confidence" (2011)
The Basic Teachings - Part 2: Application of the Teaching (2009)
Don Soderquist “ Live Learn Lead to Make a Difference https://books.google.com/books?id=s0q7mZf9oDkC&lpg=pg=PP1&dq=Don%20Soderquist&pg=PP1#v=onepage&q&f=false, Thomas Nelson, April 2006 p. 143.
On Acting with Integrity
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 139.
Opinion: No, Bashar Al-Assad is no Joseph Stalin http://english.aawsat.com/2015/10/article55345413/opinion-no-bashar-al-assad-is-no-joseph-stalin, Ashraq Al-Awsat (16 Oct, 2015).
Brown : The Last Discovery of America (2003)
1890s, Speech at the Abolitionist Reunion in Boston (1890)
quote about her Bennington-years 1945-48
1960s, Interview with Barbara Rose', Archives - American Art, 1968
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 543.
Stanza 1.
The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)
“O thou who art attracted by the Fragrances of God!…” in Tablets of Abdul-Baha Abbas (1909), p. 730 http://reference.bahai.org/en/t/ab/TAB/tab-573.html
Quote (1911), Diary # 899; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
1911 - 1914
June, 1935
Diary entries (1914 - 1974)
Awake! magazine 1999, 12/8, article: The Most Profound Changes.
Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)