Quotes about depth
page 4

“It is always a sign that a doctrine or history possesses no depth of authenticity when one is obliged to resort to miracles in order to prove its truth. Miracles do not possess in or by themselves any principle containing a single article of faith or conclusive fact. It follows not because a prophet has performed miracles that therefore he has spoken the truth, because false prophets and magicians also performed signs and wonders, and false Christs performed miracles by which even the elect might be deceived. It follows not because Jesus restored sight to a blind man and healed a lame one, ergo God is threefold in person, ergo Jesus is a real God and man. It follows not because Jesus awakened Lazarus from death that therefore he also must have arisen from death.”

Hermann Samuel Reimarus (1694–1768) German philosopher

Source: Fragments from Reimarus: Consisting of Brief Critical Remarks on the Object of Jesus and His Disciples as Seen in the New Testament, p. 75

Death, God, Truth, Faith

“It is the great irony of life that a mindless act repeated in sequence can only lead to greater depths of absurdity, while a mindless act performed in parallel by a swarm of individuals can, under the proper conditions, lead to all that we find interesting.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

Life

“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822 Charlotte Salomon - Life? or Theater?

Death, Books, World, Beauty

“Christ has been much misinterpreted by the world. Even the most elementary principles of his teachings have been desecrated, and their esoteric depths have been forgotten. They have been crucified at the hands of dogma, prejudice, and cramped understanding. Genocidal wars have been fought, people have been burned as witches and heretics, on the presumed authority of man-made doctrines of Christianity. How to salvage the immortal teachings from the hands of ignorance? We must know Jesus as an Oriental Christ, a supreme yogi who manifested full mastery of the universal science of God-union, and thus could speak and act as a savior with the voice and authority of God.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

The Second Coming of Christ: The Resurrection of the Christ Within You, (2004) by Yogananda

God, War, People, World

“And thus I came through storm to peace, not to the peace of an untroubled sea of outer life, which no strong soul can crave, but to an inner peace that outer troubles may not avail to ruffle—a peace which belongs to the eternal not to the transitory, to the depths not to the shallows of life.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Annie Besant, An Autobiography Chapter XIV

Life, Peace, Soul, Strong

“It is true that the masses have always been led in one manner or another, and it could be said that their part in history consists primarily in allowing themselves to be led, since they represent a merely passive element, a “matter” in the Aristotelian sense of the word. But, to lead them today, it is sufficient to dispose of purely material means, … and this shows clearly to what depths our age has sunk. At the same time the masses are made to believe that they are not being led, but that they are acting spontaneously and governing themselves, and the fact that they believe this is a sign from which the extent of their stupidity may be inferred.”

René Guénon (1886–1951) French metaphysician

Source: The Crisis of the Modern World (1927), p. 109

Age, Stupidity, History, Sense

“It was from him I learned that the stage is too coarse a medium for the works of the supreme poet; Shakespeare's depths can only be plumbed in the solitude of the study. So I used to shut myself up and plumb away for hours, and I acquired such aptitude that for a time there was a belief that I might pipe Shakespeare into young minds of the rest of my days, as a full-fledged academic plumber.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Shakespeare over the Port (1960)

Solitude, Study, Learning, Time

“Jimmy Carter Calls Condi Rice a Liar … Jimmy Carter continues to plumb new depths of disgraceful behavior: Carter says Secretary Rice ‘not telling truth’.”

Charles Foster Johnson (1953) American musician

April 23, 2008 http://littlegreenfootballs.com/article/29712_Jimmy_Carter_Calls_Condi_Rice_a_Liar&only

Truth, Behavior

“The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Propylaea (1798) Introduction

Truth, Art, Nature, Appearance

“To be free to be spontaneously & creatively shallow requires depth of character & a disciplined focus.”

David Allen (1945) American productivity consultant and author

29 April 2011 https://twitter.com/gtdguy/status/63977062188335104 Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

“I fervently wish no misery ever came near anyone; yet it is that alone that gives us an insight into the depths of our lives, does it not? In our moments of anguish, gates barred forever seem to open and let in many a flood of light.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Light

“It has been said that to appreciate what virtue and morals mean, men must live virtuous and moral lives. It is equally true, that a knowledge of the objects of science is not to be attained by any scheme of definitions, however carefully contrived. He who would know what geometry is, must venture boldly into its depths and learn to think and feel as a geometer.”

James Joseph Sylvester (1814–1897) English mathematician

J. J. Sylvester. "A Probationary Lecture on Geometry", Collected Mathematical Papers, Vol. 2 (1908), p. 9 https://babel.hathitrust.org/cgi/pt?id=miun.aas8085.0002.001;view=1up;seq=25

Men, Feeling, Knowledge, Thinking

“For those who have dwelt in depression’s dark wood, and known its inexplicable agony, their return from the abyss is not unlike the ascent of the poet, trudging upward and upward out of hell’s black depths and at last emerging into what he saw as “the shining world.” There, whoever has been restored to health has almost always been restored to the capacity for serenity and joy, and this may be indemnity enough for having endured the despair beyond despair.
: E quindi uscimmo a riveder le stelle.
And so we came forth, and once again beheld the stars.”

William Styron book Darkness Visible

Source: Darkness Visible (1990), X

Health, World, Star, Hell

“But to-day, mankind believes itself able to do without Art. It does not wish to meditate, to contemplate, to dream; it wishes to enjoy physically. The heights and the depths of truth are indifferent to it; it is content to satisfy its bodily appetites. Mankind to-day is brutish — it is not the stuff of which artists are made.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Preface, p. 8

Truth, Dreams, Art, Indifference

“Let us learn how the love of Christ, received into the heart, triumphs gradually but surely over all sin, transforms character, turning even its weakness into strength, and so, from the depths of transgression and the very gates of hell, raises men to God.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 398.

Love, Men, God, Hell

“The great work of art is the complete banality, and the fault with most banalities is that they are not banal enough. Banality here is not infinite in its depth and consequence, but rests on a foundation of spirituality and aesthetics.”

Asger Jorn (1914–1973) Danish artist

1940 - 1948, Intimate Banalities' (1941)

Art

“O Thou Lamb of God that taketh away the sin of the world, what Thou bearest in Thy blessed hands and feet I cannot bear; take it all away. Hide me in the depths of Thy suffering love, mold me to the image of Thy divine passion.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 86.

Love, God, World, Suffering

“I got divorced from my wife on June 6, 2006. Yeah, 6-6-06, which coincidentally, was when my wife turned into a slithering demon spawned from the fiery depths of Satan's anus. But for legal reasons, I have to call her, "Kate."”

Christopher Titus (1964) actor, writer, podcaster

Love is Evol (2009)

“It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer’s deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

1922
Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 85-86
1920 – 1926

Art, Way, Nature, Parting

“I have descended to the depths of suffering, and it seems to me that after that one cannot help being raised up. But I have spent the last three nights weeping. Pity! Pity! Remembrance is the true imperishable life... I should like to live my life over again, to record it, to admit my weaknesses; no, this is useless; I have sinned, I have suffered, I have atoned for it. I could write only a bad novel by relating what has been related a thousand times.”

Berthe Morisot (1841–1895) painter from France

Quote from Berthe's Morisot's letter, 1887 - after the death of her husband Eugène Manet
1881 - 1895

Life, Suffering, Time, Help

“The best thing fishing taught me, I think was how to be alone. Without this ability no writer can really survive or work, and there is a strong relationship between the activity of the fisherman, letting his line down into unknown depths in the hope of catching an unseen prey (which may be worth keeping, or may not) and that of a writer trolling his memory and reflections for unexpected jags and jerks of association.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

Hope, Jerk, Thinking, Fish

“It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable tentacular oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Van Gogh, the Man Suicided by Society (1947)

People, Behavior, Appearance, Night

“As a man exhibits himself in physical forms and actions, so there is one other Spirit, a great, wide, mighty, infinite, eternal Spirit back there in the depths of space, and in the present, and in the future, and in the abysses of space, who at His will wrestles into existence great globes, and keeps them in their position. He builds them, and places on them these mysterious forms of earth which are signals hung out over these abysses to tell coming spirits who He is, what He is, what He does, how high is His throne, and how vast is His power from eternity to eternity, from infinity to infinity through all ages of all time; He is holding forth to men and angels these external tokens of His almighty power, of His infinite skill, and of His everlasting love.”

Randolph Sinks Foster (1820–1903) American bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 258.

Love, Men, Age, Angels

“The worship of money is the lowest of all human emotions, but it is shared not only by the bourgeoisie, but also by the great majority of us… Little people, humble people, even those who are practically penniless. And I, with all my indignation, all my passion for destruction, I, too, am not free of it. I who am oppressed by wealth, who realise it to be the source of all misery, all my vices and hatred, all the bitterest humiliations that I have to suffer, all my impossible dreams and all the endless torment of my existence, still, all the time, as soon as I find myself in the presence of a rich person, I cannot help looking up to him, as some exceptional and splendid being, a kind of marvelous divinity, and in spite of myself, stronger than either my will of my reason, I feel rising from the very depths of my being, a sort of incense of admiration for this wealthy creature, who is all too often as stupid as he is pitiless. Isn’t it crazy? And why… why?”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright

Diary ot a Chambermaid

Money, People, Stupidity, Dreams

“It was heroic!"
"Heroic, is it? Bedad, it's epic! Ye begin to perceive the breadth and depth of my genius.”

Rafael Sabatini book Captain Blood

Source: Captain Blood (1922), Ch. IX: "The Rebels-Convict"

“I had to strive for property and experience nausea and the depths of despair in order to learn not to resist them, in order to learn to love the world, and no longer compare it with some kind of desired imaginary world, some imaginary vision of perfection, but to leave it as it is, to love it and be glad to belong to it. These, Govinda, are some of the thoughts in my mind.”

Hermann Hesse (1877–1962) German writer

Siddhartha (1922)

Love, World, Learning, Perfection

“I am armed, I am not here, / I am in the depths, am far away … / I am far away … / I glow amidst dead.”

Paul Klee (1879–1940) German Swiss painter

Quote (1912), # 931, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Dead

“Tarry here for a moment. My words shall be few and simple. The solemn rites of this hour and place call for no lengthened speech. There is, in the very air of this resting-ground of the unknown dead a silent, subtle and all-pervading eloquence, far more touching, impressive, and thrilling than living lips have ever uttered. Into the measureless depths of every loyal soul it is now whispering lessons of all that is precious, priceless, holiest, and most enduring in human existence.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, The Unknown Loyal Dead (1871)

Soul, Dead

“Still as the holy of holies breathes the vast
Within its crystal depths the stars grow dim;
Fire on the altar of the hills at last
Burns on the shadowy rim.
Moments that holds all moments; white upon
The verge it trembles; then like mists of flowers
Break from the fairy fountain of the dawn
The hues of many hours.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Dawn"
By Still Waters (1906)

Star, Flowers

“Blues. An American dance stemming from the Foxtrot, the speed of which it reduced and into which it brought a deliberately contrived dismal atmosphere. When Blues are sung their words seem to aim at attaining to the utmost depths of gloom and inanity.”

Eric Blom (1888–1959) Swiss-born British-naturalised music lexicographer, musicologist, music critic, music biographer and transl…

Article, Blues, p. 60
Everyman's Dictionary of Music (London: J. M Dent & Sons; 3rd ed. 1958)

Dance, Speed

“[There still remains the question whether] he who discovers a new world in the depths of the invisible would not do wisely to plant on it a flag known to himself alone, and, like Achilles, "devour his heart in secret;" whether the greatest problems which have ever been guessed on earth had not better have remained buried in the brain which had found the key to them, and whether the deepest thinkers — those whose hand has been boldest in drawing aside the veil, and their eye keenest in fathoming the mysteries beyond it — had not better, like the prophetess of Ilion, have kept for heaven, and heaven only, secrets and mysteries which human tongue cannot truly express, nor human intelligence conceive.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

Review of L'Art Chrétien by Alexis-François Rio in the Bibliothèque Universelle de Genève. (1842)
Journal Intime (1882), Quotes used in the Introduction by Ward

Secret, World, Intelligence, Question

“After realising the depth of tragedy, we can and need to be joyful in hope.”

Kuruvilla Pandikattu (1957) Indian philosopher

Joy: Share it! p. 54.
Joy: Share it! (2017)

Hope

“Equally up to the task was baritone Vytautas Juozapaitis who's tortured characterization of Rigoletto was near flawless, strong and acted with intelligence and emotional depth. Mr. Juozapaitis has a full baritone that displays nice range and clarity, and coupled with the ease with which he commanded the stage, provided just the right measure of appeal that communicated to the audience the conflict and suppressed rage the character, no doubt, felt toward those who used and mocked him. Nicely done!”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paul Walkovski, "If the rest of the season matches this production in artistic quality, it's going to be one hell of a good season for opera in Boston". operaonline.us (October, 2006) http://www.jennykellyproductions.com/prod_teatro_review_rigoletto.htm

Intelligence, Communication, Strong, Rage

“Great music is a psychical storm, agitating to fathomless depths the mystery of the past within us.”

Paul Elmer More (1864–1937) American journalist, critic, essayist and Christian apologist

Lafcadio Hearn http://books.google.com/books?id=_DcRAAAAMAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA210#v=onepage, The Atlantic Monthly (February 1903) Republished in Shelburne Essays http://books.google.com/books?id=2OMuAQAAIAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA64#v=onepage, volume 2 (1905)

Music, Past

“The party is all-embracing. It rules our lives in all their breadth and depth… There will be no license, no free space, in which the individual belongs to himself. This is Socialism… Let them then own land or factories as much as they please. The decisive factor is that the State, through the party, is supreme over them, regardless whether they are owners or workers.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Source: Disputed, Hitler Speaks (1940), p. 191.

Decision

“The first existentialist was not Sartre, though he coined the term. Nor was it Kierkegaard or Nietzsche, though most of the textbooks say so. Nor was it even Pascal, though he foreshadowed half of Kierkegaard and was the first to write about the fundamental existential experience of cosmic anxiety and meaninglessness. It was not even Saint Augustine, whose Confessions stands out as the profoundest example of depth psychology and existential autobiography ever written. It was not even Socrates, who alone among philosophers totally existed his philosophy.
Rather, the first existentialist was Solomon, or whoever wrote Ecclesiastes.”

Peter Kreeft (1937) American philosopher

Three Philosophies of Life: Ecclesiastes: Life as Vanity, Job: Life as Suffering, Song of Songs: Life as Love, p. 18

“And all that time I couldn’t work. So much of a novelist’s writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them. War didn’t trouble those deep sea-caves, but not there was something of infinitely greater importance to me than war, than my novel – the end of love. That was being worked out not, like a story: the pointed word that sent her crying, that seemed to have come so spontaneously to the lips, had been sharpened in those underwater caverns. My novel lagged, but my love hurried like inspiration to the end.”

Graham Greene book The End of the Affair

Bk. 1, ch. 6
The End of the Affair (1951)

Love, War, Appearance, Time

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Love, Life, Men, God

“Free, thou sayest,—dream'st thou how?
Loathing wouldst thou shun dismay'd
Freedom by such ransom paid.
—Girl, for thee I'll lay aside
Veil of smiles and mask of pride;
Shrowds that only ask of Fate
Not to seem so desolate.
—I am young,—but Age's snow
Hides not colder depths below …”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Venetian Bracelet (1829)

Fate, Age, Smile, Girl

“Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details… …My brush should not see better than I do.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s

Nature, Personality

“Our roots are in the depths of the woods-on the banks of streams and among the mosses.”

Émile Gallé (1846–1904) French glass artist and cabinetmaker

Motto on Galle's studio doors (Musée de l'École de Nancy).

“It is number which regulates everything and it is measure which establishes universal order…. A quiet peace, an inviolable order, an inflexible security amidst all change and turmoil characterize the world which mathematics discloses and whose depths it unlocks.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 12.

World, Peace, Mathematics, Universe

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

Joseph Conrad book The Mirror of the Sea

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Life, Men, Lie, World

“I learn the depth to which I have sunk from the length of the chain let down to up-draw me. I ascertain the mightiness of the ruin by examining the machinery for restoration.”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 547.

Learning, Drawing

“postmodern warfare thus has many of the characteristics of what economists call post-Fordist production: it is based on both mobility and flexibility; it intergrates intelligence, information, and immaterial labor; it raises power up by extending militarization to the limits of outer space, across the surfaces of the earth, and to the depths of the oceans.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

40
Multitude: War and Democracy in the Age of Empire

Intelligence

“A great soul, any sincere soul, knows not what he is,—alternates between the highest height and the lowest depth; can, of all things, the least measure—Himself! What others take him for, and what he guesses that he may be; these two items strangely act on one another, help to determine one another. With all men reverently admiring him; with his own wild soul full of noble ardors and affections, of whirlwind chaotic darkness and glorious new light; a divine Universe bursting all into godlike beauty round him, and no man to whom the like ever had befallen, what could he think himself to be?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Men, Beauty, Soul, Thinking

“Pride in one’s work carries with it a determination to accept the demands imposed by that work: in the case of philosophy to follow the argument where it leads, in the case of history to discover what actually happened, in the case of literature to explore to its depths a particular theme. In consequence, this sort of pride demands freedom: it has to be laid low in any authoritarian State. The historian, in such a system, has to conform to official interpretations of the past, the philosopher to dogmas, the writer to stereotypes of human action, the craftsman to “production-schedules.” More subtly, attempts are made to lay pride low in a consumer’s society: the film-director, the novelist, the craftsman are called upon to produce “what will sell” at whatever cost to their pride in workmanship.”

John Passmore (1914–2004) Australian philosopher

Source: The Perfectibility of Man (1971), p. 290.

History, Literature, Freedom, Past

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

Light, Memory, Summer, Painting

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Pleasure, Hope, Art, Music

“The problem you have put me will remain a problem till the globe of the world and the globe of the sun meet in their common center and the one consumes the other. This answer I have proposed, however, humanity will know and forget, know and forget, know and forget again. And that knowing and forgetting will approximate the peaks and depths of civilization as closely as the quotient of your tosses approximates that number which, rationally, we know is not there.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 12, “Of Models, Monsters, Night, and the Numinous” (p. 358)

World, Problem, Sun, Forgetting

“The decisive weakness in neoclassical and neo-Keynesian economics is not the error in the assumptions by which it elides the problem of power. The capacity for erroneous belief is very great, especially where it coincides with convenience. Rather, in eliding power — in making economics a nonpolitical subject — neoclassical theory destroys its relation to the real world. In that world, power is decisive in what happens. And the problems of that world are increasing both in number and in the depth of their social affliction. In consequence, neoclassical and neo-Keynesian economics is relegating its players to the social sidelines where they either call no plays or use the wrong ones. To change the metaphor, they manipulate levers to which no machinery is attached.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Power and the Useful Economist (1973)

World, Error, Problem, Decision

“I do here in the most solemn and bitter manner curse the Prime Minister of England for having cumulated all his other betrayals of the national interest and honour, by his last terrible exhibition of dishonour, weakness and gullibility. The depths of infamy which our accurst "love of peace" can lower us are unfathomable.”

Enoch Powell (1912–1998) British politician

Letter to his parents (18 September 1938) after Neville Chamberlain's meeting with Adolf Hitler at Berchtesgaden, from Simon Heffer, Like the Roman. The Life of Enoch Powell (Phoenix, 1999), p. 47.
1930s

Love, Peace, Betrayal

“Even in America, the Indian Summer of life should be a little sunny and a little sad, like the season, and infinite in wealth and depth of tone — but never hustled.”

Henry Adams book The Education of Henry Adams

Ch. 35 http://books.google.com/books?id=-ThaAAAAMAAJ&q=%22Even+in+America+the+Indian+Summer+of+life+should+be+a+little+sunny+and+a+little+sad+like+the+season+and+infinite+in+wealth+and+depth+of+tone+but+never+hustled%22&pg=PA502#v=onepage. The Education of Henry Adams (1907)

Life, Sadness, Summer, Wealth

“The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and the flee
Beyond his blue dwelling,
As fawns flee the leopard.”

Percy Bysshe Shelley Prometheus Unbound

Voice of Unseen Spirits, Act IV, l. 1
Prometheus Unbound (1818–1819; publ. 1820)

Star, Sun

“In general, these phenomena are very easy to perceive and understand, but difficult to calculate. The danger of failure increases rapidly with decreasing depth or thickness of the structural member…”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Failure, Understanding

““This is the stuff which some Nazis wished to put into our churches,” whispered von Bek. “Pagan objects of worship which they claim are the symbols of a true German religion. They are almost as anti-Christian as they are anti-Semitic. It is as if they hate every system of thought which in any way questions their own mish-mash of pseudo-philosophy and mystical claptrap!” He stared at the altar in disgust. “They are the worst kind of nihilists. They cannot even see that they destroy everything and create nothing. Their invention is as empty as any inventions of Chaos I have seen. It has no true history, no concrete substance, no depth, no quality of intellect. It is merely a negation, a brutal denial of all Germany’s virtues.””

Michael Moorcock (1939) English writer, editor, critic

Book 3, Chapter 2 (p. 637)
The Dragon in the Sword (1986)

Hate, Religion, Way, History

“If there is anything so precious that without it history and the world will be destroyed, where will you keep it? You will naturally want to keep it in the deepest part of your mind. If you desire to place it in the depths of your mind, it needs to be invisible. It is for this very reason that God exists as an invisible being. It is fortunate that He is invisible, for if He were visible how could a great contest to gain Him be avoided? It would be difficult for God to endure the pain of seeing it.”

Sun Myung Moon (1920–2012) Korean religious leader

The Way of God's Will Chapter 1-1. The Will of God http://www.unification.net/wogw/wogw1-01.html Translated 1980.

God, Pain, World, History

“There are depths in man that go to the lowest hell, and heights that reach the highest heaven, for are not both heaven and hell made out of him, everlasting miracle and mystery that he is.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

As quoted in A Dictionary of Thoughts : Being a Cyclopedia of Laconic Quotations from the Best Authors, Both Ancient and Modern (1891) edited by Tryon Edwards. p. 327.
1890s and attributed from posthumous publications

Hell

“No book is fairly judged till it is read twice, and at distant periods. It is curious to note the variation of taste in ourselves. I can remember I devoured the story keenly, dwelt on all that partook of sentiment, and never questioned the depth of any remark. I now find that I take chief interest in what brings out character. I enter more into the humourous, and am every now and then tempted to analyse the truth of a deduction. I think more over what I am reading, and delight more in connecting the world of fiction with that of reality.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.17. The Monastery — MARY AVENEL.
Literary Remains

Truth, Books, World, Question

“THE present! it is but a drop from the sea
In the mighty depths of eternity.
I love it not—it taketh its birth
Too near to the dull and the common earth.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Love, Birth, Sea

“We must needs believe with faith, whatever counsels reason may give us, that in the depths of our own bodies, in animals, in plants, in rocks, in everything that lives, in all the Universe, there is a spirit that strives to know itself, to acquire consciousness of itself, to be itself — for to be oneself is to know oneself — to be pure spirit; and since it can only achieve this by means of the body, by means of matter, it creates and makes use of matter at the same time that it remains a prisoner of it.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), IX : Faith, Hope, and Charity

Faith, Universe, Time, Animals

“Is it not possible that an unruly head of hair, an infectious smile, eyes that seem remarkable for the depths of their sincerity, a cultivated air of authority, may attract huge television audiences regardless of the violence that may be done to truth or objectivity?”

Edward R. Murrow (1908–1965) Television journalist

As quoted in The Saturday Evening Post (December 1949) http://www.saturdayeveningpost.com/wp-content/flbk/Murrow_Sticks_to_the_News/pubData/mobile/index.htm#/1/

Truth, Smile, Sincerity

“How beautiful is night!
A dewy freshness fills the silent air;
No mist obscures; nor cloud, nor speck, nor stain,
Breaks the serene of heaven:
In full-orbed glory, yonder moon divine
Rolls through the dark blue depths;
Beneath her steady ray
The desert circle spreads
Like the round ocean, girdled with the sky.
How beautiful is night!”

Robert Southey (1774–1843) British poet

Thalaba the Destroyer http://www.litgothic.com/Texts/thalaba_frag.html, Bk. I, st. 1 (1800).

Beauty, Night

“Protocols:
Number 10, paras. 6,7
A scheme of government should come ready made from one brain, because it will never be clinched firmly if it is allowed to split into fractional parts in the minds of many. It is allowable, therefore, for us to have cognizance of the scheme of action but not to discuss it lest we disturb its artfulness, and interdependence of its component parts, the practical force of the secret meaning of each clause. To discuss and make alteration in a labor of this kind by means of numerous votings is to impress upon it the stamp of all ratiocinations and misunderstandings which have failed to penetrate the depth and nexus of its plottings….
These schemes will not turn existing institutions upside down just yet, They will only effect changes in their economy and consequently in the whole combined movement of their progress, which will thus be directed along the paths laid down in our schemes.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Secret, Art, Change, Parting

“The intelligible forms of ancient poets,
The fair humanities of old religion,
The power, the beauty, and the majesty
That had their haunts in dale or piny mountain,
Or forest by slow stream, or pebbly spring,
Or chasms and watery depths,—all these have vanished;
They live no longer in the faith of reason.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Wallenstein, part i. Act ii, scene 4 (translated from Schiller)
Bartlett's Familiar Quotations, 10th ed. (1919)

Faith, Religion, Beauty, Mountain

“A hot topic of late, expressed most notably in Bernie Siegel's best-selling books, has emphasized the role of positive attitude in combating such serious diseases as cancer. From the depths of my skeptical and rationalist soul, I ask the Lord to protect me from California touchie-feeliedom.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

Source: Full House (1996), p. 47

Books, Disease, Soul

“[Schultz specifically refers to the manner in which inputs are used when he states that one implication of his] efficient but poor hypothesis… [is] that the combination of crops grown, the number of times and depth of cultivation, the time of planting, watering, and harvesting, the combination of hand tools, ditches to carry water to the fields, draft animals and simple equipment -- are all made with a fine regard for marginal costs.”

Theodore Schultz (1902–1998) American economist

Source: "Transforming traditional agriculture," 1964, p. 39; as cited in: Kenneth H. Shapiro (1976) Efficiency differentials in peasant agriculture and their implications for development policies, p. 2

Water, Time, Animals

“Simultaneousness' is a technique. Simultaneous contrast is the most up-to-date honey of this technique in this field. Simultaneous contrast is visible depth – Reality, Form, construction, representation. Depth is the new inspiration. We live in depth, we travel in depth. I’m in it. The senses are in it. And the mind is too.”

Robert Delaunay (1885–1941) French painter

Quote in Delaunay's text 'Simultanism', October 1913; as cited in Futurism, ed. by Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 57
1910 - 1915

Travel, Reality, Sense

“Depth of mercy! — can there be
Mercy still reserved for me?
Can my God His wrath forbear?
Me, the chief of sinners, spare?”

Charles Wesley (1707–1788) English Methodist and hymn writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 273.

God

“So my great love for thee lies tranquil, deep,
Forever; though above it passions fierce,
Ambition, hatred, jealousy; like waves
That seem from earth’s core to the sky to leap,
But ocean’s depths can never really pierce;
Hide its great calm, while all the surface raves.”

Francis William Bourdillon (1852–1921) British poet

"Sonnet II" in Scribner's Monthly Vol. IX (November 1874 - April 1875), p. 359.

Love, Jealousy, Passion

“The UFO research and investigation business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps of corrupt ideology run free, agenda dictates, delusion is rampant and ignorance prevails. The infestation of wrongful motivation and the beggarly depths of belief reign supreme amidst a universal disregard for truth and factual actuality… where good men die like dogs. There's also a negative side...”

Kenny Young (1950) American songwriter

E-mail from Young to fellow Ufologists Sean Feeney and Paul Koch on December 26, 2001. [citation needed]

Men, Money, Truth, Dogs

“Or when people break up, they always use a bunch of lines on each other, you know, terrible rubbish lies, like "It’s not you, it’s me, it’s me." It’s NEVER you, it’s always them! You should level with these people! Tell them! "You know that strange sound you used to hear when you were going to sleep? That was me CHEWING the bed, out of sheer boredom! OOOOHH, How I HATE you, I hate you so much it gives me energy! I have to get up early in the morning to hate you because there isn’t time enough in the day. Please, GO AWAY!" Or that other BULLSHIT: "I need more space!" People never quantify exactly how much space they really need.. do they? But strangely enough, it always seems to be the exact same height, depth and breadth as you.”

Dylan Moran (1971) Irish actor and comedian

On breakups.
Monster (2004)

Hate, People, Sleep, Time

“[It] would have been all the easier [if] the entire story of the scar had been presented as a recollection which awakens in Odysseus’ mind at this particular moment. It would have been perfectly easy to do; the story of the scar had only to be inserted two verses earlier, at the first mention of the word scar, where the motifs “Odysseus” and “recollection” were already at hand. But any such subjectivistic‐perspectivistic procedure, creating a foreground and background, resulting in the present lying open to the depths of the past, is entirely foreign to the Homeric style; the Homeric style knows only a foreground, only a uniformly illuminated, uniformly objective present.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 7

Lying, Past

“Now on a towering arch of waves we rise,
Heaved on the bounding billows, to the skies.
Then, as the roaring surge retreating fell,
We shoot down headlong to the depths of hell.”

Christopher Pitt (1699–1748) English poet

Book III, line 761
The Æneid of Virgil (1740)

Hell

“Religious art is the measure of human depth and sincerity; any triviality, any weakness, cries aloud.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Art, Sincerity

“Every soul, touched by God, feels and believes in the depths of its being that it is more sinful than all men together.”

John of St. Samson (1571–1636)

From, Light on Carmel: An Anthology from the Works of Brother John of Saint Samson, O.Carm.

Men, God, Feeling, Soul

“A work of art is only of interest, in my opinion, when it is an immediate and direct projection of what is happening in the depth of a person's being.... It is my belief that only in this Art Brut can we find the natural and normal processes of artistic creation in their pure and elementary state.”

Jean Dubuffet book Prospectus et tous écrits suivants

Source: 1960-70's, Prospectus et tous écrits suivants, 1967, pp. 203-204

Art, Nature, Personality

“The promise of a future life is held to have such prominence in Christ's teaching as to lead Paul to say that the Master "brought life and immortality to light." How did he do this? By filling the life of to-day with the consciousness of eternal things, of truths and principles which would not change if the whole visible universe were to pass away.
No one to-day, I think, will maintain that Christ created the hope which he aroused to an activity before undreamed of. The majority of the Jews believed in a life after death, as is shown by the segregation of the Sadducees from the orthodox of the synagogue. The new teaching vindicated the spiritual rights and interests of man. From the depths of his own heart was evolved the consciousness of a good that could not die. Man, the creature of a day, has a vested interest in things eternal.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Beyond the Veil

Life, Death, Truth, Hope

“As I have often said before, we should not measure the negro from the heights which the white race has attained, but from the depths from which he has come. You will not find Burke, Grattan, Curran and O’Connell among the oppressed and famished poor of the famine-stricken districts of Ireland. Such men come of comfortable antecedents and sound parents.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Men, Parent

“What is patriotism? Is it love of one's birthplace, the place of childhood's recollections and hopes, dreams and aspirations? Is it the place where, in childlike naïveté, we would watch the passing clouds, and wonder why we, too, could not float so swiftly? The place where we would count the milliard glittering stars, terror-stricken lest each one "an eye should be," piercing the very depths of our little souls?”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

What is Patriotism? (1908)

Love, Dreams, Hope, Soul

“We make choices, decisions, as long as we keep to the surface of things; once we reach the depths, we can neither choose nor decide, we can do nothing but regret the surface…”

Emil M. Cioran book The Trouble With Being Born

The Trouble With Being Born (1973)

Decision

“Frivolity, under whatever form it appears, deprives attention of its power, thought of its originality, and sentiment of its depth.”

Anne Louise Germaine de Staël book Corinne

Bk. 1, ch. 3
Corinne (1807)

Appearance

“What was uncovered at Sidhpur only to be covered up again was verily the tip of an iceberg which remains submerged in hundreds of histories written by Muslim historians, in Hindu literary sources which are slowly coming to light, in the accounts of foreign travellers who visited India and the neighbouring lands during medieval and modern times, and above all in the reports of the archaeological surveys carried out in all those countries which had been for long the cradles of Hindu culture. No systematic effort has yet been made by scholars to see the iceberg emerge from the dark depths and tell its own story in a simple and straight-forward manner. Rare is the historian or archaeologist who had related this vandalism to the theology of Islam based on the Qur’ãn and the Sunnah of the Prophet. On the contrary, the subject has been politicised by the votaries of Secularism who become hysterical by the very mention of the untold story. Politicians in power have made and are making frantic efforts to suppress every tip of the iceberg which chances to surface in spite, of the conspiracy to keep it out of sight. Some of these politicians are masquerading as academicians and selling far-fetched and fantastic apologies for the havoc caused by Islamic iconoclasm.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Travel, History, Effort, Light

“To disappear into deep water or to disappear toward a far horizon, to become part of depth of infinity, such is the destiny of man that finds its image in the destiny of water.”

Gaston Bachelard book L'Eau et les Rêves

Introduction
L'eau et les rêves (Water and Dreams) 1942

Water, Parting

“Let the modern eye look earnestly on that old midnight hour in St. Edmundsbury Church, shining yet on us, ruddy-bright, through the depths of seven hundred years; and consider mournfully what our Hero-worship once was, and what it now is!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

“My whole area of art activity has always been addressed to working with other people... You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.”

Robert Rauschenberg (1925–2008) American artist

Quote from Breaking Bounderies.., Robert S. Mattison, exhibition catalogue Whitney Museum, 1994, p. 3
1990's

People, Art, Idea, Personality

“The new architecture considers not only space, but also time to be an architectural value. The unity of space and time will give architecture a new form of appearance, which is more complete. This is what is meant by 'active space'.... the dissimilar space-cells develop eccentrically from the center to the borders of the cube, thereby granting a new plastic quality to the dimensions of height, width, depth, and time.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from his unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

Appearance, Time

“God's transcending nature must be understood as oneness and simplicity,
unscalable height and unfathomable depth,
incomprehensible breadth and infinite length,
dark silence and ferocious energy.”

John Ruysbroeck (1293–1381) Flemish mystic

The Sparkling Gem, complete works, vol. 3, pp. 6-7

God, Nature, Silence

“Born.
So he was born, too.
Born like everyone else.
Like me, who will die.
The son of an actual woman.
A new arrival from the body's depths.
A voyager to Omega.”

Wisława Szymborska (1923–2012) Polish writer

"Born"
Poems New and Collected (1998), No End of Fun (1967)

“Old friend and true companion! soothing Sleep,
Yes fly, like other friends. How easily
Did your sweet influence fall on my free head,
Cool like a lovely crown of myrtle boughs.
Beloved Sleep! amid the clash of arms,
On the rough torrent of unquiet life,
I rested, breathing lightly as a child,
Weary and cradled in your mother arms.
When the storm swept the leaves from off the bough,
And rushed thro' crashing branches, yet my heart
Was in its depths untroubled, — and I slept.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the German

Love, Life, Sleep, Heart

“It is only rigorous training and in depth study that make music mature into the realm of the classical.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, Mangalampalli can't wait to come home http://www.hindu.com/thehindu/2003/03/01/stories/2003030108610300.htm, The Hindu, 1 March 2003.

Music, Study, Training

“Our economic order is tightly woven around the exploitation of animals, and while it may seem easy to dismiss concern about animals as the soft-headed mental masturbation of people who really don't understand oppression and the depths of actual human misery, I hope to get you to think differently about suffering and pain, to convince you that animals matter, and to argue that anyone serious about ending domination and hierarchy needs to think critically about bringing animals into consideration.”

Bob Torres American podcaster

Source: Making a Killing: The Political Economy of Animal Rights (2007), p. 20

Pain, People, Hope, Understanding

“Someday I’ll do an historical survey and in-depth analysis of lipstick color names and it will be an accurate reflection of our evolving culture.”

Andrea Lewis (writer) Microsoft employee

“ Fire and Ice http://www.cadillaccicatrix.org/andrea_lewis.htm,” Cadillac Cicatrix (2009) 2000-09

Color

“All old Poems, Homer's and the rest, are authentically Songs. I would say, in strictness, that all right Poems are; that whatsoever is not sung is properly no Poem, but a piece of Prose cramped into jingling lines,—to the great injury of the grammar, to the great grief of the reader, for most part! What we wants to get at is the thought the man had, if he had any: why should he twist it into jingle, if he could speak it out plainly? It is only when the heart of him is rapt into true passion of melody, and the very tones of him, according to Coleridge's remark, become musical by the greatness, depth and music of his thoughts, that we can give him right to rhyme and sing; that we call him a Poet, and listen to him as the Heroic of Speakers,—whose speech is Song.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet