Quotes about depth
page 4

Hermann Samuel Reimarus photo
Kevin Kelly photo
Charlotte Salomon photo

“…his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.”

Charlotte Salomon (1917–1943) German painter

Charlotte's 2th ending, written page in brush, related to JHM no. 4924v https://upload.wikimedia.org/wikipedia/commons/5/5e/Charlotte_Salomon_-_JHM_4924-02.jpg: 'Life? or Theater..', p. 822
Charlotte Salomon - Life? or Theater?

Paramahansa Yogananda photo
Annie Besant photo
René Guénon photo

“Jimmy Carter Calls Condi Rice a Liar … Jimmy Carter continues to plumb new depths of disgraceful behavior: Carter says Secretary Rice ‘not telling truth’.”

Charles Foster Johnson (1953) American musician

April 23, 2008 http://littlegreenfootballs.com/article/29712_Jimmy_Carter_Calls_Condi_Rice_a_Liar&only

Johann Wolfgang von Goethe photo
David Allen photo

“To be free to be spontaneously & creatively shallow requires depth of character & a disciplined focus.”

David Allen (1945) American productivity consultant and author

29 April 2011 https://twitter.com/gtdguy/status/63977062188335104
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Swami Vivekananda photo
James Joseph Sylvester photo
William Styron photo
Auguste Rodin photo
Alexander Maclaren photo
Asger Jorn photo
Horace Bushnell photo
Christopher Titus photo
Theo van Doesburg photo
Berthe Morisot photo
Antonin Artaud photo
Octave Mirbeau photo
Rafael Sabatini photo

“It was heroic!"
"Heroic, is it? Bedad, it's epic! Ye begin to perceive the breadth and depth of my genius.”

Source: Captain Blood (1922), Ch. IX: "The Rebels-Convict"

Hermann Hesse photo
Paul Klee photo

“I am armed, I am not here, / I am in the depths, am far away … / I am far away … / I glow amidst dead.”

Paul Klee (1879–1940) German Swiss painter

Quote (1912), # 931, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Frederick Douglass photo
George William Russell photo
Eric Blom photo

“Blues. An American dance stemming from the Foxtrot, the speed of which it reduced and into which it brought a deliberately contrived dismal atmosphere. When Blues are sung their words seem to aim at attaining to the utmost depths of gloom and inanity.”

Eric Blom (1888–1959) Swiss-born British-naturalised music lexicographer, musicologist, music critic, music biographer and transl…

Article, Blues, p. 60
Everyman's Dictionary of Music (London: J. M Dent & Sons; 3rd ed. 1958)

Henri-Frédéric Amiel photo
Kuruvilla Pandikattu photo

“After realising the depth of tragedy, we can and need to be joyful in hope.”

Kuruvilla Pandikattu (1957) Indian philosopher

Joy: Share it! p. 54.
Joy: Share it! (2017)

Vytautas Juozapaitis photo
Paul Elmer More photo

“Great music is a psychical storm, agitating to fathomless depths the mystery of the past within us.”

Paul Elmer More (1864–1937) American journalist, critic, essayist and Christian apologist

Lafcadio Hearn http://books.google.com/books?id=_DcRAAAAMAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA210#v=onepage, The Atlantic Monthly (February 1903)
Republished in Shelburne Essays http://books.google.com/books?id=2OMuAQAAIAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA64#v=onepage, volume 2 (1905)

Adolf Hitler photo
Peter Kreeft photo
Graham Greene photo
Sri Aurobindo photo

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Letitia Elizabeth Landon photo
Francisco De Goya photo

“Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details… …My brush should not see better than I do.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s

Émile Gallé photo

“Our roots are in the depths of the woods-on the banks of streams and among the mosses.”

Émile Gallé (1846–1904) French glass artist and cabinetmaker

Motto on Galle's studio doors (Musée de l'École de Nancy).

Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Antonio Negri photo
Thomas Carlyle photo
Letitia Elizabeth Landon photo

“I've thought upon thy brow when Night
Threw o'er my pallet her summer moonlight,
And I have looked on the midnight sky
To catch the depth and light of thy eye;
I painted from these and from memory,
For I could not paint when I looked on thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

28th April 1824) Raphael Showing his Mistress her Portrait By Mr. Brockedon. (British Gallery.
The London Literary Gazette, 1824

Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Samuel R. Delany photo
John Kenneth Galbraith photo
Enoch Powell photo

“I do here in the most solemn and bitter manner curse the Prime Minister of England for having cumulated all his other betrayals of the national interest and honour, by his last terrible exhibition of dishonour, weakness and gullibility. The depths of infamy which our accurst "love of peace" can lower us are unfathomable.”

Enoch Powell (1912–1998) British politician

Letter to his parents (18 September 1938) after Neville Chamberlain's meeting with Adolf Hitler at Berchtesgaden, from Simon Heffer, Like the Roman. The Life of Enoch Powell (Phoenix, 1999), p. 47.
1930s

Henry Adams photo

“Even in America, the Indian Summer of life should be a little sunny and a little sad, like the season, and infinite in wealth and depth of tone — but never hustled.”

Ch. 35 http://books.google.com/books?id=-ThaAAAAMAAJ&q=%22Even+in+America+the+Indian+Summer+of+life+should+be+a+little+sunny+and+a+little+sad+like+the+season+and+infinite+in+wealth+and+depth+of+tone+but+never+hustled%22&pg=PA502#v=onepage.
The Education of Henry Adams (1907)

Percy Bysshe Shelley photo
Eduardo Torroja photo
Michael Moorcock photo
Sun Myung Moon photo
Thomas Carlyle photo

“There are depths in man that go to the lowest hell, and heights that reach the highest heaven, for are not both heaven and hell made out of him, everlasting miracle and mystery that he is.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

As quoted in A Dictionary of Thoughts : Being a Cyclopedia of Laconic Quotations from the Best Authors, Both Ancient and Modern (1891) edited by Tryon Edwards. p. 327.
1890s and attributed from posthumous publications

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Miguel de Unamuno photo
Edward R. Murrow photo

“Is it not possible that an unruly head of hair, an infectious smile, eyes that seem remarkable for the depths of their sincerity, a cultivated air of authority, may attract huge television audiences regardless of the violence that may be done to truth or objectivity?”

Edward R. Murrow (1908–1965) Television journalist

As quoted in The Saturday Evening Post (December 1949) http://www.saturdayeveningpost.com/wp-content/flbk/Murrow_Sticks_to_the_News/pubData/mobile/index.htm#/1/

Robert Southey photo
Will Eisner photo
Samuel Taylor Coleridge photo
Theodore Schultz photo
Robert Delaunay photo
Charles Wesley photo

“Depth of mercy! — can there be
Mercy still reserved for me?
Can my God His wrath forbear?
Me, the chief of sinners, spare?”

Charles Wesley (1707–1788) English Methodist and hymn writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 273.

Dylan Moran photo
Christopher Pitt photo
Henry Adams photo

“Religious art is the measure of human depth and sincerity; any triviality, any weakness, cries aloud.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

John of St. Samson photo

“Every soul, touched by God, feels and believes in the depths of its being that it is more sinful than all men together.”

John of St. Samson (1571–1636)

From, Light on Carmel: An Anthology from the Works of Brother John of Saint Samson, O.Carm.

Jean Dubuffet photo
Julia Ward Howe photo
Frederick Douglass photo
Emma Goldman photo
Emil M. Cioran photo
Anne Louise Germaine de Staël photo
Gaston Bachelard photo
Thomas Carlyle photo
Robert Rauschenberg photo
Theo van Doesburg photo
John Ruysbroeck photo
Wisława Szymborska photo

“Born.
So he was born, too.
Born like everyone else.
Like me, who will die.
The son of an actual woman.
A new arrival from the body's depths.
A voyager to Omega.”

Wisława Szymborska (1923–2012) Polish writer

"Born"
Poems New and Collected (1998), No End of Fun (1967)

Letitia Elizabeth Landon photo
M. Balamuralikrishna photo

“It is only rigorous training and in depth study that make music mature into the realm of the classical.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, Mangalampalli can't wait to come home http://www.hindu.com/thehindu/2003/03/01/stories/2003030108610300.htm, The Hindu, 1 March 2003.

“Someday I’ll do an historical survey and in-depth analysis of lipstick color names and it will be an accurate reflection of our evolving culture.”

Andrea Lewis (writer) Microsoft employee

“ Fire and Ice http://www.cadillaccicatrix.org/andrea_lewis.htm,” Cadillac Cicatrix (2009)
2000-09

Thomas Carlyle photo
Georges Bernanos photo

“Hatred of the priest is one of man's profoundest instincts, as well as one of the least known. That it is as old as the race itself no one doubts, yet our age has raised it to an almost prodigious degree of refinement and excellence. With the decline or disappearance of other powers, the priest, even though appearing so intimately integrated into the life of society, has become a more singular and unclassifiable being than any of those old magicians the ancient world used to keep locked up like sacred animals in the depths of its temples, existing in the intimacy of the gods alone. Priests moreover are all the more singular and unclassifiable in that they do not recognize themselves as such and are nearly always dupes of the most gross outward appearances — whether of the irony of some or the servile deference of others. But that contradiction, by nature more political than religious and used far too long to nurture clerical pride, does, through the growing feeling of their loneliness and to the extent that it is gradually transformed into hostile indifference, throw them unarmed into the heart of social conflicts they naively pride themselves on being able to resolve by using texts. But, then, what does it matter? The hour is coming when, on the ruins of the old Christian order, a new order will be born that will indeed be an order of the world, the order of the Prince of this World, of that prince whose kingdom is of this world. And the hard law of necessity, stronger than any illusions, will then remove the very object for clerical pride so long maintained simply by conventions outlasting any belief. And the footsteps of beggars shall cause the earth to tremble once again.”

Source: Monsieur Ouine, 1943, pp.176–177

E.E. Cummings photo
Walt Disney photo

“We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life by Pat Williams, Jim Denney

Muammar Gaddafi photo
Zisi photo
Richard Feynman photo