Quotes about darkness
page 4
Source: Of Snails and Skylarks

For My Legionaries: The Iron Guard (1936), Religion

“Darkness is absence of light. Shadow is diminution of light.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

E. J. Corey, Barbara Czakó, László Kürti, Molecules and Medicine (2007). Introduction

śaśāṅke kutaḥ śyāmatā jātā ।
pṛcchati jananīmatikutūhalādbālastribhuvanatrātā ॥
kṛṣṇamṛgastava śarabhayādvidhuṃ yāto naitanmātaḥ ।
kapaṭamṛgaṃ praṇihanmi nāparaṃ tasya vimohakhyātaḥ ॥
daśamukhabhayādbhuvo yātā yā vidhuṃ śyāmatā dṛṣṭā ।
kathaṃ rāhubhītoऽsau pāyānmahī mūḍhatāspṛṣṭā ॥
tvamatha vīkṣya candramasaṃ nijadayitānanarūpasamānam ।
śaśini gato śyāmaḥ kila dṛṣṭaḥ kartuṃ tadadharapānam ॥
nahi mātaḥ pīye tava stanaṃ śrutvā manujendrāṇī ।
sasmitamukhī vismitā jātā cakitā giridharavāṇī ॥
Gītarāmāyaṇam

2009, First Inaugural Address (January 2009)

In the letter I wrote to you, you will remember I said that our species will end but the light of God will not end and at that point it will invade all souls and it will all be in everyone.
2010s, 2013, Interview in La Repubblica

Rolling in the Deep, written by Adele and Paul Epworth
Song lyrics, 21 (2011)

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

"A Discovery" (December 1941); published as "On Discovering a Butterfly" in The New Yorker (15 May 1943); also in Nabokov's Butterflies: Unpublished and Uncollected Writings (2000) Edited and annotated by Brian Boyd and Robert Michael Pyle, p. 274.

2013, Cape Town University Address (June 2013)

Source: Letter to Lady Chesterfield (19 July 1880), quoted in the Marquis of Zetland (ed.), The Letters of Disraeli to Lady Bradford and Lady Chesterfield. Vol. II, 1876 to 1881 (London: Ernest Benn Limited, 1929), p. 282.

or subtle things
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

2010s, Address to the United States Congress, Mercy Is 'What Pleases God Most

Preface to Pantheon Edition
Bandits (1969)

Remarks by the President at the Dedication of the National Museum of African American History and Culture at the National Mall in Washington, D.C. https://www.whitehouse.gov/the-press-office/2016/09/24/remarks-president-dedication-national-museum-african-american-history (24 September 2016)
2016
Four Minute Essays Vol. 5 (1919), The Human Heart

“Hear oh hear, if my prayer be worthy and such as you yourself might whisper to my frenzy. Those I begot (no matter in what bed) did not try to guide me, bereft of sight and sceptre, or sway my grieving with words. Nay behold (ah agony!), in their pride, kings this while by my calamity, they even mock my darkness, impatient of their father's groans. Even to them am I unclean? And does the sire of the gods see it and do naught? Do you at least, my rightful champion, come hither and range all my progeny for punishment. Put on your head this gore-soaked diadem that I tore off with my bloody nails. Spurred by a father's prayers, go against the brothers, go between them, let steel make partnership of blood fly asunder. Queen of Tartarus' pit, grant the wickedness I would fain see.”
Exaudi, si digna precor quaeque ipsa furenti
subiceres. orbum visu regnisque carentem
non regere aut dictis maerentem flectere adorti,
quos genui quocumque toro; quin ecce superbi
—pro dolor!—et nostro jamdudum funere reges
insultant tenebris gemitusque odere paternos.
hisne etiam funestus ego? et videt ista deorum
ignavus genitor? tu saltem debita vindex
huc ades et totos in poenam ordire nepotes.
indue quod madidum tabo diadema cruentis
unguibus abripui, votisque instincta paternis
i media in fratres, generis consortia ferro
dissiliant. da, Tartarei regina barathri,
quod cupiam vidisse nefas.
Source: Thebaid, Book I, Line 73

Ode: Salute to the French Negro Poets (l. 34-36) (1960).

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance
“I would rather walk with God in the dark than go alone in the light.”
Not knowing (1869).

Source: Thoughts Selected from the Writings of Horace Mann (1872), p. 184

“A dark unfathom'd tide
Of interminable pride —
A mystery, and a dream,
Should my early life seem.”
" Imitation http://www.americanpoems.com/poets/poe/17481", Tamerlane and Other Poems (1827).

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Brand New Day
Song lyrics, Moondance (1970)

Letter 4: Theosophy of Julius
The Philosophical Letters

42.
För levande och döda (For the Living and the Dead) 1996

Letter to Richard Nixon (December 15, 1971) http://www.thehindu.com/thehindu/mag/2005/07/03/stories/2005070300090100.htm.
Defence of Hindu Society (1983)

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's

The Notebooks of Leonardo da Vinci (1883), VII On the Proportions and on the Movements of the Human Figure

As quoted in [Astronomer Vera Rubin—The Doyenne of Dark Matter, Discover Magazine, http://discovermagazine.com/2002/jun/breakdialogue] (1 June 2002)

Last speech to parliament, December 24, 1545. http://englishhistory.net/tudor/h8speech.html
See also: Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII, Great Britain. Public Record Office, John Sherren Brewer, Robert Henry, vol. XX, part 2, p. 513. http://books.google.com/books?id=oBsFAAAAYAAJ&pg=RA4-PA513&dq=%22I,+whom+God+has+appointed+his+vicar+and+high+minister+%22&lr=

The Rubaiyat (1120)

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 35

Marc Peyser (September 4, 2006) "Falling for Fall: What's Cool and Coming Your Way: Summer's ending. Get over it. Here's a look at the riches of autumn. First up, 'West Wing' creator Aaron Sorkin rides again with the terrific TV drama 'Studio 60.'", Newsweek, Newsweek Inc., p. 54.

“The atmosphere is blue by reason of the darkness above it because black and white make blue.”
The Notebooks of Leonardo da Vinci (1883), VII On the Proportions and on the Movements of the Human Figure

"Carthon", pp. 163–164
The Poems of Ossian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 149.
Source: The Lonely Dead (2004), Ch. 1

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting

As quoted in Aaliyah's Vibe cover story: "What Lies Beneath"

“The present life of man, O king, seems to me, in comparison of that time which is unknown to us, like to the swift flight of a sparrow through the room wherein you sit at supper in winter, with your commanders and ministers, and a good fire in the midst, whilst the storms of rain and snow prevail abroad; the sparrow, I say, flying in at one door, and immediately out at another, whilst he is within, is safe from the wintry storm; but after a short space of fair weather, he immediately vanishes out of your sight, into the dark winter from which he had emerged. So this life of man appears for a short space, but of what went before, or what is to follow, we are utterly ignorant. If, therefore, this new doctrine contains something more certain, it seems justly to deserve to be followed.”
Talis...mihi uidetur, rex, vita hominum praesens in terris, ad conparationem eius, quod nobis incertum est, temporis, quale cum te residente ad caenam cum ducibus ac ministris tuis tempore brumali, accenso quidem foco in medio, et calido effecto caenaculo, furentibus autem foris per omnia turbinibus hiemalium pluviarum vel nivium, adveniens unus passeium domum citissime pervolaverit; qui cum per unum ostium ingrediens, mox per aliud exierit. Ipso quidem tempore, quo intus est, hiemis tempestate non tangitur, sed tamen parvissimo spatio serenitatis ad momentum excurso, mox de hieme in hiemem regrediens, tuis oculis elabitur. Ita haec vita hominum ad modicum apparet; quid autem sequatur, quidue praecesserit, prorsus ignoramus. Unde si haec nova doctrina certius aliquid attulit, merito esse sequenda videtur.
Book II, chapter 13
This, Bede tells us, was the advice given to Edwin, King of Northumbria by one of his chief men, at a meeting where the king proposed that he and his followers should convert to Christianity. It followed a speech by the chief priest Coifi, who also spoke in favor of conversion.
Historia Ecclesiastica Gentis Anglorum (Ecclesiastical History of the English People)
Source: A Soldier's Story (1951), p. 278.

“a waiting, stagnant darkness, thick and silent as the ocean deeps”
uma escuridão parada à espera, espessa e silenciosa como o fundo do mar
Source: All the Names (1997), p. 107

1850s, The House Divided speech (1858)

"Be Strong".
Legends and Lyrics: A Book of Verses (1858)

The Water Lily, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Blemishes are hid by night and every fault forgiven; darkness makes any woman fair.”
Nocte latent mendae, vitioque ignoscitur omni,
Horaque formosam quamlibet illa facit.
Book I, lines 249–250
Ars Amatoria (The Art of Love)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 601.

The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

“Character is what you are in the dark.”
Attributed by his son, William R. Moody, D. L. Moody (1930), chapter 66, p. 503.

Day of Absence, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Speech http://hansard.millbanksystems.com/commons/1846/may/15/corn-importation-bill-adjourned-debate in the House of Commons (15 May 1846).
1840s

A Death in the Desert (1864)

1920s, Authority and Religious Liberty (1924)

And somehow, it was God. I wasn't sure that it was… just something cool and dark and clean.
God Dies (1931)

Wie finden wir uns selbst wieder? Wie kann sich der Mensch kennen? Er ist eine dunkle und verhüllte Sache; und wenn der Hase sieben Häute hat, so kann der Mensch sich sieben mal siebzig abziehn und wird noch nicht sagen können: »das bist du nun wirklich, das ist nicht mehr Schale«.
“Schopenhauer as educator,” § 3.1, R. Hollingdale, trans. (1983), p. 129
Untimely Meditations (1876)

Biographical note; Quotes in: Horst Woldemar Janson, Anthony F. Janson, History of Art: The Western Tradition http://books.google.com/books?id=MMYHuvhWBH4C&pg=PT831&lpg=PT831, Prentice Hall Professional, 2004. p. 831

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

<span class="plainlinks"> In Midnight Street http://www.prachyareview.com/poems-by-suman-pokhrel/</span>
From Poetry

The Pillar of the Cloud http://www.bartleby.com/236/75.html, st. 1 (1833).

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
Source: They'd Rather Be Right (1954), p. 19.
Source: Meditations in Wall Street (1940), p. 80

Mīrābāī, in Indian Religions: A Historical Reader of Spiritual Expression and Experience http://books.google.co.in/books?id=HTepAfJv_6YC&pg=PA351, p. 351
Variant: O my companion, worldly comfort is illusion,
As soon you get it, it goes.
I have chosen the indestructible for my refuge,
Him whom the snake of death will not devour.
My beloved dwells in my heart all day,
I have actually seen that abode of joy.
Meera's lord is Hari, the indestructible.
My lord, I have taken refuge with you, your maidservant.

Attacking William Gladstone's Liberal Government
Source: Speech to the Conservatives of Manchester (3 April 1872), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), pp. 530-531.

p, 125
"Ethan Brand" (1850)

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Em profunda escuridão se procuraram, nus, sôfrego entrou nela, ela o recebeu ansiosa, depois a sofreguidão dela, a ânsia dele, enfim os corpos encontrados, os movimentos, a voz que vem do ser profundo, aquele que não tem voz, o grito nascido, prolongado, interrompido, o soluço seco, a lágrima inesperada, e a máquina a tremer, a vibrar, porventura não está já na terra, rasgou a cortina de silvas e enleios, pairou no alto da noite, entre as nuvens, pesa o corpo dele sobre o dela, e ambos pesam sobre a terra, afinal estão aqui, foram e voltaram.
Source: Baltasar and Blimunda (1982), pp. 255–256