Quotes about chest
page 2

Richard Siken photo
Junot Díaz photo
Cassandra Clare photo
Jim Butcher photo
Richelle Mead photo
Fiona Wood photo
Etgar Keret photo
Anne Michaels photo
Donna Tartt photo
Jodi Picoult photo
Mitch Albom photo

“A heart weighs more when it splits in two; it crashes in the chest like a broken plane.”

Mitch Albom (1958) American author

Source: The Time Keeper

Sarah Mlynowski photo
Cassandra Clare photo
Halldór Laxness photo
Henry Wadsworth Longfellow photo
Eric Dickerson photo

“I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.”

Eric Dickerson (1960) American football player

Pro Football Hall of Fame biography http://www.profootballhof.com/hof/release.jsp?release_id=1313

Robert E. Howard photo
Demi Lovato photo

“You have a hollowed out heart, but it's heavy in your chest
I try so hard to fight it, but it's hopeless
You're hopeless.”

Demi Lovato (1992) American singer, songwriter, actress, and author

For The Love Of A Daughter
Lyrics, Unbroken (2011)

Chris Hedges photo
Mehdi Akhavan-Sales photo

“The breath coming out of your chest
Turns into a dark cloud
And stands like a wall
In front of your eyes”

Mehdi Akhavan-Sales (1928–1990) Iranian poet

Cited in: Newsweek (2009). Vol. 153-154. p. 548

Robert E. Howard photo
Phil Brooks photo

“Okay, I get it. You people destroy billions of brain cells on a daily basis with your excess consumption of alcoholic beverages, over-the-counter as well as prescription medication—the latter of which, chances are, aren't even yours—and a veritable laundry list of substances that you shove into your soft little bodies day after day. The reason I bring up your chemically-induced mind is because I think the lot of you have forgotten my accomplishments, so please allow me to jog your ailing memory: I am the only three-time straight-edge World Heavyweight Champion in WWE history, I am the only Superstar in WWE history to win back-to-back Money in the Bank Ladder Matches at WrestleMania, and don't forget I am the man that did you, the WWE Universe, a favor that you didn't even deserve when I got rid of the Charismatic Enabler Jeff Hardy from this company…forever. But that runs a close #2 to my crowning achievement of using my Anaconda Vice and, for the first time, making the Undertaker [makes the motion on his chest] tap out—I did that. Me. I did that, and I did it all without drugs, I did it all without alcohol, and above all else, I did it all without any help from any of you. So I want somebody, anybody in a position of power to come out here right now and treat me with the respect I have earned, not only as the face of SmackDown, but the poster boy of the entire company, and as the choice of a new generation, I deserve to know who my next opponent is now that I have defeated the all-powerful Undertaker. [Waits amidst the boos of the crowd] Oh, that's right. There isn't anybody left!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

September 25, 2009
Friday Night SmackDown

KatieJane Garside photo
Sue Monk Kidd photo
Ellen Kushner photo
Tom Wolfe photo
Conor Oberst photo
Lee Child photo
Cherie Priest photo
Brandon Boyd photo
Benjamin Graham photo

“The existence of such a war chest might go far to strengthen our prestige and frighten off any would be assailant.”

Benjamin Graham (1894–1976) American investor

Part II, Chapter VIII, Ultimate Uses of the Stored Units, p. 97
Storage and Stability (1937)

Billy Graham (wrestler) photo

“Marilyn Monroe looks her best when she is sitting on the Superstar's chest (On wearing a Marilyn Monroe t-shirt.)”

Billy Graham (wrestler) (1943–2023) American professional wrestler, american football player, bodybuilder

Billy Graham, Tangled Ropes: Superstar Billy Graham (2006)

Alan Hirsch photo

“Think of mission like the paddles of a defibrillator applied to the chest of a dying church.”

Alan Hirsch (1959) South African missionary

Source: The Faith of Leap (2011), p. 178

Mo Yan photo
John Mayer photo

“Lightning strikes
Inside my chest to keep me up at night.
Dream of ways
To make you understand my pain.”

John Mayer (1977) guitarist and singer/songwriter

Heartbreak Warfare
Song lyrics, Battle Studies (2009)

Warren Farrell photo
Yasunari Kawabata photo
50 Cent photo

“They say I walk around like I've got an 'S' on my chest. No, that's a semi-auto and a vest on my chest.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

What Up Gangsta
Song lyrics, Get Rich or Die Tryin' (2003)

Jeremy Clarkson photo
Stephen Fry photo
Wilhelm II, German Emperor photo

“[I myself will] never acknowledge an Englishman again for the rest of [my] life, nor wear an English Order on [my] chest. The fellows must be brought to their knees.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Georg Alexander von Müller's diary entry (16 September 1914), quoted in Georg Alexander von Müller, The Kaiser and His Court (London: Macdonald, 1961), p. 33
1910s

Thierry Henry photo

“He controlled the ball on his chest, step on it, look, see if someone was in the stands, take a coffee, turn, call his family, no one was answering, left a message, and then thought "Oh, I might cross the ball."”

Thierry Henry (1977) French association football player

He crossed it and they scored.
Henry, on the lack of defensive abilities of his team, after losing 2-0.
Source: [Henry blasts Red Bulls' road form, defense in Houston, http://www.nypost.com/p/blogs/soccerblog/thierry_henry_blasts_red_bulls_road_dLOBjuiWpoYxElzmwquq3L#ixzz2387uxefz, New York Post, 9 August, 2012, https://archive.is/b0BoP, 2013-06-30]

Pierce Brown photo
Christopher Hitchens photo
Ryan Adams photo
Pierce Brown photo
Peter Wentz photo

“Q: Will Fall Out Boy ever become Fall Out Man?
A: The chest hair is in the mail. So hopefully we will in four to six weeks. depending on shipping.”

Peter Wentz (1979) American musician

http://www.falloutboyrock.com/falloutboy/blog_detail.php?uf_system_id=3 Fall Out Boy Rock Q&A section. Question from April 13, 2007.
FallOutBoyRock.com

Tom Clancy photo
Ralph Waldo Emerson photo
Ted Nugent photo
Anthony Burgess photo
Caldwell Esselstyn photo
Fyodor Dostoyevsky photo
Johann Tetzel photo

“For a soul to fly out, is for it to obtain the vision of God, which can be hindered by no interruption, therefore he errs who says that the soul cannot fly out before the coin can jingle in the bottom of the chest.”
Animam purgatam evolare, est eam visione dei potiri, quod nulla potest intercapedine impediri. Quisquis ergo dicit, non citius posse animam volare, quam in fundo cistae denarius possit tinnire, errat.

Johann Tetzel (1460–1519) German Dominican friar and seller of indulgences

Theses nos. 55 and 56 of the One Hundred and Six Theses drawn up by Konrad Wimpina. The reformation in Germany, Henry Clay Vedder, 1914, Macmillan Company, p. 405. http://books.google.com/books?id=JQ4QAAAAIAAJ&pg=PA405&dq=%22For+a+soul+to+fly+out,+is+for+it+to+obtain+the+vision+of+God%22&hl=en&ei=1nAnTeHnNcOblgfCmPHeAQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCMQ6AEwAA#v=onepage&q=%22For%20a%20soul%20to%20fly%20out%2C%20is%20for%20it%20to%20obtain%20the%20vision%20of%20God%22&f=false Latin in: D. Martini Lutheri, Opera Latina: Varii Argumenti, 1865, Henricus Schmidt, ed., Heyder and Zimmer, Frankfurt am Main & Erlangen, vol. 1, p. 300. (Reprinted: Nabu Press, 2010, ISBN 1142405516 ISBN 9781142405519. http://books.google.com/books?id=qB8RAAAAIAAJ&pg=PA300&dq=%22Animam+purgatam+evolare,+est+eam%22&hl=en&ei=PrIsTf-rJsGBlAfMjO2LDA&sa=X&oi=book_result&ct=result&resnum=2&ved=0CCwQ6AEwAQ#v=onepage&q=%22Animam%20purgatam%20evolare%2C%20est%20eam%22&f=false
Thesis 56 often abbreviated and translated as:
As soon as a coin in the coffer rings / the soul from purgatory springs. CATHOLIC ENCYCLOPEDIA: Johann Tetzel http://www.newadvent.org/cathen/14539a.htm
Alternate translation of no. 56:
He errs who denies that a soul can fly as quickly up to Heaven as a coin can chink against the bottom of the chest. In “Luther and Tetzel,” Publications of the Catholic Truth Society, Catholic Truth Society (Great Britain), 1900, Volume 43, p. 25. http://books.google.com/books?id=uosQAAAAIAAJ&pg=RA1-PA25&dq=%22He+errs+who+denies+that+a+soul+can+fly+as+quickly+up+to+Heaven%22&hl=en&ei=hrEsTfmlNcWclge525mxCw&sa=X&oi=book_result&ct=result&resnum=2&ved=0CCoQ6AEwAQ#v=onepage&q=%22He%20errs%20who%20denies%20that%20a%20soul%20can%20fly%20as%20quickly%20up%20to%20Heaven%22&f=false

Caldwell Esselstyn photo
Harry Turtledove photo
Anastacia photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Kunti photo
Henry Van Dyke photo
James Braid photo
Thierry Henry photo
James Braid photo

“It is commonly said that seeing is believing, but feeling is the very truth. I shall, therefore, give the result of my experience of hypnotism in my own person. In the middle of September, 1844, I suffered from a most severe attack of rheumatism, implicating the left side of the neck and chest, and the left arm. At first the pain was moderately severe, and I took some medicine to remove it; but, instead of this, it became more and more violent, and had tormented me for three days, and was so excruciating, that it entirely deprived me of sleep for three nights successively, and on the last of the three nights I could not remain in any one posture for five minutes, from the severity of the pain. On the forenoon of the next day, whilst visiting my patients, every jolt of the carriage I could only compare to several sharp instruments being thrust through my shoulder, neck, and chest. A full inspiration was attended with stabbing pain, such as is experienced in pleurisy. When I returned home for dinner I could neither turn my head, lift my arm, nor draw a breath, without suffering extreme pain. In this condition I resolved to try the effects of hypnotism. I requested two friends, who were present, and who both understood the system, to watch the effects, and arouse me when I had passed sufficiently into the condition; and, with their assurance that they would give strict attention to their charge, I sat down and hypnotised myself, extending the extremities. At the expiration of nine minutes they aroused me, and, to my agreeable surprise, I was quite free from pain, being able to move in any way with perfect ease. I say agreeably surprised, on this account; I had seen like results with many patients; but it is one thing to hear of pain, and another to feel it. My suffering was so exquisite that I could not imagine anyone else ever suffered so intensely as myself on that occasion; and, therefore, I merely expected a mitigation, so that I was truly agreeably surprised to find myself quite free from pain. I continued quite easy all the afternoon, slept comfortably all night, and the following morning felt a little stiffness, but no pain. A week thereafter I had a slight return, which I removed by hypnotising myself once more; and I have remained quite free from rheumatism ever since, now nearly six years.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

In “The First Account of Self-Hypnosis Quoted in “The Original Philosophy of Hypnotherapy (from The Discovery of Hypnosis)”.

Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Adam Roberts photo
Amir Taheri photo
Laurell K. Hamilton photo
Steve Jobs photo
Richard Nixon photo

“Do you want to make a point or do you want to make a change? do you want to get something off your chest, or do you want to get something done?”

Richard Nixon (1913–1994) 37th President of the United States of America

Campaign speech in Michigan (1968) https://books.google.com/?id=uXRx5hGm8zYC&dq="Do+you+want+to+make+a+point+or+do+you+want+to+make+a+change"&pg=PA17
1960s

Timo K. Mukka photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

Manmohan Acharya photo

“The slippers of the mortal Earth, Now touched the chest of the Moon. Oh, It is shameful that”

Manmohan Acharya (1967–2013) Poet, lyricist

Song of the Bumblebee (2008)

Patrick Rothfuss photo
Scott Ritter photo

“[War] isn't a Nintendo game… There's no hitting reset and coming back to life. If you turn your head around the corner in the streets of Baghdad and take one between the eyes, your brain is gone. Maybe you turn around the corner and you take one in your chest and it'll sever your spinal cord and you can spend the rest of your life in a wheelchair. That's war! Maybe you step on a landmine and there goes your leg, you lose an arm, you lose eyesight. That's war! And we're talking about going to war. There better be a hell of a good reason for this. There better be a reason worthy of the sacrifice we're asking Americans to make. And you know, it's not just going to be Americans dying in this war; we're going to be killing Iraqis, by the thousands. I have to tell you, as a former Marine, I was involved with the worlds most efficient killing machine. We were the best led, best trained, best equipped warriors anybody's ever seen, and we are today. When we go to war we will slaughter those who oppose us, because that's what we do, and we do it better than anyone else. If you get in my way, I will kill you. You try hurt one of my marines, I'm taking you down. And I will continue to go until my government tells me to stop. We are the dogs of war and when we are unleashed there is nothing but hell. That's the reality of war. For God's sake, don't unleash the dogs of war unless there's an absolute necessary to do so.”

Scott Ritter (1961) American weapons inspector and writer

Keynote address, California Institute of Technology http://sass.caltech.edu/events/ritter.shtml November 13, 2002
2000

“And You dance inside my chest where no one sees You!”

Seven Sisters.
Catch For Us The Foxes (2004)

William L. Shirer photo
Bruce Springsteen photo
Amir Taheri photo
Mehdi Akhavan-Sales photo

“People always died in the most hidden places. They'd bleed to death, I guess. By the time their bodies were brought in, they're bloated, and they'd dig out the identification tags on some corpse's chest, maggots all over the place. And those aren't scenes which you want to report to your people back home. I mean, everybody would think it was their own son. I didn't have his name.”

Larry LeSueur (1909–2003) American journalist

All Things Considered, NPR, Washington, D.C.: February 6, 2003, transcript available at ProQuest: from Research Library Core. (Document ID: 351141181); excerpted from a 1994 concerning what LeSueur saw on D-Day at Normandy.

Luís de Camões photo

“I'll sing a song of love so sweet, so blessed
with harmonious sounds, so true to the name
of love (with two thousand examples), it will enflame
even those with dead hearts in their chest.”

Luís de Camões (1524–1580) Portuguese poet

Eu cantarei de amor tão docemente,
Por uns termos em si tão concertados,
Que dois mil acidentes namorados
Faça sentir ao peito que não sente.
Selected Sonnets: A Bilingual Edition (2008), ed. William Baer, p. 128
Lyric poetry, Sonnets, Eu cantarei de amor tão docemente

Anthony Stewart Head photo

“I had to groan a bit on the couch when my brow was mopped—as it is when you've been shot across the chest.”

Anthony Stewart Head (1954) English actor

Anthony Stewart Head at Toronto Trek, July 12, 2003.

Erik Naggum photo

“I have a cat, so I know that when she digs her very sharp claws into my chest or stomach it's really a sign of affection, but I don't see any reason for programming languages to show affection with pain.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: defmacro question http://groups.google.com/group/comp.lang.lisp/msg/6cd5295c9b463d0a (Usenet article).
Usenet articles, Miscellaneous

Willem Maris photo

“Weiss' always said it so well: 'When you go outside, it's like getting a punch against your chest.. hey.. damned, that's beautiful!!' And that's why we made so many beautiful things in our studio in the Juffrouw Idastraat in The Hague city. The studio was not very special. It was noisy. But going outside suddenly, that moved you so strongly..”

Willem Maris (1844–1910) Dutch landscape painter of the Hague School (1844-1910)

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Willem Maris, in het Nederlands: 'Weiss' zei dat altijd zoo goed: 'als je buitenkomt, dan is 't alsof je een stomp tegen je borst krijgt..hè.. ..verdomme, da's mooi!!'. En daarom hebben we in ons atelier in de Juffrouw Idastraat [Den Haag] zooveel mooie dingen gemaakt: 't Atelier was zoo bizonder niet. 't Was lawaaierig. Maar 't buitenkomen plots, ontroèrde je te sterker..
Quote in: Willem Maris, by H. de Boer; P.J. Zürcherp, Den Haag, 1900, p. 23 + note 117: C. Harms Tiepen, 1910, pp. 14 [database 19th century studio practice - quotes RKD]