Quotes about carving

A collection of quotes on the topic of carving, likeness, stone, time.

Quotes about carving

“I saw the angel in the marble and carved until I set him free.”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

“If I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears.

Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness.

The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left.”

Jodi Picoult (1966) Author

Stupidity, World, Way, Star

“Next day, at the time of the noon prayer, we went out for seeing those places in Gwalior which we had not yet seen' Going out of the Hathipole Gate of the fort, we arrived at a place called Urwa'…'Solid rocks surround Urwa on three sides' On these sides people have carved statues in stone. They are in all sizes, small and big. A very big statue, which is on the southern side, is perhaps 20 yards high. These statues are altogether naked and even their private parts are not covered'…'Urwa is not a bad place. It is an enclosed space. Its biggest blemish is its statues. I ordered that they should be destroyed.”

Babur Baburnama

Baburnama, Translated from the Hindi version by S.A.A. Rizvi included in Mughal Kãlîna Bhãrata: Bãbur, Aligarh, 1960, In Goel, S.R. Hindu Temples - What happened to them

People, Time, Parting

“Should you shield the canyons from the windstorms you would never see the true beauty of their carvings.”

Elisabeth Kübler-Ross (1926–2004) American psychiatrist

Beauty, Beauty, Peaceful

“The life of this people greatly accords with my taste, which is naturally somewhat indolent and melancholy... To repose on voluptuous ottomans and smoke superb pipes, daily to indulge in the luxuries of a bath which requires half a dozen attendants for its perfection; to court the air in a carved caïque, by shores which are a perpetual scene; and to find no exertion greater than a canter on a barb; this is, I think, a far more sensible life than all the bustle of clubs, all the boring of drawing-rooms, and all the coarse vulgarity of our political controversies.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Letter to Edward Lytton Bulwer from Constantinople, Turkey (27 December 1830), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume I. 1804–1859 (1929), p. 174

Life, People, Nature, Thinking

“Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.”

V.S. Naipaul (1932–2018) Trinidadian-British writer of Indo-Nepalese ancestry

People, World

“At the temple there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.”

Arthur Golden book Memoirs of a Geisha

Source: Memoirs of a Geisha

Feeling, Loss, Reading

“The words went round and round and round in my mind and my body, until I knew they were no longer my words but something that had been carved into my heart.
And now my soul was crying.”

Tracey Emin (1963) English artist, one of the group known as Britartists or Young British Artists

Source: Strangeland

Soul, Heart, Cry

“Immortality is like trying to carve your initials in a block of ice in the middle of July.”

Arthur Miller (1915–2005) playwright from the United States

“The brave man carves out his fortune, and every man is the son of his own works.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book I, Ch. 4.

“Bergeron's epitaph for the planet, I remember, which he said should be carved in big letters in a wall of the Grand Canyon for the flying-saucer people to find, was this:WE COULD HAVE SAVED IT
BUT WE WERE TOO DOGGONE CHEAPOnly he didn't say 'doggone.'"”

Kurt Vonnegut book Hocus Pocus

Hocus Pocus (1990)

People, Flying

“Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality – it resists and makes demands..”

Barbara Hepworth (1903–1975) English sculptor

Source: 1932 - 1946, The Studio 132:643', (1946), p. 279

Idea

“At that time (last spring) [U. S., 1928] I did not consider this medium to be of any signal importance in the world of art; merely a very amusing stunt cleverly executed.... however, wishing to return to Paris, I felt it would be quite justifiable to have an exhibition here, where "clever stunts" are highly appreciated, so I came over 3 months ago and set to work, carving wood and twisting wire. These new studies in wire, however, did not remain the simple modest little things I had done in New York. They are still simple, more simple than before; and therein lie the great possibilities which I have only recently come to feel for the wire medium.”

Alexander Calder (1898–1976) American artist

1920s, Statement on Wire Sculpture' (1929)

Lie, World, Art, Feeling

“Currently there's five machines permanently networked here. They all contain the serious core stuff. A couple of the machines are pensioned off 486s, with little other value now. Plus there's two Jaz drives in the building and the portable also carries a fair amount of stuff. Plus every Friday a man comes around and carves all the new stuff onto stone slabs and buries them in the garden… I think I'm okay.”

Terry Pratchett (1948–2015) English author

Usenet

Thinking

“If flying-saucer creatures or angels or whatever were to come here in a hundred years, say, and find us gone like the dinosaurs, what might be a good message for humanity to leave for them, maybe carved in great big letters on a Grand Canyon wall? Here is this old poop's suggestion: WE PROBABLY COULD HAVE SAVED OURSELVES, BUT WERE TOO DAMNED LAZY TO TRY VERY HARD…AND TOO DAMNED CHEAP.”

Kurt Vonnegut (1922–2007) American writer

Fates Worse than Death (1991)

Angels, Flying

“O God! methinks, it were a happy life,
To be no better than a homely swain;
To sit upon a hill, as I do now,
To carve out dials quaintly, point by point,
Thereby to see the minutes how they run:
How many make the hour full complete,
How many hours bring about the day,
How many days will finish up the year,
How many years a mortal man may live.”

William Shakespeare Henry VI (play) Part 1-3

King Henry, Act II, scene v.
Henry VI, Part 3 (1592)

Life, God, Happiness, Home

“Hope had grown grey hairs,
Hope had mourning on,
Trenched with tears, carved with cares,
Hope was twelve hours gone.”

Gerard Manley Hopkins The Wreck of the Deutschland

"The Wreck of the Deutschland", lines 115-118
Wessex Poems and Other Verses (1918)

Hope, Tear

“I was once asked for my autograph in the shower on one of my rare visits to the gym. I was washing my hair, facing the wall, when I was tapped on the shoulder so already it's quite inappropriate. I turned round and there was another naked man standing there with a piece of paper. And I think 'if you can't see how inappropriate this I am just going to have to play along' so I took the paper, which is slowly becoming mulch, and carved my name in it.”

David Tennant (1971) Scottish actor

David Tennant on fan obsession, The Graham Norton Show, 14 April 2011 Source: Graham Norton welcomes David Tennant, Catherine Tate, Josh Groban and Jon Richardson, BBC Press Office, 15 April 2011, 15 April 2011 http://www.bbc.co.uk/pressoffice/pressreleases/stories/2011/04_april/15/norton.shtml,

Thinking

“But how carve way i' the life that lies before,
If bent on groaning ever for the past?”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Balaustion's Adventure.
Bartlett's Familiar Quotations, 10th ed. (1919)

Life, Way, Past

“Literary translation is not merely an act of picking words from one language and keeping it by dipping in the vessel of another language. Those words need to be rinsed, washed, carved and decorated as much as possible.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/ From Prose

“Since the dawn of history the negro has owned the continent of Africa - rich beyond the dream of poet's fancy, crunching acres of diamonds beneath his bare black feet. Yet he never picked one up from the dust until a white man showed to him its glittering light. His land swarmed with powerful and docile animals, yet he never dreamed a harness, cart, or sled. A hunter by necessity, he never made an axe, spear, or arrowhead worth preserving beyond the moment of its use. He lived as an ox, content to graze for an hour. In a land of stone and timber he never sawed a foot of lumber, carved a block, or built a house save of broken sticks and mud. With league on league of ocean strand and miles of inland seas, for four thousand years he watched their surface ripple under the wind, heard the thunder of the surf on his beach, the howl of the storm over his head, gazed on the dim blue horizon calling him to worlds that lie beyond, and yet he never dreamed a sail!”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Falsely attributed to Darwin, but actually from The Clansman: An Historical Romance of the Ku Klux Klan (1905) by Thomas Dixon, page 134 http://www.freefictionbooks.org/books/c/11773-the-clansman-by-thomas-dixon?start=133. Misattributed

Lie, World, Dreams, History

“The Chinese people have only family and clan solidarity; they do not have national spirit…they are just a heap of loose sand…Other men are the carving knife and serving dish; we are the fish and the meat.”

Sun Yat-sen (1866–1925) Chinese physician, politician and revolutionary

China as a Heap of Loose Sand (1924)

Men, People, Family, Fish

“Because we want the same happiness
We keep carving the same wounds onto our hearts.
Forever, forever
So I won't forget you
I call you over and over again
Please don't cry any more
I won't leave you alone.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Part of Me
Lyrics, Miscellaneous

Happiness, Heart, Cry, Forgetting

“I could carve a better man out of a banana. ”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

“We walk this earth
hand with hand and head by head
along with shadows of fairy tales
myths and legends spread by superstitious folks
and oddly we yearn to all of them
with sadness and despair
like drowning sailor who longs for sip of air
with playful joy against the odds
we seek to tame good auld death
forgetting that lady D is a wild cat
that carves its paths with fangs and claws step by step
step by step
until she is to close
- inside your head”

Marcin Malek (1975) Polish writer

Source: We'll go asleep, poems and ballads, "Untill she is to close", pg 64

Death, Sadness, Cats, Joy

“I'm learning that you have to make time for what's important. You have to fight to carve little pieces of happiness out of your life, or the everyday emergencies will eat up everything.”

Laurell K. Hamilton book Cerulean Sins

Source: Cerulean Sins

Life, Happiness, Learning, Time

“I felt that my views and philosophies had been changed overnight. The philosophies that i had gladly carved in stone, recited and danced upon.”

Cecelia Ahern book If You Could See Me Now

Source: If You Could See Me Now

Change, Dance

“We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Love, Disappointment, Reality

“No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness.”

Edwidge Danticat Krik? Krak!

Source: Krik? Krak!

Women

“Such was a poet and shall be and is
-who'll solve the depths of horror to defend a sunbeam's architecture with his life: and carve immortal jungles of despair to hold a mountain's heartbeat in his hand.”

E.E. Cummings (1894–1962) American poet

Life, Mountain, Despair

“I mean, if you're asking a fellow to come out of a room so that you can dismember him with a carving knife, it's absurd to tack a 'sir' on to every sentence. The two things don't go together.”

P.G. Wodehouse book Thank You, Jeeves

Source: Thank You, Jeeves

“What if the puzzle of the world was a shape you didn't fit into? And the only way to survive was to mutilate yourself, carve away your corners, sand yourself down, modify yourself to fit? How come we haven't been able to change the puzzle instead?”

Jodi Picoult book Small Great Things

Source: Small Great Things

World, Way, Change

“I can't help but see myself in them. The Seelie are who I was before my sister died. Pink, pretty, frivolous Mac. The Unseelie are who I've become, carved by loss and despair. Black, grungy, driven Mac.”

Karen Marie Moning (1964) author

Source: Shadowfever

Sister, Loss, Help, Despair

“Who said anything about slicing you up?… I just wanted to carve a little Z on your forehead-- nothing serious.”

Hunter S. Thompson book Fear and Loathing in Las Vegas

Source: Fear and Loathing in Las Vegas

“No synonym for God is so perfect as Beauty. Whether as seen carving the lines of the mountains with glaciers, or gathering matter into stars, or planning the movements of water, or gardening — still all is Beauty!”

John Muir (1838–1914) Scottish-born American naturalist and author

26 June 1875, page 208
John of the Mountains, 1938

God, Beauty, Mountain, Star

“I did not lose myself all at once. I rubbed out my face over the years washing away my pain, the same way carvings on stone are worn down by water.”

Amy Tan (1952) American novelist

Pain, Way, Water

“As he bent closer, he realized they were words -- words his wife had carved into the cave ice with the last of her dying strength. As he read them, he felt them like three hard blows in the stomach.
KILL THE CHILD”

Holly Black book The Iron Trial

Source: The Iron Trial

Reading

“I opened myself to you only to be skinned alive. The more vulnerable I became, the faster and more deft your knife. Knowing what was happening, still I stayed and let you carve more. That's how much I loved you. That's how much.”

Rabih Alameddine (1959) Lebanese-American painter and writer.

Source: I, The Divine: A Novel in First Chapters

Love

“If a woman is worth remembering,' said my grandmother, 'there is no need to have her name carved in letters.”

Edwidge Danticat book Breath, Eyes, Memory

Source: Breath, Eyes, Memory

“Pick a tree. I'll carve our initials into it." -Fang”

James Patterson (1947) American author

Tree

“Hey, check this weirdo out." Hi was inspecting a bust on the mantel. "This face is ninety percent eyebrow. What do you want to bet he owned slaves?"

Scowling to match the carving's expression, Hi spoke in a gravelly voice.”

Kathy Reichs book Code

Source: Code

“At the entrance to the original tower, there is a stone into which Jung carved some words with his own hand: 'Cold or not, God is present.”

Haruki Murakami book 1Q84

Source: 1Q84

God

“And he, he himself… the Grinch… carved the roast-beast!”

Dr. Seuss book How the Grinch Stole Christmas!

Source: How the Grinch Stole Christmas!

“Carter, not to be unkind," I said, "but the last few months you've been seeing messages about Zia. Two weeks ago, you thought she was sending you a distress call in your mashed potatoes."
"It was a Z! Carved right in the potatoes!”

Rick Riordan book The Throne of Fire

Source: The Throne of Fire

“I shall also take you forth and carve our names together in a yew tree, haloed with stars…”

Ted Hughes (1930–1998) English poet and children's writer

Source: Letters of Ted Hughes

Star, Tree

“Wars are poor chisels for carving out peaceful tomorrows.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

War, Peace

“Besides, if there were no dragons of flesh and blood and fire, whence would come the idea for these stone carvings?”

Robin Hobb book Assassin's Quest

Source: Assassin's Quest

Idea

“If you want data to survive, carve it in rock.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Cauldron (2007), Chapter 28 (p. 256)

“We do, to what extent of freedom we have earned or are allowed by others and ourselves, what we most want to do. We say - speak, paint, carve, write, express ourselves… as we damn please. And in both the doing of things and the talking about them - which together seem to me to sum up life - we so crave freedom or liberty or whatever one may choose to call it as to justify our Declaration's romantically terming it an unalienable right of Man, bestowed on Man by his Creator.”

Rockwell Kent (1882–1971) American artist

This Is My Own, p. 130 (1940)

Life, Freedom, Painting

“The union of these four Presidents carved on the face of the everlasting hills of South Dakota will constitute a distinctly national monument. It will be decidedly American in conception, in its magnitude, in its meaning and altogether worthy of our Country. No one can look upon it understandingly without realizing that it is a picture of hope fulfilled. Its location will be significant. Here in the heart of the continent, on the side of a mountain which probably no white man had ever beheld in the days of Washington, in territory which was acquired by the action of Jefferson, which remained an unbroken wilderness beyond the days of Lincoln, which was especially beloved by Roosevelt, the people of the future will see history and art combined to portray the spirit of patriotism. They will know that the figure of these Presidents has been placed here because by following the truth they built for eternity. The fundamental principles which they represented have been wrought into the very being of our Country. They are steadfast as these ancient hills.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Address at the Black Hills (1927)

People, Truth, Hope, Art

“The winter oak… is very useful in buildings but when in a moist place it takes in water to its centre… and so it rots. The Turkey oak and the beech both… take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus… are of great service from their stiffness. …they are a convenient material to use in carving.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 9

Water, Winter

“In the United States, we’ve long had a free market system, but that system is not what it once was. Total government spending–state, federal, and local–has grown in real terms by more than 400 percent since 1965. Government spending is now one-third of the economy. As the private economy retreats, the importance of a new marketplace grows: the political marketplace. Products and services are no longer judged according to their usefulness to the economy at large–they’re judged according to whether or not they are politically useful or connected. The political marketplace is the marketplace of crony capitalism. Its supply and demand are lobbying expenditures and the resulting federal program or carve out. Its actors are not firms, but the political class and the politicians they influence”

Ted Budd (1971) American politician

Rep. Budd: The Political Market vs. the Private Market http://www.breitbart.com/big-government/2017/05/02/rep-budd-political-market-vs-private-market/ (May 2, 2017)

“The spectator of a sculpture, modern or ancient, is not called to examine his own or the sculptor's knowledge of anatomy but to participations, so to say, a participation where the motions which have strangulated the carver, while working, must operate the same mysterious attraction and inexpressible miracle of forms and lines, its dramaticism, its graphic tragedy, or its smiling gaiety and happiness: its words carved out of forms and sown with lines into phrases of philosophy, religion.”

Ossip Zadkine (1890–1967) French sculptor

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Happiness, Religion, Smile, Knowledge

“I'd love to write another song
Baby especially for you
I'd love to write another song
And feel things bright and new
In poetry I'd carve it well
I'd even make it rhyme
I'd love to write another song
Just to get some peace of mind.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

I'd Love to Write Another Song
Song lyrics, Avalon Sunset (1989)

Love, Peace, Feeling, Baby

“It's very challenging to carve back market share.”

Paul Allen (1953–2018) American inventor, investor and philanthropist

The New York Times: "40 Busy Years Later, Paul Allen, a Microsoft Founder, Considers His Creation" https://bits.blogs.nytimes.com/2015/05/03/40-busy-years-later-a-microsoft-founder-considers-his-creation/ (03 May 2015)

““…Mas‘ud hunted through the country around Bahraich, and whenever he passed by the idol temple of Suraj-kund, he was wont to say that he wanted that piece of ground for a dwelling-place. This Suraj-kund was a sacred shrine of all the unbelievers of India. They had carved an image of the sun in stone on the banks of the tank there. This image they called Balarukh, and through its fame Bahraich had attained its flourishing condition. When there was an eclipse of the sun, the unbelievers would come from east and west to worship it, and every Sunday the heathen of Bahraich and its environs, male and female, used to assemble in thousands to rub their heads under that stone, and do it reverence as an object of peculiar sanctity. Mas‘ud was distressed at this idolatry, and often said that, with God’s will and assistance, he would destroy that mine of unbelief, and set up a chamber for the worship of the Nourisher of the Universe in its place, rooting out unbelief from those parts…
“Meanwhile, the Rai Sahar Deo and Har Deo, with several other chiefs, who had kept their troops in reserve, seeing that the army of Islam was reduced to nothing, unitedly attacked the body-guard of the Prince. The few forces that remained to that loved one of the Lord of the Universe were ranged round him in the garden. The unbelievers, surrounding them in dense numbers, showered arrows upon them. It was then, on Sunday, the 14th of the month Rajab, in the aforesaid year 424 (14th June, 1033) as the time of evening prayer came on, that a chance arrow pierced the main artery in the arm of the Prince of the Faithful…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Awadh (Uttar Pradesh), Mir‘at-i-Mas‘udi in Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Love, God, Faith, Universe

“No, I think Abstract art is valuable. It teaches people the language of painting. In my own work I have produced carvings which perhaps might see to most people purely abstract. This means that in those works I have been mainly concerned to try to solve problems of design and composition. But these carvings have not really satisfied me because I have not had the same sort of grip or hold over them that I have as soon as a thing takes on a kind of organic idea. And in almost all my carvings there has been an organic idea in my mind. I think of it as having a head, body, limbs..”

Henry Moore (1898–1986) English artist

Quote in 'The Listener', 13 November 1941, pp. 657-9; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 126
1940 - 1955

People, Art, Idea, Problem

“He [Giovanni Ardini, Italian master-carver] opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.”

Barbara Hepworth (1903–1975) English sculptor

Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946

Light

“I realized the wood was better before I cut it, than after. I did not improve it in any way [by carving it].”

Carl Andre (1935) American artist

As quoted in Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 206
quote after 1959, in Andre's early artistic career, when he made his sculpture 'Last Ladder'

Way

“For nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Woonotes II, st. 7
1840s, Poems (1847)

Beauty, Nature, Perfection, Sea

“I tossed my shoulders and swaggered away, whistling with pleasure. In the gutter I saw a long cigaret butt. I picked it up without shame, lit it as I stood with one foot in the gutter, puffed it and exhaled toward the stars. I was an American, and goddamn proud of it. This great city, these mighty pavements and proud buildings, they were the voice of my America. From sand and cactus we Americans had carved an empire. Camilla's people had had their chance. They had failed. We Americans had turned the trick. Thank God for my country. Thank God I had been born an American!”

John Fante book Ask the Dust

Source: Ask the Dust (1939), Chapter Five

God, People, Pleasure, Star

“The work of the sculptors of my age & somewhat older – Brancusi – Arp – Lipschitz – Laurens – Giacometti – has gradually approached a freedom & moved into space, compared with the sculptors of earlier period – Rodin – Maillol [. And] & the young sculptors of today all have the tendency to work with space – to model rather than carve – but it is very necessary in my opinion to have been able to get the refinement & completeness of a single form before going on to space form with no body”

Henry Moore (1898–1986) English artist

Quote in 'Unpublished notes' 1951, HMF Archive; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 121
1940 - 1955

Age, Freedom

“When I think of the artist Yves Klein, I think of those absolutists who preceded him by a generation or two, those who vanished, think of the boxer and Dadaist poet Arthur Cravan who in 1918 was supposed to leave Mexico to meet his new wife in Argentina but was never seen again; of Everett Ruess, the bohemian who might have become an artist or writer had he not disappeared into the canyons of Utah at the age of twenty in 1934, leaving behind a final signature carved into the rock: “Nemo” or “no one”; of the aviator Amelia Earhart who disappeared over the Pacific in 1937; of the pilot Antoine de Saint Exupéry who left behind several lapidary books before his plane too disappeared, in 1944, in the Mediterranean. They were all saddled with a desire to appear in the world and a desire to go as far as possible that was a will to disappear from it. In the ambition was a desire to make over the world as it should be; but in the disappearances was the desire to live as though it had been made over, to refashion oneself into a hero who disappeared not only into the sky, the sea, the wilderness, but into a conception of self, into legend, into the heights of possibility.”

Rebecca Solnit (1961) Author and essayist from United States

A Field Guide to Getting Lost (2005)

Books, Age, World, Thinking

“Saw pardelas and a green rush near the vessel. The crew of the Pinta saw a cane and a log; they also picked up a stick which appeared to have been carved with an iron tool, a piece of cane, a plant which grows on land, and a board. The crew of the Nina saw other signs of land, and a stalk loaded with rose berries. These signs encouraged them, and they all grew cheerful.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

11 October 1492
Journal of the First Voyage

Appearance

“When you educate someone, you teach them how to use language to arm them, straighten them out, organize them, elevate them and you ennoble them, and then they're not misshapen half-carved blocks of humanity – people that can stand up, stand around and manoeuvre through the world, contribute properly to the community and keep the world oriented between chaos and order.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Biblical Lectures

People, World, Education, Communication

“Being fresh out of college, I found myself in the typically feminine dilemma of carving out for myself in a male world a way of life appropriate to a young woman of taste, cultivation and sensitivity. There must be nothing crass—like work. However, a girl must survive. So, after a cool appraisal of the social scene, I finally hit upon an excellent-paying occupation, challenging to the ingenuity, dealing on one's own terms with people and affording independence, flexible hours, great stability and, most important, a large amount of leisure time, an occupation highly appropriate to female sensibilities. I contemplate my good fortune as I begin work for the day: "Pardon me, Sir, do you have fifteen cents?"”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

"A Young Girl's Primer" (1966)

Life, People, World, Way

“The countries that embrace openness do exceptional and the countries that don’t, don’t. It’s not a matter of carving things up between sides. I’m going to encourage that calm heads prevail.”

Tim Cook (1960) American business executive

Bloomberg: Apple's Cook to Meet With Trump Amid China Trade Tensions https://www.bloomberg.com/news/articles/2018-04-25/apple-s-cook-to-meet-with-trump-amid-u-s-china-trade-tensions (25 April 2018)

Country

“But the cards are stacked against us. Scurrilous and abusive rhetoric is spewed by politicians and so-called religious leaders, who cloak themselves by turning the Constitution on its head and claim protection and permission to demonize and denigrate us. Hiding behind the perversion of the concepts of religious freedom and political speech, those people have carved out a special right to impose their bigotry and hatred for us.”

Jeffrey Montgomery (1953–2016) American LGBT rights activist and public relations executive

America...You Kill Me
Variant: We want to be able to move freely and safely in our daily lives, free from the threat of random hate violence. themselves by turning the Constitution on its head and claim protection and permission to demonize and denigrate us. Hiding behind the perversion of the concepts of religious freedom and political speech, those people have carved out a special right to impose their bigotry and hatred for us.

People, Freedom

“With the appearance of the human, the coding process of life burst beyond the DNA molecule and began carving its information in stone!”

Brian Swimme (1950) American cosmologist

From Journey of the Universe:

Life, Appearance

“The Episcopals don't demand much in the way of actual religious belief. They have girl priests, gay priests, gay bishops, gay marriages — it's much like The New York Times editorial board. They acknowledge the Ten Commandments — or "Moses' talking points" — but hasten to add that they're not exactly "carved in stone."”

Ann Coulter (1961) author, political commentator

2004

Marriage, Way, Girl, Time

“Don't you think it's weird how so many awards these days look like rough crystal formations freshly carved from the rock? Oh I guess you wouldn't know because YOU DON'T WIN AWARDS”

Ben Croshaw (1983) English video game journalist

25 April 2009
Fully Ramblomatic

Thinking

“My dad, Ron Brand, was an entrepreneurial Essex man, Del Boy’d up to the hilt on Thatcher’s creed. He was a self-made and self-destructive man and intermittently tumbled either side of the line. The prevailing mentality of the time, the eighties, was “every man for himself.” Unions were crushed, state interests were carved up and flogged, and council houses were sold back to the people whose efforts had built them. One of the great venture-capitalist heroes of this time, who epitomized this buccaneering spirit, was Sir James Goldsmith, Tory hero, Thatcher crush, scourge of Private Eye, and demon of the left. My dad and a lot of people from modest backgrounds admired him; there was something appealingly antiestablishment and daring in the aggressive and ingenious ways that James Goldsmith exploited the system.”

Russell Brand book Revolution

Revolution (2014)

People, Way, Effort, Time

“p>The inherent contradictions and binds men find themselves in in trying to become less macho in their relationship with a woman were poignantly expressed in a letter written by a young man to a New York newspaper in response to an article that addressed itself to a question posed by a woman writer—whether women would be able to think of a non-macho man as sexy. The letter writer wrote:I am by nature a gentle and non-aggressive 27-year-old man who often finds women turned off sexually by my tenderness and non-macho view of the world. I have come to realize that for all their talk, a lot of women still want the hairy, sexy, war-mongering, aggressive machoman of their dreams. So after several fruitless years as a gentle poet-man, I now turn myself into a heavy machismo when I go out with a woman. It works. I open the doors, I order the food and drinks, I decide which movie or play we will see. I keep my shirt unbuttoned down past my nipples and wear a gold chain around my neck with a carved elephant tusk medallion, and if the relationship is not working out, I make the first move and tell my companion that I'm sorry but we're through.The sad thing about all this is that it works.”

Herb Goldberg (1937–2019) American psychologist

After all those years of being naturally sensitive and gentle, and now I've got to turn myself inside out just to appear sexy. It's fun and it's nice, but I do wish I could just be myself again.</blockquote>
Who Is the Victim? Who Is the Oppressor?, pp. 165–166
The New Male (1979)

Women, Men, War, World

“There was a sculptured form; the feet were placed
Upon a finely-carved rose wreath; the arms
Were raised to Heaven, as if to clasp the stars
EULALIA leant beside; 'twas hard to say
Which was the actual marble: when she spoke,
You started, scarce it seem'd a human sound;
But the eyes' lustre told life linger'd still;
And now the moonlight seem'd to fill their depths.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A History of the Lyre
The Venetian Bracelet (1829)

Life, Star

“I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's "Rest in the Lord." It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.”

Thomas Eakins (1844–1916) American painter

Letter to Henry A. Rowland (1897-10-04).

Thinking, Painting

“He also said we should carve in the year and place where I was born, but I said no. As a man dies many times before he's dead, so does he wend from birth to birth until, by grace, he comes alive at last.”

Frederick Buechner book Godric

Godric (1980)

Birth, Time, Dead

“The building itself is hostile: cracked plaster, broken windows, splintered doors and carved up desks, gloomy corridors and metal stairways, dingy cafeteria (they can eat sitting down only in 20 minute shifts) and an auditorium which has no windows. It does have murals, however, depicting mute, muscular harvesters, faded and immobile under a mustard sun.”

Bel Kaufmanová book Up the Down Staircase

Part I, ch. 5 (Sylvia Barrett)
Up the Down Staircase (1965)

Hostility, Sun

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith, Religion, Error, Lying

“One room after another in the British museum took my enthusiasm. The Royal College of Art meant nothing in comparison. Every Wednesday, Saturday, and Sunday I would go to the British Museum. But not till after three months did things begin to settle into any pattern of reality for me. Till then everything was wonderful – a new world at every turn. That is the value of the British Museum: you have everything behind you; you are free to try to find out your own way and, after a while, to find what appeals to you most. And after the first excitement it was the art of ancient Mexico that spoke to me most – except perhaps Romanesque, or early Norman. And I admit clearly and frankly that early Mexican art formed my views of carving as much as everything I could do.”

Henry Moore (1898–1986) English artist

in 'Partisan Review', New York, March-April 1947
1940 - 1955

World, Art, Way, Reality

“Perhaps the first fire, the first tool, the first wheel, the first carving in a limestone cave, had each possessed a symbolic rather than a practical value, had each been pressed to serve distortion rather than reality. It was a sort of madness that had driven man from his humble sites on the edges of the woods into towns and cities, into arts and wars, into religious crusades, into martyrdom and prostitution, into dyspepsia and fasting, into love and hatred, into this present cul-de-sac; it had all come about in pursuit of symbols. In the beginning was the symbol, and darkness was over the face of the Earth.”

Brian W. Aldiss book Greybeard

Source: Greybeard (1964), Chapter 3 (p. 91)

Love, War, Art, Reality

“I haven't the arrogance to say I can carry the mighty load of His Cross, but I do try to walk in its shadow. He wants to carve your life like a crucifix. Every calamity is a crucifixion, crucifying your ambition, your lust. Each is a tiny lesson, and then the imprint of the crucifixion is on your life. What is your plan of sacrifice today? You and I, petty souls, sacrifice for our children. Christ sacrificed for tomorrow's whole world. Whenever I see slum-dwellers, with their hunger and poverty, that obscene poverty, I feel He is crucified like that. When I come across a person suffering from leprosy, foul smelling, ulcerous, I can see the imprint of His lips, His kiss. What did they not do to sufferers of leprosy in His time, yet the carpenter's son cared for them and touched them. That hand is an emblem for me, that hand which cared for the loneliest and the lost. The Christian is … he who not only lights the darkest corner in the world but also the darkest corner in his own heart.”

Baba Amte (1914–2008) Indian freedom fighter, social worker

On Christ
Baba Amte's Words of Wisdom

Life, Hunger, Children, World

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

God, Books, Understanding, Tree

“Milton, Madam, was a genius that could cut a Colossus from a rock; but could not carve heads upon cherry-stones.”

Samuel Johnson (1709–1784) English writer

In response to Hannah More wondering why Milton could write Paradise Lost but only poor sonnets. June 13, 1784, p. 542
Life of Samuel Johnson (1791), Vol IV

“The picture rises before us vivid and bright: the finely carved, dragon-shaped prow; the high, curving stern; the long row of shields, black and yellow alternately, ranged along the sides; the gleam of steel; the scent of murder.”

Winston S. Churchill book A History of the English-Speaking Peoples

On the Viking Long Ships, Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

“Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Art

Nature, Parting, Painting, Housing

“Just give to me my gravestone
With it clearly carved upon:
"I'm a long time a-comin'
An' I'll be a long time gone"”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 (2010), Long Time Gone (recorded 1962)

Time

“Cadets are people. Behind the gray suits, beneath the Pom-pom and Shako and above the miraculously polished shoes, blood flows through veins and arteries, hearts thump in a regular pattern, stomachs digest food, and kidneys collect waste. Each cadet is unique, a functioning unit of his own, a distinct and separate integer from anyone else. Part of the irony of military schools stems from the fact that everyone in these schools is expected to act precisely the same way, register the same feelings, and respond in the same prescribed manner. The school erects a rigid structure of rules from which there can be no deviation. The path has already been carved through the forest and all the student must do is follow it, glancing neither to the right nor left, and making goddamn sure he participates in no exploration into the uncharted territory around him. A flaw exists in this system. If every person is, indeed, different from every other person, then he will respond to rules, regulations, people, situations, orders, commands, and entreaties in a way entirely depending on his own individual experiences. Te cadet who is spawned in a family that stresses discipline will probably have less difficulty in adjusting than the one who comes from a broken home, or whose father is an alcoholic, or whose home is shattered by cruel arguments between the parents. Yet no rule encompasses enough flexibility to offer a break to a boy who is the product of one of these homes.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 10

People, Alcohol, School, Family

“The animals of the Burgess Shale are holy objects—in the unconventional sense that this word conveys in some cultures. We do not place them on pedestals and worship from afar. We climb mountains and dynamite hillsides to find them. We quarry them, split them, carve them, draw them, and dissect them, struggling to wrest their secrets. We vilify and curse them for their damnable intransigence. They are grubby little creatures of a sea floor 530 million years old, but we greet them with awe because they are the Old Ones, and they are trying to tell us something.”

Stephen Jay Gould book Wonderful Life

Source: Wonderful Life (1989), p. 52

Secret, Mountain, Sense, Animals

“The mysterious musicality, the organic intermarriage of its forms convex and concave, the high singing phrase of a straight line bordering a plane and its sudden dropping into a scarcely traceable curve, and feel deeply, sharply, the profound peace, the philosophy awakened by the even distribution of light and shade, wandering from one curved plane into a deep clarity of light, enriching a carefully carved stone plane. One will understand at once that those awakened sensation have nothing to do with anatomical considerations, exactitudes observed or not.”

Ossip Zadkine (1890–1967) French sculptor

n.p.
1960 - 1968, Plastic Language, Ossip Zadkine

Peace, Music, Feeling, Understanding

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Life, Men, God, People

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Death, Money, God, Faith

“The painted, engraved, and carved images of prehistory are threads from past cultures, and we are foreigners trying to interpret their meaning. Perhaps more than anything else, art can be fully understood only in the context of the culture that produced it.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Art, Past, Painting

“Do not look for revelations in the ancient ruins. You will find here only what you bring: bits of memory, wisps of the past as thin as clouds in the summer, fragments of stone that are carved with symbols that sometimes almost make sense.”

Pat Murphy book The Falling Woman

Notes for City of Stones by Elizabeth Butler (p. 10)
The Falling Woman (1986)

Sense, Memory, Past, Summer

“What disquieted Confucius was "leaving virtue untended and learning unperfected, hearing about what is right but not managing either to turn toward it or to reform what is evil." (7:3) The disciple of Confucius was surely all too aware that his task was one calling not for amazement and miracle but for constant "cutting, filing, carving, polishing" (1:15) in order to become a fully and truly human being, a worthy participant in society.”

Herbert Fingarette (1921–2018) Philosopher

Confucius: The Secular as Sacred (1998)

Learning, Evil

“I said to him [Hugh Dowding], "Well, as you eat meat, as you are a peer and have a seat in the House of Lords, could you do something about getting it humanely killed?" He said, "Well, isn't it?" I said, "I'm asking you." Well, we had a very, very happy marriage, and he never went anywhere without telling me where he was going. He'd nearly always say, "Look, can't you get out of what you are doing and come too?" And on three occasions he didn't tell me where he was going, he had just gone. He came back very depressed and didn't seem to want to talk about whatever it was. I wondered what was worrying him. When Sunday came, his usual salted beef was served, a dish that he liked very much. And he stood up to carve it, then he sat down, and he said, "What is it you're eating?" "Oh," I said, "well, as you know, it's a vegetarian dish." He said, "Would you have enough for me to have some? And don't ever get meat in this house for me again!" And he became a vegetarian then and there, and was one for about seventeen years till his death. … Well, if you're going to speak in the House of Lords, you've jolly well got to know your facts. Yes, he'd been to three slaughterhouses and was appalled.”

Muriel Dowding, Baroness Dowding (1908–1993) British noble

Source: Interview by Rynn Berry, pp. 137-38

Death, Marriage, Happiness, Housing

“[carving a sculpture in wood] is such a sensual pleasure when blow by blow the figure grows more and more from the trunk.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to de:Gustav Schiefler from Dresden, 27 June, 1911; as quoted in German Expressionist Sculpture, ed. Stephanie Barron, Los Angeles County Museum of Art, 1983, p. 114
1905 - 1915

Pleasure