Quotes about carving

A collection of quotes on the topic of carving, likeness, stone, time.

Quotes about carving

Jodi Picoult photo
Babur photo
Benjamin Disraeli photo
V.S. Naipaul photo
Tracey Emin photo
Miguel de Cervantes photo

“The brave man carves out his fortune, and every man is the son of his own works.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book I, Ch. 4.

Kurt Vonnegut photo
Barbara Hepworth photo
Alexander Calder photo
Terry Pratchett photo
Kurt Vonnegut photo
William Shakespeare photo
Gerard Manley Hopkins photo
David Tennant photo

“I was once asked for my autograph in the shower on one of my rare visits to the gym. I was washing my hair, facing the wall, when I was tapped on the shoulder so already it's quite inappropriate. I turned round and there was another naked man standing there with a piece of paper. And I think 'if you can't see how inappropriate this I am just going to have to play along' so I took the paper, which is slowly becoming mulch, and carved my name in it.”

David Tennant (1971) Scottish actor

David Tennant on fan obsession, The Graham Norton Show, 14 April 2011
Source: Graham Norton welcomes David Tennant, Catherine Tate, Josh Groban and Jon Richardson, BBC Press Office, 15 April 2011, 15 April 2011 http://www.bbc.co.uk/pressoffice/pressreleases/stories/2011/04_april/15/norton.shtml,

Robert Browning photo

“But how carve way i' the life that lies before,
If bent on groaning ever for the past?”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Balaustion's Adventure.
Bartlett's Familiar Quotations, 10th ed. (1919)

Suman Pokhrel photo

“Literary translation is not merely an act of picking words from one language and keeping it by dipping in the vessel of another language. Those words need to be rinsed, washed, carved and decorated as much as possible.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Charles Darwin photo
Sun Yat-sen photo
Ayumi Hamasaki photo
Theodore Roosevelt photo

“I could carve a better man out of a banana. ”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States
Marcin Malek photo
Laurell K. Hamilton photo
Cecelia Ahern photo
Anaïs Nin photo
Edwidge Danticat photo
E.E. Cummings photo
P.G. Wodehouse photo
Jodi Picoult photo
Karen Marie Moning photo
Hunter S. Thompson photo
John Muir photo
Amy Tan photo
Holly Black photo
Edwidge Danticat photo
Kathy Reichs photo
Haruki Murakami photo
Dr. Seuss photo

“And he, he himself… the Grinch… carved the roast-beast!”

Source: How the Grinch Stole Christmas!

Rick Riordan photo
Ted Hughes photo

“I shall also take you forth and carve our names together in a yew tree, haloed with stars…”

Ted Hughes (1930–1998) English poet and children's writer

Source: Letters of Ted Hughes

Martin Luther King, Jr. photo

“Wars are poor chisels for carving out peaceful tomorrows.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement
Robin Hobb photo
Jack McDevitt photo

“If you want data to survive, carve it in rock.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Cauldron (2007), Chapter 28 (p. 256)

Rockwell Kent photo
Calvin Coolidge photo
Vitruvius photo
Ted Budd photo
Ossip Zadkine photo
Van Morrison photo
Paul Allen photo

“It's very challenging to carve back market share.”

Paul Allen (1953–2018) American inventor, investor and philanthropist

The New York Times: "40 Busy Years Later, Paul Allen, a Microsoft Founder, Considers His Creation" https://bits.blogs.nytimes.com/2015/05/03/40-busy-years-later-a-microsoft-founder-considers-his-creation/ (03 May 2015)

““…Mas‘ud hunted through the country around Bahraich, and whenever he passed by the idol temple of Suraj-kund, he was wont to say that he wanted that piece of ground for a dwelling-place. This Suraj-kund was a sacred shrine of all the unbelievers of India. They had carved an image of the sun in stone on the banks of the tank there. This image they called Balarukh, and through its fame Bahraich had attained its flourishing condition. When there was an eclipse of the sun, the unbelievers would come from east and west to worship it, and every Sunday the heathen of Bahraich and its environs, male and female, used to assemble in thousands to rub their heads under that stone, and do it reverence as an object of peculiar sanctity. Mas‘ud was distressed at this idolatry, and often said that, with God’s will and assistance, he would destroy that mine of unbelief, and set up a chamber for the worship of the Nourisher of the Universe in its place, rooting out unbelief from those parts…
“Meanwhile, the Rai Sahar Deo and Har Deo, with several other chiefs, who had kept their troops in reserve, seeing that the army of Islam was reduced to nothing, unitedly attacked the body-guard of the Prince. The few forces that remained to that loved one of the Lord of the Universe were ranged round him in the garden. The unbelievers, surrounding them in dense numbers, showered arrows upon them. It was then, on Sunday, the 14th of the month Rajab, in the aforesaid year 424 (14th June, 1033) as the time of evening prayer came on, that a chance arrow pierced the main artery in the arm of the Prince of the Faithful…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Awadh (Uttar Pradesh), Mir‘at-i-Mas‘udi in Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Henry Moore photo
Barbara Hepworth photo

“He [Giovanni Ardini, Italian master-carver] opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.”

Barbara Hepworth (1903–1975) English sculptor

Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946

“I realized the wood was better before I cut it, than after. I did not improve it in any way [by carving it].”

Carl Andre (1935) American artist

As quoted in Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 206
quote after 1959, in Andre's early artistic career, when he made his sculpture 'Last Ladder'

Ralph Waldo Emerson photo
John Fante photo
Henry Moore photo
Rebecca Solnit photo
Cristoforo Colombo photo
Jordan Peterson photo
Tim Cook photo

“The countries that embrace openness do exceptional and the countries that don’t, don’t. It’s not a matter of carving things up between sides. I’m going to encourage that calm heads prevail.”

Tim Cook (1960) American business executive

Bloomberg: Apple's Cook to Meet With Trump Amid China Trade Tensions https://www.bloomberg.com/news/articles/2018-04-25/apple-s-cook-to-meet-with-trump-amid-u-s-china-trade-tensions (25 April 2018)

Jeffrey Montgomery photo

“But the cards are stacked against us. Scurrilous and abusive rhetoric is spewed by politicians and so-called religious leaders, who cloak themselves by turning the Constitution on its head and claim protection and permission to demonize and denigrate us. Hiding behind the perversion of the concepts of religious freedom and political speech, those people have carved out a special right to impose their bigotry and hatred for us.”

Jeffrey Montgomery (1953–2016) American LGBT rights activist and public relations executive

America...You Kill Me
Variant: We want to be able to move freely and safely in our daily lives, free from the threat of random hate violence. themselves by turning the Constitution on its head and claim protection and permission to demonize and denigrate us. Hiding behind the perversion of the concepts of religious freedom and political speech, those people have carved out a special right to impose their bigotry and hatred for us.

Ann Coulter photo
Ben Croshaw photo
Russell Brand photo

“p>The inherent contradictions and binds men find themselves in in trying to become less macho in their relationship with a woman were poignantly expressed in a letter written by a young man to a New York newspaper in response to an article that addressed itself to a question posed by a woman writer—whether women would be able to think of a non-macho man as sexy. The letter writer wrote:I am by nature a gentle and non-aggressive 27-year-old man who often finds women turned off sexually by my tenderness and non-macho view of the world. I have come to realize that for all their talk, a lot of women still want the hairy, sexy, war-mongering, aggressive machoman of their dreams. So after several fruitless years as a gentle poet-man, I now turn myself into a heavy machismo when I go out with a woman. It works. I open the doors, I order the food and drinks, I decide which movie or play we will see. I keep my shirt unbuttoned down past my nipples and wear a gold chain around my neck with a carved elephant tusk medallion, and if the relationship is not working out, I make the first move and tell my companion that I'm sorry but we're through.The sad thing about all this is that it works.”

Herb Goldberg (1937–2019) American psychologist

After all those years of being naturally sensitive and gentle, and now I've got to turn myself inside out just to appear sexy. It's fun and it's nice, but I do wish I could just be myself again.</p></blockquote>
Who Is the Victim? Who Is the Oppressor?, pp. 165&ndash;166
The New Male (1979)

Letitia Elizabeth Landon photo
Thomas Eakins photo
Frederick Buechner photo
Bel Kaufmanová photo
Arun Shourie photo

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Henry Moore photo
Brian W. Aldiss photo
Baba Amte photo
John Calvin photo

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

Samuel Johnson photo

“Milton, Madam, was a genius that could cut a Colossus from a rock; but could not carve heads upon cherry-stones.”

Samuel Johnson (1709–1784) English writer

In response to Hannah More wondering why Milton could write Paradise Lost but only poor sonnets. June 13, 1784, p. 542
Life of Samuel Johnson (1791), Vol IV

Winston S. Churchill photo
Ralph Waldo Emerson photo
Bob Dylan photo

“Just give to me my gravestone
With it clearly carved upon:
"I'm a long time a-comin'
An' I'll be a long time gone"”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 (2010), Long Time Gone (recorded 1962)

Pat Conroy photo

“Cadets are people. Behind the gray suits, beneath the Pom-pom and Shako and above the miraculously polished shoes, blood flows through veins and arteries, hearts thump in a regular pattern, stomachs digest food, and kidneys collect waste. Each cadet is unique, a functioning unit of his own, a distinct and separate integer from anyone else. Part of the irony of military schools stems from the fact that everyone in these schools is expected to act precisely the same way, register the same feelings, and respond in the same prescribed manner. The school erects a rigid structure of rules from which there can be no deviation. The path has already been carved through the forest and all the student must do is follow it, glancing neither to the right nor left, and making goddamn sure he participates in no exploration into the uncharted territory around him. A flaw exists in this system. If every person is, indeed, different from every other person, then he will respond to rules, regulations, people, situations, orders, commands, and entreaties in a way entirely depending on his own individual experiences. Te cadet who is spawned in a family that stresses discipline will probably have less difficulty in adjusting than the one who comes from a broken home, or whose father is an alcoholic, or whose home is shattered by cruel arguments between the parents. Yet no rule encompasses enough flexibility to offer a break to a boy who is the product of one of these homes.”

Source: The Boo (1970), p. 10

Ossip Zadkine photo
Nicholas Murray Butler photo

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Mahmud of Ghazni photo

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Richard Leakey photo
Pat Murphy photo
Ernst Ludwig Kirchner photo

“[carving a sculpture in wood] is such a sensual pleasure when blow by blow the figure grows more and more from the trunk.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to de:Gustav Schiefler from Dresden, 27 June, 1911; as quoted in German Expressionist Sculpture, ed. Stephanie Barron, Los Angeles County Museum of Art, 1983, p. 114
1905 - 1915

Jerome K. Jerome photo
Wendy Doniger photo
Ralph Waldo Emerson photo

“Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Society and Solitude, Art
Bartlett's Familiar Quotations, 10th ed. (1919)

Michael Savage photo

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015