Quotes about burst
page 2

Rick Riordan photo
James Joyce photo
Anne Lamott photo
Anton Chekhov photo
Luís de Camões photo

“Now let the judging reader mark what rex
The idol gold (which all the world adoreth)
Plays both in poor and rich: by money's thurst
All laws and ties (divine, and human) burst.”

Luís de Camões (1524–1580) Portuguese poet

Veja agora o juízo curioso
Quanto no rico, assim como no pobre,
Pode o vil interesse e sede inimiga
Do dinheiro, que a tudo nos obriga.
Stanza 96, lines 5–8 (tr. Richard Fanshawe)
Epic poetry, Os Lusíadas (1572), Canto VIII

Jean Baudrillard photo

“One may dream of a culture where everyone bursts into laughter when someone says: this is true, this is real.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

1990s, Radical Thought (1994)

“Bliss within the burghs, when I burst forth
with a cadenced song”

Cynewulf Anglo Saxon poet

Riddle IX, 'Riddle, The Nightingale', quoted by F. S. Flint, Preface, 'Otherworld Cadences', Poetry Bookshop, London, 1920

Mikhail Bulgakov photo
George Chapman photo
Bono photo
Ron Paul photo
Emil M. Cioran photo
Quentin Crisp photo
Gustav Stresemann photo

“We agree to recognise Lithuanian independence on condition that the desire of the Lithuanians for a military convention and a customs, monetary and postal union with Germany, communicated to us some time ago by a Lithuanian delegation, still remains. For to be candid, the idea of full independence for these peripheral countries seems to me to be purely theoretical and impracticable…The whole development of world politics shows that we have not only great and powerful individual countries like Germany on the one hand and Britain and France on the other, but associations of States fighting against each other…I do not believe in Wilson's universal League of Nations, I think that after the peace it will burst like a soap bubble. Great and powerful complexes of nations with hundreds of millions of inhabitants, armies of millions of men and exports amounting to thousands of millions, will be confronting each other. In the circumstances such small fractional nationalities will not be able to exist in complete independence, without seeking to lean on one side or the other. Just as there is no independent Belgium in the sense that it gravitates towards one side or the other, so it is not possible to conceive of a completely independent Lithuania, Balticum or Poland without that provisio.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

1910s, Speech in the Reichstag, 18 March 1918

Daniel Handler photo
John Oliver photo
Kamo no Chōmei photo
Annie Proulx photo
Mahatma Gandhi photo
Henry Adams photo
John Adams photo
John Byrne photo
John Ruysbroeck photo
Anne Rice photo
Anne Morrow Lindbergh photo
Gerhard Richter photo
John Green photo
Keith Olbermann photo

“The world bursts at the seams with people ready to tell you you're not good enough. On occasion, some may be correct. But do not do their work for them. Seek any job; ask anyone out; pursue any goal. Don't take it personally when they say 'no”

Keith Olbermann (1959) American sports and political commentator

they may not be smart enough to say "yes."
" The Way I See It http://www.starbucks.com/retail/thewayiseeit_default.asp," Starbucks Coffee Cups (2005-02-01)

Noel Coward photo
Algis Budrys photo
Max Scheler photo

“These two characteristics make revenge the most suitable source for the formation of ressentiment. The nuances of language are precise. There is a progression of feeling which starts with revenge and runs via rancor, envy, and impulse to detract all the way to spite, coming close to ressentiment. Usually, revenge and envy still have specific objects. They do not arise without special reasons and are directed against definite objects, so that they do not outlast their motives. The desire for revenge disappears when vengeance has been taken, when the person against whom it was directed has been punished or has punished himself, or when one truly forgives him. In the same way, envy vanishes when the envied possession becomes ours. The impulse to detract, however, is not in the same sense tied to definite objects—it does not arise through specific causes with which it disappears. On the contrary, this affect seeks those objects, those aspects of men and things, from which it can draw gratification. It likes to disparage and to smash pedestals, to dwell on the negative aspects of excellent men and things, exulting in the fact that such faults are more perceptible through their contrast with the strongly positive qualities. Thus there is set a fixed pattern of experience which can accommodate the most diverse contents. This form or structure fashions each concrete experience of life and selects it from possible experiences. The impulse to detract, therefore, is no mere result of such an experience, and the experience will arise regardless of considerations whether its object could in any way, directly or indirectly, further or hamper the individual concerned. In “spite,” this impulse has become even more profound and deep-seated—it is, as it were, always ready to burst forth and to betray itself in an unbridled gesture, a way of smiling, etc. An analogous road leads from simple *Schadenfreude* to “malice.””

Max Scheler (1874–1928) German philosopher

The latter, more detached than the former from definite objects, tries to bring about ever new opportunities for *Schadenfreude*.
Das Ressentiment im Aufbau der Moralen (1912)

Jerome K. Jerome photo
Camille Paglia photo
Thomas Friedman photo
Homér photo

“As stars in the night sky glittering
round the moon's brilliance blaze in all their glory
when the air falls to a sudden, windless calm…
all the lookout peaks stand out and the jutting cliffs
and the steep ravines and down from the high heavens bursts
the boundless, bright air and all the stars shine clear
and the shepherd's heart exults.”

VIII. 551–555 (tr. Robert Fagles).
Alexander Pope's translation:
: As when the moon, refulgent lamp of night,
O'er heaven's clear azure spreads her sacred light,
When not a breath disturbs the deep serene,
And not a cloud o'ercasts the solemn scene;
Around her throne the vivid planets roll,
And stars unnumbered gild the glowing pole,
O'er the dark trees a yellower verdure shed,
And tip with silver every mountain's head;
Then shine the vales, the rocks in prospect rise,
A flood of glory bursts from all the skies.
Iliad (c. 750 BC)

Richard Cobden photo
Jean-Baptiste-Camille Corot photo
Khaled Hosseini photo
Marianne Moore photo

“I don't consider In Distrust of Merits a poem. It's just a burst of feelings. It's emotion recorded, a 'haphazard form ' a protest.”

Marianne Moore (1887–1972) American poet and writer

Interview with Grace Shulman. Quarterly Review of Literature 1969

Brandon Boyd photo
Bob Dylan photo

“People starving and thirsting; grain elevators are bursting. You know, it costs more to store the food than it do to give it.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Slow Train Coming (1979), Slow Train

Newton Lee photo
Julian of Norwich photo
Judith Sheindlin photo

“after someone in audience applauds, causing plaintiff to burst into tears: If there's any more noise from our gallery, you're gonna leave. Got it?”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

https://www.youtube.com/watch?v=xn9XiHQBe1k
Quotes from Judge Judy cases, Dress, stand, speak properly

Henry Adams photo
Justin Heazlewood photo
Anna Akhmatova photo

“Such grief might make the mountain stoop,
reverse the waters where they flow,
but cannot burst these ponderous bolts
that block us from the prison cells
crowded with mortal woe…”

Anna Akhmatova (1889–1966) Russian modernist poet

The mountains bow before this anguish,
The great river does not flow.
In mortal sadness the convicts languish;
The bolts stay frozen.
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Dedication

Tom Robbins photo
Mary Parker Follett photo
Mark Helprin photo
Stephen Vincent Benét photo
Poul Anderson photo
John Napier photo
Letitia Elizabeth Landon photo

“My heart is like the failing hearth
Now by my side,
One by one its bursts of flame
Have burnt and died.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - Clemenza’s Song
The Golden Violet (1827)

Letitia Elizabeth Landon photo
Marshall McLuhan photo

“The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 23

Corneliu Zelea Codreanu photo

“Those who think that the Jews are poor unfortunates, arrived here by chance, carried by the wind, led by fate, and so on, are mistaken. All the Jews who exist on the face of the earth form a great community, bound by blood and Talmudic religion. They are parts of a truly implacable state, which has laws, plans and leaders who formulate these plans and carry them through. The whole thing is organised in the form of a so-called 'Kehillah'. This is why we are faced, not with isolated Jews, but with a constituted force, the Jewish community. In any of our cities or countries where a given number of Jews are gathered, a Kehillah is immediately set up, that is to say the Jewish community. This Kehillah has its leaders, its own judiciary, and so on. And it is in this small Kehillah, whether at the city or at the national level, that all the plans are formed : how to win the local politicians, the authorities; how to work one's way into circles where it would be useful to get admitted, for example, among the magistrates, the state employees, the senior officials; these plans must be carried out to take a certain economic sector away from a Romanian's hands; how an honest representative of an authority opposed to the Jewish interests could be eliminated; what plans to apply, when, oppressed, the population rebels and bursts in anti-Semitic movements.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

For My Legionaries: The Iron Guard (1936), Jewish Problem

“Not only the qualitative world bursts forth in song, but so does the quantitative.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 84

Heinrich Heine photo
Hermann Weyl photo

“The rapid development of science… has, as it were, burst its old shell, now become too narrow.”

Hermann Weyl (1885–1955) German mathematician

Introduction
Space—Time—Matter (1952)

Alexander McCall Smith photo
Colin Wilson photo
John Stuart Mill photo
Edgar Degas photo
Kaarlo Sarkia photo
Thomas Carlyle photo
Fortunato Depero photo

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

Robert E. Howard photo
Hector Berlioz photo

“That is, in fact, the true female voice of the orchestra – a voice at once passionate and chaste, heart-rending, yet soft, which can weep, sigh, and lament, chant, pray, and muse, or burst forth into joyous accents, as none other can do.”

Hector Berlioz (1803–1869) French Romantic composer

C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.
Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25.
Of the violin.

Manuel Castells photo
Harold Macmillan photo
Henry Wadsworth Longfellow photo
Letitia Elizabeth Landon photo
Robert Sarah photo
Siegfried Sassoon photo

“Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

"Everyone Sang" https://www.poetryfoundation.org/poems/57253/everyone-sang (1919)

T.S. Eliot photo
W. H. Auden photo

“When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.”

W. H. Auden (1907–1973) Anglo-American poet

Epitaph on a Tyrant (1939), lines 5–6

Matthew Arnold photo

“How thick the bursts come crowding through the leaves!
Again — thou hearest?
Eternal passion!
Eternal pain!”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Philomela" (1853), st. 3

Richard Wilbur photo

“A thrush, because I'd been wrong,
Burst rightly into song
In a world not vague, not lonely,
Not governed by me only.”

Richard Wilbur (1921–2017) American poet

"Having Misidentified a Wild-Flower"

Henry Adams photo
Roger Waters photo
Nikolai Gogol photo
Max Beckmann photo
Oliver Wendell Holmes photo

“It went to pieces all at once—
All at once and nothing first,
Just as bubbles do when they burst.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Deacon's Masterpiece; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

James Braid photo
Sarvepalli Radhakrishnan photo
Raymond Poincaré photo

“Of Clemenceau he spoke in kindly terms. But when the name of Poincaré was mentioned, all the bitterness of his nature burst into a sentence of concentrated hatred. "He is a cheat and a liar," he exclaimed. He repeated the phrase with fierce emphasis. Poincaré disliked and distrusted him and the detestation was mutual.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

David Lloyd George recounting Woodrow Wilson's opinion of Poincaré in 1923, quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 241.
About