Quotes about burst
page 3

Hollow Horn Bear photo

“The bullets bursted [sic] at the time of the war, and we used to die with bullets, but now let us die quietly.”

Hollow Horn Bear (1850–1913) 19th century Lakota chief and policeman

During negotiations with Crook and others, in [Books on Google Play Congressional Serial Set, 1890, U.S. Government Printing Office, https://books.google.com/books?id=lQ0ZAAAAYAAJ, 1 March 2018, 59]

Helen Hayes photo
Douglas Coupland photo
Plutarch photo
Letitia Elizabeth Landon photo
Paul Klee photo

“I am God / So much of the divine / is heaped in me / that I cannot die.
My head burns to the point of bursting.
One of the worlds / hidden in it / wants to be born. / But now I must suffer / to bring it forth.”

Paul Klee (1879–1940) German Swiss painter

Quote (1901), # 155, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Thomas Jefferson photo

“May it be to the world, what I believe it will be, (to some parts sooner, to others later, but finally to all), the signal of arousing men to burst the chains under which monkish ignorance and superstition had persuaded them to bind themselves, and to assume the blessings and security of self-government.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Roger C. Weightman, on the decision for Independence made in 1776, often quoted as if in reference solely to the document the Declaration of Independence (24 June 1826)
1820s

Stanisław Lem photo
John Keats photo
Chinua Achebe photo
James Macpherson photo

“The groan of the people spread over the hills; it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Book III
The Poems of Ossian, Fingal, an ancient Epic Poem

Jean Dubuffet photo

“Portrait likenesses cooked and preserved in memory, likenesses burst in the memory of Mr. Jean Dubuffet, painter.”

Jean Dubuffet (1901–1985) sculptor from France

Two quotes, Jean Dubuffet placed on the poster announcing his painting-show 'Les gens sont plus beaux qu'ils croient, in Galerie René Drouin, Paris (October 7–31, 1947)
1940's

James Macpherson photo
John Fante photo

“Luck: when your burst of energy doesn't run afoul of someone else's.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Hermann Rauschning photo
Samuel Beckett photo
Paul Klee photo

“Am I God? / I have accumulated so many great things in me! / My head aches to the point of bursting. / It has to hold an overview of power. / May you want (are you worthy of it?) / that it be born to you.”

Paul Klee (1879–1940) German Swiss painter

Quote (1905), # 690, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Jayant Narlikar photo
Thomas Guthrie photo
Wassily Kandinsky photo
Brandon Boyd photo

“To get their attention, start lobbing the light grenades (That burst and blind them with the truth! An eye for an eye, a tooth for a tooth!)”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Light Grenades (2006)

Du Fu photo

“Birds the more white, against green stream
Blooms burst to flame, against blue hills
I glance, the spring is gone again.
What day, what day, can I go home?”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"A Quatrain" (trans. Jerome P. Seaton), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 142

George William Curtis photo
Calvin Coolidge photo
Max Beckmann photo

“Yesterday we came across a cemetery that had been completely destroyed by shellfire. The graves had been blown up, and the coffins lay about in the most uncomfortable positions. The shells had unceremoniously exposed their distinguished occupants to the light of day, and bones, hair, and bits of clothing could be seen through cracks in the burst-open coffins.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s

Eric Hobsbawm photo
John Buchan photo
Salvador Dalí photo

“My song is of the straits first navigated by the mighty sons of gods, of the prophetic ship that dared to seek the shores of Scythian Phasis, that burst unswerving through the clashing rocks, to slink at length to rest in the starry firmament.”
Prima deum magnis canimus freta pervia natis fatidicamque ratem, Scythici quae Phasidis oras ausa sequi mediosque inter iuga concita cursus rumpere flammifero tandem consedit Olympo.

Source: Argonautica, Book I, Lines 1–4

John McPhee photo
Ben Klassen photo
Nathaniel Hawthorne photo
Albert Einstein photo

“Everyone sits in the prison of his own ideas; he must burst it open, and that in his youth, and so try to test his ideas on reality.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Miscellaneous http://books.google.com/books?id=cvlOAAAAMAAJ&q=%22Everyone+sits+in+the+prison+of+his+own+ideas+he+must+burst+it+open+and+that+in+his+youth+and+so+try+to+test+his+ideas+on+reality%22&pg=PA104#v=onepage, Cosmic Religion, p. 104 (1931)
1930s

Francis Thompson photo
Alvin C. York photo
Georg Wilhelm Friedrich Hegel photo
Brigham Young photo
Suzanne Collins photo

“"So you're supposed to give us some advice", I say to Haymitch.
"Here's some advice. Stay Alive," says Haymitch and bursts out laughing.”

Suzanne Collins (1962) American television writer and novelist

Katniss Everdeen and Haymitch Abernathy.
The Hunger Games trilogy, The Hunger Games (2008)

Thom Yorke photo

“In an interstellar burst
I am back to save the universe”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

Lyrics, OK Computer (1997)

Sam Houston photo
Donald Barthelme photo
Katy Perry photo

“'Cause baby you're a firework,
Come on, show 'em what you're worth.
Make 'em go "Oh, Oh, Oh"
As you shoot across the sky-y-y.Baby, you're a firework,
Come on, let your colors burst.
Make 'em go "Oh, Oh, Oh"
You're gonna leave 'em falling down-own-own.”

Katy Perry (1984) American singer, songwriter and actress

Firework, written by Katy Perry, Mikkel S. Eriksen, Tor Erik Hermansen Sandy Wilhelm, and Ester Dean
Song lyrics, Teenage Dream (2010)

Joseph Smith, Jr. photo
Paul Auster photo
Torquato Tasso photo

“p>'Ah, see,' he sang, 'the shamefast, virgin rose
first bursting her green bud so timidly,
half hidden and half bare: the less she shows
herself, the lovelier she seems to be.
Now see her bosom, budding still, unclose
and look! She droops, and seems no longer she—
not she who in her morning set afire
a thousand lads and maidens with desire.So passes in the passing of a day
the leaf and flower from our mortal scene,
nor will, though April come again, display
its bloom again, nor evermore grow green.”

Torquato Tasso (1544–1595) Italian poet

Deh mira (egli cantò) spuntar la rosa
Dal verde suo modesta e verginella;
Che mezzo aperta ancora, e mezzo ascosa,
Quanto si mostra men, tanto è più bella.
Ecco poi nudo il sen già baldanzosa
Dispiega: ecco poi langue, e non par quella,
Quella non par che desiata innanti
Fu da mille donzelle e mille amanti.<p>Così trapassa al trapassar d'un giorno
Della vita mortale il fiore, e 'l verde:
Nè, perchè faccia indietro April ritorno,
Si rinfiora ella mai, nè si rinverde.
Canto XVI, stanzas 14–15 (tr. Wickert)
Gerusalemme Liberata (1581)

Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Camille Paglia photo
Uri Avnery photo
Markiplier photo

“"Why is this good? Why bruh… this good?" [Ao Oni bursts in. ] "AAGH -! …What the hell?! How was I supposed to do anything?! What was that?!"”

Markiplier (1989) American YouTuber and Internet personality

Video game commentary, Ao Oni (August 2013)

Robert Burns photo

“Dweller in yon dungeon dark,
Hangman of creation, mark!
Who in widow weeds appears,
Laden with unhonoured years,
Noosing with care a bursting purse,
Baited with many a deadly curse?”

Robert Burns (1759–1796) Scottish poet and lyricist

Ode on Mrs. Oswald.
Bartlett's Familiar Quotations, 10th ed. (1919)

Nick Cave photo

“Well, ah tied on, percht on mah bed ah was,
Sticken' a needle in mah arm, Ah tied off,
Fucken wings burst out mah back!”

Nick Cave (1957) Australian musician

Song lyrics, Mutiny (1993), Mutiny in Heaven

Leslie Feist photo

“The cold heart will burst
If mistrusted first
And a calm heart will break
When given a shake”

Leslie Feist (1976) Canadian musician

"How My Heart Behaves"
The Reminder (2007)

Edmund White photo
Paul Gauguin photo
Frederick Douglass photo

“James A. Garfield must be our president. I know. Colored man, he is right on our questions, take my word for it. He is a typical American all over. He has shown us how man in the humblest circumstances can grapple with man, rise, and win. He has come from obscurity to fame, and we'll make him more famous. Has burst up through the incrustations that surround the poor, and has shown us how it is possible for an American to rise. He has built the road over which he traveled. He has buffeted the billows of adversity, and tonight, he swims in safety where Hancock, in despair, is going down.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Meeting of Colored Citizens http://books.google.com/books?id=Gss_INMTZQIC&pg=PA71&lpg=PA71&dq=%22He+has+buffeted+the+billows+of+adversity%22&source=bl&ots=AX-fsYd95E&sig=3j4dWH-cdeiSlKtJcFPmSAgLm4c&hl=en&sa=X&ei=CgvWU8GHGrO-sQTv0YH4BA&ved=0CB8Q6AEwAA#v=onepage&q=%22He%20has%20buffeted%20the%20billows%20of%20adversity%22&f=false (25 October 1880), Cooper Institute, New York.
1880s, Meeting of Colored Citizens (1880)

Marco Girolamo Vida photo

“But ne'er the subject of your work proclaim
In its own colors and its genuine name;
Let it by distant tokens be conveyed,
And wrapped in other words, and covered in their shade.
At last the subject from the friendly shroud
Bursts out, and shines the brighter from the cloud;
Then the dissolving darkness breaks away,
And every object glares in open day.
Thus great Ulysses' toils were I to choose
For the main theme that should employ my Muse,
By his long labors of immortal fame
Should shine my hero, but conceal his name;
As one who, lost at sea, had nations seen,
And marked their towns, their manners, and their men,
Since Troy was leveled to the dust by Greece—
Till a few lines epitomized the piece.”

Jam vero cum rem propones, nomine nunquam Prodere conveniet manifesto: semper opertis Indiciis, longe et verborum ambage petita Significant, umbraque obducunt: inde tamen, ceu Sublustri e nebula, rerum tralucet imago Clarius, et certis datur omnia cernere signis. Hinc si dura mihi passus dicendus Ulysses, Non ilium vero memorabo nomine, sed qui Et mores hominum multorum vidit et urbes Naufragus, eversae post saeva incendia Trojae, Addam alia, angustis complectens omnia dictis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book II, line 40
De Arte Poetica (1527)

Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Auguste Rodin photo
Hans Arp photo
John Maynard Keynes photo
Recep Tayyip Erdoğan photo
Pietro Metastasio photo

“The fiery lava in the hollow bosom of the earth, if it be restrained, in spite of its prison, bursts forth with greater force; then flows abroad, but, as it flows, subverts, beats down, and overthrows plains, mountains, forests, and cities.”

Del terreno nel concavo seno
Vasto incendio se bolle ristretto,
A dispetto del carcere indegno,
Con più sdegno gran strada si fa.
Fugge allora; ma, intanto che fugge,
Crolla, abbatte, sovverte, distrugge
Piani, monti, foreste e città.
Act III, scene 3.
Achille in Sciro (1736)

Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Jonathan Swift photo

“Better belly burst than good liquor be lost.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Earlier proverb, quoted in James Howell's English Proverbs (1659)
Better belly burst than good drink lost.
Polite Conversation (1738), Dialogue 2

Joyce Kilmer photo

“Love is made out of ecstasy and wonder;
Love is a poignant and accustomed pain.
It is a burst of Heaven-shaking thunder;
It is a linnet's fluting after rain.”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), In Memory

James Macpherson photo
Letitia Elizabeth Landon photo
Bruno Schulz photo
Peter Greenaway photo
Marcus Annaeus Lucanus photo

“He would rather burst a city gate than find it open to admit him.”
Non tam portas intrare patentis quam fregisse juvat.

Book II, line 443 (tr. J. D. Duff).
Pharsalia

Gustav Stresemann photo
Anna Akhmatova photo
Letitia Elizabeth Landon photo

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Isidore Isou photo

“The flourishing of bursts of energy dies beyond us.
All delirium is expansive.
All impulses escape stereotyping.”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Panic I.
Manifesto Of Letterist Poetry, 1942

William Cullen Bryant photo

“When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip tree, high up,
Opened in airs of June her multitude
Of golden chalices to humming-birds
And silken-wing'd insects of the sky.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Fountain http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page227, st. 3 (1839)

John Milton photo

“Alas! what boots it with incessant care
To tend the homely slighted shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights, and live laborious days;
But the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th' abhorrèd shears,
And slits the thin-spun life.”

Source: Lycidas (1637), Line 64; comparable to: "Erant quibus appetentior famæ videretur, quando etiam sapientibus cupido gloriae novissima exuitur" (Translated: "Some might consider him as too fond of fame, for the desire of glory clings even to the best of men longer than any other passion"), Tacitus, Historiae, iv. 6; said of Helvidius Priscus.

Geoffrey of Monmouth photo

“With deep sighs and tears, he burst forth into the following complaint: – "O irreversible decrees of the Fates, that never swerve from your stated course! why did you ever advance me to an unstable felicity, since the punishment of lost happiness is greater than the sense of present misery?"”
In hec verba cum fletu et singultu prupit. "O irrevocabilia seria fatorum quae solito cursu fixum iter tenditis cur unquam me ad instabilem felicitatem promovere volvistis cum maior pena sit ipsam amissam recolere quam sequentis infelicitatis presentia urgeri."

Bk. 2, ch. 12; p. 117.
Historia Regum Britanniae (History of the Kings of Britain)

Marcus Aurelius photo
Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

William Julius Mickle photo

“The sun has burst the sky
Because I love you
And the river its banks.”

Jenny Joseph (1932–2018) Poet

Poem The sun has burst the sky http://www.poemhunter.com/poem/the-sun-has-burst-the-sky/

Ben Gibbard photo
Samuel Johnson photo
David Lindsay photo
James Clerk Maxwell photo
Robert Graves photo

“Shells used to come bursting on my bed at midnight, even though Nancy shared it with me; strangers in daytime would assume the faces of friends who had been killed… I could not use a telephone, I felt sick every time I travelled by train, and to see more than two new people in a single day prevented me from sleeping.”

Robert Graves (1895–1985) English poet and novelist

Source: Goodbye to All That (1929), Ch.26 On being at home in Harlech in 1919. During the First World War, the mental effects of war on the fighting men were called shell shock or neurasthenia — or dismissed altogether as cowardice. Graves describes very clearly symptoms of what would now be seen as Post-Traumatic Stress Disorder.

John Calvin photo

“If God has bestowed on us any excellent gift, we imagine it to be our own achievement; and we swell and even burst with pride.”

John Calvin (1509–1564) French Protestant reformer

Page 32.
Golden Booklet of the True Christian Life (1551)