Quotes about brilliant
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James Mattis photo

“In this age, I don’t care how tactically or operationally brilliant you are, if you cannot create harmony—even vicious harmony—on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.”

James Mattis (1950) 26th and current United States Secretary of Defense; United States Marine Corps general

At the May 2010 JFCOM Conference Ares blog, Aviation Week (June 2010) http://www.aviationweek.com/aw/blogs/defense/index.jsp?plckController=Blog&plckBlogPage=BlogViewPost&newspaperUserId=27ec4a53-dcc8-42d0-bd3a-01329aef79a7&plckPostId=Blog%3a27ec4a53-dcc8-42d0-bd3a-01329aef79a7Post%3ae790de68-06df-40d7-99bd-1297ed2bbeab&plckScript=blogScript&plckElementId=blogDest

Colin Wilson photo
Ben Croshaw photo
Confucius photo
Arthur C. Clarke photo
John Ralston Saul photo
Thomas Henry Huxley photo
Steven Pressfield photo
Anne Brontë photo
Chris Cornell photo
George Bird Evans photo
Stephen Harper photo
Theo Walcott photo

“He is potentially brilliant, and he is going to be exciting, but potential is nothing unless you can produce it. I would think he's way, way, way, miles away from international World Cup football.”

Theo Walcott (1989) English association football player

Bobby Robson, former manager of England, 2006 ( Source http://www.cnn.com/2006/SPORT/football/05/08/england.gamble/index.html)
About

Letitia Elizabeth Landon photo
F. Scott Fitzgerald photo
Franz Marc photo

“I cannot get over the strange conflict between my estimation of their ideas [the artists of Italian Futurism ] most of which I find brilliant and fruitful, and my view of the [their] pictures [he saw on the Walden exhibition in Berlin, Spring 2012], which strike me as, without a doubt, utterly mediocre.”

Franz Marc (1880–1916) German painter

In a letter to Wassily Kandinsky, 1912; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 309 (note 23)
[in a letter, several months later to August Macke Franz Marc writes about the Futurist paintings he saw in Munich: '[Their] effect is magnificent, far, far more impressive then in Cologne' (where Marc had helped Macke with hanging the Futurist exposition)].
1911 - 1914

John Oliver photo
Ursula K. Le Guin photo

“Hughes, who had entered the space program from astrophysics, came with a very good record, in fact a brilliant one. This troubled many of his military superiors, to whom high intelligence was a code word for instability and insubordination.”

Ursula K. Le Guin (1929–2018) American writer

“The Field of Vision” pp. 228-229 (originally published in Galaxy, October 1973)
Short fiction, The Wind’s Twelve Quarters (1975)

Aron Ra photo

“… the fact is that while we have become the most religious of any of the predominantly Christian first world nations, (due to repeated surges in rural revivalism) the US in its infancy was once the most secular government in history. The original colonies were primarily peopled by refugees fleeing religious persecution in other countries. But almost upon arrival, the Puritans only continued that practice against native Shaman, then against Quakers, and even each other –over religious differences. Catholics to the South were even worse! The founding fathers however were largely Deists, the least devout form of theism. They were brilliant men who knew better than to let religion rule over law because theocracy has in all instances almost automatically violated human rights and it inevitably always does. Consequently, the irreligious and non-Christian framers of the American Constitution produced the first government ever to grant all its citizens the right to religious freedom, and they did so by forbidding the government from sponsoring or promoting one religion over any other. Because it is not possible to have freedom of religion without having freedom from religion.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"5th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=HzmbnxtnMB4, Youtube (January 14, 2008)
Youtube, Foundational Falsehoods of Creationism

Roald Amundsen photo

“… the brilliant aurora australis. … flush of daylight has moved to the north, … but it shows nevertheless that we have daylight here at the darkest time of the year, so there is not the absolute darkness that people think.”

Roald Amundsen (1872–1928) Norwegian polar researcher, who was the first to reach the South Pole

Explaining why the Antarctic winter is not all dark
Sydpolen (The South Pole) (1912)

Marion Bauer photo

“He died alone and forgotten and only in modern times has he come up as a genius composer and a brilliant visionary.”

Marion Bauer (1882–1955) American composer

Harry Shaw Simpson. (2014). Music Today, p.300. Geni Book Publishing Experts. ISBN 0452616764030.

African Spir photo
Matthew Stover photo
Henry Adams photo
George Steiner photo
Chris Cornell photo
Caldwell Esselstyn photo
Joseph Beuys photo
Alan Moore photo

“When modern horror films or fundamentalists talk about “demons,” they mean something very different than what Socrates meant by the term. It was a lot closer to what I was talking about: the essential drive, the highest self, if you like. So maybe there is a connection, when I met, or appeared to meet, a demon. It was a little bit frightening at first, but after a while we found that we got on OK and we could have a civilized conversation, and I found him very engaging, very pleasant. And it struck me that this was a brilliant literal example of the process of demonization. That when I had approached the demon with fear and loathing, it was fearsome and loathsome. When I approached it with respect, then it was respectable. And I thought, All right, there’s a kind of mirroring that is going on here that is probably applicable to a wide number of social situations. The people or classes of people that we demonize, and that we treat with fear and loathing, respond accordingly. We are projecting a persona of manner of behavior upon them, as well as responding to a manner of behavior that’s already there. When we’re looking at the flaws in their personality that we are able to recognize, the fact that we can recognize them suggests that they are probably in some way a version of flaws that we have ourselves.”

Alan Moore (1953) English writer primarily known for his work in comic books

As quoted in ""HEY, YOU CAN JUST MAKE STUFF UP." Differences between magic and art: None" https://www.believermag.com/issues/201306/?read=interview_moore, by Peter Bebergal, The Believer, (2013).
The Believer interview (2013)

Constantine P. Cavafy photo
Irvine Welsh photo
Gore Vidal photo
Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Pamela Anderson photo

“My breasts have had a brilliant career. I've just tagged along for the ride.”

Pamela Anderson (1967) Canadian-American model, producer, author, former showgirl

http://www.mailonsunday.co.uk/moslive/article-1056581/My-breasts-brilliant-career-Ive-just-tagged-ride-says-Pamela-Anderson.html.

Charles Dodgson (archdeacon) photo
Norman Mailer photo
John Steinbeck photo
John Hall photo

“Culture is good, genius is brilliant, civ1lization is a blessing, education is a great pr1vilege; but we may be educated villains.. The thing that we want most of ail is the precious gift of the Holy Ghost.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 320.

Peter Medawar photo
Patrick Dixon photo
Camille Paglia photo
Amitabh Bachchan photo

“We had forgotten the art of using silence to convey emotions in our films and that's what you seem to have mastered. You've used silence to great advantage in the film. It's brilliant.”

Amitabh Bachchan (1942) Indian actor

To Farhan Akhtar, after a private screening of the film, Lakshya, reported in Cine Blitz‎ (2004).

Joseph Goebbels photo
Ian McCulloch photo
Conrad Aiken photo
Linus Torvalds photo

“You know you're brilliant, but maybe you'd like to understand what you did 2 weeks from now.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Linux 1.3.53 CodingStyle documentation, 2011-08-13, 1995 https://www.kernel.org/doc/Documentation/process/coding-style.rst,
1990s, 1995-99

Jane Yolen photo
Ben Klassen photo

“Allahpundit says Stephen Colbert bombed. (Angry lefties think he was brilliant, of course.)”

Charles Foster Johnson (1953) American musician

Sunday, April 30, 2006 http://littlegreenfootballs.com/weblog/?entry=20321_White_House_Correspondents_Dinner&only

Wilhelm II, German Emperor photo
Eric Clapton photo

“I think Clapton is brilliant. He's the only one who moved me. The only one who made me want to play the guitar.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

Eddie Van Halen
About

Aldous Huxley photo
Will Eisner photo

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Sören Kierkegaard photo
François Englert photo

“At the ULB, Brout and I initiated a research group in fundamental interactions, that is, in the search for the general laws of nature. Joined by brilliant students, many of them becoming world renowned physicists, our group contributed to the many fields at the frontier of the challenges facing contemporary physics. While the mechanism discovered in 1964 was developed all over the world to encode the nature of weak interactions in a "Standard Model," our group contributed to the understanding of strong interactions and quark confinement, general relativity and cosmology. There we introduced the idea of a primordial exponential expansion of the universe, later called inflation, which we related to the origin of the universe itself, a scenario, which I still think may possibly be conceptually the correct one. During these developments, our group extended our contacts with other Belgian universities and got involved in many international collaborations.
With our group and many other collaborators I analysed fractal structures, supergravity, string theory, infinite Kac-Moody algebras and more generally all tentative approaches to what I consider as the most important problem in fundamental interactions: the solution to the conflict between the classical Einsteinian theory of gravitation, namely general relativity, and the framework of our present understanding of the world, quantum theory.”

François Englert (1932) Belgian theoretical physicist

excerpt[François Englert - Biographical, Nobel Prize in Physics (nobelprize.org), 2013, https://www.nobelprize.org/nobel_prizes/physics/laureates/2013/englert-bio.html]

Victor Villaseñor photo
Juan Donoso Cortés photo

“While many brilliant writers and speech makers have been battling passionately about communism, fascism, socialism, and democracy, our studies of how governmental organizations actually function have forced us to the conclusion that there is little significance to these terms. Indeed, it has been our general observation that not only in different countries, but from generation to generation men go on organizing their governments and earning their living in much the same manner. Notable changes and improvements can be credited from time to time to the scientists and engineers, and in general to improved technology, but throughout history economic laws and the processes of production and distribution display an utter contempt for changes in the political complexion of government. In appraising the many experiments in governmental organization that are being tried currently throughout the world, it is important that we should not be thrown off the track by the circumstance that the various revolutionary movements or changes in government have adopted different symbols around which to rally supporters. The vital point is the plain fact that, once the controlling group gets into power, the practical circumstances of the situation force the new leaders to organize the government according to principles of organization that are as old as the hills.”

James D. Mooney (1884–1957) American businessman

Source: The Principles of Organization, 1947, p. 14-15; as cited in: Albert Lepawsky (1949), Administration, p. 251-252 ; Parts published earlier in: News and Views. General Motors Acceptance Corporation, General Exchange Insurance Corporation, Motors Insurance Corporation, 1938. p. 8

Alexis De Tocqueville photo

“The French are … the most brilliant and the most dangerous nation of Europe, and the one that is surest to inspire admiration, hatred, terror, or pity, but never indifference.”

Original text: La France est la plus brillante et la plus dangereuse des nations de l'Europe, et la mieux faite pour y devenir tour à tour un objet d'admiration, de haine, de pitié, de terreur, mais jamais d'indifférence.
Variant translation: The French constitute the most brilliant and the most dangerous nation in Europe and the best qualified in turn to become an object of admiration, hatred, pity or terror but never indifference.
Old Regime (1856), p. 245 http://books.google.com/books?id=N50aibeL8BAC&pg=PA254&vq=%22the+most+brilliant+and+the+most+dangerous%22&source=gbs_search_r&cad=1_1
1850s and later

“Do not try to make the brilliant pupil a replica of yourself.”

Gilbert Highet (1906–1978) British academic

The Art of Teaching http://books.google.com/books?id=DogFAAAAMAAJ&q=%22Do+not+try+to+make+the+brilliant+pupil+a+replica+of+yourself%22&pg=PA50#v=onepage (1950)

“In the Far West, the United States of America openly claimed to be custodians of the whole planet. Universally feared and envied, universally respected for their enterprise, yet for their complacency very widely despised, the Americans were rapidly changing the whole character of man’s existence. By this time every human being throughout the planet made use of American products, and there was no region where American capital did not support local labour. Moreover the American press, gramophone, radio, cinematograph and televisor ceaselessly drenched the planet with American thought. Year by year the aether reverberated with echoes of New York’s pleasures and the religious fervours of the Middle West. What wonder, then, that America, even while she was despised, irresistibly moulded the whole human race. This, perhaps, would not have mattered, had America been able to give of her very rare best. But inevitably only her worst could be propagated. Only the most vulgar traits of that potentially great people could get through into the minds of foreigners by means of these crude instruments. And so, by the floods of poison issuing from this people’s baser members, the whole world, and with it the nobler parts of America herself, were irrevocably corrupted.
For the best of America was too weak to withstand the worst. Americans had indeed contributed amply to human thought. They had helped to emancipate philosophy from ancient fetters. They had served science by lavish and rigorous research. In astronomy, favoured by their costly instruments and clear atmosphere, they had done much to reveal the dispositions of the stars and galaxies. In literature, though often they behaved as barbarians, they had also conceived new modes of expression, and moods of thought not easily appreciated in Europe. They had also created a new and brilliant architecture. And their genius for organization worked upon a scale that was scarcely conceivable, let alone practicable, to other peoples. In fact their best minds faced old problems of theory and of valuation with a fresh innocence and courage, so that fogs of superstition were cleared away wherever these choice Americans were present. But these best were after all a minority in a huge wilderness of opinionated self-deceivers, in whom, surprisingly, an outworn religious dogma was championed with the intolerant optimism of youth. For this was essentially a race of bright, but arrested, adolescents. Something lacked which should have enabled them to grow up. One who looks back across the aeons to this remote people can see their fate already woven of their circumstance and their disposition, and can appreciate the grim jest that these, who seemed to themselves gifted to rejuvenate the planet, should have plunged it, inevitably, through spiritual desolation into senility and age-long night.”

Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 1, “Europe and America” (p. 33)

The Mother photo
Scott Moir photo
Paul Morphy photo
Rollo May photo
Willa Cather photo

“But so far as the Hindus are concerned, this period was a prolonged spell of darkness which ended only when the Marathas and the Jats and the Sikhs broke the back of Islamic imperialism in the middle of the 18th century. The situation of the Hindus under Muslim rule is summed up by the author of Tãrîkh-i-Wassãf in the following words: “The vein of the zeal of religion beat high for the subjection of infidelity and destruction of idols… The Mohammadan forces began to kill and slaughter, on the right and the left unmercifully, throughout the impure land, for the sake of Islãm, and blood flowed in torrents. They plundered gold and silver to an extent greater than can be conceived, and an immense number of precious stones as well as a great variety of cloths… They took captive a great number of handsome and elegant maidens and children of both sexes, more than pen can enumerate… In short, the Mohammadan army brought the country to utter ruin and destroyed the lives of the inhabitants and plundered the cities, and captured their off-springs, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was Somnãt. The fragments were conveyed to Dehlî and the entrance of the Jãmi‘ Masjid was paved with them so that people might remember and talk of this brilliant victory… Praise be to Allah the lord of the worlds.””

The Story of Islamic Imperialism in India (1994)

François Arago photo
Courtney Love photo

“If I fuckin' die without having written two, three, or four brilliant rock songs… I don't know why I lived my life.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

Remarks about her ambitions early in her career (1991), Not Bad for a Girl documentary (1995)
1991–1995

Richard Blackwood photo
Vladimir Lenin photo
Olly Blackburn photo

“And for the genre stuff I'm a big fan of Carpenter, Romero, Peckinpah, and Polanski, because they're unremitting and real and brilliant at showing characters under unbearable stress and unafraid of challenging us with uncomfortable truths as well as being just incredible filmmakers.”

Olly Blackburn Film director and screenwriter

[Washington City Paper, Creative Loafing Inc., Tricia, Olszewski, http://www.washingtoncitypaper.com/blogs/citydesk/2009/02/13/interview-with-donkey-punch-director-olly-blackburn/, 13 February 2009, 23 February 2012, Interview With Donkey Punch Director Olly Blackburn]

John Gray photo
George H. W. Bush photo
Nicholas Serota photo
François Arago photo

“In the experimental sciences, the epochs of the most brilliant progress are almost always separated by long intervals of almost absolute repose.”

François Arago (1786–1853) French mathematician, physicist, astronomer and politician

Joseph Fourier, p. 411.
Biographies of Distinguished Scientific Men (1859)

Albert Marquet photo

“It has happened that I have begun a canvas in a brilliant tonality, going on to finish it in a grey notation. (1898)”

Albert Marquet (1875–1947) French artist

As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 92

Mark Ames photo
Theodor Mommsen photo
Paul Auster photo

“WE MUST INVENT FUTURIST CLOTHES, hap-hap-hap-hap-happy clothes, daring clothes with brilliant colours and dynamic lines. They must be simple, and above all they must be made to last for a short time only in order to encourage industrial activity and to provide constant and novel enjoyment for our bodies.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1913); as quoted at dekorera.tumblr: futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo
Futurist Manifesto of Men's clothing,' 1913/1914

Ingmar Bergman photo

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Nathanael Greene photo
Philip K. Dick photo
Michael Bloomberg photo
Stanislaw Ulam photo
Max Beerbohm photo

“To give an accurate and exhaustive account of that period would need a far less brilliant pen than mine.”

Max Beerbohm (1872–1956) English writer

"1880" (1895) from The Works of Max Beerbohm (1896) http://www.gutenberg.org/dirs/etext99/twomb10.txt

Robert Smith (musician) photo