Albert Marquet was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings. Wikipedia
“.. the Matisse of long ago, so alert, such a battler, always giving as good as he got.”
As quoted by Hilary Spurling 'The Unknown Matisse: Man of the North, 1869 – 1908', Penguin UK, 28 Sep, 2006, note 47
In this quote Marquet looked back long afterwards to the late night conversations with Henri Matisse on the stairs of 19 Quai St. Michel
Gordon Brown, 'Albert Marquet', Arts Magazine Vol. 46, November 1971, p. 49.
“When I draw, 1 am as pre-occupied before a gas-jet as before a human being.”
Lane, The Paintings of Albert Marquet p. 188; as quoted in 'Appendix' of Albert Marquet and the Fauve movement, 1898-1908, Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116
As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 92
from the memoirs of Ilya Ehrenburg; as quoted by Mikhail Guerman, in Albert Marquet – The Paradox of Time, Parkstone Aurora Publishers, Bournemouth England, 1995, p. 82
Ilya Ehrenburg wrote that Marquet said him this shortly after the War, in 1946.
Marcelle Marquet, Marquet Fernand Hazan Editions, Paris 1955, p. 6; as quoted in 'Appendix – Marquet Speaks on his Art', in "Albert Marquet and the Fauve movement, 1898-1908", Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116
“Let's leave the studio and go watch what moves..”
Marquet quoted by his wife Marcelle, in 'Exposition Albert Marquet', Musee Jenisch, p. 8; as cited in Albert Marquet and the Fauve movement; 1898-1908, Norris Judd, Thesis (A.B.), published by Sweet Briar College, May, 1976 – - digitized by Internet Archive, 2010 https://archive.org/details/albertmarquetfau00judd, p. 52 <br class="br">[comment of his wife: Marquet frequently said this to his companions; he rarely appeared in the studio of his art teacher Gustave Moreau for any length of time because he felt ill at ease there. He preferred to sketch in the streets of Paris with w:Charles Camoin or w:Henri Manguin.
As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 18
[Marquet's quote refers to the Spring and Summer of 1898 - after the death of their common Paris' art-teacher Gustave Moreau; Marquet was then painting together with Henri Matisse ].
Marcelle Marquet, Marquet, Fernand Hazan Editions, Paris 1955, p. 3; as quoted in 'Appendix – Marquet Speaks on his Art' in "Albert Marquet and the Fauve movement, 1898-1908", Norris Judd, published 1976, - translation Norris Judd - Thesis (A.B.)--Sweet Briar College, p. 116
as quoted by Mikhail Guerman, in Albert Marquet – The Paradox of Time, Parkstone Aurora Publishers, Bournemouth England, 1995, p. 11
“I painted only [in pure colours] at Arcueil and at the Luxembourg Gardens.”
As quoted by J. P. Crespelle, The Fauves, Oldbourne Press, London 1962, p. 66
one of the paintings which Marquet painted in 1898 at the Luxembourg Gardens was titled simply 'Le Luxembourg', see: Francois Fosca, Albert Marquet (Paris: Editions Nouvelle Revue Francois, 1922), pl, 16.
“It is in working [= painting] that you will find yourself..”
Quotes by Marcelle Marquet; as cited in Exposition Marquet, Musee des Beaux Arts Nancy, Juin - July, 1959, p. 18 (transl. Norris Judd)
