Quotes about bridge
page 4

Atal Bihari Vajpayee photo
Emil M. Cioran photo
H. G. Wells photo
Houston Stewart Chamberlain photo
George E. P. Box photo
Nathanael Greene photo
Avner Strauss photo

“Words flow under a bridge of silence.”

Avner Strauss (1954) Israeli musician

A Song For You (1980).

Arthur C. Clarke photo
Clive Staples Lewis photo

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

Joaquin Miller photo
Gregory Benford photo
Henry Wadsworth Longfellow photo

“The grave itself is but a covered bridge,
Leading from light to light, through a brief darkness!”

Henry Wadsworth Longfellow (1807–1882) American poet

The Golden Legend, Pt. V, A Covered Bridge at Lucerne.

Sarada Devi photo

“You see, my son, it is not a fact that you will never face dangers. Difficulties always come, but they do not last forever. You will see that they pass away like water under a bridge.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 370]

Theodor Mommsen photo

“It is a dreadful picture—this picture of Italy under the rule of the oligarchy. There was nothing to bridge over or soften the fatal contrast between the world of the beggars and the world of the rich. The more clearly and painfully this contrast was felt on both sides—the giddier the height to which riches rose, the deeper the abyss of poverty yawned—the more frequently, amidst that changeful world of speculation and playing at hazard, were individuals tossed from the bottom to the top and again from the top to the bottom. The wider the chasm by which the two worlds were externally divided, the more completely they coincided in the like annihilation of family life—which is yet the germ and core of all nationality—in the like laziness and luxury, the like unsubstantial economy, the like unmanly dependence, the like corruption differing only in its tariff, the like criminal demoralization, the like longing to begin the war with property. Riches and misery in close league drove the Italians out of Italy, and filled the peninsula partly with swarms of slaves, partly with awful silence. It is a terrible picture, but not one peculiar to Italy; wherever the government of capitalists in a slave-state has fully developed itself, it has desolated God's fair world in the same way as rivers glisten in different colours, but a common sewer everywhere looks like itself, so the Italy of the Ciceronian epoch resembles substantially the Hellas of Polybius and still more decidedly the Carthage of Hannibal's time, where in exactly similar fashion the all-powerful rule of capital ruined the middle class, raised trade and estate-farming to the highest prosperity, and ultimately led to a— hypocritically whitewashed—moral and political corruption of the nation. All the arrant sins that capital has been guilty of against nation and civilization in the modern world, remain as far inferior to the abominations of the ancient capitalist-states as the free man, be he ever so poor, remains superior to the slave; and not until the dragon-seed of North America ripens, will the world have again similar fruits to reap.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Italy under the Oligarchy
The History of Rome - Volume 4: Part 2

Noel Coward photo

“[On the phone] "My dear Jim's dead…No dear, he jumped off Waterloo Bridge - Yes, the one next to Charing Cross - No, no, no that's Blackfriars."”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Early review, cited in Frank Muir's Book of Comedy Sketches.

Pete Doherty photo
Henry David Thoreau photo

“As we passed under the last bridge over the canal, just before reaching the Merrimack, the people coming out of church paused to look at us from above, and apparently, so strong is custom, indulged in some heathenish comparisons; but we were the truest observers of this sunny day”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday

David Chalmers photo
Joseph Stella photo
John Lewis (civil rights leader) photo
Herbert Morrison photo

“The bridge was not of such great importance or social significance, but it was symbolical that Labour was capable of decision, that the machinery of democratic public administration would work if the men and women in charge were determined that it should work.”

Herbert Morrison (1888–1965) British Labour politician

The Times, 10 December 1934.
Explaining his decision to personally begin the dismantling of the old Waterloo Bridge; the government had refused to allow the council to build a replacement so Morrison and his allies forced the issue by breaking up the existing bridge.

Nathanael Greene photo
Gordon B. Hinckley photo
Francis Escudero photo
George F. Kennan photo
Warren Buffett photo
Marcel Duchamp photo
Ellsworth Kelly photo
Mata Amritanandamayi photo
Ray Kroc photo

“If I had a brick for every time I’ve repeated the phrase Quality, Service, Cleanliness and Value, I think I’d probably be able to bridge the Atlantic Ocean with them.”

Ray Kroc (1902–1984) American businessman

http://www.mcdonalds.com/us/en/our_story/our_history/the_ray_kroc_story.html

Michael Chabon photo
Anthony Burgess photo
Al Gore photo
Irina Bokova photo
Mau Piailug photo
Cass Elliot photo
Swami Vivekananda photo
Richard Feynman photo
Freeman Dyson photo
Primo Levi photo
Jo Walton photo

“There is one law for rich and poor alike, which prevents them equally from stealing bread and sleeping under bridges.”

Cf. Anatole France, Le Lys Rouge [The Red Lily] (1894), ch. 7: La majestueuse égalité des lois, qui interdit au riche comme au pauvre de coucher sous les ponts, de mendier dans les rues et de voler du pain. (The law, in its majestic equality, forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread.)
Source: Farthing (2006), Chapter 18

Marshall McLuhan photo
Hillary Clinton photo

“On their own, new technologies do not take sides in the struggle for freedom and progress, but the United States does. We stand for a single internet where all of humanity has equal access to knowledge and ideas. […] The internet can help bridge divides between people of different faiths. As the President said in Cairo, freedom of religion is central to the ability of people to live together. And as we look for ways to expand dialogue, the internet holds out such tremendous promise. […] We are also supporting the development of new tools that enable citizens to exercise their rights of free expression by circumventing politically motivated censorship. We are providing funds to groups around the world to make sure that those tools get to the people who need them in local languages, and with the training they need to access the internet safely. The United States has been assisting in these efforts for some time, with a focus on implementing these programs as efficiently and effectively as possible. Both the American people and nations that censor the internet should understand that our government is committed to helping promote internet freedom. We want to put these tools in the hands of people who will use them to advance democracy and human rights, to fight climate change and epidemics, to build global support for President Obama's goal of a world without nuclear weapons, to encourage sustainable economic development that lifts the people at the bottom up.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

"Remarks on Internet Freedom", The Newseum, Washington, DC, January 21, 2010 http://web.archive.org/web/20100123145341/http://www.state.gov/secretary/rm/2010/01/135519.htm
Secretary of State (2009–2013)

Ann Coulter photo

“We'll drive off the side of that bridge when we come to it, Senator Kennedy.”

Ann Coulter (1961) author, political commentator

Source: 2004, How to Talk to a Liberal (If You Must) (2004), p. 147.

Naomi Klein photo
Nathanael Greene photo
Max Beckmann photo

“What is important to me in my work is the identity that is hidden behind so-called reality. I search for a bridge from the given present tot the invisible, rather as a famous cabalist once said, 'If you wish to grasp the invisible, penetrate as deeply as possible into the visible.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In his public speech 'On my painting', for the exhibition 'Twentieth-Century German Art', London, 21 July 1938; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 77
1930s

Joseph Stella photo
Roger Wolcott Sperry photo
James Taylor photo
Camille Pissarro photo
Johannes Bosboom photo

“In [18]35, I made a study trip about Utrecht and Nijmegen to Dusseldorf, Cologne and [w:Koblenz|Coblentz]], together with Samuel Verveer, who had already left the studio of van Hove. My painting 'View of the Moselle Bridge in Coblentz' – exhibited in the same year here - was bought by Schelfhout and, in addition to the satisfaction it gave me, I was allowed to find a counselor in him from then on; he became and remained my friend since then.”

Johannes Bosboom (1817–1891) Dutch painter

origineel citaat van Johannes Bosboom, in Nederlands: In [18]35 maakte ik met gekocht en, behalve de voldoening, die daarin voor mij was gelegen, mocht ik van toen af een raadsman in hem vinden, die mij sinds ook een vriend is geworden en gebleven.
p. 9
1880's, Een en ander betrekkelijk mijn loopbaan als schilder

Mozah bint Nasser Al Missned photo
Ross Mintzer photo
John Steinbeck photo
Philip K. Dick photo
Henry Wadsworth Longfellow photo
Jane Roberts photo
Joseph Goebbels photo

“Devotion, fervor, longing! Those are my pillars. We have to be the bridge to the future.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Hingabe, Inbrunst, Sehnsucht! Das sind meine Pfeiler. Brücke zur Zukunft müssen wir sein.
Michael: a German fate in diary notes (1926)

Rudolph Rummel photo

“Quite simply, a free press promotes peace; creating a universally free press would promote universal peace. The bridge between the two is democracy.”

Rudolph Rummel (1932–2014) American academic

“Freedom of the press—a way to peace,” ASNE Bulletin (February 1989), p. 27. ASNE stands for the American Association of Newspaper Editors

Ernest Hemingway photo
Aron Ra photo

“Demanding an “ape-man” is actually just as silly as asking to see a mammal-man, or a half-human, half-vertebrate. How about a half dachshund, half dog? It’s the same thing. One may as well insist on seeing a town half way between Los Angeles and California. Because the problem with bridging the gap between humans and apes is that there is no gap because humans are apes –definitely and definitively. The word, “ape” doesn’t refer to a species, but to a parent category of collective species, and we’re included. This is no arbitrary classification like the creationists use. It was first determined via meticulous physical analysis by Christian scientists a century before Darwin, and has been confirmed in recent years with new revelations in genetics. Furthermore, it is impossible to define all the characters exclusively indicative of every known member of the family of apes without describing our own genera as one among them. Consequently, we can and have proven that humans are apes in exactly the same way that lions are cats, and iguanas are lizards, and whales are mammals. So where is the proof that humans descend from apes? How about the fact that we’re still apes right now!”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"9th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=Qfoje7jVJpU, Youtube (May 8, 2008)
Youtube, Foundational Falsehoods of Creationism

Camille Pissarro photo

“One can do such lovely things with so little. Subjects that are too beautiful end by appearing theatrical – take Switzerland, for example. Think of all the beautiful little things Corot did at Gisors; two willows, a little water, a bridge, like the picture in the Universal Exhibition. What a masterpiece!... Everything is beautiful, all that matters is to be able to interpret.”

Camille Pissarro (1830–1903) French painter

In a letter to his son Lucien, 26 July 1892, as quoted in Letters of the great artists – from Blake to Pollock - , Richard Friedenthal, Thames and Hudson, London, 1963, p. 146
Quote of Pissarro, referring to a willow-painting of his former art-teacher Camille Corot
1890's

Charlotte Brontë photo
Hugo Ball photo

“I have examined myself carefully. I could never bid chaos welcome, blow up bridges, and do away with ideas. I am not an anarchist.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

Ball's dairy on Dada, in Flucht aus der Zeit / Flight out of Time, 'Introduction'; University of California Press (1996)
1916

Bernard Montgomery, 1st Viscount Montgomery of Alamein photo

“There were many reasons why we did not gain complete success at Arnhem. The following in my view were the main ones. First. The operation was not regarded at Supreme Headquarters as the spearhead of a major Allied movement on the northern flank designed to isolate, and finally to occupy, the Ruhr - the one objective in the West which the Germans could not afford to lose. There is no doubt in my mind that Eisenhower always wanted to give priority to the northern thrust and to scale down the southern one. He ordered this to be done, and he thought that it was being done. It was not being done. Second. The airborne forces at Arnhem were dropped too far away from the vital objective - the bridge. It was some hours before they reached it. I take the blame for this mistake. I should have ordered Second Army and 1st Airborne Corps to arrange that at least one complete Parachute Brigade was dropped quite close to the bridge, so that it could have been captured in a matter of minutes and its defence soundly organised with time to spare. I did not do so. Third. The weather. This turned against us after the first day and we could not carry out much of the later airborne programme. But weather is always an uncertain factor, in war and in peace. This uncertainty we all accepted. It could only have been offset, and the operation made a certainty, by allotting additional resources to the project, so that it became an Allied and not merely a British project. Fourth. The 2nd S. S. Panzer Corps was refitting in the Arnhem area, having limped up there after its mauling in Normandy. We knew it was there. But we were wrong in supposing that it could not fight effectively; its battle state was far beyond our expectation. It was quickly brought into action against the 1st Airborne Division.”

Bernard Montgomery, 1st Viscount Montgomery of Alamein (1887–1976) British Army officer, Commander of Allied forces at the Battle of El Alamein

Concerning Operation Market Garden in his autobiography, 'The Memoirs of Field Marshal Montgomery' (1958)

Eric Holder photo
Guillaume Apollinaire photo

“At last you're tired of this elderly world
Shepherdess O Eiffel Tower this morning the bridges are bleating
You're fed up living with antiquity”

A la fin tu es las de ce monde ancien
Bergère ô tour Eiffel le troupeau des ponts bêle ce matin
Tu en as assez de vivre dans l'antiquité grecque et romaine
"Zone", line 1; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 3.
Alcools (1912)

Philip Massinger photo
Siegbert Tarrasch photo
Seymour Papert photo
Edward Herbert, 1st Baron Herbert of Cherbury photo

“He that cannot forgive others breaks the bridge over which he must pass himself, for every man hath need to be forgiven.”

Edward Herbert, 1st Baron Herbert of Cherbury (1583–1648) Anglo-Welsh soldier, diplomat, historian, poet and religious philosopher

Source: The Autobiography, P. 34

Richard Feynman photo
David Woodard photo

“A bride burns her bridges, having fallen in love, and drowns in marriage.”

David Woodard (1964) American writer, conductor and businessman

Breed the Unmentioned (1985)

Nathanael Greene photo
Bradley Joseph photo

“Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Thomas C. Schelling photo
Robert Delaunay photo
Lyndon B. Johnson photo

“The fifth and most important principle of our foreign policy is support of national independence—the right of each people to govern themselves—and to shape their own institutions. For a peaceful world order will be possible only when each country walks the way that it has chosen to walk for itself. We follow this principle by encouraging the end of colonial rule. We follow this principle, abroad as well as at home, by continued hostility to the rule of the many by the few—or the oppression of one race by another. We follow this principle by building bridges to Eastern Europe. And I will ask the Congress for authority to remove the special tariff restrictions which are a barrier to increasing trade between the East and the West. The insistent urge toward national independence is the strongest force of today's world in which we live. In Africa and Asia and Latin America it is shattering the designs of those who would subdue others to their ideas or their will. It is eroding the unity of what was once a Stalinist empire. In recent months a number of nations have east out those who would subject them to the ambitions of mainland China. History is on the side of freedom and is on the side of societies shaped from the genius of each people. History does not favor a single system or belief—unless force is used to make it so. That is why it has been necessary for us to defend this basic principle of our policy, to defend it in Berlin, in Korea, in Cuba—and tonight in Vietnam.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Brandon Boyd photo
Van Morrison photo
Charles Bukowski photo
William Rowan Hamilton photo
Paul Newman photo