Quotes about bridge
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Lorin Morgan-Richards photo

“Humor bridges the weight of serious reflection.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

interview with Lorin Morgan-Richards by Rose Traul of Columbia College Chicago (22 January 2013).

Kate Bush photo

“Four strings across the bridge,
Ready to carry me over,
Over the quavers, drunk in the bars,
Out of the realm of the orchestra…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Naum Gabo photo

“Either build functional houses and bridges or create pure art or both. Don't confuse one with the other. Such art is not pure constructive art, but merely an imitation of the machine.”

Naum Gabo (1890–1977) Russian sculptor

quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935

William T. Sherman photo

“You also remember well who first burned the bridges of your railroad, who forced Union men to give up their slaves to work on the rebel forts at Bowling Green, who took wagons and horses and burned houses of persons differing with them honestly in opinion, when I would not let our men burn fence rails for fire or gather fruit or vegetables though hungry, and these were the property of outspoken rebels. We at that time were restrained, tied by a deep seated reverence for law and property. The rebels first introduced terror as a part of their system, and forced contributions to diminish their wagon trains and thereby increase the mobility and efficiency of their columns. When General Buell had to move at a snail's pace with his vast wagon trains, Bragg moved rapidly, living on the country. No military mind could endure this long, and we are forced in self defense to imitate their example. To me this whole matter seems simple. We must, to live and prosper, be governed by law, and as near that which we inherited as possible. Our hitherto political and private differences were settled by debate, or vote, or decree of a court. We are still willing to return to that system, but our adversaries say no, and appeal to war. They dared us to war, and you remember how tauntingly they defied us to the contest. We have accepted the issue and it must be fought out. You might as well reason with a thunder-storm.”

William T. Sherman (1820–1891) American General, businessman, educator, and author.

1860s, 1864, Letter to James Guthrie (August 1864)

Cassandra Clare photo
Richard Nixon photo
Charles Krauthammer photo
Paul Tillich photo
Saul D. Alinsky photo
Bill Bryson photo
Eugene Chadbourne photo

“There are no bridges in folk songs because the peasants died building them.”

Eugene Chadbourne (1954) American musician

Mark Michaels Quoted in The Billboard Book of Rock Arranging (1990)

Khalil Gibran photo
Sebouh Chouldjian photo

“The Armenian Patriarchate of Constantinople can become a spiritual and cultural bridge among Yerevan, Ankara and the Armenian Diaspora.”

Sebouh Chouldjian (1959) Archbishop Sebouh Chouldjian is the primate of the Diocese of Gougark of the Armenian Apostolic Church

[We Must Continue What Dink Started: Dialogue with Turkey, Says Bishop, Tert.am, 2010-02-15, http://tert.am/en/news/2010/02/15/bishop/, 2010-02-16, English]
On Armenia-Turkey relations

Leung Chun-ying photo
Mel Brooks photo

“Dark Helmet [after everyone on the bridge announces that their last name is "Asshole."]: I knew it, I'm surrounded by Assholes.”

Mel Brooks (1926) American director, writer, actor, and producer

Spaceballs

Jim Butcher photo
William the Silent photo

“This mercy will be your ruin; you will be at the bridge across which the Spaniards will enter this land.”

William the Silent (1533–1584) stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt

Statement to his friend, the Count of Egmont, as quoted in William the Silent (1897) by Frederic Harrison p. 76

Halldór Laxness photo
Daniel Levitin photo

“The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Theo van Doesburg photo

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Mikha'il Na'ima photo
Timothy Ferriss photo
Narendra Modi photo
Nathanael Greene photo
Jim Butcher photo
Paul Krugman photo
Christopher Vokes photo
Rosa Luxemburg photo
William McGonagall photo

“BEAUTIFUL Railway Bridge of the Silvery Tay!
With your numerous arches and pillars in so grand array
And your central girders, which seem to the eye
To be almost towering to the sky.”

William McGonagall (1825–1902) weaver, actor, poet

Written before the disaster.
Poetry, The Railway Bridge of the Silvery Tay (1878)

Mike Scott photo
George Eliot photo

“He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of his life.”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 2 (at page 16 – Page numbers as per the 1996 Penguin Classics Edition)

Haruo Nakajima photo

“The most important document at Ugarit for both Biblical and Homeric studies is the Epic of Kret. It anticipates the Helen-of-Troy motif in the Iliad and Genesis, thus bridging the gap between the two literatures.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Richard Rumelt photo

“A leader’s most important job is creating and constantly adjusting this strategic bridge between goals and objectives.”

Richard Rumelt (1942) American economist

Source: Good Strategy Bad Strategy, 2011, p. 52

Charles Darwin photo

“The great break in the organic chain between man and his nearest allies, which cannot be bridged over by any extinct or living species, has often been advanced as a grave objection to the belief that man is descended from some lower form; but this objection will not appear of much weight to those who, convinced by general reasons, believe in the general principle of evolution. Breaks incessantly occur in all parts of the series, some being wide, sharp and defined, others less so in various degrees; as between the orang and its nearest allies—between the Tarsius and the other Lemuridæ—between the elephant and in a more striking manner between the Ornithorhynchus or Echidna, and other mammals. But all these breaks depend merely on the number of related forms which have become extinct. At some future period, not very distant as measured by centuries, the civilised races of man will almost certainly exterminate and replace throughout the world the savage races. At the same time the anthropomorphous apes, as Professor Schaaffhausen has remarked, will no doubt be exterminated. The break will then be rendered wider, for it will intervene between man in a more civilised state, as we may hope, than the Caucasian, and some ape as low as a baboon, instead of as at present between the negro or Australian and the gorilla.”

volume I, chapter VI: "On the Affinities and Genealogy of Man", pages 200-201 http://darwin-online.org.uk/content/frameset?pageseq=213&itemID=F937.1&viewtype=image
The sentence "At some future period … the savage races" is often quoted out of context to suggest that Darwin desired this outcome, whereas in fact Darwin simply held that it would occur.
The Descent of Man (1871)

Truman Capote photo
André Weil photo
Michael Polanyi photo

“The Venetian Bridge and the fine cliff walks are a handsome background for a wealth of entertainment which most visitors find irresistible.”

Arthur Mee (1875–1943) British journalist and writer

Page 63, Clacton on Sea.
The King's England: Essex

Paul Tillich photo
Vincent Van Gogh photo
Harry V. Jaffa photo
Joseph Goebbels photo

“I put down the oars and float endlessly as if to the eternal shore. Blue light of the moon shines on my sail. My boat is gliding to a secure haven. Only silent waves break against it. Deepest silence surrounds me and my soul builds a golden bridge to a star.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Ich lege die Ruder ein und fahre endlos, wie einem ewigen Gestade zu. Mondlicht spielt blau auf meinem Segel. Mein Nachen gleitet in einen sicheren Hafen. Nur leise schlagen die Wellen an meinen Kahn. Die tiefste Stille ist um mich, und meine Seele spannt eine goldene Brücke zu einem Stern.
Michael: a German fate in diary notes (1926)

David Lloyd George photo
Donald J. Trump photo
Hugh Macmillan, Baron Macmillan photo
Olympia Snowe photo

“It's not healthy for the country to have parties with polar opposite views without that bridge that you need to build consensus.”

Olympia Snowe (1947) United States Senator from Maine

Statement of April 2009, as quoted in "US Sen. Olympia Snowe in her own words" by The Associated Press (28 February 2012) http://web.archive.org/20120229071826/www.seattlepi.com/news/article/US-Sen-Olympia-Snowe-in-her-own-words-3368674.php.

William McGonagall photo
Dana Perino photo
Wendy Doniger photo
Gloria E. Anzaldúa photo
Elliott Smith photo
Warren Farrell photo
Lydia Canaan photo

“Art is a universal language, a mighty bridge that transcends religiosity. It is embraced and appreciated not by adherents, devotees, believers, or converts of any certain sort, but by members of the religion that is Love.”

Lydia Canaan Lebanese singer-songwriter

From Diplomacy and Art http://diplomatartist.com/diplomacy-art/, a contributer article for Diplomat Artist, October 10, 2015

Mao Zedong photo

“Our agrarian revolution has been a process in which the landlord class owning the land is transformed into a class that has lost its land, while the peasants who once lost their land are transformed into small holders who have acquired land, and it will be such a process once again. In given conditions having and not having, acquiring and losing, are interconnected; there is identity of the two sides. Under socialism, private peasant ownership is transformed into the public ownership of socialist agriculture; this has already taken place in the Soviet Union, as it will take place everywhere else. There is a bridge leading from private property to public property, which in philosophy is called identity, or transformation into each other, or interpenetration.”

On Contradiction (1937)
Original: (zh-CN) 我们实行过的土地革命,已经是并且还将是这样的过程,拥有土地的地主阶级转化为失掉土地的阶级,而曾经是失掉土地的农民却转化为取得土地的小私有者。有无、得失之间,因一定条件而互相联结,二者具有同一性。在社会主义条件之下,农民的私有制又将转化为社会主义农业的公有制,苏联已经这样做了,全世界将来也会这样做。私产和公产之间有一条由此达彼的桥梁,哲学上名之曰同一性,或互相转化、互相渗透。

John Betjeman photo
Achille Starace photo

“A successful relationship bridges the gap between men and women and that bridge is built with respect.”

Source: Life, the Truth, and Being Free (2010), p. 116

Thomas Babington Macaulay, 1st Baron Macaulay photo
Lord Dunsany photo
Bill Mollison photo
Chauncey Depew photo
Talal Abu-Ghazaleh photo

“Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against Bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold that all had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, with the reins of power at last now firm in his grasp, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.”

William Manchester (1922–2004) (April 1, 1922 – June 1, 2004) American author, journalist and historian

Source: The Last Lion: Winston Spencer Churchill: Alone 1932-1940 (1988), p. 688-689

Hilaire Belloc photo
Rod Serling photo

“Dear citizens. Now I plan to jump off a bridge over the Han River. I hope you give us the last chance. Please lend us 100 million won which will be used for paying back debt and seed money of our organization… I know this is shameful. I'm sorry. I'll repent for the last of my life.”

Sung Jae-gi (1967–2013) South Korean masculism activist

As quoted in "Activist's 'suicide' causes huge stir" http://www.koreatimes.co.kr/www/news/nation/2013/07/116_140028.html Koreatimes 2013.07.26

Bill Hybels photo

“Prayer is a bridge from despair to hope.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

Samuel Pepys photo
Ralph Waldo Emerson photo

“By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Hymn sung at the Completion of the Battle Monument
Bartlett's Familiar Quotations, 10th ed. (1919)

Mario Vargas Llosa photo
Barry Boehm photo
Daniel Johns photo

“All the bridges in the world won't save you if there is no other side to cross to”

Daniel Johns (1979) Australian musician

World Upon Your Shoulders
Song lyrics, Diorama (2002)

Gary Johnson photo
Hillary Clinton photo
Hunter S. Thompson photo

“A nervous blonde nymphet who thought that politics was some kind of game played by old people, like bridge.”

Hunter S. Thompson (1937–2005) American journalist and author

1970s, Fear and Loathing: On the Campaign Trail '72 (1973)

Han-shan photo
Tony Benn photo
Oscar Levant photo

“I once said cynically of a politician, "He'll double-cross that bridge when he comes to it."”

The Memoirs of an Amnesiac (1965), p. 13; also quoted in The Quotable Politician (2003) by William B. Whitman, p. 31.

Ursula K. Le Guin photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

“Here at this bridge we'll go our separate ways—
forlorn beside the road, I watch flags fly.”

Đặng Trần Côn (1710–1745) writer

Source: Chinh phụ ngâm, Lines 43–44