Quotes about breeze

A collection of quotes on the topic of breeze, likeness, tree, look.

Quotes about breeze

Charles Lamb photo
Nick Cave photo
Jean-Baptiste-Camille Corot photo
Johannes Kepler photo

“Given ships or sails adapted to the breezes of heaven, there will be those who will not shrink from even that vast expanse.”

Translated by Edward Rosen, Kepler's Conversation with Galileo's Sidereal Messenger (1965), p. 39
Unsourced variant translation: Provide ships or sails fit for the winds of heaven, and some will brave even that great void.
Dissertatio cum Nuncio Sidereo (1610)
Context: It is not improbable, I must point out, that there are inhabitants not only on the moon but on Jupiter too, or (as was delightfully remarked at a recent gathering of certain philosophers) that those areas are now being unveiled for the first time. But as soon as somebody demonstrates the art of flying, settlers from our species of man will not be lacking. Who would once have thought that the crossing of the wide ocean was calmer and safer than of the narrow Adriatic Sea, Baltic Sea, or English Channel? Given ships or sails adapted to the breezes of heaven, there will be those who will not shrink from even that vast expanse. Therefore, for the sake of those who, as it were, will presently be on hand to attempt this voyage, let us establish the astronomy, Galileo, you of Jupiter, and me of the moon.

Isadora Duncan photo

“My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.”

Isadora Duncan (1877–1927) American dancer and choreographer

As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
Context: To seek in nature the fairest forms and to find the movement which expresses the soul of these forms — this is the art of the dancer. It is from nature alone that the dancer must draw his inspirations, in the same manner as the sculptor, with whom he has so many affinities. Rodin has said: "To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature." Rodin is right; and in my art I have by no means copied, as has been supposed, the figures of Greek vases, friezes and paintings. From them I have learned to regard nature, and when certain of my movements recall the gestures that are seen in works of art, it is only because, like them, they are drawn from the grand natural source.
My inspiration has been drawn from trees, from waves, from clouds, from the sympathies that exist between passion and the storm, between gentleness and the soft breeze, and the like, and I always endeavour to put into my movements a little of that divine continuity which gives to the whole of nature its beauty and its life.

William Carlos Williams photo

“Your thighs are appletrees. Your knees are a southern breeze.”

William Carlos Williams (1883–1963) American poet

Source: The Farmers' Daughters

Langston Hughes photo
H.P. Lovecraft photo
Eugène Boudin photo

“I dare not think of the sun-drenched beaches and the stormy skies, and of the joy of painting them in the sea breezes.”

Eugène Boudin (1824–1898) French painter

Quote in a letter, from Paris 14 June 1869, to family-friend Ferdinand Martin; as cited by Colin B. Bailey in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publisher, Metropolitan Museum of Art, New York, 2009, p. 7
Boudin felt himself detained in the big city Paris and longed fort the beach
1850s - 1870s

Billie Holiday photo

“Southern trees bear a strange fruit
Blood on the leaf and blood at the root
Black bodies swingin’ in the southern breeze
Strange fruit hangin’ in the poplar trees.”

Billie Holiday (1915–1959) American jazz singer and songwriter

"Strange Fruit" (1939). Though Holiday's renditions made this anti-lynching song famous, it was written by Abel Meeropol (using his pseudonym "Lewis Allen").
Misattributed

Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

Plato photo
David Thomas (born 1813) photo

“Amusements are to religion like breezes of air to the flame; gentle ones will fan it, but strong ones will put it out.”

David Thomas (born 1813) (1813–1894) 19th-century Welsh preacher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 12.

Ransom Riggs photo
Livy photo

“The populace is like the sea, motionless in itself, but stirred by every wind, even the lightest breeze.”

Livy (-59–17 BC) Roman historian

Book XXVIII, sec. 27
History of Rome

Livy photo

“He is truly a man who will not permit himself to be unduly elated when fortune’s breeze is favorable, or cast down when it is adverse.”
Is demum vir erit, cuius animum neque prosperae res flatu suo efferent nec adversae infringent

Livy (-59–17 BC) Roman historian

Book XLV, sec. 8
History of Rome

“Success soon palls. The joyous time is, when the breeze first strikes your sails, and the waters rustle under your bows.”

Charles Buxton (1823–1871) English brewer, philanthropist, writer and politician

Source: Notes of Thought (1883), p. 91

John Lydon photo
Hunter S. Thompson photo
Black Elk photo
Thomas Campbell photo

“Ye mariners of England,
That guard our native seas;
Whose flag has braved, a thousand years,
The battle and the breeze!”

Thomas Campbell (1777–1844) British writer

Stanza 1
Ye Mariners of England http://www.poetsgraves.co.uk/Classic%20Poems/Campbell/ye%20mariners_of_england.htm (1800)

Eugene O'Neill photo
Malcolm X photo
John of the Cross photo
Reginald Heber photo
Lewis Carroll photo
Etty Hillesum photo
Brandon Sanderson photo

“You see the dilemma?” Ham asked. “I see an idiot,” Breeze mumbled.”

Brandon Sanderson (1975) American fantasy writer

Source: The Final Empire

Thomas Hardy photo
Samuel Taylor Coleridge photo
Brandon Sanderson photo
Kabir photo
Jenny Han photo
Garrison Keillor photo
William Wordsworth photo

“I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils.
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 1.
I Wandered Lonely as a Cloud http://www.bartleby.com/145/ww260.html (1804)
Source: I Wander'd Lonely as a Cloud

Anne Brontë photo

“My soul is awakened, my spirit is soaring and carried aloft on the wings of the breeze.”

Poems by Currer, Ellis, and Acton Bell (1846), Lines Composed in a Wood on a Windy Day (1842)
Context: My soul is awakened, my spirit is soaring <br/> And carried aloft on the wings of the breeze; <br/> For above and around me the wild wind is roaring, <br/> Arousing to rapture the earth and the seas.
Context: My soul is awakened, my spirit is soaring
And carried aloft on the wings of the breeze;
For above and around me the wild wind is roaring,
Arousing to rapture the earth and the seas.

Winston Groom photo
Mitch Albom photo

“There are no random acts… We are all connected… You can no more separate one life from another than you can separate a breeze from the wind…”

Variant: That there are no random acts. That we are all connected. That you can no more separate on life from another than you can separate a breeze from the wind.
Source: The Five People You Meet in Heaven (2003)
Context: "All the people you meet here have one thing to teach you." Eddie was skeptical. His fists stayed clenched. "What?" he said. "That there are no random acts. That we are all connected. That you can no more separate one life from another than you can separate a breeze from the wind."

Barbara Kingsolver photo
Elizabeth Berg photo
Brandon Sanderson photo
Haruki Murakami photo
Libba Bray photo
Nicholas Sparks photo
Dr. Seuss photo
Barbara Kingsolver photo
Brandon Sanderson photo

“You know, Ham," Breeze noted. "The only funny thing about your jokes is how often they lack any humor whatsoever.”

Brandon Sanderson (1975) American fantasy writer

Source: The Well of Ascension

Brandon Sanderson photo
Anne Lamott photo
Arundhati Roy photo
Brandon Sanderson photo

“You should try not to talk so much, friend. You'll sound far less stupid that way.

- Breeze”

Brandon Sanderson (1975) American fantasy writer

Source: The Final Empire

Brian Andreas photo
Robert Jordan photo
Carl Sagan photo

“Sailors on a becalmed sea, we sense the stirring of a breeze.”

Source: Pale Blue Dot: A Vision of the Human Future in Space

Douglas Adams photo
Francesco Petrarca photo
William Henry Davies photo
Arnaut Daniel photo

“Briefly bursteth season brisk,
Blasty north breeze racketh branch,
Branches rasp each branch on each
Tearing twig and tearing leafage.”

Arnaut Daniel (1150–1210) Occitan troubadour

En breu brizara'l temps braus
E'l biza, e'l brus e'l blancx
Qui s'entresenhon trastuig
De sobre claus ram de fuelha.
"En breu brizara'l temps braus", line 1; translation from Ezra Pound Instigations (1920) p. 309.

Han-shan photo
Apuleius photo

“Behold me, Lucius; moved by thy prayers, I appear to thee; I, who am Nature, the parent of all things, the mistress of all the elements, the primordial offspring of time, the supreme among Divinities, the queen of departed spirits, the first of the celestials, and the uniform manifestation of the Gods and Goddesses; who govern by my nod the luminous heights of heaven, the salubrious breezes of the ocean, and the anguished silent realms of the shades below: whose one sole divinity the whole orb of the earth venerates under a manifold form, with different rites, and under a variety of appellations.”
En adsum tuis commota, Luci, precibus, rerum naturae parens, elementorum omnium domina, saeculorum progenies initialis, summa numinum, regina manium, prima caelitum, deorum dearumque facies uniformis, quae caeli luminosa culmina, maris salubria flamina, inferum deplorata silentia nutibus meis dispenso: cuius numen unicum multiformi specie, ritu vario, nomine multiiugo totus veneratus orbis.

Bk. 11, ch. 5; p. 226.
Metamorphoses (The Golden Ass)

Ahmed Shah Durrani photo

“Suddenly the breeze of victory began to blow,
and as willed by Allah,
the wretched Deccanis (Maratha's) suffered utter defeat.”

Ahmed Shah Durrani (1722–1772) founder of the Durrani Empire, considered founder of the state of Afghanistan

Excerpt from Ahmad Shah's letter to Madho Singh Raja of Jaipur, cited from M. J. Akbar The Shade of Swords: Jihad and the Conflict Between Islam and Christianity p. 129.

Samuel Taylor Coleridge photo
Herman Melville photo
Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Ruan Ji photo
Aaliyah photo
Halldór Laxness photo
David Foster Wallace photo
Vitruvius photo
Chuck Berry photo
Han-shan photo
Zadie Smith photo
Revilo P. Oliver photo
Pat Conroy photo

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Source: The Boo (1970), p. 33

Amit Chaudhuri photo
Jane Yolen photo
Yoshida Shoin photo
Samuel R. Delany photo
Dejan Stojanovic photo

“A breeze, a forgotten summer, a smile, all can fit into a storefront window.”

Dejan Stojanovic (1959) poet, writer, and businessman

“Things,” p. 87
The Sun Watches the Sun (1999), Sequence: “A Game”

Anthony Burgess photo

“I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit…. I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance…”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

Paula Modersohn-Becker photo
Nick Drake photo
Luís de Camões photo

“To this old song:
Partridge lost his quill,
there's no harm won't befall him.

Partridge, whose winged fancy
aspired to a high estate,
lost a feather in his flight
and won the pen of despondency.
He finds in the breeze no buoyancy
for his pennants to haul him:
there's no harm won't befall him.

He wished to soar to a high tower
but found his plumage clipped,
and, observing himself plucked,
pines away in despair.
If he cries out for succor,
stoke the fire to forestall him:
there's no harm won't befall him.”

Luís de Camões (1524–1580) Portuguese poet

<p>Perdigão perdeu a pena
Não há mal que lhe não venha.</p><p>Perdigão que o pensamento
Subiu a um alto lugar,
Perde a pena do voar,
Ganha a pena do tormento.
Não tem no ar nem no vento
Asas com que se sustenha:
Não há mal que lhe não venha.</p><p>Quis voar a üa alta torre,
Mas achou-se desasado;
E, vendo-se depenado,
De puro penado morre.
Se a queixumes se socorre,
Lança no fogo mais lenha:
Não há mal que lhe não venha.</p>
"Perdigão que o pensamento", tr. Landeg White in The Collected Lyric Poems of Luis de Camoes (2016), p. 251
Listen to the poem in Portuguese https://www.youtube.com/watch?v=5P4_2W-ZwV8&feature=youtu.be&t=10m31s
Lyric poetry, Songs (redondilhas)

William Cullen Bryant photo

“The summer morn is bright and fresh, the birds are darting by,
As if they loved to breast the breeze that sweeps the cool clear sky.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Strange Lady http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page211, st. 6 (1835)

John Quincy Adams photo

“Respect for his ancestors excites, in the breast of man, interest in their history, attachment to their characters, concern for their errors, involuntary pride in their virtues. Love for his posterity spurs him to exertion for their support, stimulates him to virtue for their example, and fills him with the tenderest solicitude for their welfare. Man, therefore, was not made for himself alone. No; he was made for his country, by the obligations of the social compact: he was made for his species, by the Christian duties of universal charity: he was made for all ages past, by the sentiment of reverence for his forefathers; and he was made for all future times, by the impulse of affection for his progeny. Under the influence of these principles, "Existence sees him spurn her bounded reign." They redeem his nature from the subjection of time and space: he is no longer a "puny insect shivering at a breeze;" he is the glory of creation, formed to occupy all time and all extent: bounded, during his residence upon earth, only by the boundaries of the world, and destined to life and immortality in brighter regions, when the fabric of nature itself shall dissolve and perish.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

He here quotes statements made about William Shakespeare by Samuel Johnson, and then one made in reference to Timon by Alexander Pope in Moral Essays.
Oration at Plymouth (1802)

Thomas Parnell photo
Henry Timrod photo

“Throw thy bold banner to the breeze!
Front with thy ranks the threatening seas
Like thine own proud armorial trees,
Carolina!

Fling down thy gauntlet to the Huns,
And roar the challenge from thy guns;
Then leave the future to thy sons,
Carolina!”

Henry Timrod (1828–1867) Poet from the American South

"Carolina", st. VII, 2–3
An adaptation of this poem , edited by G.R. Goodwin and set to music by Anne Curtis Burgess, was adopted as the official state song of Carolina in 1911.

Thomas Parnell photo

“A sudden splendour seemed to kindle day
A breeze came breathing in a sweet perfume
Blown from eternal gardens, filled the room.”

Thomas Parnell (1679–1718) Anglo-Irish cleric, writer and poet.

from the poem Piety, or the Vision.

John Constable photo
Ludovico Ariosto photo

“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)