Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 18
Quotes about breeze
page 2

“Down the narrow streets
I can feel the breeze Feel the mroning bliss”
Song lyrics
Los Angeles Times Home Magazine (Feb. 20, 1977)

" The Silken Tent http://www.poemhunter.com/poem/the-silken-tent/" (1942)
1940s

"Waitin' on a Sunny Day"
Song lyrics, The Rising (2002)
The Devil's Progress (1849)

"The Harp", in The White Pony: An Anthology Of Chinese Poetry (1949), ed. Robert Payne, p. 220

The Ancestress (Spoken by Jaromir)
The Venetian Bracelet (1829)

"Lady Don't Fall Backwards"
Lyrics and poetry
Overdrive
Because I Can

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

“And the blue gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.”
November. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page74 (1824)
Source: Dream of the Red Chamber (1958), p. 42

(22nd September 1821) Bells
The London Literary Gazette, 1821-1822
Poem Sweet in her green dell http://www.bartleby.com/101/640.html

excerpt of her Journal, Paris 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 195
1897

Let's Do It Again, performed by Staple Singers, from Let's Do It Again (1975).
Song lyrics
Sens-plastique
Dumonlin Heinrich, Daisetz Teitaro Suzuki. Essays in Zen Buddhism, first series. 2000.p. 255

Hymn sung at the Completion of the Battle Monument
Bartlett's Familiar Quotations, 10th ed. (1919)

Written on Father's Day at Three Rivers Stadium, 1971 or 1972, reproduced in "A Rematch With the Machine" https://books.google.com/books?id=03XsO25A3I8C&pg=PA302 from Roberto Clemente: The Great One (1998) by Bruce Markusen, p. 302
Other, <big><big>1970s</big></big>, <big>1971</big>
“Their words were spoken to the breezes nor swayed appointed fate.”
Dicta dabant ventis nec debita fata movebant.
Source: Argonautica, Book V, Line 21

Hasan Bülent Paksoy, Alpamysh: Central Asian Identity Under Russian Rule (1979, 1989), , p. 5–6

" Out, Out — http://www.poemhunter.com/poem/out-out-2/"
1910s

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 11

“…the wild flowers blooming in hushed solitude
Start not at the whispering, 'tis but the breeze”
from A Canadian Summer Evening

“Music expresses the motion of the waters, the play of curves described by changing breezes.”
As quoted in The Twentieth Century (1972) by Caroline Farrar Ware, p. 222
Variant translation: Music is the expression of the movement of the waters, the play of curves described by changing breezes.

(2nd October 1824) The Glen
The London Literary Gazette, 1824

My Last Will http://en.wikisource.org/wiki/My_Last_Will (1915-11-18)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV "The Site of a City" Sec. 1

1830s, The Journals of Søren Kierkegaard, 1830s
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Missionary Hymn ("Java" in one version); reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 487.
Hymns

The Sleepwalkers: A History of Man's Changing Vision of the Universe (1959)

As quoted by Teles of Megara, fr. 2, On Self-Sufficiency

Sylphs
Poems (1851), Prometheus

He Went to Paris
Song lyrics, A White Sport Coat and a Pink Crustacean (1973)

Ode on St. Cecilia's Day (1699), st. 6.

Memories of Duckburg, http://www.helnwein.com/texte/helnweintexts/artikel_398.html, Zeit Magazin, Hamburg, 1989

““Used to be” is not worth the breeze on which it is scribbled.”
Source: Soldiers Live (2000), Chapter 2, “An Abode of Ravens: When the Baobhas Sang” (p. 368)

“A weight is on the air, for ev'ry breeze
Has, bird-like, folded up its wings for sleep.”
The Ancestress (Spoken by Bertha)
The Venetian Bracelet (1829)

Japan, the Beautiful and Myself (1969)

Santa Fe/Beautiful Obsession
Song lyrics, Wavelength (1978)

"Yusuf Islam Takes Stance for Peace" by Ali Asadullah at IslamOnline http://www.islamonline.net/servlet/Satellite?c=Article_C&pagename=Zone-English-ArtCulture%2FACELayout&cid=1158658359693

"The Stars and Stripes"; reported in Florence Adams and Elizabeth McCarrick, Highdays & Holidays (1927), pp. 182–83.
Source: Outlaw Journalist (2008), Chapter 17, Homecoming, p. 324

Ewing asked indolently.
Explicit
The Wrong People (1971)

Ólafur
Heimsljós (World Light) (1940), Book Three: The House of the Poet

Under the Trees, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 494.

Song lyrics, Another Side of Bob Dylan (1964), Chimes of Freedom

Spitfire, p. 276
I Know You Got Soul (2004)
Song Breakaway.

Source: Never Leave Well Enough Alone (1951), Chapter 1

The Divine Milieu, p. 128
The Divine Milieu (1960)

“Pan” http://www.schulzian.net/translation/shops/pan.htm
His father, Living things

Song lyrics, Blood on the Tracks (1975), Lily, Rosemary and the Jack of Hearts
Travis McGee series, A Tan and Sandy Silence (1972)

Source: The Wind in the Willows (1908), Ch. 7
Context: A bird piped suddenly, and was still; and a light breeze sprang up and set the reeds and bulrushes rustling. Rat, who was in the stern of the boat, while Mole sculled, sat up suddenly and listened with a passionate intentness. Mole, who with gentle strokes was just keeping the boat moving while he scanned the banks with care, looked at him with curiosity.
'It's gone!' sighed the Rat, sinking back in his seat again. 'So beautiful and strange and new. Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever. No! There it is again!' he cried, alert once more. Entranced, he was silent for a long space, spellbound.
'Now it passes on and I begin to lose it,' he said presently. 'O Mole! the beauty of it! The merry bubble and joy, the thin, clear, happy call of the distant piping! Such music I never dreamed of, and the call in it is stronger even than the music is sweet! Row on, Mole, row! For the music and the call must be for us.'
The Mole, greatly wondering, obeyed. 'I hear nothing myself,' he said, 'but the wind playing in the reeds and rushes and osiers.

“This is a haunted world. It hath no breeze
But is the echo of some voice beloved”
Introductory poem.
Poems (1869)
Context: This is a haunted world. It hath no breeze
But is the echo of some voice beloved:
Its pines have human tones; its billows wear
The color and the sparkle of dear eyes.
Its flowers are sweet with touch of tender hands
That once clasped ours. All things are beautiful
Because of something lovelier than themselves,
Which breathes within them, and will never die. —
Haunted,—but not with any spectral gloom;
Earth is suffused, inhabited by heaven.

"The Holy Dimension", p. 333
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: Faith is not a thing that comes into being out of nothing. It originates in an event. In the spiritual vacancy of life something may suddenly occur that is like the lifting of a veil at the horizon of knowledge. A simple episode may open sight of the eternal. A shift of conceptions, boisterous like a tempest of soft as a breeze may swerve a mind for an instant or forever. For God is not wholly silent and man is not always deaf. God's willingness to call men to His service and man's responsiveness to the divine indications in things and events are for faith what sun and soil are for the plant.

Part I, section xxii, stanza 2
Maud; A Monodrama (1855)

"The Desert. Sinai.", Ch. 21, p. 278
Report to Greco (1965)
Context: "Tomorrow, go forth and stand before the Lord. A great and strong wind will blow over you and rend the mountains and break in pieces the rocks, but the Lord will not be in the wind. And after the wind and earthquake, but the Lord will not be in the earthquake. And after the earthquake a fire, but the Lord will not be in the fire. And after the fire a gentle, cooling breeze. That is where the Lord will be."
This is how the spirit comes. After the gale, the earthquake, and fire: a gentle, cooling breeze. This is how it will come in our own day as well. We are passing through the period of earthquake, the fire is approaching, and eventually (when? after how many generations?) the gentle, cool breeze will blow.

Inaugural Address (1989)
Context: I do not mistrust the future; I do not fear what is ahead. For our problems are large, but our heart is larger. Our challenges are great, but our will is greater. And if our flaws are endless, God's love is truly boundless.
Some see leadership as high drama, and the sound of trumpets calling, and sometimes it is that. But I see history as a book with many pages, and each day we fill a page with acts of hopefulness and meaning. The new breeze blows, a page turns, the story unfolds. And so today a chapter begins, a small and stately story of unity, diversity, and generosity — shared, and written, together.

Poems (1869), A Strip of Blue (1870)
Context: Richer am I than he who owns
Great fleets and argosies;
I have a share in every ship
Won by the inland breeze,
To loiter on yon airy road
Above the apple-trees.
I freight them with my untold dreams;
Each bears my own picked crew;
And nobler cargoes wait for them
Than ever India knew, —
My ships that sail into the East
Across that outlet blue.

Source: A Wild Sheep Chase: A Novel (1982), Chapter 10, Counting Sheep
Context: We can, if we so choose, wander aimlessly over the continent of the arbitrary. Rootless as some winged seed blown about on a serendipitous spring breeze. Nonetheless, we can in the same breath deny that there is any such thing as coincidence. What's done is done, what's yet to be is clearly yet to be. In other words, sandwiched as we are between the "everything" that is behind us and the "zero" beyond us, ours is an ephemeral existence in which there is neither coincidence nor possibility. In actual practice, however, distinctions between the two interpretations amount to precious little. A state of affairs (as with most face-offs between interpretations) not unlike calling the same food by two different names. So much for metaphors.

I'm a Stranger Here Myself (1938), I Have It On Good Authority
Context: There are two kinds of people who blow through life like a breeze,
And one kind is gossipers, and the other kind is gossipees,
And they certainly annoy each other,
But they certainly enjoy each other,
Yes, they pretend to flout each other,
But they couldn't do without each other...

“Look, still is the sea and still are the breezes; but the pain in my heart is not still.”
Idyll 2, lines 38-39
Idylls

With Open Hands (1972)
Context: To pray means to open your hands before God. It means slowly relaxing the tension which squeezes your hands together and accepting your existence with an increasing readiness, not as a possession to defend, but as a gift to receive. Above all, prayer is a way of life which allows you to find a stillness in the midst of the world where you open your hands to God’s promises and find hope for yourself, your neighbor and your world. In prayer, you encounter God not only in the small voice and the soft breeze, but also in the midst of the turmoil of the world, in the distress and joy of your neighbor and in the loneliness of your own heart.

Inaugural Address (1989)
Context: I come before you and assume the Presidency at a moment rich with promise. We live in a peaceful, prosperous time, but we can make it better. For a new breeze is blowing, and a world refreshed by freedom seems reborn; for in man's heart, if not in fact, the day of the dictator is over. The totalitarian era is passing, its old ideas blown away like leaves from an ancient, lifeless tree. A new breeze is blowing, and a nation refreshed by freedom stands ready to push on. There is new ground to be broken, and new action to be taken. There are times when the future seems thick as a fog; you sit and wait, hoping the mists will lift and reveal the right path. But this is a time when the future seems a door you can walk right through into a room called tomorrow.
Great nations of the world are moving toward democracy through the door to freedom. Men and women of the world move toward free markets through the door to prosperity. The people of the world agitate for free expression and free thought through the door to the moral and intellectual satisfactions that only liberty allows.
We know what works: Freedom works. We know what's right: Freedom is right. We know how to secure a more just and prosperous life for man on Earth: through free markets, free speech, free elections, and the exercise of free will unhampered by the state.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 193
Context: Life is what we make it, and the world is what we make it. The eyes of the cheerful and of the melancholy man are fixed upon the same creation; but very different are the aspects which it bears to them. To the one, it is all beauty and gladness; the waves of ocean roll in light, and the mountains are covered with day. Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water. The other idly or mournfully gazes at the same scene, and everything wears a dull, dim, and sickly aspect. The murmuring of the brooks is a discord to him, the great roar of the sea has an angry and threatening emphasis, the solemn music of the pines sings the requiem of his departed happiness, the cheerful light shines garishly upon his eyes and offends him. The great train of the seasons passes before him like a funeral procession; and he sighs, and turns impatiently away. The eye makes that which it looks upon; the ear makes its own melodies and discords: the world without reflects the world within.