Quotes about body
page 14

David Levithan photo
David Foster Wallace photo
Nicholas Sparks photo
Marcus Garvey photo
Amanda Stevens photo
Alan Moore photo
Colum McCann photo

“The thing about love is that we come alive in bodies not our own.”

Source: Let the Great World Spin (2009), Book Three: Centavos

Francesca Lia Block photo
Francesca Lia Block photo
Deanna Raybourn photo
Jodi Picoult photo
Alfred Hitchcock photo

“I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.”

Alfred Hitchcock (1899–1980) British filmmaker

Newsweek (11 June 1956).

Paramahansa Yogananda photo
E.M. Forster photo
D.H. Lawrence photo
Swami Vivekananda photo
Kelley Armstrong photo
P.G. Wodehouse photo
Paulo Coelho photo
David Levithan photo
Dogen photo
Louis De Bernières photo
Charlaine Harris photo
Sarah Mlynowski photo
Jean Paul Sartre photo
Joseph Boyden photo
Ilchi Lee photo

“I existed before I received this body. I am the external and fundamental life energy of the universe.”

Ilchi Lee (1950) South Korean businessman

Source: The Call of Sedona: Journey of the Heart

Natalie Goldberg photo
Tom Stoppard photo

“I am not my body. My body is nothing without me.”

Source: Rock 'n' Roll

Laurie Penny photo
Richard Cobden photo

“It is not the terrible occurrences that no one is spared, — a husband’s death, the moral ruin of a beloved child, long, torturing illness, or the shattering of a fondly nourished hope, — it is none of these that undermine the woman’s health and strength, but the little daily recurring, body and soul devouring care s. How many millions of good housewives have cooked and scrubbed their love of life away! How many have sacrificed their rosy checks and their dimples in domestic service, until they became wrinkled, withered, broken mummies. The everlasting question: ‘what shall I cook today,’ the ever recurring necessity of sweeping and dusting and scrubbing and dish-washing, is the steadily falling drop that slowly but surely wears out her body and mind. The cooking stove is the place where accounts are sadly balanced between income and expense, and where the most oppressing observations are made concerning the increased cost of living and the growing difficulty in making both ends meet. Upon the flaming altar where the pots are boiling, youth and freedom from care, beauty and light-heartedness are being sacrificed. In the old cook whose eyes are dim and whose back is bent with toil, no one would recognize the blushing bride of yore, beautiful, merry and modestly coquettish in the finery of her bridal garb.”

Dagobert von Gerhardt (1831–1910) German writer

To the ancients the hearth was sacred; beside the hearth they erected their lares and household-gods. Let us also hold the hearth sacred, where the conscientious German housewife slowly sacrifices her life, to keep the home comfortable, the table well supplied, and the family healthy."
"von Gerhardt, using the pen-name Gerhard von Amyntor in", A Commentary to the Book of Life. Quote taken from August Bebel, Woman and Socialism, Chapter X. Marriage as a Means of Support.

Clay Shirky photo
Sarah McLachlan photo
Ray Comfort photo
Edith Stein photo
Yukteswar Giri photo
Janet Jackson photo
Marilyn Monroe photo

“The studio people want me to do "Good-bye Charlie" for the movies, but I'm not going to do it. I don't like the idea of playing a man in a woman's body — you know? It just doesn't seem feminine.”

Marilyn Monroe (1926–1962) American actress, model, and singer

On turning down a role, eventually played by Debbie Reynolds, as quoted in Ms. magazine (August 1972) p. 41

Mata Amritanandamayi photo
Oksana Shachko photo
James Wilks photo
Thomas Hughes photo
Harriet Beecher Stowe photo

“If you so much as touch him, I’ll have to smash every bone in your body—twice, to make sure I didn’t miss any the first time. I don’t recommend the experience.”

John Brunner (1934–1995) British author

Section 5 (p. 127)
Short fiction, You’ll Take the High Road (1973)

“If you hold two arms out in front of you and someone grabs them, then you can use the third set elbow movement to escape. Bring the hand right in to touch the body. If the hand is held in a fist, it doesn't work. Then press down with the elbow.”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung Comments on How to Respond to a Grab
Standing Grappling Situations
Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm

Adolf Eichmann photo
J.C. Ryle photo
Roberto Clemente photo

“In 1956 I was doing good until I hurt my back. Since then I step to the side with my left foot faster so I don't have to twist my body so much.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

On how stepping in the bucket of necessity became a familiar part of Clemente's batting form, as quoted in "Clemente Unorthodox?" Well, He Gets Results" https://news.google.com/newspapers?id=e5ooAAAAIBAJ&sjid=k8wEAAAAIBAJ&pg=816%2C1870316 by Ed Schuyler, Jr. (AP), in The Daytona Beach Morning Journal (August 11, 1964)
Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

William James photo
B.K.S. Iyengar photo

“Health is a state of complete harmony of the body, mind and spirit. When one is free from physical disabilities and mental distractions, the gates of the soul open.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 48

William Hazlitt photo

“Corporate bodies are more corrupt and profligate than individuals, because they have more power to do mischief, and are less amenable to disgrace or punishment. They feel neither shame, remorse, gratitude, nor goodwill.”

William Hazlitt (1778–1830) English writer

"On Corporate Bodies"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Bernard Le Bovier de Fontenelle photo

“The calculus is to mathematics no more than what experiment is to physics, and all the truths produced solely by the calculus can be treated as truths of experiment. The sciences must proceed to first causes, above all mathematics where one cannot assume, as in physics, principles that are unknown to us. For there is in mathematics, so to speak, only what we have placed there… If, however, mathematics always has some essential obscurity that one cannot dissipate, it will lie, uniquely, I think, in the direction of the infinite; it is in that direction that mathematics touches on physics, on the innermost nature of bodies about which we know little.”

Bernard Le Bovier de Fontenelle (1657–1757) French writer, satirist and philosopher of enlightenment

Elements de la géométrie de l'infini (1727) as quoted by Amir R. Alexander, Geometrical Landscapes: The Voyages of Discovery and the Transformation of Mathematical Practice (2002) citing Michael S. Mahoney, "Infinitesimals and Transcendent Relations: The Mathematics of Motion in the Late Seventeenth Century" in Reappraisals of the Scientific Revolution, ed. David C. Lindberg, Robert S. Westman (1990)

John Updike photo
Nisargadatta Maharaj photo
Antonio Cocchi photo
Thomas Jackson photo

“Make it a rule never to accuse without due consideration any body or association of men.”

Thomas Jackson (1824–1863) Confederate general

Misattributed, Jackson's personal book of maxims

Harvey Mansfield photo
Katy Perry photo

“You’re so hypnotizing,
Could you be the devil, could you be an angel?
Your touch magnetizing,
Feels like going floating, leaves my body glowing.
They say be afraid,
You’re not like the others, futuristic lovers.
Different DNA, they don’t understand you.”

Katy Perry (1984) American singer, songwriter and actress

E.T., written by Katy Perry, Lukasz Gottwald, Max Martin, Joshua Coleman, and Kanye West
Song lyrics, Teenage Dream (2010)

Gordon Lightfoot photo

“And the body of a dead youth
Lies stretched upon the ground
Upon the filthy pavements
No reason can be found
Black day in July”

Gordon Lightfoot (1938) Canadian singer-songwriter

Black Day In July, Track 3, (mono 45 edit), UNITED ARTISTS 50281, March 1968
Did She Mention My Name? (1968)

Edmund White photo
Louis Brandeis photo
Jerzy Vetulani photo
Heather Mills photo
John Updike photo

“For male and female alike, the bodies of the other sex are messages signaling what we must do — they are glowing signifiers of our own necessities.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

“The Female Body,” Michigan Quarterly Review (1990)

Philip K. Dick photo

“You’re not just out of your body; you’re out of your mind, too.”

Source: The Three Stigmata of Palmer Eldritch (1965), Chapter 6 (p. 87)

“Closely related to the erroneous idea that science is a body of knowledge is the equally erroneous idea that scientific theories are true.”

Carroll Quigley (1910–1977) American historian

Source: The Evolution of Civilizations (1961) (Second Edition 1979), Chapter 1, Scientific Method and the Social Sciences, p. 40

Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Paul of Tarsus photo
Nicole Oresme photo
Matthew Arnold photo

“English civilization — the humanizing, the bringing into one harmonious and truly humane life, of the whole body of English society — that is what interests me.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Irish Essays. Ecce, Convertimur ad Gentes" (1882)

Terry Winograd photo
Marie François Xavier Bichat photo

“One might almost say that the plant is the framework, the foundation of the animal, and that to form the animal it sufficed to cover this foundation with a system of organs fitted to establish relations consists forms with the world outside. It follows of the succession substance of the animal form two quite distinct classes. One class in a continual into its own assimilation molecules that the functions and of excretion; through these functions the animal incessantly transsurrounding bodies, later to reject these molecules when they have become heterogeneous to it. Through this first class of functions the animal exists only within itself; through the other class it exists outside; it is an inhabitant of the world, and not, like the plant, of the place which saw its birth. The animal feels and perceives its surroundings, reflects its sensations, moves of its own will under their influence, and, as a rule, can communicate by its voice its desires and its fears, its pleasures or its pains. I call organic life the sum of the functions of the former class, for all organised creatures, plants or animals, possess them to a more or less marked degree, and organised structure is the sole condition necessary to their exercise. The combined functions of the second class form the ' animal' life named because it is the exclusive attribute of the animal kingdom.”

Marie François Xavier Bichat (1771–1802) French anatomist and physiologist

Original: (fr) On dirait que le végétal est l'ébauche, le canevas de l'animal, et que, pour former ce dernier, il n'a fallu que revêtir ce canevas d'un appareil d'organes extérieurs, propres à établir des relations. Il résulte de là que les fonctions de l'animal forment deux classes très-distinctes. Les unes se composent d'une succession habituelle d'assimilation et d'excrétion ; par elles il transforme sans cesse en sa propre substance les molécules des corps voisins, et rejette ensuite ces molécules, lorsqu'elles lui sont devenues hétérogènes. Il ne vit qu'en lui, par cette classe de fonctions ; par l'autre il existe hors de lui : il est l'habitant du monde, et non, comme le végétal, du lieu qui le vit naître. Il sent et aperçoit ce qui l'entoure, réfléchit ses sensations, se meut volontairement d'après leur influenc, et le plus souvent peut communiquer par la voix, ses désirs et ses craintes, ses plaisirs ou ses peines. J'appelle vie organique l'ensemble des fonctions de la première classe, parce que tous les êtres organisés, végétaux ou animaux, en jouissent à un degré plus ou moins marqué, et que la texture organique est la seule condition nécessaire à son exercice. Les fonctions réunies de la seconde classe forment la vie animale, ainsi nommée, parce qu'elle est l'attribut exclusif du règne animal. Recherches Physiologiques sur la Vie et la Mort (1800) Translation: [Russell, E. S., Form and Function: A Contribution to the History of Animal Morphology, 1916, London, 28,

https://archive.org/details/formfunctioncont00russ/page/n5/mode/2up]

Ref: en.wikiquote.org - Xavier Bichat / Quotes

Brandon Boyd photo
Hemu photo
Jane Austen photo
Dave Barry photo

“We need our highest judicial body to stop this childish bickering and get back to debating the kinds of weighty constitutional issues that have absorbed the court in recent years, such as whether a city can legally force an exotic dancer to cover her entire nipple, or just the part that pokes out.”

Dave Barry (1947) American writer

Dave Barry Is Not Making This Up http://books.google.com/books?id=Dl1Q8FYJT1cC&pg=PA57&dq=%22We+need+our+highest+judicial+body+to+stop+this+childish+bickering%22&hl=en&sa=X&ei=2H22UMHfGYeGiQKdp4GwBw&ved=0CDAQ6AEwAA#v=onepage&q=%22We%20need%20our%20highest%20judicial%20body%20to%20stop%20this%20childish%20bickering%22&f=false
Dave Barry is not Making This Up (1994)

Robin Meyers photo
Mike Oldfield photo
Martha Washington photo
R. C. Majumdar photo
Bhakti Tirtha Swami photo
Anthony Burgess photo

“Easier, lad, with those soft small bodies…. Nothing to it. They're just soft squashy things.”

Anthony Burgess (1917–1993) English writer

Fiction, Man of Nazareth (1979)

Jean-Luc Godard photo

“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1967, repr. 1970).

Colin Wilson photo
Mihira Bhoja I photo

“But in the judgments they exercise they are most accurate and just, nor do they pass sentence by the votes of a court that is fewer than a hundred. And as to what is once determined by that number, it is unalterable. What they most of all honor, after God himself, is the name of their legislator [Moses], whom if any one blaspheme he is punished capitally. They also think it a good thing to obey their elders, and the major part. Accordingly, if ten of them be sitting together, no one of them will speak while the other nine are against it. They also avoid spitting in the midst of them, or on the right side. Moreover, they are stricter than any other of the Jews in resting from their labors on the seventh day; for they not only get their food ready the day before, that they may not be obliged to kindle a fire on that day, but they will not remove any vessel out of its place, nor go to stool thereon. Nay, on other days they dig a small pit, a foot deep, with a paddle (which kind of hatchet is given them when they are first admitted among them); and covering themselves round with their garment, that they may not affront the Divine rays of light, they ease themselves into that pit, after which they put the earth that was dug out again into the pit; and even this they do only in the more lonely places, which they choose out for this purpose; and although this easement of the body be natural, yet it is a rule with them to wash themselves after it, as if it were a defilement to them.”

Jewish War