Quotes about anxiety
page 4

Winston S. Churchill photo
Ernest Becker photo
Michael Elmore-Meegan photo
Joseph Campbell photo
André Maurois photo

“Love born of anxiety resembles a thorn shaped so that efforts to pull it out of one's flesh merely cause it to penetrate more deeply therein.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

St. Vincent (musician) photo

“I like the material, which makes it easy to sort of delve into it, and then also I was too tired to be nervous. I was just happy. The anxiety, the anxious energy was not there, because I was too exhausted.”

St. Vincent (musician) (1982) American singer-songwriter

On the first public performances of some of the music from her album Actor in an interview for Billboard magazine (20 March 2009) http://www.youtube.com/watch?v=0w53ut9dzhI

André Maurois photo

“Conquest brings no lasting happiness unless the person conquered was possessed of free will. Only then can there be doubt and anxiety and those continual victories over habit and boredom which produce the keenest pleasures of all. The comely inmates of the harem are rarely loved, for they are prisoners. Inversely, the far too accessible ladies of present-day seaside resorts almost never inspire love, because they are emancipated. Where is love's victory when there is neither veil, modesty, nor self-respect to check its progress? Excessive freedom raises up the transparent walls of an invisible seraglio to surround these easily acquired ladies. Romantic love requires women, not that they should be inaccessible, but that their lives should be lived within the rather narrow limits of religion and convention. These conditions, admirably observed in the Middle-Ages, produced the courtly love of that time. The honoured mistress of the chateau remained within its walls while the knight set out for the Crusades and thought about his lady. In those days a man scarcely ever tried to arouse love in the object of his passion. He resigned himself to loving in silence, or at least without hope. Such frustrated passions are considered by some to be naive and unreal, but to certain sensitive souls this kind of remote admiration is extremely pleasurable, because, being quite subjective, it is better protected against deception and disillusion.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Walter Rauschenbusch photo
Adam Smith photo

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Camille Paglia photo
Northrop Frye photo

“Man is constantly building anxiety-structures, like geodesic domes, around his social and religious institutions.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 232

Muhammad photo
John Gray photo
David Lloyd George photo
Fidel Castro photo
Calvin Coolidge photo
David Dixon Porter photo
Elfriede Jelinek photo

“Neurotics are anxiety prone, accident prone, and often just prone.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Jorge Vargas González photo

“This is made since a long time in Pichilemu, because of that, and the anxiety of our inhabitants we are proposing that these beaches become legal.”

Jorge Vargas González (1967) Chilean politician

Vargas on nude beaches in Pichilemu, in Terra (24 December 2002)

John Birtwhistle photo

“The essay was impelled by Clare's anxiety that his poems were slipping out if fashion.”

John Birtwhistle (1946) English poet

Clare's 'Popularity in Authorship (1824)

Martin Luther King, Jr. photo

“When a broad and significant change occurs in the organization, the first question many people ask is “What's in it for me?” or “What's going to happen to me? This is an indication of the anxiety that occurs when people are faced with the uncertainty associated with organizational change.”

David A. Nadler (1948–2015) American organizational theorist

David A Nadler (2010), "Techniques for the management of change," Robert Golembiewski (ed.) Handbook of Organizational Consultation, p. 1067; Quoted in: Diane Dormant, ‎Joe Lee (2011). The Chocolate Model of Change.

John Pentland Mahaffy photo
Michael Elmore-Meegan photo
Edward Hopper photo
Orson Pratt photo

“When, where, and how were you, Joseph Smith, first called? How old were you? and what were you qualifications? I was between fourteen and fifteen years of age. Had you been to college? No. Had you studied in any seminary of learning? No. Did you know how to read? Yes. How to write? Yes. Did you understand much about arithmetic? No. About grammar? No. Did you understand all the branches of education which are generally taught in our common schools? No. But yet you say the Lord called you when you were but fourteen or fifteen years of age? How did he call you? I will give you a brief history as it came from his own mouth. I have often heard him relate it. He was wrought upon by the Spirit of God, and felt the necessity of repenting of his sins and serving God. He retired from his father's house a little way, and bowed himself down in the wilderness, and called upon the name of the Lord. He was inexperienced, and in great anxiety and trouble of mind in regard to what church he should join. He had been solicited by many churches to join with them, and he was in great anxiety to know which was right. He pleaded with the Lord to give him wisdom on the subject; and while he was thus praying, he beheld a vision, and saw a light approaching him from the heavens; and as it came down and rested on the tops of the trees, it became more glorious; and as it surrounded him, his mind was immediately caught away from beholding surrounding objects. In this cloud of light he saw two glorious personages; and one, pointing to the other, said, "Behold my beloved son! hear ye him."”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 7:220 (August 14, 1859).
Joseph Smith Jr.'s First Vision

Pauline Kael photo

“A mistake in judgment isn't fatal, but too much anxiety about judgment is.”

Pauline Kael (1919–2001) American film critic

"Zeitgeist and Poltergeist; or, Are Movies Going to Pieces?" http://www.paulrossen.com/paulinekael/aremoviespieces.html (December 1964), from I Lost It at the Movies (1965).

Rollo May photo
Charles Lyell photo
James Howard Kunstler photo
Jean Paul Sartre photo
Rollo May photo
Tryon Edwards photo

“Anxiety is the poison of human life; the parent of many sins and of more miseries. – In a world where everything is doubtful, and where we may be disappointed, and be blessed in disappointment, why this restless stir and commotion of mind? – Can it alter the cause, or unravel the mystery of human events?”

Tryon Edwards (1809–1894) American theologian

Misattributed to Tryon Edwards by a number of websites, thinkexist.com and quoteland.com among others. This quote does appear on p. 23 of Edwards' compilation, A Dictionary of Thoughts; however, it is clearly identified there as a quote by Hugh Blair, the Scottish author and preacher.
A genuine Tryon Edwards quote on the subject of anxiety appears above in the Sourced section ( from p. 22 of A Dictionary of Thoughts. )
Misattributed

Rollo May photo
Vyasa photo
Thomas Jefferson photo
William H. McNeill photo
Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

David Hume photo
Maria Bamford photo
Vera Farmiga photo
John Updike photo

“He had a sensation of anxiety and shame, a sensitivity acute beyond usefulness, as if the nervous system, flayed of its old hide of social usage, must record every touch of pain.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

On Franz Kafka, quoted in report on Great Books discussion groups, New York Times (28 February 1985)

Tryon Edwards photo
Nassim Nicholas Taleb photo

“Economic life should be definancialised. We should learn not to use markets as storehouses of value: they do not harbour the certainties that normal citizens require. Citizens should experience anxiety about their own businesses (which they control), not their investments”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

which they do not control
Ten principles for a Black Swan-proof world http://www.ft.com/cms/s/0/5d5aa24e-23a4-11de-996a-00144feabdc0.html?nclick_check=1, Financial Times, 2009-04-07.
Ten principles for a Black Swan-proof world (2009)

Emil M. Cioran photo
Samuel Taylor Coleridge photo

“The anxiety to be admired is a loveless passion …, loud on the hustings, gay in the ball-room, mute and sullen at the family fireside.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Aids to Reflection, 1839 https://archive.org/stream/aidstoreflection06cole#page/142/mode/2up, p. 142.

David Lloyd George photo
Emil M. Cioran photo

“What anxiety when one is not sure of one's doubts or wonders: are these actually doubts?”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

W. Somerset Maugham photo
Marcus Tullius Cicero photo

“For such is the work of philosophy: it cures souls, draws off vain anxieties, confers freedom from desires, drives away fears.”
Nam efficit hoc philosophia: medetur animis, inanes sollicitudines detrahit, cupiditatibus liberat, pellit timores.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, Chapter IV; translation by Andrew P. Peabody
Tusculanae Disputationes – Tusculan Disputations (45 BC)

Adolf Hitler photo
Nakayama Miki photo
Thomas Guthrie photo
Clement Attlee photo
Sören Kierkegaard photo
Sherilyn Fenn photo
Dave Barry photo

“A sense of humor is a measurement of the extent to which we realize that we are trapped in a world almost totally devoid of reason. Laughter is how we express the anxiety we feel at this knowledge.”

Dave Barry (1947) American writer

Originally published in "Encyclopedia Tropicana: A Reference Book for the Modern World, Volume 1" by Joel Achenbach, The Miami Herald, May 4, 1986; quoted by Bryan Curtis, " Dave Barry: Elegy for the humorist http://slate.msn.com/id/2112218," Slate, January 12, 2005
Columns and articles

Gao Xingjian photo
Salvador Dalí photo

“But I very early realized, instinctively, my life formula: to get others to accept as natural the excesses of one's personality an thus to relieve oneself of his own anxieties by creating a sort of collective participation.”

Salvador Dalí (1904–1989) Spanish artist

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 17
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali

Winston S. Churchill photo
Margaret Mead photo
Paul Tillich photo
Ferdinand Marcos photo
Alan Watts photo
Oliver Wendell Holmes Jr. photo
David Livingstone photo

“Anxiety, sickness, suffering, or danger now and then with a foregoing of the common conveniences and charities of this life, may make us pause and cause the spirit to waver and the soul to sink; but let this only be for a moment. All these are nothing when compared with the glory which shall be revealed in and for us. I never made a sacrifice.”

David Livingstone (1813–1873) Scottish explorer and missionary

Speech to students at Cambridge University (4 December 1857)
Context: People talk of the sacrifice I have made in spending so much of my life in Africa. Can that be called a sacrifice which is simply paid back as a small part of a great debt owing to our God, which we can never repay? Is that a sacrifice which brings its own blest reward in healthful activity, the consciousness of doing good, peace of mind, and a bright hope of a glorious destiny hereafter? Away with the word in such a view and with such a thought! It is emphatically no sacrifice. Say rather it is a privilege. Anxiety, sickness, suffering, or danger now and then with a foregoing of the common conveniences and charities of this life, may make us pause and cause the spirit to waver and the soul to sink; but let this only be for a moment. All these are nothing when compared with the glory which shall be revealed in and for us. I never made a sacrifice.

Arthur Schopenhauer photo

“The animal lacks both anxiety and hope because its consciousness is restricted to what is clearly evident and thus to the present moment: the animal is the present incarnate.”

Vol. 2 "On the Suffering of the World" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The animals are much more content with mere existence than we are; the plants are wholly so; and man is so according to how dull and insensitive he is. The animal’s life consequently contains less suffering but also less pleasure than the human’s, the direct reason being that on the one hand it is free from care and anxiety and the torments that attend them, but on the other is without hope and therefore has no share in that anticipation of a happy future which, together with the enchanting products of the imagination which accompany it, is the source of most of our greatest joys and pleasures. The animal lacks both anxiety and hope because its consciousness is restricted to what is clearly evident and thus to the present moment: the animal is the present incarnate.

Paulo Coelho photo

“Laugh at your worries and insecurities. View your anxieties with humor. It will be difficult at first, but you'll gradually get used to it.”

Source: The Witch of Portobello (2007), p. 152.
Context: You are what you believe yourself to be.
Don't be like those people who believe in "positive thinking" and tell themselves that they're loved and strong and capable. You don't need to do that because you know it already. And when you doubt it — which happens, I think, quite often at this stage of evolution — do as I suggested. Instead of trying to prove that you're better than you think, just laugh. Laugh at your worries and insecurities. View your anxieties with humor. It will be difficult at first, but you'll gradually get used to it. Now go back and meet all those people who think you know everything. Convince yourself that they're right, because we all know everything, it's merely a question of believing.
Believe.

Sören Kierkegaard photo

“Fate, then, is the nothing of anxiety.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, The Concept of Anxiety (1844), p. 96-97
Context: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.

Charles Evans Hughes photo

“We still proclaim the old ideals of liberty but we cannot voice them without anxiety in our hearts. The question is no longer one of establishing democratic institutions but of preserving them.”

Charles Evans Hughes (1862–1948) American judge

As quoted in Charles Evans Hughes (1951) by Merlo J. Pusey, Vol. II, p. 794
Context: We still proclaim the old ideals of liberty but we cannot voice them without anxiety in our hearts. The question is no longer one of establishing democratic institutions but of preserving them. … The arch enemies of society are those who know better but by indirection, misstatement, understatement, and slander, seek to accomplish their concealed purposes or to gain profit of some sort by misleading the public. The antidote for these poisons must be found in the sincere and courageous efforts of those who would preserve their cherished freedom by a wise and responsible use of it. Freedom of expression gives the essential democratic opportunity, but self-restraint is the essential civic discipline.

Sören Kierkegaard photo

“Deep within every human being there still lives the anxiety over the possibility of being alone in the world”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Journals VII 1A 363
1840s, The Journals of Søren Kierkegaard, 1840s
Context: Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.

Ingmar Bergman photo

“We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Four Screenplays of Ingmar Bergman (1960).
Context: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.

Jiddu Krishnamurti photo

“We need tremendous energy to bring about a psychological change in ourselves as human beings, because we have lived far too long in a world of make-belief, in a world of brutality, violence, despair, anxiety. To live humanly, sanely, one has to change.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Talks in Europe 1968, 5th Public Talk, Amsterdam, The Netherlands (22 May 1968) Collected Works, Vol. XV
1960s
Context: We need tremendous energy to bring about a psychological change in ourselves as human beings, because we have lived far too long in a world of make-belief, in a world of brutality, violence, despair, anxiety. To live humanly, sanely, one has to change. To bring about a change within oneself and therefore within society, one needs this radical energy, for the individual is not different from society — the society is the individual and the individual is the society. And to bring about a necessary radical, essential change in the structure of society — which is corrupt, which is immoral — there must be change in the human heart and mind. To bring about that change you need great energy and that energy is denied or perverted, or twisted, when you act according to a concept; which is what we do in our daily life. The concept is based on past history, or on some conclusion, so it is not action at all, it is an approximation to a formula. So one asks if there is an action which is not based on an idea, on a conclusion formed by dead things which have been.

Ellen Willis photo

“The prospect of more freedom stirs anxiety. We want it, but we fear it”

Ellen Willis (1941–2006) writer, activist

"Ghosts, Fantasies, and Hope" http://www.dissentmagazine.org/article/?article=190 Dissent (Fall 2005)
Context: It’s not only corruption that distorts the utopian impulse when it begins to take some specific social shape. The prospect of more freedom stirs anxiety. We want it, but we fear it; it goes against our most deeply ingrained Judeo-Christian definitions of morality and order. At bottom, utopia equals death is a statement about the wages of sin.

“Anxiety is dead.”

Josef Albers (1888–1976) German-American artist and educator

Albers' short quote in: Robert Rauschenberg, Works, Writings and Interviews Sam Hunter, Ediciones Poligrafa, Barcelona, Spain 2006, p. 10

Rollo May photo

“In any age courage is the simple virtue needed for a human being to traverse the rocky road from infancy to maturity of personality. But in an age of anxiety, an age of her morality and personal isolation, courage is a sine qua non.”

Rollo May (1909–1994) US psychiatrist

Source: Man’s Search for Himself (1953), p. 191
Context: In any age courage is the simple virtue needed for a human being to traverse the rocky road from infancy to maturity of personality. But in an age of anxiety, an age of her morality and personal isolation, courage is a sine qua non. In periods when the mores of the society were more consistent guides, the individual was more firmly cushioned in his crises of development; but in times of transition like ours, the individual is thrown on his own at an earlier age and for a longer period.

Rollo May photo

“I propose that the aim of education is exactly the opposite, namely, the widening and deepening of consciousness. To the extent that education can help the student develop sensitivity, depth of perception, and above all the capacity to perceive significant forms in what he is studying, it will be developing at the same time the student's capacity to deal with anxiety constructively.”

Rollo May (1909–1994) US psychiatrist

Source: Psychology and the Human Dilemma (1967), p. 50
Context: The overemphasis on the Baconian doctrine of knowledge as power, and the accompanying concern with gaining power over nature as well as over ourselves in the sense of treating ourself as objects to be manipulated rather than human beings whose aim is to expand in meaningful living, have resulted in the invalidation of the self. This tends to shrink the individual's consciousness, to block off his awareness, and thus play into … unconstructive anxiety … I propose that the aim of education is exactly the opposite, namely, the widening and deepening of consciousness. To the extent that education can help the student develop sensitivity, depth of perception, and above all the capacity to perceive significant forms in what he is studying, it will be developing at the same time the student's capacity to deal with anxiety constructively.

Rollo May photo

“Creative people, as I see them, are distinguished by the fact that they can live with anxiety”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 93
Context: Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the "divine madness" to borrow the term used by the classical Greeks. They do not run away from non-being, but by encountering and wrestling with it, force it to produce being. They knock on silence for an answering music; they pursue meaninglessness until they can force it to mean.

Ulysses S. Grant photo

“It occurred to me at once that Harris had been as much afraid of me as I had been of him. This was a view of the question I had never taken before; but it was one I never forgot afterwards. From that event to the close of the war, I never experienced trepidation upon confronting an enemy, though I always felt more or less anxiety. I never forgot that he had as much reason to fear my forces as I had his. The lesson was valuable.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1880s, Personal Memoirs of General U. S. Grant (1885)
Context: As we approached the brow of the hill from which it was expected we could see Harris' camp, and possibly find his men ready formed to meet us, my heart kept getting higher and higher until it felt to me as though it was in my throat. I would have given anything then to have been back in Illinois, but I had not the moral courage to halt and consider what to do; I kept right on. When we reached a point from which the valley below was in full view I halted. The place where Harris had been encamped a few days before was still there and the marks of a recent encampment were plainly visible, but the troops were gone. My heart resumed its place. It occurred to me at once that Harris had been as much afraid of me as I had been of him. This was a view of the question I had never taken before; but it was one I never forgot afterwards. From that event to the close of the war, I never experienced trepidation upon confronting an enemy, though I always felt more or less anxiety. I never forgot that he had as much reason to fear my forces as I had his. The lesson was valuable.

Account of his effort as Colonel of the 21st Infantry of Illinois, to engage Confederate Colonel Thomas Harris in northern Missouri, Ch. 18.

“I was humiliated for them, for their apparent insensibility. But I was mistaken in my anxiety — their wish to help, to show her their concern, was real, their feelings were true and lasting, no matter how awkwardly expressed; their love and tenderness and wish to help were from the heart.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

The Never-Ending Wrong (1977)
Context: I remember small, slender Mrs. Sacco with her fine copper-colored hair and dark brown, soft, dazed eyes moving from face to face but still smiling uncertainly, surrounded in our offices by women pitying and cuddling her, sympathetic with her as if she were a pretty little girl; they spoke to her as if she were five years old or did not understand — this Italian peasant wife who, for seven long years, had shown moral stamina and emotional stability enough to furnish half a dozen women amply. I was humiliated for them, for their apparent insensibility. But I was mistaken in my anxiety — their wish to help, to show her their concern, was real, their feelings were true and lasting, no matter how awkwardly expressed; their love and tenderness and wish to help were from the heart. All through those last days in Boston, those strangely innocent women enlisted their altar societies, their card clubs their literary round tables, their music circles and their various charities in the campaign to save Sacco and Vanzetti. On their rounds, they came now and then to the office of my outfit in their smart thin frocks, stylish hats, and their indefinable air of eager sweetness and light, bringing money they had collected in the endless, wittily devious ways of women's organizations. They would talk among themselves and to her about how they felt, with tears in their eyes, promising to come again soon with more help. They were known as "sob sisters" by the cynics and the hangers-on of the committee I belonged to who took their money and described their activities as "sentimental orgies," of course with sexual overtones, and they jeered at "bourgeois morality." "Morality" was a word along with "charitable" and "humanitarian" and "liberal," all, at one time, in the odor of sanctity but now despoiled and rotting in the gutter where suddenly it seemed they belonged. I found myself on the side of the women; I resented the nasty things said about them by these self-appointed world reformers and I thought again, as I had more than once in Mexico, that yes, the world was a frightening enough place as it was, but think what a hell it would be if such people really got the power to do the things they planned.

Ellen Willis photo

“Today, anxiety is a first principle of social life, and the right knows how to exploit it. Capital foments the insecurity that impels people to submit to its demands.”

Ellen Willis (1941–2006) writer, activist

"Ghosts, Fantasies, and Hope," Dissent (Fall 2005)
Context: Today, anxiety is a first principle of social life, and the right knows how to exploit it. Capital foments the insecurity that impels people to submit to its demands. And yet there are more Americans than ever before who have tasted certain kinds of social freedoms and, whether they admit it or not, don’t want to give them up or deny them to others. From Bill Clinton’s impeachment to the Terri Schiavo case, the public has resisted the right wing’s efforts to close the deal on the culture. Not coincidentally, the cultural debates, however attenuated, still conjure the ghosts of utopia by raising issues of personal autonomy, power, and the right to enjoy rather than slog through life. In telling contrast, the contemporary left has not posed class questions in these terms; on the contrary, it has ceded the language of freedom and pleasure, "opportunity" and "ownership," to the libertarian right.

Aesop photo
Sören Kierkegaard photo

“Anxiety and nothing always correspond to each other.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, The Concept of Anxiety (1844), p. 96-97
Context: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.

Jiddu Krishnamurti photo

“The first step is the last step. The first step is to perceive, perceive what you are thinking, perceive your ambition, perceive your anxiety, your loneliness, your despair, this extraordinary sense of sorrow, perceive it, without any condemnation, justification, without wishing it to be different.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Source: 1970s, Krishnamurti in India, 1970-71 (1971), p. 50
Context: The first step is the last step. The first step is to perceive, perceive what you are thinking, perceive your ambition, perceive your anxiety, your loneliness, your despair, this extraordinary sense of sorrow, perceive it, without any condemnation, justification, without wishing it to be different. Just to perceive it, as it is. When you perceive it as it is, then there is a totally different kind of action taking place, and that action is the final action. Right? That is, when you perceive something as being false or as being true, that perception is the final action, which is the final step. Now listen to it. I perceive the falseness of following somebody else, somebody else’s instruction — Krishna, Buddha, Christ, it does not matter who it is. I see, there is the perception of the truth that following somebody is utterly false. Because your reason, your logic and everything points out how absurd it is to follow somebody. Now that perception is the final step, and when you have perceived, you leave it, forget it, because the next minute you have to perceive anew, which is again the final step.

“These symposia may have been, as much as anything, occasions to release the pent-up anxieties of a society always at war”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party
Context: These symposia may have been, as much as anything, occasions to release the pent-up anxieties of a society always at war—"the father of all, the king of all," "always existing by nature," as the Greek philosophers expressed it.

Richard Wright photo
Sören Kierkegaard photo

“Then anxiety stirs. He is tortured day and night with the thought that he might possibly be a father, that somewhere in the world there could be a created being who owed his life to him. He cannot share his secret with anyone; he does not even have any reliable knowledge of the fact.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Journal and Papers 5622 (Papers IV A 65) n.d. 1843
1840s, The Journals of Søren Kierkegaard, 1840s
Context: Once in his early youth a man allowed himself to be so far carried away in an overwrought irresponsible state as to visit a prostitute. It is all forgotten. Now he wants to get married. Then anxiety stirs. He is tortured day and night with the thought that he might possibly be a father, that somewhere in the world there could be a created being who owed his life to him. He cannot share his secret with anyone; he does not even have any reliable knowledge of the fact. –For this reason the incident must have involved a prostitute and taken place in the wantonness of youth; had it been a little infatuated or an actual seduction, it would be hard to imagine that he could know nothing about it, but now this this very ignorance is the basis of his agitated torment. On the other hand, precisely because of the rashness of the whole affair, his misgivings do not really start until he actually falls in love.

Huangbo Xiyun photo

“They do not know that, if they put a stop to conceptual thought and forget their anxiety, the Buddha will appear before them, for this Mind is the Buddha and the Buddha is all living beings. It is not the less for being manifested in ordinary beings, nor is it greater for being manifest in the Buddhas.”

Huangbo Xiyun Chinese Zen Buddhist

Source: The Zen Teachings of Huang Po (1958), p. 29
Context: All the Buddhas and all sentient beings are nothing but the One Mind, beside which nothing exists. This Mind, which is without beginning, is unborn and indestructible. It is not green nor yellow, and has neither form nor appearance. It does not belong to the categories of things which exist or do not exist, nor can it be thought of in terms of new or old. It is neither long nor short, big nor small, for it transcends all limits, measure, names, traces and comparisons. It is that which you see before you - begin to reason about it and you at once fall into error. It is like the boundless void which cannot be fathomed or measured. The One Mind alone is the Buddha, and there is no distinction between the Buddha and sentient things, but that sentient beings are attached to forms and so seek externally for Buddhahood. By their very seeking they lose it, for that is using the Buddha to seek for the Buddha and using mind to grasp Mind. Even though they do their utmost for a full aeon, they will not be able to attain it. They do not know that, if they put a stop to conceptual thought and forget their anxiety, the Buddha will appear before them, for this Mind is the Buddha and the Buddha is all living beings. It is not the less for being manifested in ordinary beings, nor is it greater for being manifest in the Buddhas.

Amy Tan photo

“Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule. … To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.”

Amy Tan (1952) American novelist

SALON Interview (1995)
Context: I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write.... Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule.... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.

Norman Mailer photo

“We've got an agreeable, comfortable life here as Americans. But under it there's a huge, free-floating anxiety.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

TIME interview (1991)
Context: We've got an agreeable, comfortable life here as Americans. But under it there's a huge, free-floating anxiety. Our inner lives, our inner landscape is just like that sky out there — it's full of smog. We really don't know what we believe anymore, we're nervous about everything.