
The People's Rights [1909] (London: Jonathan Cape, 1970), pp. 138-139
Early career years (1898–1929)
The People's Rights [1909] (London: Jonathan Cape, 1970), pp. 138-139
Early career years (1898–1929)
The Complete Neurotic's Notebook (1981), Neurotics and neurosis
Sukhavati (2002, reissued 2007)
Un Art de Vivre (The Art of Living) (1939), The Art of Loving
On the first public performances of some of the music from her album Actor in an interview for Billboard magazine (20 March 2009) http://www.youtube.com/watch?v=0w53ut9dzhI
Source: Hallucinogens and the Shamanic Origins of Religion (1972), p. 266
Un Art de Vivre (The Art of Living) (1939), The Art of Loving
Source: Christianizing the Social Order (1912), p. 105
Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, pp. 247
Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 232
Riyadh-as-Saliheen by Imam Al-Nawawi, volume 2, hadith number 233
Sunni Hadith
The Truth about Reparations and War-Debts (London: William Heinemann Ltd, 1932), p. 68.
Later life
The Second Declaration of Havana (1962)
1920s, Second State of the Union Address (1924)
Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 324
“Neurotics are anxiety prone, accident prone, and often just prone.”
The Complete Neurotic's Notebook (1981), Neurotics and neurosis
Vargas on nude beaches in Pichilemu, in Terra (24 December 2002)
The Ascent of Humanity http://charleseisenstein.net/project/ascent-of-humanity/
The Ascent of Humanity (2007)
“The essay was impelled by Clare's anxiety that his poems were slipping out if fashion.”
Clare's 'Popularity in Authorship (1824)
1960s, The Quest for Peace and Justice (1964)
David A Nadler (2010), "Techniques for the management of change," Robert Golembiewski (ed.) Handbook of Organizational Consultation, p. 1067; Quoted in: Diane Dormant, Joe Lee (2011). The Chocolate Model of Change.
Conversation (1896), p. 104 http://books.google.com/books?id=1yEVAAAAYAAJ&pg=PA104
1941 - 1967
Source: 'Oral history interview with Edward Hopper' (1959, June 17), conducted by John Morse; 'Archives of American Art', Smithsonian Institution
How Children Learn (1967).
Journal of Discourses 7:220 (August 14, 1859).
Joseph Smith Jr.'s First Vision
“A mistake in judgment isn't fatal, but too much anxiety about judgment is.”
"Zeitgeist and Poltergeist; or, Are Movies Going to Pieces?" http://www.paulrossen.com/paulinekael/aremoviespieces.html (December 1964), from I Lost It at the Movies (1965).
Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 63
Misattributed to Tryon Edwards by a number of websites, thinkexist.com and quoteland.com among others. This quote does appear on p. 23 of Edwards' compilation, A Dictionary of Thoughts; however, it is clearly identified there as a quote by Hugh Blair, the Scottish author and preacher.
A genuine Tryon Edwards quote on the subject of anxiety appears above in the Sourced section ( from p. 22 of A Dictionary of Thoughts. )
Misattributed
Introduction: an evolutionary riddle, p. 11
In Gods We Trust: The Evolutionary Landscape of Religion (2002)
In p. 104.
Sources, The Yoga Darsana Of Patanjali With The Sankhya Pravacana Commentary Of Vyasa
Source: Aspects of Biomedical Science Policy (1972), p. 3
Letter to David Baillie Warden (25 February 1809)
1800s, Second Presidential Administration (1805-1809)
Source: Plagues and Peoples (1976), Ch.6 "The Ecological Impact of Medical Science and Organization since 1700".
As quoted in " Q&A: Bates Motel's Vera Farmiga on the Terrors of Parenthood http://www.esquire.com/entertainment/interviews/a27056/vera-farmiga-interview/" by Eric Spitznagel at Esquire (February 1, 2014)
On Franz Kafka, quoted in report on Great Books discussion groups, New York Times (28 February 1985)
which they do not control
Ten principles for a Black Swan-proof world http://www.ft.com/cms/s/0/5d5aa24e-23a4-11de-996a-00144feabdc0.html?nclick_check=1, Financial Times, 2009-04-07.
Ten principles for a Black Swan-proof world (2009)
Aids to Reflection, 1839 https://archive.org/stream/aidstoreflection06cole#page/142/mode/2up, p. 142.
Speech in Limehouse, East London (30 July 1909), quoted in Better Times: Speeches by the Right Hon. D. Lloyd George, M.P., Chancellor of the Exchequer (London: Hodder & Stoughton, 1910), p. 156.
Chancellor of the Exchequer
Paris Review interview (1996)
“What anxiety when one is not sure of one's doubts or wonders: are these actually doubts?”
All Gall Is Divided (1952)
“For such is the work of philosophy: it cures souls, draws off vain anxieties, confers freedom from desires, drives away fears.”
Nam efficit hoc philosophia: medetur animis, inanes sollicitudines detrahit, cupiditatibus liberat, pellit timores.
Book II, Chapter IV; translation by Andrew P. Peabody
Tusculanae Disputationes – Tusculan Disputations (45 BC)
Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 14 : Living with Children
Address at the Opening of the Winter Relief Campaign http://www.jewishvirtuallibrary.org/adolf-hitler-address-at-the-opening-of-the-winter-relief-campaign-september-1942 (September 30, 1942)
1940s
The Life of Oyasama, Foundress of Tenrikyo, p. 5
The Life of Oyasama
Source: The Autobiography of Thomas Guthrie and Memoir Vol.2 (1875), P. 203.
Speech https://api.parliament.uk/historic-hansard/commons/1938/oct/03/prime-ministers-statement#S5CV0339P0_19381003_HOC_14 in the House of Commons (3 October 1938) against the Munich Agreement.
1930s
Source: 1840s, The Concept of Anxiety (1844), p. 44-45
Sherilyn Fenn, quoted in "Fenntastic", by Jill Daniel. Orange Coast (USA). January 1999.
Originally published in "Encyclopedia Tropicana: A Reference Book for the Modern World, Volume 1" by Joel Achenbach, The Miami Herald, May 4, 1986; quoted by Bryan Curtis, " Dave Barry: Elegy for the humorist http://slate.msn.com/id/2112218," Slate, January 12, 2005
Columns and articles
as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 17
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali
Speech https://api.parliament.uk/historic-hansard/commons/1935/oct/24/international-situation in the House of Commons (24 October 1935)
The 1930s
Speech proclaiming the termination of the state of Martial law, Heroes Hall, Malacañang (17 January 1981)
1965
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 53-54
Speech to students at Cambridge University (4 December 1857)
Context: People talk of the sacrifice I have made in spending so much of my life in Africa. Can that be called a sacrifice which is simply paid back as a small part of a great debt owing to our God, which we can never repay? Is that a sacrifice which brings its own blest reward in healthful activity, the consciousness of doing good, peace of mind, and a bright hope of a glorious destiny hereafter? Away with the word in such a view and with such a thought! It is emphatically no sacrifice. Say rather it is a privilege. Anxiety, sickness, suffering, or danger now and then with a foregoing of the common conveniences and charities of this life, may make us pause and cause the spirit to waver and the soul to sink; but let this only be for a moment. All these are nothing when compared with the glory which shall be revealed in and for us. I never made a sacrifice.
Vol. 2 "On the Suffering of the World" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: The animals are much more content with mere existence than we are; the plants are wholly so; and man is so according to how dull and insensitive he is. The animal’s life consequently contains less suffering but also less pleasure than the human’s, the direct reason being that on the one hand it is free from care and anxiety and the torments that attend them, but on the other is without hope and therefore has no share in that anticipation of a happy future which, together with the enchanting products of the imagination which accompany it, is the source of most of our greatest joys and pleasures. The animal lacks both anxiety and hope because its consciousness is restricted to what is clearly evident and thus to the present moment: the animal is the present incarnate.
Source: The Witch of Portobello (2007), p. 152.
Context: You are what you believe yourself to be.
Don't be like those people who believe in "positive thinking" and tell themselves that they're loved and strong and capable. You don't need to do that because you know it already. And when you doubt it — which happens, I think, quite often at this stage of evolution — do as I suggested. Instead of trying to prove that you're better than you think, just laugh. Laugh at your worries and insecurities. View your anxieties with humor. It will be difficult at first, but you'll gradually get used to it. Now go back and meet all those people who think you know everything. Convince yourself that they're right, because we all know everything, it's merely a question of believing.
Believe.
“Fate, then, is the nothing of anxiety.”
Source: 1840s, The Concept of Anxiety (1844), p. 96-97
Context: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.
As quoted in Charles Evans Hughes (1951) by Merlo J. Pusey, Vol. II, p. 794
Context: We still proclaim the old ideals of liberty but we cannot voice them without anxiety in our hearts. The question is no longer one of establishing democratic institutions but of preserving them. … The arch enemies of society are those who know better but by indirection, misstatement, understatement, and slander, seek to accomplish their concealed purposes or to gain profit of some sort by misleading the public. The antidote for these poisons must be found in the sincere and courageous efforts of those who would preserve their cherished freedom by a wise and responsible use of it. Freedom of expression gives the essential democratic opportunity, but self-restraint is the essential civic discipline.
Journals VII 1A 363
1840s, The Journals of Søren Kierkegaard, 1840s
Context: Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.
Four Screenplays of Ingmar Bergman (1960).
Context: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.
Talks in Europe 1968, 5th Public Talk, Amsterdam, The Netherlands (22 May 1968) Collected Works, Vol. XV
1960s
Context: We need tremendous energy to bring about a psychological change in ourselves as human beings, because we have lived far too long in a world of make-belief, in a world of brutality, violence, despair, anxiety. To live humanly, sanely, one has to change. To bring about a change within oneself and therefore within society, one needs this radical energy, for the individual is not different from society — the society is the individual and the individual is the society. And to bring about a necessary radical, essential change in the structure of society — which is corrupt, which is immoral — there must be change in the human heart and mind. To bring about that change you need great energy and that energy is denied or perverted, or twisted, when you act according to a concept; which is what we do in our daily life. The concept is based on past history, or on some conclusion, so it is not action at all, it is an approximation to a formula. So one asks if there is an action which is not based on an idea, on a conclusion formed by dead things which have been.
“The prospect of more freedom stirs anxiety. We want it, but we fear it”
"Ghosts, Fantasies, and Hope" http://www.dissentmagazine.org/article/?article=190 Dissent (Fall 2005)
Context: It’s not only corruption that distorts the utopian impulse when it begins to take some specific social shape. The prospect of more freedom stirs anxiety. We want it, but we fear it; it goes against our most deeply ingrained Judeo-Christian definitions of morality and order. At bottom, utopia equals death is a statement about the wages of sin.
Albers' short quote in: Robert Rauschenberg, Works, Writings and Interviews Sam Hunter, Ediciones Poligrafa, Barcelona, Spain 2006, p. 10
Source: Man’s Search for Himself (1953), p. 191
Context: In any age courage is the simple virtue needed for a human being to traverse the rocky road from infancy to maturity of personality. But in an age of anxiety, an age of her morality and personal isolation, courage is a sine qua non. In periods when the mores of the society were more consistent guides, the individual was more firmly cushioned in his crises of development; but in times of transition like ours, the individual is thrown on his own at an earlier age and for a longer period.
Source: Psychology and the Human Dilemma (1967), p. 50
Context: The overemphasis on the Baconian doctrine of knowledge as power, and the accompanying concern with gaining power over nature as well as over ourselves in the sense of treating ourself as objects to be manipulated rather than human beings whose aim is to expand in meaningful living, have resulted in the invalidation of the self. This tends to shrink the individual's consciousness, to block off his awareness, and thus play into … unconstructive anxiety … I propose that the aim of education is exactly the opposite, namely, the widening and deepening of consciousness. To the extent that education can help the student develop sensitivity, depth of perception, and above all the capacity to perceive significant forms in what he is studying, it will be developing at the same time the student's capacity to deal with anxiety constructively.
“Creative people, as I see them, are distinguished by the fact that they can live with anxiety”
Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 93
Context: Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the "divine madness" to borrow the term used by the classical Greeks. They do not run away from non-being, but by encountering and wrestling with it, force it to produce being. They knock on silence for an answering music; they pursue meaninglessness until they can force it to mean.
1880s, Personal Memoirs of General U. S. Grant (1885)
Context: As we approached the brow of the hill from which it was expected we could see Harris' camp, and possibly find his men ready formed to meet us, my heart kept getting higher and higher until it felt to me as though it was in my throat. I would have given anything then to have been back in Illinois, but I had not the moral courage to halt and consider what to do; I kept right on. When we reached a point from which the valley below was in full view I halted. The place where Harris had been encamped a few days before was still there and the marks of a recent encampment were plainly visible, but the troops were gone. My heart resumed its place. It occurred to me at once that Harris had been as much afraid of me as I had been of him. This was a view of the question I had never taken before; but it was one I never forgot afterwards. From that event to the close of the war, I never experienced trepidation upon confronting an enemy, though I always felt more or less anxiety. I never forgot that he had as much reason to fear my forces as I had his. The lesson was valuable.
Account of his effort as Colonel of the 21st Infantry of Illinois, to engage Confederate Colonel Thomas Harris in northern Missouri, Ch. 18.
The Never-Ending Wrong (1977)
Context: I remember small, slender Mrs. Sacco with her fine copper-colored hair and dark brown, soft, dazed eyes moving from face to face but still smiling uncertainly, surrounded in our offices by women pitying and cuddling her, sympathetic with her as if she were a pretty little girl; they spoke to her as if she were five years old or did not understand — this Italian peasant wife who, for seven long years, had shown moral stamina and emotional stability enough to furnish half a dozen women amply. I was humiliated for them, for their apparent insensibility. But I was mistaken in my anxiety — their wish to help, to show her their concern, was real, their feelings were true and lasting, no matter how awkwardly expressed; their love and tenderness and wish to help were from the heart. All through those last days in Boston, those strangely innocent women enlisted their altar societies, their card clubs their literary round tables, their music circles and their various charities in the campaign to save Sacco and Vanzetti. On their rounds, they came now and then to the office of my outfit in their smart thin frocks, stylish hats, and their indefinable air of eager sweetness and light, bringing money they had collected in the endless, wittily devious ways of women's organizations. They would talk among themselves and to her about how they felt, with tears in their eyes, promising to come again soon with more help. They were known as "sob sisters" by the cynics and the hangers-on of the committee I belonged to who took their money and described their activities as "sentimental orgies," of course with sexual overtones, and they jeered at "bourgeois morality." "Morality" was a word along with "charitable" and "humanitarian" and "liberal," all, at one time, in the odor of sanctity but now despoiled and rotting in the gutter where suddenly it seemed they belonged. I found myself on the side of the women; I resented the nasty things said about them by these self-appointed world reformers and I thought again, as I had more than once in Mexico, that yes, the world was a frightening enough place as it was, but think what a hell it would be if such people really got the power to do the things they planned.
"Ghosts, Fantasies, and Hope," Dissent (Fall 2005)
Context: Today, anxiety is a first principle of social life, and the right knows how to exploit it. Capital foments the insecurity that impels people to submit to its demands. And yet there are more Americans than ever before who have tasted certain kinds of social freedoms and, whether they admit it or not, don’t want to give them up or deny them to others. From Bill Clinton’s impeachment to the Terri Schiavo case, the public has resisted the right wing’s efforts to close the deal on the culture. Not coincidentally, the cultural debates, however attenuated, still conjure the ghosts of utopia by raising issues of personal autonomy, power, and the right to enjoy rather than slog through life. In telling contrast, the contemporary left has not posed class questions in these terms; on the contrary, it has ceded the language of freedom and pleasure, "opportunity" and "ownership," to the libertarian right.
“A crust eaten in peace is better than a banquet partaken in anxiety.”
The Town Mouse and the Country Mouse.
“Anxiety and nothing always correspond to each other.”
Source: 1840s, The Concept of Anxiety (1844), p. 96-97
Context: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.
Source: 1970s, Krishnamurti in India, 1970-71 (1971), p. 50
Context: The first step is the last step. The first step is to perceive, perceive what you are thinking, perceive your ambition, perceive your anxiety, your loneliness, your despair, this extraordinary sense of sorrow, perceive it, without any condemnation, justification, without wishing it to be different. Just to perceive it, as it is. When you perceive it as it is, then there is a totally different kind of action taking place, and that action is the final action. Right? That is, when you perceive something as being false or as being true, that perception is the final action, which is the final step. Now listen to it. I perceive the falseness of following somebody else, somebody else’s instruction — Krishna, Buddha, Christ, it does not matter who it is. I see, there is the perception of the truth that following somebody is utterly false. Because your reason, your logic and everything points out how absurd it is to follow somebody. Now that perception is the final step, and when you have perceived, you leave it, forget it, because the next minute you have to perceive anew, which is again the final step.
Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party
Context: These symposia may have been, as much as anything, occasions to release the pent-up anxieties of a society always at war—"the father of all, the king of all," "always existing by nature," as the Greek philosophers expressed it.
Journal and Papers 5622 (Papers IV A 65) n.d. 1843
1840s, The Journals of Søren Kierkegaard, 1840s
Context: Once in his early youth a man allowed himself to be so far carried away in an overwrought irresponsible state as to visit a prostitute. It is all forgotten. Now he wants to get married. Then anxiety stirs. He is tortured day and night with the thought that he might possibly be a father, that somewhere in the world there could be a created being who owed his life to him. He cannot share his secret with anyone; he does not even have any reliable knowledge of the fact. –For this reason the incident must have involved a prostitute and taken place in the wantonness of youth; had it been a little infatuated or an actual seduction, it would be hard to imagine that he could know nothing about it, but now this this very ignorance is the basis of his agitated torment. On the other hand, precisely because of the rashness of the whole affair, his misgivings do not really start until he actually falls in love.
Source: The Zen Teachings of Huang Po (1958), p. 29
Context: All the Buddhas and all sentient beings are nothing but the One Mind, beside which nothing exists. This Mind, which is without beginning, is unborn and indestructible. It is not green nor yellow, and has neither form nor appearance. It does not belong to the categories of things which exist or do not exist, nor can it be thought of in terms of new or old. It is neither long nor short, big nor small, for it transcends all limits, measure, names, traces and comparisons. It is that which you see before you - begin to reason about it and you at once fall into error. It is like the boundless void which cannot be fathomed or measured. The One Mind alone is the Buddha, and there is no distinction between the Buddha and sentient things, but that sentient beings are attached to forms and so seek externally for Buddhahood. By their very seeking they lose it, for that is using the Buddha to seek for the Buddha and using mind to grasp Mind. Even though they do their utmost for a full aeon, they will not be able to attain it. They do not know that, if they put a stop to conceptual thought and forget their anxiety, the Buddha will appear before them, for this Mind is the Buddha and the Buddha is all living beings. It is not the less for being manifested in ordinary beings, nor is it greater for being manifest in the Buddhas.
SALON Interview (1995)
Context: I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write.... Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule.... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.
TIME interview (1991)
Context: We've got an agreeable, comfortable life here as Americans. But under it there's a huge, free-floating anxiety. Our inner lives, our inner landscape is just like that sky out there — it's full of smog. We really don't know what we believe anymore, we're nervous about everything.