Quotes about trees
page 11

Robert Herrick photo

“Get up, sweet Slug-a-bed, and see
The dew bespangling herb and tree.”

"Corinna's Going A-Maying".
Hesperides (1648)

Edgar Rice Burroughs photo
André Breton photo
Luther Burbank photo
Ernst Bloch photo

“We must die without much delay, and corpses may not require such expansive wrappings, in order to go the way of all flesh. The inner wealth of brotherhood will be the same ephemeral spectre, rotting into tree bark like the spurious treasure of Rübezahl, the German mountain spirit, unless it shows it has the strength to withstand even death, and conquer death; and thus not only to undergo it but to be strongly above it as an essential part of eternal life.”

Ernst Bloch (1885–1977) German philosopher

Denn wir müssen sterben, mit kurzem Verzug, und vielleicht brauchen die Leichen keinen so weiten Faltenwurf, den Weg alles Fleisches zu gehen. Der brüderlich innere Reichtum wird nicht minder kurzer Spuk, verwest zu Baumrinde wie Rübezahls falsche Schätze: zeigt sich in ihm keine Kraft, gar den Tod zu bestehen, zu besiegen, mithin nicht nur von unten an hindurch zu gehen, sondern auch an sich selbst ein kräftig oberer Teil zu sein und das Wesenselement des ewigen Lebens.
Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 41

Simone Weil photo

“Stars and blossoming fruit-trees: utter permanence and extreme fragility give an equal sense of eternity.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Chance (1947), p. 277

Thomas Merton photo
Thomas Gray photo

“One morn I miss'd him on the custom'd hill,
Along the heath, and near his fav'rite tree:
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he.”

Thomas Gray (1716–1771) English poet, historian

St. 28
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)

Pablo Neruda photo

“Later on you will find buried near the coconut tree
the knife which I hid there for fear you would kill me,
and now suddenly I would be glad to smell its kitchen steel
used to the weight of your hand, the shine of your foot:
under the dampness of the ground, among the deaf roots,
in all the languages of the men only the poor will know your name,
and the dense earth does not understand your name
made of impenetrable divine substances.”

Pablo Neruda (1904–1973) Chilean poet

Enterrado junto al cocotero hallarás más tarde
el cuchillo que escodí allí por temor de que me mataras,
y ahora repentinamente quisiera oler su acero de cocina
acostumbrado al peso de tu mano y al brillo de tu pie:
bajo la humedad de la tierra, entre las sordas raíces,
de los lenguajes humanos el pobre sólo sabría tu nombre,
y la espesa tierra no comprende tu nombre
hecho de impenetrables y substancias divinas.
Tango del Viudo (The Widower's Tango), Residencia I (Residence I), III, stanza 3.
Alternate translation by Donald D. Walsh:
Buried next to the coconut tree you will later find
the knife that I hid there for fear that you would kill me,
and now suddenly I should like to smell its kitchen steel
accustomed to the weight of your hand and the shine of your foot:
under the moisture of the earth, among the deaf roots,
of all human labguages the poor thing would know only your name,
and the thick earth does not understand your name
made of impenetrable and divine substances.
Residencia en la Tierra (Residence on Earth) (1933)

Harriet Tubman photo

“I looked at my hands, to see if I was de same person now I was free. Dere was such a glory over everything, de sun came like gold trou de trees, and over de fields, and I felt like I was in heaven.”

Harriet Tubman (1820–1913) African-American abolitionist and humanitarian

On realizing that she had passed out of the slavery states into the northern states
Modernized rendition: I looked at my hands to see if I was the same person. There was such a glory over everything. The sun came up like gold through the trees, and over the fields, and I felt like I was in heaven.
1880s, Harriet, The Moses of Her People (1886)

Jonathan Swift photo

“I shall be like that tree; I shall die from the top.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Predicting that he would go senile, as quoted in The Highway of Letters and its Echos of Famous Footsteps (1893) by Thomas Archer, p. 380

Chinua Achebe photo
Georgia O'Keeffe photo

“What happened, get lost in the directory tree again?”

Rick Cook (1944) American writer

The Wizardry Consulted (1995)

Letitia Elizabeth Landon photo
Samuel Rutherford photo

“Build your nest upon no tree here, for ye see that God hath sold the forest to death.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 206.

Joaquin Miller photo
Guy Debord photo
Hester Thrale photo

“The tree of deepest root is found
Least willing still to quit the ground;
'Twas therefore said by ancient sages,
That love of life increased with years.
So much, that in our latter stages,
When pains grow sharp and sickness rages,
The greatest love of life appears.”

Hester Thrale (1741–1821) Welsh author and salon-holder

"Three Warnings", line 1, in Abraham Hayward (ed.) Autobiography, Letters, and Literary Remains of Mrs. Piozzi (Thrale) (1861) vol. 2, p. 165.

Roy Sesana photo
Francesco Berni photo

“Like to a leafless tree,
Dry river bed, or house in pathless waste,
Is gentle blood that hath no courtesy.”

Francesco Berni (1497–1535) Italian poet

Ben è un ramo senza foglia,
Fiume senz' acqua e casa senza via,
La gentilezza senza cortesia.
LXIV, 61
Rifacimento of Orlando Innamorato

Dr. Seuss photo
Walter Bagehot photo
Clarence Thomas photo

“This is not an opportunity to talk about difficult matters privately or in a closed environment. This is a circus. It's a national disgrace. And from my standpoint, as a black American, it is a high-tech lynching for uppity blacks who in any way deign to think for themselves, to do for themselves, to have different ideas, and it is a message that unless you kowtow to an old order, this is what will happen to you. You will be lynched, destroyed, caricatured by a committee of the U. S. Senate rather than hung from a tree.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

Hearing of the Senate Judiciary Committee on the Nomination of Clarence Thomas to the Supreme Court http://etext.lib.virginia.edu/etcbin/toccer-new-yitna?id=UsaThom&images=images/modeng&data=/lv6/workspace/yitna&tag=public&part=24, Electronic Text Center, University of Virginia Library (October 11, 1991).
1990s

Derek Walcott photo
John Fletcher photo
Letitia Elizabeth Landon photo
Michael Savage photo

“At least some Americans are still having children. Unfortunately, many of those children spend their formative years being taught how to surrender. The emasculation of American boys is one step short of suicide. […] Schoolyards used to be filled with kids at recess playing games like "kill the guy with the ball." Nobody died. Boys played with G. I. Joes and girls played with dolls. Kids played freeze tag without a single incident of sexual harassment. […] Not too many years ago, cartoons were filled with violence. Bugs Bunny tied a gun barrel in a knot and Elmer Fudd's gun went kaboom, covering his own head in black soot. Wile E. Coyote chased the Road Runner and fell off a cliff to his destruction. We as children watched Superman cartoons, but we knew not to try and jump off the roof. Teenage boys watched Rocky and Rambo and Conan films. Then they went home without trying to kill anybody. […] We did not need liberals to tell us the difference between pretend and real life. Common sense and our parents handled that. Now schools across the country are canceling gym class. Dodgeball apparently promotes aggression […]. Even rock-paper-scissors is too violent. Rocks and scissors could be used by children to harm each other. Paper requires murdering trees. It's no wonder that Islamists produce strapping young men while America produces sensitive crybabies […]. Muslim children are taught hate in madrassas. They are taught how to kill infidels and the blasphemers. American boys are suspended from school for arranging their school lunch vegetables in the shape of a gun. […] During World War II, young boys volunteered to go overseas to save the world. […] Now American kids on college campuses retreat to their safe spaces to escape from potential microagressions. Islamists cut off heads and limbs and our young boys shriek at the drop of a microaggression. And we haven't seen the worst of it.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Scorched Earth: Restoring the Country after Obama (2016)

Judith Sheindlin photo

“I don't care whether you had a 30-day notice, a 3-day notice, or a partridge in a pear tree!”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=vIZrjbP0BZY
Quotes from Judge Judy cases, Dismissing a statement or case

Paul Celan photo

“Aspen tree, your leaves glance white into the dark.”

Paul Celan (1920–1970) Romanian poet and translator

"Aspen Tree. . ."; cited in: Ruth Golan (2006). Loving Psychoanalysis. p. 61

Matthew Stover photo
John Muir photo
William Henry Davies photo
Blake Schwarzenbach photo
James Frazer photo
Michel De Montaigne photo

“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi ut faciem raptosque simul montesque locosque ex oculis circumque graves videre tenebras. ipsa quies rerum mundique silentia terrent astraque et effusis stellatus crinibus aether; ac velut ignota captus regione viarum noctivagum qui carpit iter non aure quiescit, non oculis, noctisque metus niger auget utrimque campus et occurrens umbris maioribus arbor, haud aliter trepidare viri.

Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Muhammad photo
Amitabh Bachchan photo
Carl Linnaeus photo
Gary Snyder photo
August Macke photo
Harper Lee photo
Chief Seattle photo

“The sap which courses through the trees carries the memory of the red man.”

Chief Seattle (1786–1866) Duwamish chief

Misattributed

James Macpherson photo
Edgar Degas photo

“I believe Corot painted a tree better that any of us, but still I find him superior in his figures.”

Edgar Degas (1834–1917) French artist

Degas in 1883, as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4
note 5: 20 June 1887, - Corot’s biographer Alfred Robaut https://fr.wikipedia.org/wiki/Alfred_Robaut told this story (1905. Vol. 1. P. 336)
1876 - 1895

Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

“How long are you supposed to leave your Karl Malone tree up?”

Radio From Hell (March 24, 2006)

George Gordon Byron photo

“In the desert a fountain is springing,
In the wide waste there still is a tree,
And a bird in the solitude singing,
Which speaks to my spirit of thee.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanzas to Augusta (1816), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Philip Roth photo
Nicole Krauss photo
James Whitcomb Riley photo

“The ripest peach is highest on the tree.”

James Whitcomb Riley (1849–1916) American poet from Indianapolis

The Ripest Peach.
Bartlett's Familiar Quotations, 10th ed. (1919)

Aron Ra photo

“We don’t believe this because we want to! And why would we want to? We believe it because we can prove it really is true, and that applies to everyone whether you want to believe it or not. We’re not just saying you’ve descended from primates either; we’re saying you are a primate! Humans have been classified as primates since the 1700s when a Christian creationist scientist figured out what a primate was –and prompted other scientists to figure out why that applied to us. It wouldn’t be this way if different “kinds” of life had been magically-created unrelated to anything else; not unless God wanted to trick us into believing everything had evolved. Because the phylogenetic tree of life is plainly evident from the bottom up to any objective observer who dares compare the anatomy of different sets of collective life forms. But it can be just as objectively confirmed from the top down when re-examined genetically. This is why it is referred to as a “twin-nested hierarchy”. But there’s still more than that because the evident development of physiology and morphology can be confirmed biochemically as well as chronologically in geology and developmentally in embryology. Why should that be? And how do creationists explain why it is that every living thing fits into all of these daughter sets within parent groups, each being derived according to apparently inherited traits? They don’t even try to explain any of that, or anything else. They won’t because they can’t, because evolution is the only explanation that accounts for any of this, and it explains it all.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"10th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=5MXTBGcyNuc, Youtube (June 5, 2008)
Youtube, Foundational Falsehoods of Creationism

Willa Cather photo
William Blake photo
Henry Abbey photo
Henry David Thoreau photo
Charles Kingsley photo
Octavio Paz photo
Gerard Bilders photo

“It is not my aim and object to paint a cow for the cow's sake or a tree for the tree's, but by means of the whole to create a beautiful and huge impression which nature sometimes creates, also with most simple means. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Het is mijn doel niet eene koe te schilderen om de koe, noch een boom om den boom; het is om door het geheel een indruk te weeg te brengen, dien de natuur somtijds maakt, een grootschen, schoonen indruk, ook door de eenvoudigste middelen.
Quote of Gerard Bilders in his letter c. 1861-1864; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

Anton Chekhov photo
Roger Ebert photo

“A depressing number of people seem to process everything literally. They are to wit as a blind man is to a forest, able to find every tree, but each one coming as a surprise.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

First published in the "Movie Answer Man" column (18 September 2005) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050918/ANSWERMAN/509180304/1023

Johnnie Ray photo

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Glen Cook photo

“It looks like it fell out of the ugly tree and hit every single branch on the way down.”

Source: Soldiers Live (2000), Chapter 10, “An Abode of Ravens: Recovery” (p. 396)

Rab Butler photo

“What struck me at the League was the prestige in which our Government and our Prime Minister are held. What has struck hon. Members who have listened to this Debate is the fact that public opinion in the dictator countries has conceived a profound admiration for our Prime Minister and our country. Our country, therefore, is the country which is in a priceless position for securing the future of peace…It seems to me that we have two choices either to settle our differences with Germany by consultation, or to face the inevitability of a clash between the two systems of democracy and dictatorship. In considering this, I must emphatically give my opinion as one of the younger generation. War settles nothing, and I see no alternative to the policy upon which the Prime Minister has so courageously set himself—the construction of peace, with the aid which I have described. There is no other country which can achieve this, and I ask hon. and right hon. Gentlemen opposite sincerely to believe that in our efforts to understand, to consult with and, if possible, to get friendship with Germany, we do not abandon by one jot or tittle the democratic beliefs which are the very core of our whole being and system. In conclusion, I must gratify the right hon. Gentleman the Member for Wakefield by quoting Shakespeare. The right hon. Gentleman will remember the little poem "Under the Greenwood Tree"—"Here shall he see" "No enemy," "But winter and rough weather."”

Rab Butler (1902–1982) British politician

We have the winter before us, and we have a great deal of political rough weather, but in that rough weather, do not let us forget the joint idea of peace which animates us all.
Speech on the Munich Agreement http://hansard.millbanksystems.com/commons/1938/oct/05/policy-of-his-majestys-government (5 October 1938).

Heber C. Kimball photo
Chief Seattle photo
Jones Very photo
Alexis De Tocqueville photo
George William Curtis photo

“Hamilton doubted the cohesive force of the Constitution to make a nation. He was so far right, for no constitution can make a nation. That is a growth, and the vigor and intensity of our national growth transcended our own suspicions. It was typified by our material progress. General Hamilton died in 1804. In 1812, during the last war with England, the largest gun used was a thirty-six pounder. In the war just ended it was a two-thousand pounder. The largest gun then weighed two thousand pounds. The largest shot now weighs two thousand pounds. Twenty years after Hamilton died the traveler toiled painfully from the Hudson to Niagara on canal-boats and in wagons, and thence on horseback to Kentucky. Now he whirls from the Hudson to the Mississippi upon thousands of miles of various railroads, the profits of which would pay the interest of the national debt. So by a myriad influences, as subtle as the forces of the air and earth about a growing tree, has our nationality grown and strengthened, striking its roots to the centre and defying the tempest. Could the musing statesman who feared that Virginia or New York or Carolina or Massachusetts might rend the Union have heard the voice of sixty years later, it would have said to him, 'The babe you held in your arms has grown to be a man, who walks and runs and leaps and works and defends himself. I am no more a vapor, I am condensed. I am no more a germ, I am a life. I am no more a confederation, I am a nation.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Edward Lear photo

“On the top of the Crumpetty Tree
The Quangle Wangle sat,
But his face you could not see,
On account of his Beaver Hat.”

Edward Lear (1812–1888) British artist, illustrator, author and poet

The Quangle Wangle's Hat http://www.nonsenselit.org/Lear/ll/quangle.html, st. 1 (1877).

Quentin Crisp photo
Frédéric Bazille photo

“Certain parts of the forest [the forest Bas Bréau, near Barbizon ] are truly wonderful. We can't even imagine such oak trees in Montpellier.”

Frédéric Bazille (1841–1870) French painter

Bazille's quote refers to travelling and painting together landscape in-open-air with Monet, Pisarro and Renoir, all students of the Paris art-teacher w:Charles Gleyre.
1861 - 1865
Source: Frédéric Bazille and early Impressionism, Marandel; Daulte et al. p. 155

Kent Hovind photo
Calvin Coolidge photo

“Newspaper men, therefore, endlessly discuss the question of what is news. I judge that they will go on discussing it as long as there are newspapers. It has seemed to me that quite obviously the news-giving function of a newspaper cannot possibly require that it give a photographic presentation of everything that happens in the community. That is an obvious impossibility. It seems fair to say that the proper presentation of the news bears about the same relation to the whole field of happenings that a painting does to a photograph. The photograph might give the more accurate presentation of details, but in doing so it might sacrifice the opportunity the more clearly to delineate character. My college professor was wont to tell us a good many years ago that if a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

James Macpherson photo

“I was a lovely tree, in thy presence, Oscar, with all my branches round me; but thy death came like a blast from the desert, and laid my green head low.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Croma", p. 178
The Poems of Ossian

Kent Hovind photo
Stephen Vincent Benét photo
P.G. Wodehouse photo
Mike Oldfield photo
Theodoros Kolokotronis photo

“I was born in 1770, on April the 3rd, on the Easter Monday. The rebellion in the Peloponnese broke out in 1769. I was born under a tree on a mountain called Ramovouni, situated in old Messenia”

Theodoros Kolokotronis (1770–1843) Greek general

Theodoros Kolokotronis, quoted in: Stathis Paraskevopoulos (2008) " History of Kolokotronis: Theodoros Kolokotronis (1770-1843) http://www.kolokotronis.org.gr/default.aspx?catid=151" at kolokotronis.org, Accessed May 23, 2014.

KT Tunstall photo
Ryan Adams photo
William Wordsworth photo
Edgar Rice Burroughs photo
Margaret Fuller photo
Charles Bukowski photo