Quotes about trees
page 10

Mata Amritanandamayi photo
Tom Petty photo
Joseph Smith, Jr. photo
Harold Macmillan photo
Richard Fuller (minister) photo

“The tree of human history, as it has grown from age to age, has been but the unfolding of a single germ — but the development of Christ and Him crucified.”

John McClellan Holmes (1834–1911) US Christian minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 216.

Richard Bach photo
Charles Stuart Calverley photo

“T was ever thus from childhood’s hour!
My fondest hopes would not decay:
I never loved a tree or flower
Which was the first to fade away.”

Charles Stuart Calverley (1831–1884) British poet

Disaster; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare:
Oh, ever thus, from childhood’s hour,
I ’ve seen my fondest hopes decay;
I never loved a tree or flower
But ’t was the first to fade away.
- Thomas Moore, The Fire Worshippers, p. 26.

Bill Bryson photo
Shaw Neilson photo

“The young girl stood beside me. I
Saw not what her young eyes could see:
—A light, she said, not of the sky
Lives somewhere in the Orange Tree.”

Shaw Neilson (1872–1942) Early twentieth century Australian poet

Ballad and Lyrical Poems (1923), "The Orange Tree"

Alistair Cooke photo
Rudyard Kipling photo
Kent Hovind photo
Paul Gauguin photo

“How do you see this tree? Is it really green? Use green, then, the most beautiful green on your palette. And that shadow, rather blue? Don't be afraid to paint it as blue as possible.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
1870s - 1880s

Paul Cézanne photo
Octavio Paz photo
Charles Bukowski photo
Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Zoran Đinđić photo
Lorin Morgan-Richards photo

“Sitting too long produces trees.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Coined term on social media on May 23, 2018.
Quotes as Marcil d'Hirson Garron

Stephen King photo
P.G. Wodehouse photo
Frederick William Faber photo
Ursula K. Le Guin photo
José Martí photo

“I am an an honest man
From where the palm tree grows,
And I want, before I die,
to cast these verses from my soul.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Yo soy un hombre sincero
De donde crece la palma
Y antes de morirme quiero
Echar mis versos del alma.
I (Yo soy un hombre sincero) as translated by Esther Allen in José Martí : Selected Writings (2002), p. 273, ISBN 0142437042
Variant translations:
A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
"A Sincere Man Am I" http://oldpoetry.com/opoem/46409-Jose-Marti-A-Sincere-Man-Am-I---Verse-I-, as translated by Manuel A. Tellechea, in Versos Sencillos: Simple Verses (1997) ISBN 1558852042
I am a sincere man
from where the palm tree grows,
and before I die I wish
to pour forth the verses from my soul.
Simple Verses (1891)

Letitia Elizabeth Landon photo

“But this is as a dream, — the plough has pass'd
Where the stag bounded, and the day has looked
On the green twilight of the forest-trees.
This Oak has no companion!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

- - -
The Oak from The London Literary Gazette (19th April 1823) Fragments
The Improvisatrice (1824)

José Martí photo
Czeslaw Milosz photo

“I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Esse" (1954), trans. Czesław Miłosz and Robert Pinsky
Uncollected Poems (1954-1969)

Samuel R. Delany photo
Neil Gaiman photo
Joseph Beuys photo
Jean-Baptiste Say photo

“When a tree, a natural product, is felled, is society put into possession of no greater produce than that of the mere labour of the woodman?”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter IV, p. 76

Thomas Fuller (writer) photo

“2248. He that plants Trees, loves others besides himself.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Nikos Kazantzakis photo
Mata Amritanandamayi photo
Hosea Ballou photo

“Idleness is emptiness; the tree in which the sap is stagnant, remains fruitless.”

Hosea Ballou (1771–1852) American Universalist minister (1771–1852)

Manuscript, Sermons; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 384.

Cristoforo Colombo photo
Letitia Elizabeth Landon photo
Jack Vance photo
Why the lucky stiff photo

“And so, reaching futilely for answers, they blame the trees!”

Why the lucky stiff American computer programmer

Collected PDFs (2013)

Willem Roelofs photo

“That [watercolor] with the Cows has been partially washed out [reducing colors] and that ugly hedge of willow trees has been taken out, and is already doing better, but the paper is not a good quality. I don't know I'll finish it or make a new one.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Die [aquarel] met de Koeijen is gedeeltelijk uitgewassen [kleuren vermindert] en die leelijke heg van wilgeboomen er uit [gehaald] en doet reeds beter, maar het papier is niet heel goed. Ik weet niet of ik die af zal maken of een nieuwe [maken].
In a letter to Pieter verLoren van Themaat, 30 March 1867; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

Roger Manganelli photo
John Muir photo
Samuel Butler (poet) photo

“With many a stiff thwack, many a bang,
Hard crab-tree and old iron rang.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 831
Source: Hudibras, Part I (1663–1664)

Tipu Sultan photo

“I am sending two of my followers with Mir Hussain Ali. With their assistance, you should capture and kill all Hindus. Those below 20 may be kept in prison and 5,000 from the rest should be killed by hanging from the tree-tops. These are my orders.”

Tipu Sultan (1750–1799) Ruler of the Sultanate of Mysore

Tipu Sultan's Letter dated December 14, 1788, to his Army Chief in Calicut: cited in Bhasha Poshini of Chingam 10, 1099 (August, 1923), Article on Tipu Sultan by Sardar K.M. Panicker. Also quoted in Ravi Varma, " Tipu Sultan: As Known In Kerala" in Tipu Sultan: Villain or hero? : an anthology. (1993).
From Tipu Sultan's letters

“Late at night
I drift away -
I can hear you calling,
and my name
is in the rain,
leaves on trees whispering,
deep blue sea's mysteries.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

James McNeill Whistler photo
Bill Maher photo
Robert A. Heinlein photo
Kent Hovind photo

“When they burn forests, all the CO2 is released, and trees next door grow faster. So it doesn't create an environmental crisis like they want you to believe.”

Kent Hovind (1953) American young Earth creationist

Creation Seminar 7 - Kent Hovind https://www.youtube.com/watch?v=Ly50W0gAiVE, at 40 minute 43 seconds, Youtube (January 28, 2012)

P. L. Travers photo
Tom Wolfe photo
Shi Nai'an photo

“What excites pleasure in me is the meeting and conversing with old friends. But it is very galling when my friends do not visit me because there is a biting wind, or the roads are muddy through the rain, or perhaps because they are sick. Then I feel isolated. Although I myself do not drink, yet I provide spirits for my friends, […]. In front of my house runs a great river, and there I can sit with my friends in the shadow of the lovely trees. […] When they come they drink and chat, just as they please, but our pleasure is in the conversation and not in the liquor. We do not discuss politics because we are so isolated here that our news is simply composed of rumors, and it would only be a waste of time to talk with untrustworthy information. We also never talk about other people's faults, because in this world nobody is wrong, and we should beware of backbiting. We do not wish to injure anyone, and therefore our conversation is of no consequence to anyone. We discuss human nature about which people know so little because they are too busy to study it.”

Shi Nai'an (1296–1372) Chinese writer

Variant translation by Lin Yutang: "When all my friends come together to my house, there are sixteen persons in all, but it is seldom that they all come. But except for rainy or stormy days, it is also seldom that none of them comes. Most of the days, we have six or seven persons in the house, and when they come, they do not immediately begin to think; they would take a sip when they feel like it and stop when they feel like it, for they regard the pleasure as consisting in the conversation, and not in the wine. We do not talk about court politics, not only because it lies outside our proper occupation, but also because at such a distance most of the news is based upon hearsay; hearsay news is mere rumour, and to discuss rumours would be a waste of our saliva. We also do not talk about people's faults, for people have no faults, and we should not malign them. We do not say things to shock people and no one is shocked; on the other hand, we do wish people to understand what we say, but people still don't understand what we say. For such things as we talk about lie in the depths of the human heart, and the people of the world are too busy to hear them." (The Importance of Living, 1937; pp. 218–219)
Preface to Water Margin

Han-shan photo

“If you want a peaceful place to dwell
Cold Mountain is guaranteed forever
A light wind blows softly in the pines
The sound is good when you are close
One old man sits beneath the trees
Reading Lao Tzu and Huang Ti, mumbling
I could not find the world if I searched ten years
I've forgotten the road by which I came”

Han-shan Chinese monk and poet

Variant, lines 5–8:
Under a tree I'm reading
Lao-tzu, quietly perusing.
Ten years not returning,
I forgot the way I had come.
Translated by Katsuki Sekida[citation needed]
Cold Mountain Transcendental Poetry

Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Max Heindel photo
Willem Roelofs photo

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

Robert Frost photo
Vālmīki photo
William Blake photo

“A fool sees not the same tree that a wise man sees.
He whose face gives no light shall never become a star.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Lines 8–9

Letitia Elizabeth Landon photo

“Maiden, fling from thy braided hair
The red rosebud that is wreathed there;
For he who planted the parent tree
Is now what soon that blossom will be.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Wreath
The Golden Violet (1827)

William Cullen Bryant photo

“The rugged trees are mingling
Their flowery sprays in love;
The ivy climbs the laurel
To clasp the boughs above.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Serenade http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page189, St. 14

Wolfram von Eschenbach photo

“Trees have their sap from water. Water fecundates all things made that are called "creature". We see by means of water. Water gives many souls a splendour not to be outshone by the Angels.”

Von wazzer boume sint gesaft.
wazzer früht al die geschaft,
der man für crêatiure giht.
mit dem wazzere man gesiht.
wazzer gît maneger sêle schîn,
daz die engl niht liehter dorften sîn.
Bk. 16, section 817, line 25; p. 406.
Parzival

Joni Mitchell photo
Ursula K. Le Guin photo

“Before the gods and after, always, are the streams. Caves, stones, hills. Trees. The earth. The darkness of the earth.”

Ursula K. Le Guin (1929–2018) American writer

“Dragonfly” (p. 227)
Earthsea Books, Tales from Earthsea (2001)

George Pope Morris photo

“Woodman, spare that tree!
Touch not a single bough!
In youth it sheltered me,
And I 'll protect it now.”

George Pope Morris (1802–1864) American publisher

Woodman, spare that Tree! (1830), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Adelaide Crapsey photo

“The old
Old winds that blew
When chaos was, what do
They tell the clattered trees that I
Should weep?”

Adelaide Crapsey (1878–1914) American writer

"Night Winds".
Verses (1915)

Arshile Gorky photo

“The bud is on the bough again,
The leaf is on the tree.”

Charles Jefferys (1807–1865) British music publisher

The Meeting of Spring and Summer, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“I am not a big banyan tree; I am a less green bush, the more you cut, the more I grow”

Girija Vyas (1946) Indian politician

Quoted in Sangeeta Barooah Pisharoty, "Poetic identity," http://www.hindu.com/mag/2008/10/19/stories/2008101950080200.htmThe Hindu, India, 19 October 2008

Richard Ashcroft photo
Cormac McCarthy photo
Ai Weiwei photo

“But the internet is like a tree that is growing. The people will always have the last word – even if someone has a very weak, quiet voice.”

Ai Weiwei (1957) Chinese concept artist

2010-, China’s Censorship Can Never Defeat the Internet, 2012

Helen Hunt Jackson photo
John Muir photo

“I'm now done with this glorious continent [South America] …. I've seen all I sought for and far, far, far more. … wandered most joyfully … through millions of acres of the ancient tree I was so anxious to find, Araucaria braziliensis. Just think of the glow of my joy in these noble aboriginal forests — the face of every tree marked with the inherited experiences of millions of years. … Crossed the Andes… Then straight to snowline and found a glorious forest of Araucaria imbricata, the strangest of the strange genus.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. J.D. Hooker http://www.westadamsheritage.org/katharine-putnam-hooker (6 December 1911); published in The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 17, II; and in John Muir's Last Journey, edited by Michael P. Branch (Island Press, 2001), page 125 <!-- Terry Gifford, LLO, page 357 -->
1910s

Moshe Dayan photo
Charles Darwin photo

“Praying is another way of singing.
You plant in the tree the soul of lemons.
You plant in the gardens the spirit of roses.”

Dannie Abse (1923–2014) Welsh poet and physician

Poem Song for Dov Shamir in: Dannie Abse (1963), Dannie Abse, p. 8

José Rizal photo
Hermann Cohen photo

“If I love God, I don't in this way pantheistically love the universe, or the animals, trees and shrubs as my fellow created beings, but rather I love in God precisely the Father of Humanity. And this higher meaning, this social significance, always has its terminus in God the Father. He is not so much the creator and author, but much more the protector and comforter of the poor.”

Hermann Cohen (1842–1918) German philosopher

Wenn ich Gott liebe, so liebe ich nicht pantheistisch das Universum, nicht die Tiere, die Bäume und die Kräuter, als meine Mitgeschöpfe, sondern aber ich liebe in Gott einseitig den Vater der Menschen, und diese höhere Bedeutung und diese soziale Prägnanz hat nunmehr der religiöse Terminus von Gott alsVater: er ist nicht sowohl der Schöpfer und Urheber, sondern vielmehr der Schutz und Beistand der Armen.
Source: The Concept of Religion in the System of Philosophy (1915), p. 81 http://books.google.com/books?id=rZ9RAAAAMAAJ&pg=PA81

Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Rubén Darío photo

“Blessed is the almost insensitive tree,
more blessed is the hard stone that doesn't feel,
for no pain is greater than the pain of being alive,
and no sorrow more intense than conscious life.”

Dichoso el árbol, que es apenas sensitivo,
y más la piedra dura porque esa ya no siente,
pues no hay dolor más grande que el dolor de ser vivo,
ni mayor pesadumbre que la vida consciente.
Cantos de vida y esperanza (1901), "Lo fatal" ("Fatalism")
Quoted in Chambers Dictionary of Quotations (1997), p. 305.

William Makepeace Thackeray photo

“Christmas is here:
Winds whistle shrill,
Icy and chill.
Little care we;
Little we fear
Weather without,
Sheltered about
The Mahogany Tree.”

William Makepeace Thackeray (1811–1863) novelist

The Mahogany Tree, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Letitia Elizabeth Landon photo
James Macpherson photo

“Some gloomy autumn day, when the dreary north wind is howling, read Ossian to the accompaniment of the weird moans of an Æolian harp hung in the leafless branches of a tree, and you will experience a feeling of intense sadness, an infinite yearning for another state of existence, an intense disgust with the present.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Par une de ces journées sombres qui attristent la fin de l'année, et que rend encore plus mélancoliques le souffle glacé du vent du Nord, écoutez, en lisant Ossian, la fantastique harmonie d'une harpe éolienne balancée au sommet d'un arbre dépouillé de verdure, et vous pourrez éprouver un sentiment profond de tristesse, un désir vague et infini d'une autre existence, un dégoût immense de celle-ci.
Hector Berlioz, Mémoires, ch. 39 http://www.hberlioz.com/Writings/HBM39.htm; Eleanor Holmes, Rachel Holmes and Ernest Newman (trans.) Memoirs of Hector Berlioz from 1803 to 1865 (New York: Dover, 1966) pp. 156-7.
Criticism

Arshile Gorky photo

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

David Crystal photo

“The main metaphor that is used to explain the historical relationship is that of the language family or family tree.”

David Crystal (1941) British linguist and writer

Source: The Cambridge Encyclopedia of the English Language, 1987, p. 292

Gerhard Richter photo

“When we describe a process, or make out an invoice, or photograph a tree, we create models; without them we would know nothing of reality and would be animals. Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.”

Gerhard Richter (1932) German visual artist, born 1932

in text for catalogue of documenta 7, Kassel, 1982; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7
1980's

Ben Jonson photo
Percy Bysshe Shelley photo
Robert Charles Wilson photo