Quotes about trees
page 12

A.A. Milne photo
Eugene McCarthy photo

“The maple tree that night
Without a wind or rain
Let go its leaves
Because its time had come.”

Eugene McCarthy (1916–2005) American politician

"The Maple Tree"
Poems

Jacoba van Heemskerck photo

“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's

Colin Wilson photo
John the Evangelist photo
Henry Miller photo
Bob Dylan photo

“I waited for you on the running boards, near the cypress trees, while the springtime turned slowly into autumn.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blood on the Tracks (1975), Idiot Wind

Sylvia Plath photo
Mike Oldfield photo

“How's it feel when
There's time to remember?
…Branches bare,
Like the trees in november.
Had it all,
Threw it all away;
Now's a time to walk away.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Tubular Bells III (1998)

Charles Mingus photo
Ludwig Klages photo

“A man who cannot climb a tree will boast of never having fallen out of one.”

Ludwig Klages (1872–1956) German psychologist and philosopher

Source: Rhythmen und Runen (1944), p. 466

Filippo Tommaso Marinetti photo
John Rupert Firth photo
Octavio Paz photo
John Ogilby photo
Jim Gibbons photo

“Tree-hugging, Birkenstock-wearing, hippie, tie-dyed liberals [in Hollywood should]… go make their movies and their music and whine somewhere else…. It's just too damn bad we didn't buy them a ticket [to become human shields in Iraq].”

Jim Gibbons (1944) American attorney, aviator, geologist, hydrologist and politician

Fox News, March 04, 2005, http://www.foxnews.com/story/0,2933,149423,00.html

Anne Sexton photo
Haruki Murakami photo
Ben Hecht photo
Kate Bush photo

“See those trees
Bend in the wind
I feel they've got a lot more sense than me
You see I try to resist…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Letitia Elizabeth Landon photo
Brigham Young photo

“Now hear it, O inhabitants of the earth, Jew and Gentile, Saint and sinner! When our father Adam came into the garden of Eden, he came into it with a celestial body, and brought Eve, one of his wives, with him. He helped to make and organize this world. He is MICHAEL, the Archangel, the ANCIENT OF DAYS! about whom holy men have written and spoken-He is our FATHER and our GOD, and the only God with whom WE have to do. Every man upon the earth, professing Christians or non-professing, must hear it, and will know it sooner or later. They came here, organized the raw material, and arranged in their order the herbs of the field, the trees, the apple, the peach, the plum, the pear, and every other fruit that is desirable and good for man; the seed was brought from another sphere, and planted in this earth. The thistle, the thorn, the brier, and the obnoxious weed did not appear until after the earth was cursed. When Adam and Eve had eaten of the forbidden fruit, their bodies became mortal from its effects, and therefore their offspring were mortal…It is true that the earth was organized by three distinct characters, namely, Eloheim, Yahovah, and Michael, these three forming a quorum, as in all heavenly bodies, and in organizing element, perfectly represented in the Deity, as Father, Son, and Holy Ghost.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses 1:50-51 (April 9, 1852)
This concept is commonly referred to as the "Adam–God theory."
1850s

Felicia Hemans photo

“The stately Homes of England,
How beautiful they stand!
Amidst their tall ancestral trees,
O'er all the pleasant land.”

Felicia Hemans (1793–1835) English poet

The Homes of England http://digital.library.upenn.edu/women/hemans/records/homes.html, st. 1 (1828).

Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Pratibha Patil photo

“While bringing about reforms and improving institutions, we have to be cautious that while shaking the tree to remove the bad fruit, we do not bring down the tree itself.”

Pratibha Patil (1934) 12th President of India

Quoted in BBC News, "India President Pratibha Patil cautions on reform" http://www.bbc.com/news/world-asia-india-16724191, January 25, 2012.

Margaret Junkin Preston photo

“White as the blossoms which the almond tree,
Above its bald and leafless branches bears.”

Margaret Junkin Preston (1820–1897) American writer

The Royal Preacher, Stanza 5, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 19.

“As Adam said when his wife fell out of the tree—Eve’s dropping again.”

Section 24 (p. 71)
Venus Plus X (1960)

Pete Doherty photo
Robert Frost photo

“The first of men did no more than take the fruit of the tree, and that, we are told, was sin. Modern humanity "tortures the tree in order the sooner to obtain its fruit."”

Charles Baudouin (1893–1963) French-Swiss psychoanalyst

section 20
quote is from Prayer for the Departed by Armand Godoy
The Myth of Modernity (1946)

Kalle Päätalo photo
John Fante photo
Donald Barthelme photo
Amit Chaudhuri photo
Peter Greenaway photo
Octavio Paz photo

“no reality is mine, no reality belongs to me (to us), we all live somewhere else, beyond where we are, we are all a reality different from the word I or the word we;
our most intimate reality lies outside ourselves and is not ours, and it is not one but many, plural and transitory, we are this plurality that is continually dissolving, the self is perhaps real, but the self is not I or you or he, the self is neither mine nor yours,
it is a state, a blink of the eye, it is the perception of a sensation that is vanishing, but who or what perceives, who senses?
are the eyes that look at what I write the same eyes that I say are looking at what I write?
we come and go between the word that dies away as it is uttered and the sensation that vanishes in perception—although we do not know who it is that utters the word nor who it is that perceives, although we do know that the self that perceives something that is vanishing also vanishes in this perception: it is only the perception of that self s own extinction,
we come and go: the reality beyond names is not habitable and the reality of names is a perpetual falling to pieces, there is nothing solid in the universe, in the entire dictionary there is not a single word on which to rest our heads, everything is a continual coming and going from things to names to things,
no, I say that I perpetually come and go but I haven’t moved, as the tree has not moved since I began to write,
inexact expressions once again: I began, I write, who is writing what I am reading?, the question is reversible: what am I reading when I write: who is writing what I am reading?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

F. Scott Fitzgerald photo
Kent Hovind photo

“God's commandments are not grievous. God put them in the garden, said "You can eat of any tree except that one tree, The Knowledge of Good and Evil." It's real simple, Adam. Enjoy the garden, have lots of kids, and don't learn about evil. […] Parents, don't teach your kids about all the evil things. Don't have drug education classes where you show them, "Hey, this is marijuana. This is how you smoke it. Now don't you do that." Duh. Don't put them in sex ed classes in seventh grade, it's a plumbing class at that time. Don't do that, okay? Let them be ignorant. Let them learn it from mom and dad, not from some heathen, okay? It's real simple Adam. Enjoy the world and have lots of kids and don't learn about evil. Don't learn all that stuff. The Lord said, "Hey, have you eaten off that tree I told you not to eat from?" God is not asking for information. He's asking for a confession. And the man said, "The woman (he passed the buck) whom thou gavest to be with me. Now God, this is really your fault, you know. If you hadn't given her to me I wouldn't have this problem." He said to the woman, "Have you done this?" She said, "Well, the snake that you made…." We still do the same thing, nothing changes, okay? Fear God, keep his commandments. Just like the taking of life is very important in any culture. Murder is serious. Giving life is important. That's why God put certain rules down for reproduction, okay? Follow his rules. "Thou shalt not commit adultery. Whoremongers and adulterers God will judge." Don't even look and lust or you've committed adultery already in your heart. By the way, ladies, that's why it's important how you dress, okay? My daddy always said, "If you're not in business, don't advertise."”

Kent Hovind (1953) American young Earth creationist

Women should dress in modest apparel. That's what the Bible says, alright.
Creation seminars (2003-2005), The dangers of evolution

Richard Henry Dana Jr. photo
Bruce Bennett photo

“There was only a single sharpshooter up in the trees to keep the croc away from me.”

Bruce Bennett (1906–2007) actor

On some dangers in his role as Tarzan, in an interview in Christian Science Monitor (1999), quoted in "Film Star and Olympian Herman Brix" by Adam Bernstein, in The Washington Post (28 February 2007) http://www.washingtonpost.com/wp-dyn/content/article/2007/02/27/AR2007022702029_pf.html

Théodore Rousseau photo

“The tree which rustles and the heather which grows are for me the grand history, that which will not change. If I speak well their language, I shall have spoken well the language of all times.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

as quoted in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 132
undated quotes

Bel Kaufmanová photo
Thomas Bailey Aldrich photo
William James photo

“Out of my experience, such as it is (and it is limited enough) one fixed conclusion dogmatically emerges, and that is this, that we with our lives are like islands in the sea, or like trees in the forest. The maple and the pine may whisper to each other with their leaves. … But the trees also commingle their roots in the darkness underground, and the islands also hang together through the ocean's bottom. Just so there is a continuum of cosmic consciousness, against which our individuality builds but accidental fences, and into which our several minds plunge as into a mother-sea or reservoir.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"Confidences of a 'Psychical Researcher'" http://hcl.harvard.edu/libraries/houghton/exhibits/james/psychical/7_8.cfm, in The American Magazine, Vol. 68 (1909), p. 589
Often (mis)quoted as: "We are like islands in the sea; separate on the surface but connected in the deep", or: "Our lives are like islands in the sea, or like trees in the forest, which co-mingle their roots in the darkness underground."
1900s

“They reach the realms of tranquil bliss.
Green spaces folded in with trees,
A paradise of pleasances.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 215

Sei Shonagon photo
John Muir photo
Robert Herrick photo

“Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past
But you may stay yet here awhile
To blush and gently smile,
And go at last.”

Robert Herrick (1591–1674) 17th-century English poet and cleric

" To Blossoms http://www.bartleby.com/106/109.html".

Michael Chabon photo
Thich Nhat Tu photo
Francis Wayland Parker photo
Peter Gabriel photo

“Souma Yergon, Sou Nou Yergon, We are shakin' the tree.
Souma Yergon, Sou Nou Yergon, We are shakin' the tree.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

Shaking the Tree, written by Peter Gabriel and Youssou N'Dour
Translation: If we had known, if we only had known.
Song lyrics, Shaking the Tree (1990)

John Cleese photo
Robert Hooke photo
Theodor Reuss photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Paul Verlaine photo

“White moon gleaming
Among trees,
From every branch
Sound rising into
Canopies.”

La lune blanche
Luit dans les bois;
De chaque branche
Part une voix
Sous la ramée.
"La lune blanche", line 1, from La Bonne Chanson (1872); Sorrell p. 57

Aga Khan III photo
Thomas Holley Chivers photo

“You must remember that an oak tree is not a crime against the acorn.”

David Zindell (1952) American writer

Source: War in Heaven (1998), p. 634

Max Ernst photo

“Mixed feelings when he [Max Ernst frequently writes about himself in the third person] enters the forest for the first time: delight and oppression. And what the Romantics spoke of as 'being at one with Nature'. Wonderful joy in breathing freely in an open space, but also anxiety at being encircled by hostile trees. Outside and inside at the same time, free and trapped.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Room 6, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is describing an early childhood experience, in the third person
posthumous

Ray Bradbury photo
Jim Rogers photo

“Sometimes I think our central bank will keep printing money till we run out of trees.”

Jim Rogers (1942) American writer

The Downward Spiral http://www.jimrogers.com/content/stories/articles/THE_DOWNWARD_SPIRAL.htm

Leon Fleisher photo
Amit Chaudhuri photo
Alfred Horsley Hinton photo

“We know the mountain peaks are lofty, and we think of them so, and we mentally enlarge them, but not the cottage at their foot, or the trees half way up.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, The use of the lens in pictorial work, p. 57

Mahatma Gandhi photo

“I say without fear of my figures being successfully challenged that India today is more illiterate than it was before a fifty or hundred years ago, and so is Burma, because the British administrators when they came to India, instead of taking hold of things as they were, began to root them out. They scratched the soil and began to look at the root and left the root like that and the beautiful tree perished.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Mahatma Gandhi, Speech at Chatham House, London, on October 20, 1931. Quoted in Essential Writings of Dharampal by Dharampal, and quoted in S.R. Goel, Hindu Society under siege http://web.archive.org/web/20170202032436/http://bharatvani.org/books/hsus/ch4.htm
1930s

John F. Kennedy photo
William Cullen Bryant photo

“Heed not the night; a summer lodge amid the wild is mine -
'Tis shadowed by the tulip-tree, 'tis mantled by the vine.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Strange Lady, st. 6

David Bowie photo
Robert A. Heinlein photo

“We're tired of trees. We should stop believing in trees, roots, and radicles. They've made us suffer too much. All of arborescent culture is founded on them, from biology to linguistics. Nothing is beautiful or loving or political aside from underground stems and aerial root, adventitious growths and rhizomes.”

Gilles Deleuze (1925–1995) French philosopher

Nous sommes fatigués de l'arbre. Nous ne devons plus croire aux arbres, aux racines ni aux radicelles. Nous en avons trop souffert. Toute la culture arborescente est fondée sur eux, de la biologie à la linguistique. Au contraire, rien n'est beau, rien n'est amoureux, rien n'est politique, sauf les tiges souterraines et les racines aériennes, l'adventice et le rhizome.
from A Thousand Plateaus: capitalism and schizophrenia, p. 15

Rāmabhadrācārya photo
Paul Klee photo

“[commenting French Cubist art].. Trees are violated, humans become incapable of life; there is a coercion that leads to the un-recognazibility of the object, to a picture-puzzle. For here what counts is not a profane law, but a law of art.”

Paul Klee (1879–1940) German Swiss painter

Quote (April 1912); as cited in Kandinsky and Klee in Tunisia, Roger Benjamin & Cristina Ashjian; Univ of California Press, 2015, p. 106
In April 1912 Paul Klee spent 16 days with his wife Lily in Paris. They visited the exhibtion of the 'Salon des Independants' of 1912, where works were shown of Delaunay, Seurat and many Cubist works
1911 - 1914

William Wordsworth photo
Mirkka Rekola photo
Ramakrishna photo
David Brin photo
John Muir photo

“Happy will be the men who, having the power and the love and the benevolent forecast to [create a park], will do it. They will not be forgotten. The trees and their lovers will sing their praises, and generations yet unborn will rise up and call them blessed.”

John Muir (1838–1914) Scottish-born American naturalist and author

"The Basin of the Columbia River" in Picturesque California (1888-1890); reprinted in Steep Trails (1918), chapter 22
1880s

Johnny Cash photo
Matthew Arnold photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Mark Tobey photo
Mata Amritanandamayi photo
Frances Bean Cobain photo

“I'm coming back as a cat or a tree or a molecule in my next life.”

Frances Bean Cobain (1992) American artist

16 February 2015 https://twitter.com/alka_seltzer666/status/567542121033236483
Twitter https://twitter.com/alka_seltzer666 posts

William O. Douglas photo