Quotes about singing
page 9

Dorothy Parker photo

“Van and Schenck put their songs over so skillfully that it isn’t until their act is all done that you realize what extremely indifferent songs they are. Now, when John Steel is singing, on the other hand, you are never fooled for a moment. p.153”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

Ursula K. Le Guin photo
Ray Charles photo
Gloria Estefan photo

“For the rest of my life, the one song that people will remember -- regardless -- is "Conga"... I never get tired of singing it. It never gets old for me.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007, 2008

Ralph Ellison photo
Eduard Bernstein photo

“The fact of the modern national States or empires not having originated organically does not prevent their being organs of that great entity which we call civilised humanity, and which is much too extensive to be included in any single State. And, indeed, these organs are at present necessary and of great importance for human development. On this point Socialists can scarcely differ now. And it is not even to be regretted, from the Socialist point of view, that they are not characterised purely by their common descent. The purely ethnological national principle is reactionary in its results. Whatever else one may think about the race-problem, it is certain that the thought of a national division of mankind according to race is anything rather than a human ideal. The national quality is developing on the contrary more and more into a sociological function. But understood as such it is a progressive principle, and in this sense Socialism can and must be national. This is no contradiction of the cosmopolitan consciousness, but only its necessary completion, The world-citizenship, this glorious attainment of civilisation, would, if the relationship to national tasks and rational duties were missing, become a flabby characterless parasitism. Even when we sing "Ubi bene, ibi patria," we still acknowledge a "patria," and, therefore, in accordance with the motto, "No rights without duties"; also duties towards her.”

Eduard Bernstein (1850–1932) German politician

Bernstein, Eduard. "Patriotism, Militarism and Social-Democracy." (Originally published as: "Militarism." Social Democrat. Vol.11 no.7, 15 July 1907, pp.413-419.) http://www.marxists.org/reference/archive/bernstein/works/1907/07/patriotism.htm

Sanjaya Malakar photo

“I like singing in the street, so if you saw a little Indian kid walking on the street singing loudly, that was probably me.”

Sanjaya Malakar (1989) American reality television personality

Asked in an interview what he does in his spare time. http://www.azcentral.com/ent/tv/articles/0419SanjayaSpeaks0419.html

Eldon Hoke photo

“Interviewer: Do you guys really live the lifestyle that you sing about in your songs?
El Duce: Absolutely. All our songs are about reality. Like Sleep Bandits.”

Eldon Hoke (1958–1997) Singer, musician

El Duce, The Man, The Myth, The Video (1993) by Reverend Cuntbag

Arlo Guthrie photo
Julie Andrews photo
Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64

Brandon Boyd photo
Florence Earle Coates photo

“She was a great woman with the heart of a little child. Her works praise her; the millions of God's creatures whom she has saved from suffering sing her praise. Where she has gone the recognition of this world counts for little. She has gone where the merciful are blessed, where the pure in heart see God.”

Florence Earle Coates (1850–1927) American writer and poet

Mrs. Coates on her Aunt (ca. September 1916), Mrs. Caroline Earle White—President and founder of The Women's Pennsylvania Society for the Prevention of Cruelty to Animals and the American Anti-Vivisection Society. Caroline Earle White biography on the American Anti-Vivisection Society website http://www.aavs.org/cew.html
Records of the American Catholic Historical Society of Philadelphia, Volume 33 (1922) http://books.google.com/books?id=c1o8AAAAIAAJ&dq=%22florence%20earle%20coates%22%20%22pure%20in%20heart%20see%20god%22&pg=PA52#v=onepage&q=%22she%20was%20a%20great%20woman%22&f=false

Patrick Stump photo
Richard Harris Barham photo

“And six little Singing-boys,—dear little souls!
In nice clean faces, and nice white stoles,
Came in order due,
Two by two,
Marching that grand refectory through.”

Richard Harris Barham (1788–1845) British writer and priest

Poem: The Jackdaw of Rheims http://www.bartleby.com/246/108.html

Sanjaya Malakar photo

“If you couldn’t sing, which talent would you most like to have? Singing.”

Sanjaya Malakar (1989) American reality television personality

On American Idol. http://www.americanidol.com/contestants/season6/sanjaya_malakar

Nick Cave photo

“O you recall the song ya used to sing-a-long,
Shifting the river-trade on that ol' steamer,
Life is but a dream!”

Nick Cave (1957) Australian musician

Song lyrics, From Her to Eternity (1984), Saint Huck

Julie Andrews photo
Ursula K. Le Guin photo
Tanith Lee photo

“The moon walks east of midnight,
The sun walks west of noon.
And though I love you, sweetheart,
I will not sing your tune.”

Source: East of Midnight (1977), Chapter 2, “Full Moon” (p. 24; often repeated)

“How at heaven's gates she claps her wings,
The morne not waking til she sings.”

John Lyly (1554–1606) English politician

Cupid and Campaspe, Act v, Sc. 1. Compare: "Hark, hark! the lark at heaven's gat sings,/And Phœbus 'gins arise", William Shakespeare, Cymbeline, act ii, sc. 3.

Arshile Gorky photo
Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

William Cowper photo

“Those golden times
And those Arcadian scenes that Maro sings,
And Sidney, warbler of poetic prose.”

Source: The Task (1785), Book IV, The Winter Evening, Line 514.

Princess Madeleine, Duchess of Hälsingland and Gästrikland photo
David Byrne photo

“I try to write about small things. Paper, animals, a house…love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.”

David Byrne (1952) Scottish alternative rock musician and promoter of world music

In the self-interview on Stop Making Sense

Joseph Addison photo

“For ever singing as they shine,
The hand that made us is divine.”

Joseph Addison (1672–1719) politician, writer and playwright

Ode.
Bartlett's Familiar Quotations, 10th ed. (1919)

Morrissey photo
George Gordon Byron photo

“In the desert a fountain is springing,
In the wide waste there still is a tree,
And a bird in the solitude singing,
Which speaks to my spirit of thee.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanzas to Augusta (1816), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Anastacia photo
William Cowper photo

“Now let us sing — Long live the king,
And Gilpin, long live he;
And, when he next doth ride abroad,
May I be there to see!”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

St. 63.
The Diverting History of John Gilpin (1785)

P.G. Wodehouse photo
Thom Yorke photo

“It annoys me how pretty my voice is…that sounds incredibly immodest, but it annoys me how polite it can sound when perhaps what I'm singing is deeply acidic.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.geocities.com/SunsetStrip/Stage/9346/RAAmain.html

Larry Wall photo

“P. S. I suppose I really should be nicer to people today, considering I'll be singing in Billy Graham's choir tonight…”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199709261754.KAA23761@wall.org, 1997]
Usenet postings, 1997

Naomi Watts photo
Morrissey photo

“So I broke into the palace, with a sponge and a rusty spanner
She said "eh, I know you and you cannot sing"
I said "that's nothing you should hear me play piano"”

Morrissey (1959) English singer

From the song "The Queen Is Dead (Take Me Back To Dear Old Blighty)"
From songs

Alfred Noyes photo
Thomas Haynes Bayly photo

“I've now got the music book ready,
Do sit up and sing like a lady
A recitative from Tancredi,
And something about "Palpiti!"
Sing forte when first you begin it,
Piano the very next minute,
They'll cry "What expression there's in it!"”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

Don't sing English ballads to me!
Don't Sing English Ballads to Me; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 56.

Silius Italicus photo

“That crystal river keeps its pools of blue water free from all stain above its shallow bed, and slowly draws along its fair stream of greenish hue. One would scarce believe it was moving; so softly along its shady banks, while the birds sing sweet in rivalry, it leads along in a shining flood its waters that tempt to sleep.”
Caeruleas Ticinus aquas et stagna uadoso perspicuus seruat turbari nescia fundo ac nitidum uiridi lente trahit amne liquorem. uix credas labi: ripis tam mitis opacis argutos inter uolucrum certamine cantus somniferam ducit lucenti gurgite lympham.

Book IV, lines 82–87
Punica

James Russell Lowell photo

“The Maple puts her corals on in May,
While loitering frosts about the lowlands cling,
To be in tune with what the robins sing.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Sonnet, The Maple http://www.theatlantic.com/ideastour/archive/lowell.mhtml (1875)

Charles Dibdin photo

“Spanking Jack was so comely, so pleasant, so jolly,
Though winds blew great guns, still he ’d whistle and sing;
Jack loved his friend, and was true to his Molly,
And if honour gives greatness, was great as a king.”

Charles Dibdin (1745–1814) British musician, songwriter, dramatist, novelist and actor

The Sailor’s Consolation. A song with this title, beginning, "One night came on a hurricane", was written by William Pitt, of Malta, who died in 1840.

Robert Cunninghame-Grahame of Gartmore photo

“For you alone I ride the ring,
For you I wear the blue;
For you alone I strive to sing,
O tell me how to woo!”

Robert Cunninghame-Grahame of Gartmore (1735–1797) British politician, died 1797

If Doughty Deeds ("If daughty deeds my lady pleases."), The Oxford Book of English Verse (1939)

Conrad Aiken photo
Brad Paisley photo
Christopher Moore photo
Pete Seeger photo

“If I've got a talent, it's for picking the right song at the right time for the right audience. And I can always seem to get people to sing with me.”

Pete Seeger (1919–2014) American folk singer

"A Minstrel with a Mission", Life magazine, 1964.

Edmund Sears photo
Simone Bittencourt de Oliveira photo
Shreya Ghoshal photo

“I am an easy going person. I don't sing for money or fame. I was brought up in an environment where I was taught to love and respect music, not consider it a business.”

Shreya Ghoshal (1984) Indian playback singer

Opinion about music http://www.hindustantimes.com/music/i-don-t-sing-for-money-or-fame-shreya-ghoshal/story-8vgJ5F1u77DfpVBcTF8R2J.html - Archived http://web.archive.org/web/20170307222836/http://www.hindustantimes.com/music/i-don-t-sing-for-money-or-fame-shreya-ghoshal/story-8vgJ5F1u77DfpVBcTF8R2J.html

Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Mike Oldfield photo
Joe Hill photo
Thomas Aquinas photo

“Sing, my tongue, the Savior's glory,
Of His Flesh the mystery sing;
Of the Blood, all price exceeding,
Shed by our immortal King.”

Pange, lingua, gloriosi Corporis mysterium Sanguinisque pretiosi, Quem in mundi pretium Fructus ventris generosi Rex effudit gentium.

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Pange, Lingua (hymn for Vespers on the Feast of Corpus Christi), stanza 1

Hilary Duff photo
James Macpherson photo
Henry Carey photo
George Chapman photo
Charles Wesley photo

“"CHRIST the LORD is ris'n To-day,"
Sons of Men and Angels say,
Raise your Joys and Triumphs high,
Sing ye Heav'ns, and Earth reply.”

Charles Wesley (1707–1788) English Methodist and hymn writer

Wesley J and Wesley C (1743), "Hymns and Sacred Poems", 4th edition, page 144, at archive.org. https://archive.org/details/hymnsandsacredpo00wesliala
Hymns and Sacred Poems (1739)

Pete Seeger photo

“If singing were all that serious, frowning would make you sound better.”

Pete Seeger (1919–2014) American folk singer

Source: How Can I Keep from Singing: Pete Seeger (1981), p. 122

Chris Rock photo
Lord Dunsany photo
Halldór Laxness photo

“If you are a piano,
You will laugh on ev'ry string,
And if you are a girl or boy,
You'll sing.”

Malvina Reynolds (1900–1978) American folk singer

Song There's Music In The Air

Bob Dylan photo

“Anything I can sing, I call a song. Anything I can't sing, I call a poem.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Liner notes https://bobdylan.com/albums/freewheelin-bob-dylan/, The Freewheelin' Bob Dylan (1963)

Shraddha Kapoor photo

“I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes as they had a lot of glitter in them. My whole family speaks in this sing song way and, for a short period of time, I would practice these air hostess speeches. While my dad was comfortable with me being an actor, the only thing he said no was to becoming an air hostess.”

Shraddha Kapoor (1987) Indian film actress & Singer

I was most upset with the way people were talking about my dad: Shraddha via The Times of India (April 21, 2013) http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news-interviews/I-was-most-upset-with-the-way-people-were-talking-about-my-dad-Shraddha/articleshow/19649087.cms

Tomas Kalnoky photo
Stanley Hauerwas photo
Florbela Espanca photo

“Kiss my hands, Love, make them feel caressed
Kiss them as if we two were only siblings,
Two birds singing in the sun and in the same nest.Kiss them, Love!… The wildest fantasy is at my fingertips
To hold those kisses locked within my hands
The kisses that I dreamed were for my lips!”

Florbela Espanca (1894–1930) Portuguese poet

Beija-me as mãos, Amor, devagarinho...
Como se os dois nascessemos irmãos,
Aves cantando, ao sol, no mesmo ninho...<p>Beija-mas bem!... Que fantasia louca
Guardar assim, fechados, nestas mãos,
Os beijos que sonhei pra minha boca!
Quoted in Presença literária (2001), p. 70
Translated by John D. Godinho
Book of Sorrows (1919), "Amiga"

David Lee Roth photo
Maya Angelou photo

“A bird doesn't sing because it has an answer, it sings because it has a song”

Maya Angelou (1928–2014) American author and poet

Although it appears on U.S. postage featuring Angelou, this is actually a variant quote from the work of poet Joan Walsh Anglund.
Misattributed
Source: Postal Service releases Maya Angelou stamp with quote from another author, Josh Hicks, 7 April 2015, Washington Post, 9 April 2015 http://www.washingtonpost.com/blogs/federal-eye/wp/2015/04/07/postal-serves-releases-maya-angelou-stamp-with-quote-from-another-author/,

John Newton photo

“When we've been there ten thousand years,
Bright shining as the sun,
We've no less days to sing God's praise
Than when we'd first begun.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

These lines were not written by Newton. They have often been accreted to various hymns, including "Amazing Grace", since the mid-nineteenth century.
Misattributed

John Ogilby photo

“Arcadians both, in youth both flourishing,
Both match'd to sing, to answer both prepar'd.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks

Elliott Smith photo
Halldór Laxness photo
Charlotte Salomon photo

“.. even happens that each character has to sing a different text, resulting in a chorus. The varied nature of the paintings should be attributed less to the author than to the varies nature of the characters to be portrayed. The author [= Charlotte Salomon] has tried.... to go completely out of herself to allow the characters to sing or speak in their own voices. In order to achieve this, many artistic values had to be renounced, but I hope that.... this will be forgiven.”

Charlotte Salomon (1917–1943) German painter

The author, St. Jean, August 1940/42
Charlotte's 6th introduction page, related to image no. 4155-6 https://charlotte.jck.nl/detail/M004155-fJHM: '..even happens that each character..', p. 46
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

Gloria Estefan photo

“Gloria Estefan is going to be here. She writes these books about her dog, Noelle... and she also dances and sings well, too.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Gretchen Carlson, anchor of Fox and Friends television program (October 12, 2006)
2007, 2008

Ludovico Ariosto photo

“Of ladies, knights, of passions and of wars,
of courtliness, and of valiant deeds I sing.”

Le donne i cavallier, l'arme, gli amori,
Le cortesie, l'audaci imprese io canto.
Canto I, stanza 1 (tr. David R. Slavitt)
Orlando Furioso (1532)

John Muir photo
Donald Barthelme photo
Tad Williams photo

““Do you get tired, singing?” she asked.
Gan Itai laughed quietly. “Does a mother grow tired raising her children? Of course, but it is what I do.””

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, Stone of Farewell (1990), Chapter 23, “Deep Waters” (p. 591).

Nisargadatta Maharaj photo
Norman Lamont photo

“My wife said she'd never heard me singing in the bath until last week.”

Norman Lamont (1942) British politician

Anatole Kaletsky, "Lamont looks on the bright side", The Times, 22 September 1992.
At a press conference in Washington DC, 21 September 1992. The event "last week" was 'Black Wednesday'.

Nathan Lane photo

“I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm.”

Nathan Lane (1956) American actor

Rob Minkoff, on Lane's ability with voice acting — reported in Evan Henerson (July 19, 2002) No Vocal Yokels - When Animated Characters Need That Extra Dimension, Stars Step Up To The Mic", Daily News of Los Angeles, p. U6.
About

Robert Herrick photo
Aleister Crowley photo

“I sing for God, our Devil, our Lord, Aiwaz.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: Magical Record of the Beast 666: The Diaries of Aleister Crowley 1914-1920 (1972), p. 238

Charles Wolfe photo
Ben Jonson photo
Thomas Bailey Aldrich photo
Tomas Kalnoky photo
Charlotte Salomon photo
Masiela Lusha photo

“Sing your song, unforgiving siren,
Part the curtain clouds with your faithful entrance,
And clear your voice.
Pour your song of milk onto this land of yours.”

Masiela Lusha (1985) Albanian actress, writer, author

"Full Moon - A Siren's Song" http://www.poemhunter.com/poem/full-moon-a-siren-s-song/
Drinking the Moon (2006)